Making the Most of Maps

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Watercolor, Viewing the coasts by the Chart, 1838-1839, William H. Meyers, NYPL
Question

When a group of students has no prior experience or knowledge of using geography and maps in a social studies class, what are some ways that map/geography skills can be incorporated into a lesson?

Answer
Elementary Students

To some extent the answer to this question depends on the age of the children you are teaching. Given the abstract nature of maps, formal introduction to map skills is likely best done after age six. For these young learners, I suggest that you look at the newly redesigned National Geographic Education website that includes a mini-lesson on "What is a Map." This lesson introduces the concept of a map as a simplified model of reality. From there one of the best ways to introduce map reading is to create a map of a familiar area (such as the classroom) together. That and other elementary geography projects can be found on this teacher-created site.

For slightly older students map skills should include learning the vocabulary of maps: words and concepts such as legends, scales, and compass roses. Instruction can also begin to focus on the concept that mapmakers must be selective and can show only a limited number of things on each map. Try this lesson from the United States Geological Survey that gets to this point. In any case, it is important to teach students about maps and how to use them before asking them to read and analyze content-specific maps.

Once students have a basic understanding of maps, teachers can begin to explore the use of maps to highlight important historical concepts. Elementary school is not too early to begin this type of lesson. A video example of using maps to teach history in a 4th-grade classroom can be explored here. The main goal in this lesson is to engage students in actively asking questions of the primary source document (in this case John Smith's map of Tidewater Virginia) and interpreting and understanding what they are seeing.

Finding the Right Map for Your Classroom

The Library of Congress has a large collection of maps that can be used for historical study. The site also has a self-directed professional development module for teachers about how to access and use maps in social studies lessons. This module is useful if you are new to using maps to teach history. To learn even more about what to look for in historical maps I encourage you to read the short demonstration essay "Making Sense of Maps" by David Stephens of Youngstown State University.

Older Students
As with other print media, students must learn to ask why was this document made, for whom, and in what context.

High school students with weaker geography backgrounds may require a review of terms and fundamental spatial concepts. But it is even more important for this age group for you to teach dynamic geographic analysis skills. See this Teaching Guide that includes an easy-to-use 12-step handout to guide questioning about a map. It not only lists what to look for in a map, but also engages students in asking their own questions about what is represented (and what is not) and how that influences our understanding of the map. As with other print media, students must learn to ask why was this document made, for whom, and in what context.

Finally, I am excited by the new uses for older maps that are afforded by the new Geographical Information Systems (GIS) technologies. An example of a high school lesson plan using interactive mapping features can be found here. This is just one of several history lesson plans based on GIS technology that are becoming available.

Creativity is Key

In sum, a myriad of historical maps can now be found on the Internet and their use is just beginning to be fully explored by teachers. There are so many kinds of maps. Let your imagination run free. Become familiar with the types of materials that are out there and the ways in which they might be used and then try them out with your classes. A good starting point for looking for maps can be found online here, here, and here as well as at the Library of Congress. As a geography buff, I love the number and quality of teaching materials that are now available. Kids like to work with maps and geography is fun to teach. Good luck!

For more information

You may also enjoy reading our Tech for Teachers article on using Google Maps in the classroom.

Comic Books in the History Classroom

Date Published
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Freddy Marvel asks readers to buy war stamps
Freddy Marvel asks readers to buy war stamps
Freddy Marvel asks readers to buy war stamps
Freddy Marvel asks readers to buy war stamps
Freddy Marvel asks readers to buy war stamps
Freddy Marvel asks readers to buy war stamps
Article Body

The summer of 2011 offers moviegoers several productions based on superheroes and comic books. Thor. X-Men: First Class. Green Lantern. Captain America: The First Avenger. Cowboys & Aliens. Hollywood has discovered that comic book movies are more than a passing fad, resonating with audiences who connect with the humanity behind the costumes. As a result, comic book-based films have grown over the last decade—both in production and ticket sales— with many more movies to be released over the next few years (The Dark Knight Rises, The Amazing Spider-man, Iron Man 3, and The Avengers to name a few.)

Teachers can use the popularity of superhero films to expand students' understanding of American culture. University of Idaho professor of history Katherine Aiken explored the use of comic books to teach U.S. history in a recent essay published by the Organization of American Historians' Magazine of History (Vol.24, no.2-April 2010). Aiken concluded that because comic books reflect larger social issues in U.S. society, they can help students examine how U.S. artists addressed issues of race, gender, nationalism, and conflict in popular publications.

Some educational publishers, for their part, have produced illustrated history stories and graphic novels to capture younger readers' attention, such as tales from the Revolutionary War. While history-based graphic novels are a useful supplement to course materials, studying comic books provides a different focus in the classroom. Analyzing U.S. popular culture can help teachers and students contextualize the origins of comic books, explore how events in history shaped the evolution of this medium, and assess the ability of comics to address larger social concerns.

A few approaches for connecting comic books to U.S. history include:

  1. Chronological comparative study
    Students can create timelines, decade-level synopses, or graphic organizers that align U.S. historical events with the dates of creation of specific comic books, and show how these titles reflected social concerns. (For a nice overview on the history of comic books, Michigan State University's Ethan Wattrell's course website contains lecture slides and podcasts that can help orient educators.)

    For example:
    • 1920–30s: Comic books developed as a form of fantasy and escapism during the 1920s and the Great Depression.
    • 1940s: Superheroes went to war. Did comic books become tools for wartime propaganda, or did they simply reflect a period of national pride?
    • 1950s: Fantasy, horror, Westerns, and other genres overshadowed superhero stories. Is this a case of "hero" fatigue or socio-political concerns?
    • 1960s: The Marvel and Silver Ages: The Cold War, space race, and civil rights shaped a new era of heroes. The space race, for example, influenced the creation of the Fantastic Four and other interstellar heroes. The nuclear arms race, in turn, influenced the creation of Iron Man and the Hulk. Civil rights also played a significant role in the development of characters with social struggles, from the mutant X-Men to the blind superhero known as Daredevil and the increasing number of female heroines beyond Wonder Woman.
    • DC comics' attempt to deal with drug abuse among teens

    • 1970s–1980s: Comic books became more mature. Serious issues such as drug abuse and apartheid influenced storylines in teen-centered titles such as the Teen Titans and X-Men/New Mutants. Specific stories, such as The Dark Knight Returns and Watchmen, tapped into the economic and political anxieties during the Reagan era. Titles such as Sandman also introduced comic books to a new generation of female readers during the late 1980s. All three titles appeared on the New York Times Bestseller list.
  2. Addressing social issues
    Popular culture has often been able to deal with serious issues in an accessible manner. The story of Genosha in the pages of the X-Men extended the theme of genetic discrimination against mutants to issues of slavery and oppression—much like apartheid in South Africa. In this vein, comic books are an accessible way to address other social issues.

    For example:
    • Gender studies: How did the feminist movements of the 1970s affect characters like Wonder Woman and the Invisible Girl/Woman? What changes are visible in the depiction of female superheroes? How has the growing visibility of female artists, such as Louise Simonson, Lynn Varley, and Gail Simone, changed a male-dominated industry?
    • Activism: Students can study the effects of larger events such as the Vietnam War, September 11th, and the passage of the Patriot Act on comic book storylines. Recent stories such as Marvel's Civil War and World War II-era comics are useful starting points to examine individual rights and nationalism respectively.
    • Intellectual Property: Why was DC Comics unable to use the names "Superboy" and "Captain Marvel?" How did the founding of Image Comics become a significant development for independent comic books and the idea of creator rights? How do copyright and fair use laws affect the use of comic book characters in education?
  3. "Golden Age," "Silver Age," and "Modern Age" of comic books
    What characterized each of these eras? Using long-running characters like Batman and the Joker, students can assess changing social norms, expectations, and trends in the 20th-century U.S. through the evolution of specific characters.
  4. logo for Comics Code authority

  5. Government regulations and political concerns
    McCarthyism and moral issues threatened the comic book industry during the 1950s. Why? One fascinating story involves Fredric Wertham's Seduction of the Innocent, a bestselling book that eventually led to the policing and regulation of comic books and the creation of the Comic Code Authority. This is a good period to discuss government regulations, free speech, and what made comic books a "danger" to children in the 1950s. Another topic, dealing with moral issues, is human experimentation. In this video by Emory Bioethics professor Paul Root Wolpe, he uses the genetics in the X-Men comic books to talk about Nazi experimentation on humans, the Nuremberg trials, as well as U.S. testing on human subjects.
  6. The evolution of major characters
    While Batman is one of the easiest character to compare his own evolution to changes in American society, he is not the only one that shows the influence of time and place. Tony Stark (Iron Man) famously struggled with alcoholism in the 1980s. Captain America went from World War II hero to a man out of time after decades of frozen animation. Peter Parker's (Spider-man) journey from awkward teenager to a married professional may be an easy-to-relate-to story for students. Likewise, Superman's recent decision to forgo his American identity, in order to embrace a more "global" role, created renewed interest (and a bit of controversy) in the media.
  7. Comic book creators
    How did the personal lives of writers and illustrators like Stan Lee, Jack Kirby, Jerry Siegel, and Joe Schuster, among others, affect the tales they created? Many of these artists came from ethnic and working-class communities that shaped the setting and topics of their stories.

cover to an issue of Sheena the She-DevilComic books, therefore, can help diversify the teaching of American history and allows teachers to address important issues in a novel yet useful way. However, educators should take caution. Over the last few decades, comic books have shifted to a more mature audience and as a result the depiction of violence has become more graphic. Similarly, educators should be mindful of issues or artists that oversexualize characters.

As is the case with any material to be used in the U.S. history classroom, comic books should be previewed beforehand. Educators, however, can find plenty of "classroom-friendly" comics online or at a local comic book store. For example, the Pulitzer Prize-winning comic, Maus, commonly found at most school libraries, is a different take on Nazism and the Holocaust. Comic book companies have also increased their number of "kid-friendly" titles, easily found at bookstores like Barnes & Nobles and department stores such as Target. Finally, the first Saturday in May is "Free Comic Book Day" each year—a good chance to explore several titles at a local comic book store.

A final note:
Freddy Marvel and war stampsInterdisciplinary approaches to using comic books in the classroom are also helpful for the history teacher. Art educators often argue that reading and making comics encourages students to become more skilled at critically examining texts—full of complex concepts and human relations. Students and teachers can use comics to bridge the gap between personal experiences and history, examine the connection between comics and social groups (such as the "art world" and ethnic groups,) and to deconstruct the medium in order to gain a better sense of what issues affected society. The marriage of visuals and text also helps reach reluctant readers and bring the classroom teacher closer to youth culture. Similarly, language arts specialists find that engagement enhances reading fluency— even in the elementary years. Low-level readers, in various studies, demonstrate greater engagement with visual texts like comic books.

Captain America attacks HitlerHistory teachers can benefit from collaborative uses of comic books across disciplines. Either by working with a language arts or art teacher, or adapting diverse approaches to visual literacy in the history classroom, the use of comic books is helpful for working with others. Students will also find similar collaborative benefits in outside research and work. Whether they develop digital timelines using tools like Dipity or generate a Google Map to assess the geographic connections of comic book characters to U.S. history, digital tools are ideal for collaborations inside and outside the classroom. (Note: The Dipity and Google Map links show examples of how to use American comic books to teach U.S. History.)

Bibliography
  1. Aiken, Katherine. "Superhero History: Using Comic Books to Teach U.S. History." Organization of American Historians Magazine of History 24 (2010): 41-47.
  2. Annett, Doug. "Implementing Graphic Texts into the Language Arts Classroom". Minnesota English Journal 44 (Fall 2008): 150-179.
  3. Editorial. "Comic Books in the Classroom". New York Times January 3, 2008. Online.
  4. Hanson, Thomas J. "Holy Student Assessment, Batman! We've Hit the Schools!". Big Ideas: an Authentic Education E-Journal (March 2008).
  5. Morrison, Timothy G., Gregory Bryan, and George W. Chilcoat. "Using Student-Generated Comic Books in the Classroom". Journal of Adolescent & Adult Literacy 45 (May, 2002): 758-767.
  6. White, Ross. "Comics in the classroom". Learn NC.
  7. Williams, Rachel Marie-Crane. "Image, Text, and Story: Comics and Graphic Novels in the Classroom". Art Education (November 2008): 13-19. Reprinted on Iowa Research Online
For more information

Teacher James Carter offers a basic primer on how to help students create their own comic books, as well as a lesson plan that can be adapted to history content.

Comics in the Classroom offers some ideas on how to incorporate comic into social studies and how to develop lesson plans.

Sifting for Sources

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Photography, History lesson, 25 Jan 2007, Mabel I. Sez, Flickr CC
Question

I am introducing second graders to primary and secondary resources. Where can I find videos and activities on that level?

Answer

It’s exciting that you are engaging your second graders in historical source analysis! I encourage you not to worry too much about making distinctions between types of sources at this age, as teaching critical reading of all texts is the most important goal. The primary versus secondary issue might be distracting. For lessons and resources to engage your second graders in historical analysis, you may wish to start on the Bringing History Home (BHH) website. BHH lesson plans engage children in history as interpretive and evidence-based. The lessons center on five skills for doing history:

  1. Reading accounts for historical context (BHH uses a great deal of historical fiction).
  2. Analyzing original sources.
  3. Constructing timelines.
  4. Mapping historic events and trends.
  5. Synthesizing to create historic accounts.

The BHH 2nd-grade unit topics are U.S. immigration and environmental history. Each of the classroom-tested units focuses on engaging students in analyzing and synthesizing multiple accounts and has a variety of activities for introducing historical concepts, events, and perspectives. The project website provides free lesson plans and public domain primary sources. The only purchases necessary to implement the curriculum are the trade books used in the lessons. These may be purchased from online bookstores.

Where to go?

If you are eager to search for primary and secondary sources, but unsure how to find them—or simply require inspiration in order to utilize sources once you locate them—try visiting some of the following sites.

  • On the General Resources view of the BHH site, you will find source analysis guides, as well as book lists and links to websites where you can enhance your own knowledge of the unit topics.
  • The BHH Selected History Website view includes links to collections of sources in various formats, such as audio files, games, artifacts, etc.
  • Photos and other visual images are typically the most accessible original sources for young children to analyze. The Library of Congress Prints and Photographs Online Catalog is easy to search and often yields a treasure trove of resources.
  • The Kids.gov database links to history teaching resources provided by various U.S. government agencies, such as the Library of Congress and Smithsonian Institute.

Teachinghistory.org is also a treasure trove for resources:

  • See this set of resources about primary and secondary sources.
  • Visit this post to learn about what constitutes a primary source, as well as this one on secondary sources.
  • Learn effective methods to analyze and annotate primary and secondary sources by clicking here.

Before you decide to use any online resource, I encourage you to scrutinize it carefully for perspective and integrity. Catherine Denial, Assistant Professor of History at Knox College in Galesburg, IL, wrote a brief guide for analyzing websites. For your purposes, sometimes you will find a site that does not meet criteria for integrity but it will include links to sites that do. It’s fine to take advantage of this scenario.

Using common sense and careful analysis as you prowl the web, you will find excellent resources to engage your second graders in history.

Crafting Digital Stories

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Photography, Children on Computers, 26 Sept 2006,  Homer Township Public Library
Question

I teach early elementary school, and my students are learning about the differences between past and present. Is there a tool that would allow them to share their learning (mostly using images) online with others?

Answer

With the explosion of Web 2.0 resources there is no shortage of tools for carrying out the types of activities you describe. It is not my place to endorse particular resources but I can comment with confidence from personal experience using a few of these tools and having great fun in the process. I tend to teach older students so you may want to check these resources out before exposing your students to them. On the other hand, when I do work with younger students it is usually in one-day workshop sessions and there is never much doubt by the end of the day who understands the software better! I think it is the lack of fear, which younger students seem to have in experimenting with technology. Anyway, some suggestions:

Wallwisher
I know you suggested that you would mostly be working with images but Wallwisher is great if you want to post up words. It is an electronic pin board and you literally write notes and pin them on. I had some 13-years-olds assess some software for me and they posted their views—good points and bad points—here and here.

VoiceThread
As a resource for sharing thoughts about an image or a movie clip VoiceThread is pretty hard to beat. It was designed specifically for educational purposes and ideas and thoughts can be shared in real time or left as posts. It has been extensively researched and trialled, so there is a good deal of supporting literature available to help you develop the way you use it. Here are some examples of history-themed VoiceThreads.

Historypin
Historypin is great for establishing a local connection to history. It is very similar to Google Earth’s pin features. You upload an image, pin it to a location, and then complete a commentary box.

Xtranormal
This may seem a little crazy but it is such fun! Essentially students script animated films for selections of characters. I have used it with students of all ages. Younger students create short films in which they play different characters and either explain particular events or share their confusion over an issue. I have found Xtranormal a very effective tool to get older students collaborating outside the classroom, principally preparing for tests—essentially they present an answer to a test question and then their peers comment on that answer. Movies can be posted on YouTube.

Stripgenerator
This is a tool similar to Xtranormal, but it uses still images. It is very simple to use and allows students to take a range of characters and tell a story with them.

Prezi
Prezi is already being used by a lot of teachers as an alternative to PowerPoint. I won't try to explain Prezi here. A quick look at the sample projects which have been created will be far more articulate, eloquent, and absorbing!

For more information

Learn more about VoiceThread, Prezi, Wallwisher, and other digital tools in Tech for Teachers.

Watch 1st-grade teacher Jennifer Orr and her students put VoiceThread to work in Beyond the Chalkboard. Orr shares her thoughts on the project in our blog.

Web Poster Wizard

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Poster, Example, Web Poster Wizard
What is it?

What is It?

This tool should win prizes for user friendliness.

Web Poster Wizard allows educators to create a lesson, worksheet, or project and immediately to publish it online. With this tool, students can create posters or short reports in a poster format and add images and links to their pages. The teacher can post directions and resources. In effect, with Web Poster Wizard, you are creating websites for individual projects, for classes, or as communication venues.

Getting Started

Web Poster Wizard gives you access to online storage, step-by-step instructions, and basic project templates. Once you register and login (a simple process requiring only your email address and a password), site management tools enable you to set up your classes, to assign projects to students, provide materials and resources, and to manage content. The centralized login combines students and teachers in one account.

Read Web Poster Wizard Guidelines and Requirements first. As the Guidelines explain, all you need to get started is a plan. You then create your project pages, and each page can include a title, subtitle, image, text block (which permits 10,000 characters, or about 4 pages of text), and a navigation bar to related links. Step-by-step directions take you through setting up and editing your pages.

Examples

This 7th Grade Language Arts teacher uses Web Poster Wizard as a management tool.

Document Cameras

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Photo, Lumens Desktop Document Camera, June 19, 2007, AV-1, Flickr
What is it?

A document camera makes a great addition to a history classroom with a video projector or TV. A document camera captures anything under its lens and projects it on the screen. While this technology has been around for a few years, it has been a little slow to catch on for a variety of reasons.

Some teachers may be hesitant to embrace the document camera because they believe it to simply be a glorified overhead projector. The document camera beats the old overhead projector in many ways, the first being that the document camera does not require one to make transparencies. A teacher can project artifacts, photos, worksheets, and anything else that can fit under the camera lens. In addition, students are better able to see the image produced by a document camera as it is much brighter and clearer than the image produced by the overhead projector. Best of all, you no longer leave school covered in overhead marker!

Getting Started

The cost of the document camera may also make this teaching tool seem out of the reach of many teachers and districts in these lean budget years.

It is also possible to obtain grant money for document cameras from places like DonorsChoose.

While document cameras range in price from $200 to $2,000, this should not preclude one from having their own document camera. You can find a used document camera on eBay or a surplus property store for under $100. Another option is to make a document camera yourself using a webcam and available USB port. The only drawback to this setup is you have to be able to load software on your computer attached to the video projector in your classroom. A ready-made version of this runs about $69. It is also possible to obtain grant money for document cameras from places like DonorsChoose.

Once you have your document camera installation is straightforward. Some document cameras come with a freeze image button which is a great feature to capture a page in a book or map that might be difficult to hold in place. If the document camera does not have this feature, you can hook up the document camera directly to the video projector, which often has the ability to freeze an image. If your document camera is not one that hooks up to your computer via USB, you can also set up the document camera directly to your projector. This allows you to toggle between the image on your computer screen (assuming it too is attached to your video projector) and the image from your document camera. You can also connect most document cameras to a television using an S-video cable or component video cable. It should be noted, however, that the clarity is not as crisp when using the S-video cable or component video cable compared to using a VGA or DVI connection.

Examples

The document camera has vast instructional possibilities. I have used my document camera every day in my history classroom. One of the benefits of having a document camera in a history classroom is having the ability to analyze primary sources together as a class. I am able to zoom in on important components of a photograph or text and can invite students to the document camera to annotate pictures or text without bulky markers or transparencies. I am also able to share maps in books easily with students, in color. Students are able to share work they have created immediately with the class without having to scan an image or make a transparency of the document.

My favorite use of the document camera is allowing me to spotlight and share exemplar student work.

This means that jigsaw activities work very efficiently, with each group able to share what they have written on nothing larger than a worksheet. Collectively, classes have created essay outlines and timelines together. The document camera allows students to share storybooks they have created, projected large enough for the class to see. From a classroom management perspective, the document camera allows me to easily show students the worksheet we are working on or the question I want them to focus on. I am also able to place my stopwatch under the camera to show students how much longer they have to complete a task. Finally, my favorite use of the document camera is allowing me to spotlight and share exemplar student work. I am able to give specific praise to a well-written essay or project.

For more information

Interested in looking at specific cameras currently available? Read product reviews for document cameras in this article from Scholastic.

Vimeo

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logo for Vimeo
What is it?

A cursory search on the web reveals an extensive online conversation over which video uploading site is better: YouTube or Vimeo? In reality, both sites offer distinct features for users and have carved distinct niches.

Vimeo caters to a smaller community of dedicated video producers. As a consequence, the amount of videos Vimeo hosts is much smaller in comparison to YouTube; however, what Vimeo lacks in volume it compensates for with consistency of video quality. Likewise, examining the comments on videos posted to Vimeo shows that its community is supportive of original productions—many of which were made as academic projects—through constructive comments. The site's community prides itself as an online venue for creators of original and high-quality video productions, and Vimeo does not accept commercial videos. For educators, then, it is a useful site (and often unblocked in school systems) when searching for safe videos to use in the classroom.

Getting Started

Vimeo provides users with free registration, with more features for users who upgrade to a paid account: a free account provides (as of writing) 500MB of upload space per week, 1 HD video per week, no HD embedding, the ability to password-protect videos, and basic player customization, among other features. The "plus" account, which has an annual fee, provides a much larger upload space, unlimited HD, and no banner ads on the site, among other benefits that expand on the free account. For teachers, it would be best to begin with a free account and based on the frequency make a determination of whether a subscription to the "plus" accounts makes sense. It might also prove beneficial to take advantage of the password protection for videos if there is any parental concern over student videos on the web.

Many video professionals prefer Vimeo for its ability to upload a better-quality video than YouTube. Users are able to watch their videos upload and edit the information about the video while it is uploading. Vimeo also allows different formats of videos, including HD (which YouTube has only recently added as well). As a result, Vimeo can adapt to widescreen videos without leaving black areas.

It is important to teach students how to search effectively.

Searching for videos is a bit trickier in Vimeo. Its catalog is dwarfed by YouTube (which uploads 20 hours of footage every minute, two million new minutes of video every 24 hours.) Nevertheless, Vimeo's 13,000 daily uploads is impressive, especially when large amounts of videos are uploaded in HD each week. For a teacher, a useful aspect of the site is that videos can be downloaded—useful in the event that the school server is down. As is the case of most video hosting sites, it is important to teach students how to search effectively. Broad search terms like "Lincoln" and "rights" should be refined as "Abraham Lincoln" and "U.S. civil rights" in order to find the most appropriate videos for a given lesson or project.

A final recommendation on searching is to simply search for Vimeo history videos on Google. One example is typing "Vimeo Library of Congress" in a search engine like Google. One of the first hits is a Thomas Jefferson's Library Book Explorer video, which leads to other videos such as one on the Early Americas—which is displayed in stunning high definition.

Examples

Using the search term "Abraham Lincoln," several useful videos serve as examples of the multiple benefits of posting videos online. One use is to present student projects and use the video production as a culminating activity. Here elementary school students present their book projects on Abraham Lincoln, whereas another Lincoln video offers more of a short documentary on Lincoln and Pennsylvania that can be useful as an introduction to a lesson. A third video, while in need of audio, does provide good visuals of Lincoln's birthplace in Kentucky; the producer of the video is also part of a larger "channel" knows as Geography Educators, so here is a case where a particular video on Lincoln serves as a gateway to other useful videos for the classroom. Teachers can search for videos on Vimeo through people, channels, groups, or videos. By subscribing to Vimeo, users can save their favorites for a particular course and access them easily when needed.

To browse for specific groups and channels, the "explore" button found in the top navigation is a good place to start. Although Vimeo does not currently possess a "History" channel, the channels page lists the several categories of interest including "education." It's worth noting that education is used broadly and mostly includes do-it-yourself and tutorial videos on a wide range of subjects. To limit searches in a particular channel to course-relevant videos, users can select "search these channels." Likewise, searching for "teachers" within the group page can help educators explore groups whose focus is on curriculum videos. One example is Vimeo for Teachers, which has a wide variety of productions across several disciplines. Although only a few social studies or history videos are currently in this group, teachers can glean ideas for how to use videos in the classroom in effective ways.

Overall, Vimeo is a good site for uploading video productions from the classroom, and with enough digging teachers will be able to find useful videos for planning or instruction.

Let's Get Folky bhiggs Wed, 11/10/2010 - 12:39
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Photography, Coolest Bluegrass Beard, Greg Robbins, 2007, Flickr CC
Question

I need ideas for constructivist lesson plans that teach American history through folk music. Can you help?

Answer

Music can be a great resource for American history teachers. Just like textual primary sources, songs have historical meaning that students have to work to uncover. A song, no less than a presidential address, reflects the time in which it was created, as well as the perspective of its author. Consequently, you’ll want to ask students to consider who wrote the lyrics, what those lyrics mean, who the audience for the song was, and what was going on in the United States at the time. You might want to pair the song with other sources—newspaper clippings, radio addresses, photographs of protests, etc.—that students can piece together to better understand a particular historical era.

PBS’s brief history of American folk music might be a good place to start…

Folk music, of course, is distinct from popular music in one general regard: unlike music created by professional recording artists, folk music is generally made by ordinary people and integrated into everyday life. So, while many well-known artists like Woody Guthrie and Bob Dylan certainly played folk music, it can often be used as a way of better understanding the lives of people frequently left out of history textbooks. PBS’s brief history of American folk music might be a good place to start, establishing the unique nature of the genre and helping you focus your search for resources.

As always when looking for classroom resources, teachinghistory.org can help. Our Teaching in Action section, for instance, includes an example of how a song might be used in the classroom, providing links to videos in which 4th grade students learn about John Brown’s raid on Harper’s Ferry by analyzing the song “John Brown’s Body.”

Our Using Primary Sources section also has some appropriate resources for you. One entry on Making Sense of American Popular Song highlights a website that provides questions to ask when using music in the history classroom, a model interpretation of a popular song, and links to resources. Another entry, on Document Analysis Worksheets, includes a link to the National Archives, which has a special “Sound Recording Analysis Worksheet.”

Beyond the Teachinghistory.org website, you might want to look at some of the other usual suspects for high quality materials and lesson plans.

Beyond the Teachinghistory.org website, you might want to look at some of the other usual suspects for high quality materials and lesson plans. EDSITEment—a project of the National Endowment for the Humanities—is always a good place to look. They have a lesson entitled “Music from Across America” that explores the intersection of music and popular song. The Library of Congress is always a good resource, and they have a full page of links, as well as some specific lesson plans like one on California folk music in the 1930s. Finally, PBS’s American Roots Music website has four lesson plans as well as a bibliography that you might find useful.

There are also some specific music-related sites worth exploring. The Rock and Roll Hall of Fame also has a page of lesson plans dedicated to teaching with music. You might also want to explore Smithsonian Folkways to see what music they have available.

Integrating Technology into the Classroom

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Photo, "ICT's in Education," pmorgan, March 17, 2005, Flickr
Question

How and where do I find technology content for the history classroom?

Answer

Teaching history with technology can be a great way to engage students while also building bridges between the history classroom and the technology department at your school.

Classroom Technologies

One good place to start is by exploring some of the technologies available to you in the classroom. The National History Education Clearinghouse, for instance, has an article on the use of digital whiteboards in the classroom, which you might find useful. "Wiki Wisdom," an article from Education Week, focuses on how teachers can use wikis in the classroom, emphasizing their ease of use, and listing considerations accompanying their integration into the classroom. Reel American History, a project at Lehigh University, is a site that encourages teachers and students to think about the ways movies help us construct understandings of history. The site includes a list of films dealing with history, as well as suggestions for how to use them. (Check back in the coming weeks and the National History Education Clearinghouse will also have new resources about using film to teach history.)

Teaching history with technology can be a great way to engage students while also building bridges between the history classroom and the technology department at your school.

In terms of blogs, the American Historical Association has an article on how blogs connect students outside the classroom that might be useful for your purposes. Social studies teachers, particularly those who focus on current events, may also be interested in digital storytelling. Edutopia has a great article about digital storytelling that will direct you to additional resources.

Technological Resources Specifically for History Classrooms

Another angle you can take in looking for resources is to pursue sites that specifically explore technology-related content for the history classroom. One great resource is National Council for the Social Studies Community Network which has a variety of resources for teaching with technology. You can also join their Teaching with Technology group to be connected with other teachers who are interested in integrating technology into history and social studies classrooms. Many other sites have resources to help you.The Center for History and New Media’s Episodes page, for instance, has multimedia resources for a number of different historical periods. SCORE, the Schools of California Online Resources for Education webpage, also has some great materials that utilize technology in the history and social science classroom. The page has a virtual web museum, virtual interactive projects, and virtual field trips. Science, Technology, and the CIA, a project of the National Security Archive, provides 44 government documents that track the organizational and operational history of various CIA departments designed to coordinate science and technology research with intelligence operations.

Another way to approach your question is to look for models of projects merging technology and history. On the National History Education Clearinghouse site, there’s a blog entry describing a project conducted at Harpers Ferry National Historic Park in which students used a host of new technologies to explore the history of Harpers Ferry and John Brown—definitely worth checking out.

Good luck with your lesson planning!