Copyright: Finding Images to Tell the Story of History

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Here it is! Jackrabbit Trading Post, Route 66, AZ, Carol M. Highsmith, LoC
Here it is! Jackrabbit Trading Post, Route 66, AZ, Carol M. Highsmith, LoC
Here it is! Jackrabbit Trading Post, Route 66, AZ, Carol M. Highsmith, LoC
Here it is! Jackrabbit Trading Post, Route 66, AZ, Carol M. Highsmith, LoC
Here it is! Jackrabbit Trading Post, Route 66, AZ, Carol M. Highsmith, LoC
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As you browse the Internet for sources, searching for photographs of this event or that monument, do you ever get frustrated by the ins and outs of copyright law? In most situations, it won't be an issue—images you choose to use won't go beyond your classroom and it's unlikely your students will question your adherence to the rules of fair use.

But what if you or your students are working on something that will travel beyond your classroom? Maybe your students are creating short digital documentaries, and you want to host the finished projects on a website—or even upload them to YouTube? Maybe you want students to create small websites themselves, or produce other types of presentations that will be shared with the public online?

Now you're talking distribution, and stakes go up a little. Before you get deep into the project, you may want to take the time to orient your students to copyright and public domain. Even if you doubt your students' work will draw a large audience or generate any rights challenges, consider this a teachable moment. In a world of easy downloading, it's possible your students have never thought about the complicated web of laws that surrounds every image they encounter every day.

A First Look at Copyright Law

A good place to start is Tales from the Public Domain: BOUND BY LAW?, a comic book created by Keith Aoki, James Boyle, and Jennifer Jenkins for the Duke Center for the Study of the Public Domain. In this good-natured tour of copyright law, the main character, Akiko, just wants to make a documentary about a day in the life of New York City. What challenges will she face, and does she have the right to use the images she captures? Remember that this comic came out in 2006, and copyright laws are constantly changing!

After this orientation to thinking about copyright, ask your students to consider places they might find images. Take a look around some of the major online public archives, like the Library of Congress Prints and Photographs Collection or the National Archives and Research Administration's ARC.

Photo, Washington Monument on armistice night, 1921, Nov. 25, 1921, Library of CongressHave students search for topics both historical and contemporary, and see what the entries for the images they turn up say about copyright. "No known restrictions on publication?" "Unrestricted?" Images created before 1923 should be in the public domain, free of copyright restrictions, as should images created by government organizations. More recent sources may note copyright restrictions, including specific caveats about how a source may be reproduced.

More Stops on a Copyright Tour

Compare the copyright notices on the Library of Congress and NARA's sites to those on sites that make copyright restriction on their images clear, such as the National Geographic Photo Collection or Getty Images. Are these sites archives in the same way the Library of Congress and NARA's collections are? What information do they provide about their images? What seems to be their purpose in providing the images?

Photo, Alamo IMG_0676, Jan. 20, 2006, OZinOH, FlickrAnother informative stop might be Yahoo's Flickr. Type any word in the search box and you'll come up with thousands of images taken by photographers worldwide, from amateurs to professionals. Looking for a modern-day image of a historic site to contrast with a historical image? A picture of a monument or memorial, a museum or a work of art? Chances are, you'll find it here. But the social nature of the site doesn't mean copyright doesn't apply to these images! Check out the license information in the right-hand column. Are all rights reserved? Or does the photo have a Creative Commons license? (Flickr's Advanced Search lets you search just for Creative Commons-licensed images.)

Contributing to History

After all of this, are you or your students still having a difficult time finding a usable image of something or somewhere? Maybe you need a picture of the casters on the back of the main statue on the FDR Memorial in Washington, DC, or a photo of the interior of the Old Stone House at the Manassas National Battlefield Park. Many people have worked to fill in gaps in the documentation of our history and the world around us, today and in the past. For instance, during the New Deal, photographers for the Farm Security Administration and Office of War Information took thousands of photographs of people and places all across the U.S.—government creations that were (and still are) largely in the public domain. Today, individuals like photographer Carol Highsmith donate their photographs to the public domain. Inspired by Frances Benjamin Johnston, an early female photographer who gave many of her photographs to the Library of Congress, Highwater plans to spend more than a decade travelling the U.S., taking photographs that she will give to the Library of Congress as public-domain donations.

Here it is! Jackrabbit Trading Post, Route 66, Joseph City, Arizona, Jul. 4, 2006, Carol M. Highsmith, Library of CongressNow that your students understand how tricky it may be to find sources that can be freely used to tell the story of history, they're in a position to help out, themselves! What historic sites or other traces of history exist in your local area? Are there Creative Commons-licensed images of these on, say, Flickr? If not, how about collecting some? Students can help fill in the gaps in our public record of place and time, and add to the resources available to students like themselves.

For more information

For more on copyright, check out Teachinghistory.org director Kelly Schrum's answer to an Ask a Digital Historian question on fair use.

Archival Research Catalog (ARC)

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ARC offers more than 78,000 digital government resources. Materials include textual records, photographs, maps, architectural drawings, artifacts, sound recordings, and motion pictures dating from the colonial period to the recent past. ARC includes items on presidents, the military, war, immigration, Japanese-American internment, slavery, science, prisons, federal programs, the environment, the National Park Service, foreign affairs, civil rights, African Americans, and American Indians.

To begin a search, click on the yellow "search" button near the top left of the ARC webpage. The search engine is clearly organized and invites queries on specific historical materials or general themes. To access digitized materials only, check the box marked "Descriptions of Archival Materials linked to digital copies." The site continues to expand, though, as it stands, it provides an exceptional collection of government material.

Access to Archival Databases

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Logo, National Archives
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The National Archives has created this vast database of electronic records (85 million records on the date visited) from federal agencies and from collections of donated historical materials. Search and browse functions extend throughout the database, and the collection can also be browsed by pre-set subject categories or by time spans. All records are electronic texts. There are no scanned images of documents, photographs, or microfilm.

A very small sampling of the records: Ships and passengers who arrived in New York during the Irish Potato Famine, 1846–1851; Red Cross records of WW2 Allied POWs; descriptive indexes of flood photographs from FEMA (1989–2004); helicopter air sorties flown in Vietnam (1970–1975); documentation from the Historic American Buildings Survey (1933–1997); and records about worker-initiated strikes and employed-initiated lockouts (1953–1981).

How Teaching American History Grants Changed My Classroom Anonymous (not verified) Fri, 02/08/2008 - 18:08
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Before beginning my first Teaching American History (TAH) grant in 2003, I was a struggling new teacher. Then in my third year of teaching at an affluent high school in Northeastern Kansas, I found myself struggling to get my students to become as enthusiastic about history as I was. I worked every day to get them to see a connection between what we were studying and their own lives. It was not until the lead professor of my TAH grant took us to do research at the nearby National Archives facility that I really caught a vision of how using primary sources could engage my history students.

The archivists at NARA Central Plains pulled the records of the Food Administration. I was thrilled to read through detailed accusations and evidence of hoarding during WWI rationing. I was fascinated by the efforts to hide flour and sugar coupled with the suspicious finger-pointing between neighbors. In one document, a man complained to the Food Administration that he knew his neighbor had hidden a large stash of flour and sugar in a closet. He further claimed that the owner concealed the contents by wallpapering over the opening. There were so many of these examples that it was difficult to choose which ones to use. After selecting several documents to include in my WWI unit, I decided to try something different.

And Now for Something Completely Different

After dividing students into groups, I gave each a laptop and a different document. With no background information, their assignment was to use the document to determine what it was referring to. Once they figured that out, they had to write a response from the addressee based on what they had learned from their quest. During that lesson, there were no students that were not fully engaged. I had no discipline problems, no yawns, and no daydreamers. The groups began to compete to see who would find the answer sooner. This gave me the confidence to try more things.

With no background information, their assignment was to use the document to determine what it was referring to.

Before my TAH grants, step two of lesson planning—the first being reading the curriculum standards—was always the textbook. After having success with using primary sources, step two became a search for them. Besides searching the National Archives and Records Administration (NARA) website, I frequented websites such as Digital History and the archives of different state and presidential libraries. The Internet Modern History Sourcebook and the New York Public Library Digital Gallery were also great websites for digital sources. Regardless, my first stop was always the website of the Library of Congress.

When our TAH grant group was introduced to the holdings of the Library of Congress, the possibilities seemed endless. My students got glimpses of factory life in a Westinghouse factory in 1900. They laughed at early motion pictures like Buster Brown and The Great Train Robbery. I also included early radio broadcasting and advertising to spark discussions of life and pop culture during different times in American history. My students came to know exactly what primary sources were and by the end of my time with them they were finding their own resources.

My students came to know exactly what primary sources were and by the end of my time with them they were finding their own resources.

My TAH grants gave me the opportunity to travel to other regional archives where I found even more treasures. At NARA Pacific Alaska regional archives in Seattle, WA, I explored Chinese exclusion. The case files I searched revealed a lot about the issues of the time. I was able to digitize these case files and turn them into a web quest where my students analyzed accusations and made their own judgments of guilt or innocence. This turned out to be another great lesson that would not have happened without TAH. Those documents would have remained hidden in the miles of paper documents housed at that facility.

Challenging the Concept of Teaching

All the success I enjoyed using primary sources did not come without some difficulties. Because this method of teaching goes against the traditional lecture approach to teaching history, it took some time for my students, their parents, and the school administration to really understand that this was the "meat and potatoes" of the content and not the "dessert." By using primary sources, my class became student-centered. Rarely did I lecture. Instead, my students were engaged in inquiry and research. They were seeking to answer their own questions. Because they did not have lecture notes, many of my military dads—who were avid history buffs—questioned my approach. However, I did not back down and soon my school administrators realized that my students were performing better on state tests than their peers.

By using primary sources, my class became student-centered. Rarely did I lecture. Instead, my students were engaged in inquiry and research. They were seeking to answer their own questions.

It is important to keep expectations high in this type of classroom setting. The teacher must have a strong classroom management system in place and provide clear instructions. It is essential that the teacher roam the room and converse with all groups to gauge the level of understanding and involvement of students. This is where differentiation can really happen and problems can be solved.

It will take time to transform a classroom into this model. Begin by introducing primary sources where possible. Often, the textbook will give a short quote or image from a primary source. Use this information to find the entire document to show your students. Furthermore, there are many great books and websites available that are full of primary sources. For images, color copies are best. Save money by putting all of the primary sources for each unit into a classroom set of folders with sheet protectors. This way, fewer color copies are made and they can be reused year after year.

When I was chosen for the first grant, I thought that I would learn more about history content. Although I did learn so much from the visiting historians, nothing can compare to the radical change that occurred in my teaching. I was fortunate to participate in two TAH grants and to serve as a teacher leader in a third. It is so nice to see others catch the vision of how using primary sources can transform the traditional history classroom.

Primarily Teaching [WA]

Description

This workshop provides a varied program of lectures, demonstrations, analysis of documents, independent research, and group work that introduces teachers to the holdings and organization of the National Archives. Participants will learn how to do research in historical records, create classroom material from records, and present documents in ways that sharpen students' skills and enthusiasm for history, social studies, and the humanities. Each participant selects and prepares to research a specific topic, searches the topic in the records of the National Archives, and develops a teaching unit that can be presented in his or her own classroom.

Registration Deadline
Sponsoring Organization
National Archives (NARA)
Target Audience
Upper elementary through high school
Start Date
Cost
$100
Course Credit
Graduate credit from a major university is available for an additional fee.
Duration
Five days
End Date

Primarily Teaching [IL]

Description

This workshop provides a varied program of lectures, demonstrations, analysis of documents, independent research, and group work that introduces teachers to the holdings and organization of the National Archives. Participants will learn how to do research in historical records, create classroom material from records, and present documents in ways that sharpen students' skills and enthusiasm for history, social studies, and the humanities. Each participant selects and prepares to research a specific topic, searches the topic in the records of the National Archives, and develops a teaching unit that can be presented in his or her own classroom.

Registration Deadline
Sponsoring Organization
National Archives (NARA)
Target Audience
Upper elementary through high school
Start Date
Cost
$100
Course Credit
Graduate credit from a major university is available for an additional fee.
Duration
Five days
End Date

Primarily Teaching [TX]

Description

This workshop provides a varied program of lectures, demonstrations, analysis of documents, independent research, and group work that introduces teachers to the holdings and organization of the National Archives. Participants will learn how to do research in historical records, create classroom material from records, and present documents in ways that sharpen students' skills and enthusiasm for history, social studies, and the humanities. Each participant selects and prepares to research a specific topic, searches the topic in the records of the National Archives, and develops a teaching unit that can be presented in his or her own classroom.

Contact email
Registration Deadline
Sponsoring Organization
National Archives (NARA)
Target Audience
Upper elementary through high school
Start Date
Cost
$100
Course Credit
Graduate credit from a major university is available for an additional fee.
Duration
Five days
End Date

Primarily Teaching [CO]

Description

This workshop provides a varied program of lectures, demonstrations, analysis of documents, independent research, and group work that introduces teachers to the holdings and organization of the National Archives. Participants will learn how to do research in historical records, create classroom material from records, and present documents in ways that sharpen students' skills and enthusiasm for history, social studies, and the humanities. Each participant selects and prepares to research a specific topic, searches the topic in the records of the National Archives, and develops a teaching unit that can be presented in his or her own classroom.

Contact email
Registration Deadline
Sponsoring Organization
National Archives (NARA)
Target Audience
Upper elementary through high school
Start Date
Cost
$100
Course Credit
Graduate credit from a major university is available for an additional fee.
Duration
Five days
End Date

Primarily Teaching [MO]

Description

This workshop provides a varied program of lectures, demonstrations, analysis of documents, independent research, and group work that introduces teachers to the holdings and organization of the National Archives. Participants will learn how to do research in historical records, create classroom material from records, and present documents in ways that sharpen students' skills and enthusiasm for history, social studies, and the humanities. Each participant selects and prepares to research a specific topic, searches the topic in the records of the National Archives, and develops a teaching unit that can be presented in his or her own classroom.

Contact email
Registration Deadline
Sponsoring Organization
National Archives (NARA)
Target Audience
Upper elementary through high school
Start Date
Cost
$100
Course Credit
Graduate credit from a major university is available for an additional fee.
Duration
Five days
End Date

Primarily Teaching [DC]

Description

This workshop provides a varied program of lectures, demonstrations, analysis of documents, independent research, and group work that introduces teachers to the holdings and organization of the National Archives. Participants will learn how to do research in historical records, create classroom material from records, and present documents in ways that sharpen students' skills and enthusiasm for history, social studies, and the humanities. Each participant selects and prepares to research a specific topic, searches the topic in the records of the National Archives, and develops a teaching unit that can be presented in his or her own classroom.

Contact email
Registration Deadline
Sponsoring Organization
National Archives (NARA)
Target Audience
Upper elementary through high school
Start Date
Cost
$100
Course Credit
Graduate credit from a major university is available for an additional fee.
Duration
Ten days
End Date