Amy Trenkle's Columbus in the Capital

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Students at DC Columbus memorial
Students at DC Columbus memorial
Students at DC Columbus memorial
Students at DC Columbus memorial
Students at DC Columbus memorial
Students at DC Columbus memorial
Article Body
Columbus in Context

When I first started teaching a little more than 10 years ago, very few of my students knew why they were getting Columbus Day off. Now, I find a lot more know why they have the day off and have a pretty strong opinion as to whether or not it should be celebrated as a national holiday. I've enjoyed watching my students be able to express their opinions better and better throughout the years.

While my U.S. History state standards do not cover Columbus's voyages and exploration, I find it is a lesson worth teaching, and very timely with the holiday. As my students have grown in their knowledge and understanding of Columbus, I have had to change my lesson to contain more depth. One way I like to do that is by integrating a local monument into our discussion.

Preparing for the Site Visit

I start the lesson out by reading several chapters from Joy Hakim's A History of US, Book 1. The chapters talk about Columbus's character, his experiences, and effect on the "New World." While most of my students cite that Columbus shouldn't have a holiday because he didn't "find" anything new—that there were inhabitants living there already—they are unaware of the details of his encounters with Native Americans. They also do not know about the Columbian Exchange or Columbus's use of scientific knowledge to aid his survival.

After our reading, complete with guiding questions, I ask the students why we have memorials. Most say that it is to remember a person or an event. Here in DC, student examples range from the Washington Monument to the Lincoln Memorial to the Vietnam Wall. I tell them that we are going to go see a memorial to Christopher Columbus. I ask them what a 'symbol' is and work with the definition until there is an understanding among the students. We talk about how memorials and monuments convey their message through words and symbols. I tell the students that we are going to be looking at this memorial for symbols.

While the Columbus Memorial is only a few blocks from our school, and many of my students pass it twice a day, most do not know about it. Those that do, usually do because they had a sibling in my class in previous years.

After a quick reminder on memorial etiquette and general good behavior expectations, I have the students get their jackets, take a handout that I provide, and a pen or pencil. . . .and we're off!

On-site with Christopher Columbus

The five-block walk to Union Station is quick, and as we come up to it, I can hear many of my students say that they know this memorial, but they never knew what it was about or who it was to.

I tell the students they have between 10 and 15 minutes to look at the memorial and to answer the questions on their paper. They may work individually or in small groups. I remind them to look for symbols.

The question sheet is not difficult, but it does make them look at the memorial. The questions on the sheet are:

  1. What is your first impression of this monument?
  2. Have you seen this monument before? If you have, did you know that it was a monument to Christopher Columbus?
  3. What symbols do you see on this monument that give you clues to what Columbus did in his life? (List them here.)
  4. Are there any words on the monument? If so, what are they?
  5. Do you think anything is missing from this monument? If so, what? If not, what makes it complete?
  6. Does this monument portray Columbus in a positive or a negative way? How do you know?
  7. Do you think this is an appropriate monument? Why or why not? Give evidence (from our reading yesterday and from your own feelings) to support your answer.

I give them a few minutes to look and then I begin to circulate to see what they have come up with, what questions they have, and maybe to point out a symbol or two they may have missed.

What Do You See?

After 10 or 15 minutes, I call them back together at the front of the memorial and I ask them to share what symbols they have found. Some of them include:

  • lions (for the courage to sail into the unknown)
  • the Native American (on one side of Columbus, to represent the New World)
  • the European man (on the other side of Columbus, to represent the Old World)
  • the bow of the ship (for his means of travel)
  • the three flag poles behind the memorial (to represent the three ships he first sailed on)
  • the medallion of King Ferdinand and Queen Isabella on the back (in recognition of who he sailed for and who funded his expeditions)

The students really enjoy being able to share what they found. Some students believe that some of Columbus's crewmates should be added to the memorial because, my students say, he couldn't have done it alone. Some believe that goods from the Columbian Exchange should be integrated into the memorial. Others believe that chains, to represent the start of slavery in the New World, should be added.

Before we go, we always take a group photo.

Responding to the Experience

Upon return to the classroom (my double block is almost up by this time), I ask my students to now write one complete paragraph, taking a definitive stand (no wishy-washy yes and no answers) as to whether or not Columbus should be celebrated with a holiday. Students may not state the day off as a reason for celebrating it. If time permits, I like to have a volunteer for each side of the debate share his/her paragraph. If we have run out of time, then I start my next class with this activity.

It's a great way for my students to think about the holiday, memorials in their community, and to evaluate history. It also provides a great gateway for me to use other memorials and monuments in my teaching as the year continues.

For more information

Maybe you teach earlier grades, or your middle-school or high-school students haven't yet thought to analyze the mythology of Columbus. In her blog entry, 1st-grade teacher Jennifer Orr guides students in engaging with early exploration history.

New to the idea of teaching with monuments and memorials? U.S. history teacher James A. Percoco shows you how he approaches these public memories in this video.

Every picture or sculpture of Columbus looks different. Ever wondered why? No portraits of Columbus taken from life exist today. Take our quiz on images of Columbus, and consider why each artist chose to make Columbus look as they did.

EDSITEment

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Logo, EDSITEment
Annotation

A project of the National Endowment for Humanities (NEH), Verizon Thinkfinity, and the National Trust for the Humanities, EDSITEment gathers together original K-12 lesson plans and links to websites and interactive activities from around the web, in the subject areas "Arts and Culture," "Foreign Language," "Literature and Language Arts," and "History and Social Studies."

For U.S. history and social studies teachers, the heart of the site lies in the "Lesson Plans" section. Visitors can browse more than 376 lesson plans, filterable by topic, grade level, or time required to teach. Lesson plans range across all of U.S. history, and include 12 lessons designed to accompany NEH's Picturing America resources and 53 designed for its We the People program. Each plan is divided into three sections: "The Lesson," "The Basics," and "Resources." "The Lesson" lays the lesson out, including an introduction, guiding questions and learning objectives, the lesson's activities, assessment, and ideas for extending the lesson. "The Basics" gives the lesson's suggested grade level, time required, the subject areas it covers, and its authors. "Resources" rounds up required worksheets and primary sources for download.

A valuable resource for teachers looking for ready-to-go lesson plans and guidance around the web.

If these lesson plans aren't enough, visitors can pick the topic "History and Social Studies" on the "Websites" page. Here, visitors can browse short annotated links to more than 219 websites, vetted by humanities specialists. (Unfortunately, this page has no dedicated search function.)

Still not enough? Visitors can also choose the topic "History and Social Studies" on the "Student Resources" page, and browse more than 124 annotated links to interactive and media features from around the web, filterable by grade level and type of resource.

EDSITEment also offers "NEH Connections," describing and linking out to teaching and learning resources funded by NEH, ranging from books and articles to professional development events, a calendar of historical events (clicking on an event links the visitor to lesson plans and other resources related to the event), and "After School" activities—five social studies and culture-related activities that students can carry out in their communities. The "Reference Shelf," under development, currently presents articles on internet browsing and assessing online resources and links to standards.

Visitors can search the entire site by keyword, grade level, subject area, and resource type using the search bar at the top right of the site. They may also sign up for the site newsletter, volunteer to write or revise lesson plans, or nominate websites for inclusion.

Overall, a valuable resource for teachers looking for ready-to-go lesson plans and guidance around the web.

Teaching Holidays

Looking for resources for Constitution Day? EDSITEment collects a roundup of Constitution Day resources, including 11-item bibliography and webographies and links to relevant EDSITEment lesson plans, interactives related to the Constitution, and the full text of the Constitution in English and Spanish. The collection also links to an EDSITEment spotlight on the Constitution, highlighting more resources and providing orientation to the document and to teaching and learning more about it.

EDSITEment also looks at what led up to the creation of the Constitution (and the Articles of Confederation). In its Fourth of July feature, EDSITEment highlights more than 20 lesson plans on African Americans in the 18th and early 19th centuries, colonial protests, the Declaration of Independence, the Founders, religion's place in colonial America, and the Revolutionary War.

Realizing the Value of Primary Sources

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India Ink, ". . . Lodge. . . ," Thomas Nast, June 25, 1892, Library of Congress
Question

My middle school students prefer to read secondary sources. How can I explain that primary sources are also valuable in understanding historical events?

Answer

What an interesting question! It provokes other questions—what is it about secondary sources that your students like? And what kinds of secondary sources do they like? Textbooks and movies are a familiar genre for students in middle school and offer a much tidier story than reading primary sources. Primary sources, given their variety, seem very different from these; and may offer challenges to your students that they are reluctant to tackle. Consider that primary sources about the same event can directly contradict, that they can contain antiquated or complex prose, and that the background knowledge necessary to understand a primary source can be substantial; and it definitely makes sense that your students balk at using them.

But this complexity, and the need to analyze and read them carefully, is exactly why your students need to work with them.

So what to do? While explaining to your students the value and importance of primary sources is one approach, combining that explanation with a few activities designed to show, rather than tell, students their importance can be invaluable. Some teachers do activities designed to make the nature of history more explicit for their students. These can range from activities that use everyday situations to uncover the existence of multiple contrasting sources about events to those that require students to investigate a historical question by consulting multiple sources. Both kinds of activities can be used to make points about differences and relationships between primary and secondary sources and the necessity of consulting primary sources to understand history.

For example, "everyday" activities could include:

  • Students write accounts of the first day of class or school, teacher selects some to read, and then the class discusses why and how they differ. If a school newsletter addressed the beginning of school, use this to introduce secondary accounts into the activity.
  • Stage a brief dramatic episode (for example, a verbal altercation) with a colleague and then have students write what happened. Compare accounts, generate questions that need to be asked of the accounts, and then consider how these interact with a hypothetical account of the same from the school newspaper—the secondary account in this activity.
  • Read, analyze, and compare conflicting accounts of a community event that you find in the school or local newspaper. Identify what primary sources were consulted and the role they play in the story the newspaper tells.

More historical activities include:

Using detective work as a metaphor for introducing primary sources and the central role they play in creating those secondary accounts can be useful. See this Research Brief or this one for a quick look at studies that included teaching students what primary sources were and how they were used by historians.

You may also get buy-in from your students if you select primary sources that you judge especially interesting for them. For example, try using childrens’ voices from the past (See this Depression Era lesson or this Civil War lesson.) or sources addressing topics they are interested in like music or sports.

But in any case, even if students are initially resistant to primary sources in your classroom, we encourage you to use them and help them learn why studying history without them makes little sense as they are the raw materials of the discipline. Primary sources also offer rich opportunities for helping your students practice and hone their reading and analysis skills, critical abilities for their future.

Implementing Lesson Study

Video Overview

Professor Mimi Coughlin and professional development coordinator Roni Jones outline the ongoing process of creating and managing effective lesson-study-focused grants, emphasizing the importance of flexibility and being open to change and rethinking as a grant project continues.

Video Clip Name
LL_Mimi1.mov
LL_Mimi2.mov
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LL_Mimi4.mov
Video Clip Title
The Process of Lesson Study
Building Flexible Relationships
Bringing Teachers Together
Sustainable Results
Video Clip Duration
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Transcript Text

Roni Jones: So we received our first Teaching American History grant in 2005 and Mimi and I were both on the writing group that put that grant together, and lesson study was a part of that grant that was originally written. And I think that over the last five years, we've really learned a lot about the fact that lesson study empowers teachers in their own classrooms.

So even though they're developing an individual lesson plan, it's not necessarily about the development and completion of the individual lesson plan, it's about the teachers coming together collaboratively, talking about the content that they've learned from historians, and then translating that content for their students. In California, they're at the 5th-, 8th-, or 11th-grade level. And I think that what lesson study allows them to do is be the experts in their own class and in their own field and then working collaboratively, coming together to take ownership of that content, so that their students can then take ownership of that content.

Mimi Coughlin: There's something about the process of lesson study is very professionalizing for the teachers. It does bond them to each other, it has bonded us as a community, and it connects them deeply to the content, too, because they can sort of own it, and I think Roni said that. It is a real ownership model.

Roni Jones: Because we're a countywide project, we actually act as a consortium for 14 different school districts, K–12. We have two partners. Our biggest partner is Sacramento State University, and they provide us with access to historians. And then Mimi is the other faculty member in the College of Education that we work with. And we also work with historians from our local community college because it is the institute of higher ed in our county, that most of our high school students go onto.

So we bring our teachers together, and typically we have a cohort of about 30 teachers, and we've experimented with different models. Sometimes we've had all 4th- and 5th-grade teachers in a summer institute, or all 8th-grade teachers. In the last few years, we've had a mix of 5th, 8th, and 11th grade, because that's where the standards are for U.S. history in California. We bring them together in a multiday summer institute where they're working with historians. Historians are doing formal lectures, with PowerPoint, sometimes historians are bringing in primary source documents and teaching them to evaluate the primary source documents and actually act as historians to draw conclusions and interpret those documents.

We also work with them on lesson design, what good lesson design looks like, having an assessment with their lesson plan, instructional strategies that will work at different levels using graphic organizers or student conversations, those types of things.

So that's, that's during the summer, where they're really interacting in a concentrated way with the content and with our faculty members. Then during the school year, we provide them with four substitute days, where we pull them together as large groups and as small groups to plan a lesson collaboratively. They use online lesson planning tools and online learning environments like Blackboard to continue some of their professional conversations.

And then they actually have two teaching events where two teachers from their group teach the lesson on different days. After each teaching event they reflect and revise the lesson plan that they've created as a group. And I think that's really important, the most important thing about that is that they have collaboratively designed this lesson plan so they're not watching the teacher teach, they're watching the students interact with the material and the content. And that's how they do their revision, they base their revision on that interaction and on the evidence that they gathered during those teaching events

And then we have instituted over the last few years, a final revision day because even though they're teachers, they don't always get the grammar right. So we bring them together, we actually have a copyeditor that we work with, we have our historians come in for the final day to answer questions, to really sort of finalize that content, selection of primary source materials and those sorts of things. So they finalize that lesson plan in the online lesson builder and they submit it to us that we can then post it and they can share it with each other. They have time to share with each other across grade levels, as well, during that time. So that's how our teachers really interact with each other and with the content.

Mimi Coughlin: Because it really is a relationship model, where Roni and I and other members of our teams are in teachers' classrooms, they're in each other's classrooms, we have the historians in the classrooms, and we're right where the teachers live, we're right there.

And every time we do a lesson study, at the very end of the day, I always says to the teacher, thank you for letting me into, for having me in your room, and you can just kind of see that they're very proud of their kids and their classrooms, and that's where we should go. If we want to change what they're doing, that's where we need to change it is right there where they—we interact with the students when we go into the classroom, we interact with the curriculum and it's all very, it's very hands-on and it's hands-on right where it should be, right where the kids interact with the content.

Roni Jones: They ask you to list the roles, what everybody's title is and what their role is and how much time they dedicate and you do this nice little chart and you put it in the grant and you submit it. And if you don't submit it in such a way that you even have a percentage of somebody's time—Mimi's going to spend 10 hours a week or the historians are going to do this many hours—the readers can actually mark you down for that in your grant application. But I think what people should know is that as you start working on this grant, those roles and those relationships and that amount of time changes based on what starts to happen in the grant.

So at the beginning we used the model that most Teaching American History grants use where we have scholars come in, and historical scholars and Pulitizer Prize-winning historians and these academics who are very much into the research of what they're doing and their knowledge is incredibly important to us and it helps guide our content. But what we have also discovered is that they come in and they want to give a lecture as though they're lecturing to a room of graduate students and there's always value in that, in increasing the personal contact knowledge, history content knowledge, of the audience.

But we've also realized that we need a historian who can be in a little bit more flexible role, who isn't just giving a lecture, but who is helping the teacher to grapple with their own misconceptions as an adult learner because they then have to translate that for the students.

So we find that we need multiple historians and multiple faculty members in multiple roles. And sometimes you go through a few and it's not really comfortable and you have to figure out how they fit into those roles. And so I think that somebody like Mimi who works with us on a regular basis, and Mimi and I talk almost every day, we correspond by email, we talk multiple times during the week. For historians we may not converse with them as often, but they have to be apprised as to what's going on, so you need a very a clear communication stream with all of those people.

And then you need to be flexible as to how people are fitting into the grant, so having that relationship with historians so that you can ask what seem like simple questions of them so that teachers can really begin to organize those thoughts and that information in their head, so that when they do teach their lessons it's very clear to their students. Because teachers can't teach a concept that they're not clear about—it just doesn't work, it comes out as confused for the students as it does for the teacher.

So I think that the role with historians is very important and I think that any new grantee or a struggling grant really needs to think about the fact that you have to be a little flexible and find where people fit, and if someone doesn't fit that role, you can't make them. You have to go find somebody else who can fit that role, and utilize the expertise of the other person in a different way. And I think that's probably one of the biggest lessons we've learned from an administrative standpoint.

Roni Jones: We had some resistance the first few years because teachers weren't understanding well, how does this matter to me and how does this fit into my classroom? And so we've been able to frame our summer institutes and frame the work that we do a little bit differently, so that they understand larger concepts and themes about U.S. history. So that if we're talking about race, class, and gender, that we're going to talk about that over multiple time periods and they're going to select the information that they need for their standards

And so in the past, we've really worked with 8th-grade teachers working with 8th-grade teachers and 5th-grade teachers working with 5th-grade teachers. This year we experimented a little bit and we actually were working with the Constitution as our main topic. And we brought together 5th-, 8th-, and 11th-grade teachers working collaboratively on a lesson plan.

So we had 5th-grade teachers working with 11th-grade teachers and 8th-grade teachers. And we had a little resistance at first because they really don't teach the same things about the Constitution, but they trusted us enough over time—we don't keep a common cohort for all three years, we have teachers coming and going throughout the life of the grant so that we have some people who've been with us for multiple years and some teachers who come in for a year—and they trusted us enough and they trusted the lesson study process enough that it became a really rich and valuable experience for them.

And so we have 11th-grade teachers who were learning from the 5th-grade teachers—simple things like how to give directions for a multistep process and putting those directions on the board, which an 11th-grade teacher would never do because they think their students know how to do that, when really they don't, and a 5th-grade teacher learning how to very eloquently deliver difficult concepts that they wouldn't necessarily deliver in the same way that a high school teacher has. So we have a lot this year—we actually really—we felt like we really sort of pushed the edge of that for our teachers and got them out of their comfort zone and it ended up being very successful.

Mimi Coughlin: You know, I was thinking about that, I was thinking it is, it is resource intensive but it is outcome rich and I think that—I mean, there is no doubt about it, we have tons of evidence that our teachers are motivated, our teachers are taking initiative to do things beyond just the one lesson. They're taking initiative to do all kinds of things. They're recruiting their peers into the program, they're recruiting principals into their classroom, to come observe.

They're seeing students differently—and we really need to talk about that, the impact on students is—you know, when a teacher is bringing in something interesting and that works and then the students respond positively and demonstrate skills and abilities that the teacher didn't know they had and so then it's this whole iterative process where you know, teachers are motivated by their kids. So when their kids are doing better, then the teachers want to do more. And we've heard that from more than one teacher. They say, wow my kids always want to do this now, now they're asking me, can we do something else like that?

So there's all of that, but then there's the CST scores, which are our state scores. We have assessments we've done with our evaluator that show student achievement goes up, and we can demonstrate that in several different ways. Student engagement goes up. The ability of teachers to apply the historical thinking skills increases.

Roni Jones: There are really two separate things going on. We have all of this evidence based on feedback from teachers. Everyone wants to call that anecdotal, but pretty soon, there's a pattern and pretty soon there's a message that's coming very clearly from teachers—that teachers are actually demanding—calling their administrators and sending emails to their administrators saying, you know, unless you do lesson study, I don't want to do professional development.

Mimi Coughlin: I really believe that the professional development is profound and the leaders in Placer County in the coming years will be people who say, you know, that lesson study thing. . . Because it provided networking opportunities, it provided a clear content focus and a clear focus on the student experience—student achievement, student engagement, examining student evidence, all these great things that you want educators to do.

Amy Trenkle on Experiencing the First Amendment

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Photo, students learning linoleum-cut printing
Photo, students learning linoleum-cut printing
Photo, students learning linoleum-cut printing
Photo, students learning linoleum-cut printing
Photo, students learning linoleum-cut printing
Article Body
Welcome our blog's first guest writer!

In the future, look for more entries by practicing teachers we've selected to bring you their experiences connecting students with primary sources and/or using technology and digital resources to support and enrich their teaching. Teachers will come from elementary, middle, and high school; some have been teaching for years and some have just started out. Each will have their own unique insights on teaching U.S. history and social studies.

Amy Trenkle teaches 8th-grade U.S. history at Stuart-Hobson Middle School in Washington, DC. A National Board Certified Teacher in early adolescence social studies/history, she has taught in DC since 1999. Amy believes in experiential learning and using the museums in her city and across the country to make concrete connections for her students to their history curriculum. She has served on several advisory boards to local museums, including the Smithsonian Center for Education and Museum Studies, the National Museum of American History, the Newseum and the National Building Museum. An active participant in the DC Council for the Social Studies, National Council for the Social Studies, and DC Geographic Alliance, Amy the received the DC History Teacher of the Year Award in 2005 as sponsored by the Gilder Lehrman Institute of American History. Currently, Amy is serving as an adjunct professor of education at American University.

Picturing the First Amendment

This year, celebrating Constitution Day was a school-wide affair.

Thanks to a special grant opportunity offered through the Newseum and 1 for All, students at my school became aware of, or reviewed, their First Amendment rights.

Students took a field trip to the Newseum, where they had a class taught by a Newseum educator about the First Amendment, and then visited the First Amendment Gallery, both highlighting issues related to the First Amendment today.

Upon returning to school, students in each grade level shared what they learned in different forms. The 5th grade made sidewalk chalk drawings, the 6th graders made a mural about their First Amendment rights, 7th graders left their impressions of the First Amendment via window drawings with washable window paint, and 8th graders made a linoleum print about the First Amendment.

Finding Your Freedoms

As the 8th-grade U.S. History teacher, I really wanted to emphasize the importance of the First Amendment—we will be studying it more in-depth later this year, but what a great opportunity to bring it to life now! To prepare my students for this trip, we took a walk around several blocks near the school. Students listed as much evidence as they could for our five First Amendment rights in action. I directed them not to just look for signs, but to listen for them and to really observe.

Students came up with the following:

  • Assembly: We are all walking as one group on the sidewalk.
  • Religion: The Imani Temple Church, Tibetan worship flags, a cross (for Christianity)
  • Speech: the Redskins sign, bumper stickers on car, mayoral candidate signs
  • Press: Newspaper stands, Washington Post newspaper

Armed with our examples in our neighborhood, I felt we were ready for our field trip. We had a great time—the students LOVE going to the Newseum. As a teacher, I felt that they deepened their understand of the First Amendment and connected it to what we did in class.

What Do Freedoms Look Like?

Our final activity, upon our return, was to synthesize what we learned through a print. Students were first asked to choose one of the five parts of the First Amendment to focus on. They then were tasked with finding a quote, lyrics, or saying that they felt related to that part of the First Amendment, and to cite it. Then, they drew a sketch of how they would illustrate this on a print.

The next day a local artist, Alexandra Huttinger, came in and taught the students how to make linoleum-cut prints. Each student carved his/her own linoleum and then printed their print. They then wrote what their print was about. These will be displayed in our school's foyer.

Taylor chose to focus on the Freedom of Assembly because "the right to assemble is very important to me." She chose to illustrate her drawing as she did because "to protest you could have megaphones and signs." From this activity she learned "that our First Amendment rights are important to us as Americans."

Virgil chose to illustrate the Freedom of Petition "because it got my attention because I remembered the Tea Partiers." He used a quote from his father: "We have a right to protest against things that we feel are not right." He chose to illustrate his right as he did "because people signing a paper to get things or to relieve things is a form of petition." As for the activity? Virgil says, "It is a really fun experience!"

Ashley chose to highlight Freedom of Speech. "I chose to focus on this particular part of the First Amendment because I think that the Freedom of Speech is used the most," wrote Ashley. She used a quote from Benjamin Franklin that she found on thinkexist.com: "Without the freedom of thought, there can be no such thing as wisdom, and no such thing as public liberty, without freedom of speech." Ashley explains her choice: "I chose to illustrate the First Amendment as I did because I thought it really illustrates what my feelings are about Freedom of Speech. The mouth represents speech and the flag as the tongue in the mouth represents freedom." She "enjoyed learning how to print and about our First Amendment rights again."

Whether it was new or a review for students, I felt, as a teacher, that my students were thinking about the First Amendment and their rights on Constitution Day. I'm very proud of their work!

For more information

Visit the Newseum's website to explore the museum's resources for students and teachers yourself.

Also check out 1 for All, a nonpartisan educational campaign seeking to celebrate and publicize the rights granted by the First Amendment. The website offers lesson plans for all grade levels, and links to further resources.

Amy Trenkle on Glogging Class Greats

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Student glog, Dorie Miller
Student glog, Dorie Miller
Student glog, Dorie Miller
Student glog, Dorie Miller
Student glog, Dorie Miller
Student glog, Dorie Miller
Article Body

This school year, each of my classes chose a person to represent them and become their class name. Instead of having blocks 3 and 4 or periods 6 and 7, I've had my Alice Paul and Daisy Bates classes on A Day and Dorie Miller and Rosie the Riveter on B Day.

At the beginning of the year, I gave my students the task of reading a biography in small groups. Student glog, Daisy BatesI chose historical figures in U.S. history, some well known and others lesser known to them, and created biographies no longer than a page, by cutting and pasting from credible websites or by using biographies from History Makers (published by Rada Press). After each group read their biography, they summarized what their person did and why they are in the history books. They then presented their findings to the class, as well as what characteristics their person possessed that would make them a great name to adopt for the class. Students cited such qualities as perseverance, tenacity, and strength. After the class heard all of the biographies, they voted on which name they wanted to adopt.

During the course of the year, I made sure each class had an activity outside of the curriculum that connected with their class name. Alice Paul, named after one of the founders of the National Women's Party, had a museum educator from the Sewall-Belmont House come in and speak about Paul. We then walked to the house and saw just how close the National Women's Party headquarters are to our school! Student glog, Dorie MillerDorie Miller, who had taken the name of the first African American to receive the Navy Cross, had a museum educator from the National Portrait Gallery come to our class to share World War II posters, with an emphasis on the Dorie Miller poster. She created a lesson that had students then write their own historic labels, like you would find in a museum, for the poster. Rosie the Riveter visited the Smithsonian National Museum of American History’s "The Price of Freedom: Americans at War" exhibit and had a tour, emphasizing Rosie! The kids even practiced riveting! Daisy Bates, who had taken the name of the civil rights activist, traveled to the National Museum of American History in February and heard from veteran Freedom Riders. While there wasn't a direct connection to Daisy, they heard from civil rights leaders who fought alongside of Daisy Bates.

Memorializing History with Glogs

I've decided that I will definitely continue this for next year’s classes, but that I could never have another Dorie, Daisy, Alice, or Rosie class. So, my last assignment for each class this year was for them to create glogs memorializing their class names. Students worked individually or in pairs to create a glog.

The class then voted on which glog was the best. I will print the final, winning glog for each class in poster form and hang it in my room to teach future classes with and to remind me of the legacy of these classes.

What is a Glog?

Student glog, Dorie MillerBut what's a glog? This is a question that my students had.

At first, they thought I said they were creating a blog—like a blog entry—since they were used to doing that. I clarified and enunciated the word "glog" again. There were confused looks.

A glog, as I explained to my students, is a multimedia poster, created on the computer. On a glog you can add text, photos, videos, music, audio recordings, documents—you name it!

Student glog, Daisy BatesOne of the first things we did was find a Plan B. Glogster, a glog creation tool and community, is blocked by my school district. Having explored Glogster at home, I did know that they have a teacher's address. I directed my students to edu.glogster.com and had them create accounts as "Basic" members (it's free!). The students were soon underway!

Students were to create posters about their class name, and incorporate photos, a quote about or from their person, a brief summary of what their person did, and at least one multimedia clip (a video or music).

When the students were done with their posters, they published them and then emailed me their blog with the "email friends" feature. I did this activity over two days. The second day, I was much more clear about my expectations for inclusion of elements on the glog, and they turned out much better, content-wise, for more groups. I think it was helpful for students to have to think about the various elements to incorporate and served as a review of primary sources for them.

The Impact of Glogs

Student glog, Daisy BatesI can definitely say that this was a hit among the students. They really enjoyed learning about the new technology and many said they were going to go home and play with it. They became engrossed in looking for sources that others wouldn’t find so that their posters would be unique.

The technology was very intuitive for the students, and I learned a lot from watching them. While I had spent time learning how to glog myself, I watched my students just fly with it! Before I knew it, they were asking each other questions about how to add something or asking their friends to look at what they did on their screens. They clearly were enthusiastic for not only their class name, but for creatively sharing the history of their person through their glogs for future classes.

Evelyn MacPherson, one member of the two-person winning Alice Paul glog team, said the following about making her glog:

I enjoyed making the poster, it was a lot of fun to create something that could be used as a learning tool that required you to use creativity. We knew that you had to balance out the facts with things that would draw people to your poster, such as a theme, or pictures. It required some trial and error, but it was a lot of fun.

I really enjoyed this activity and hope to use glogs more in the future. Glogster was easy to use, and this activity required critical thinking skills from my students and integrated technology and history in an engaging way for them . . . and me!

For more information

Our bloggers have many ideas for using visuals in the classroom! Once you've learned how to glog, take a look at Jennifer Orr on using art in a 1st-grade classroom, Diana Laufenberg on tying visuals and visualizations in at the high school level, and Joe Jelen on Google's Art Project.

Tech for Teachers can introduce you to more online tools—including Glogster—and our articles on copyright can help you (and your students) understand the complexities of locating and using images online.

Gettysburg National Military Park: Camp Life

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Photo, Ring, Gettysburg National Military Park
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Created by the National Park Service and associated with Gettysburg National Military Park, this exhibit recreates Union and Confederate camp life. Short 200-300-word essays in two sections, "Living in Camp" and "Existing Day to Day," describe how camp life differed for officers and enlisted men, what daily routines were like, and what personal effects soldiers might carry. Seven subsections make up a third, larger section, "Battling Boredom," on ways soldiers passed time in camp, including "Playing Games," "Writing," "Drinking & Smoking," "Taking Pictures," "Whittling," "Making Music," and "Praying."

Sound sparse? The explanatory text isn't the strong point of this site—it's the 90 annotated photographs of artifacts from Civil War camp life, including board games, uniforms, musical instruments, prayerbooks, cooking tools, and more. Visitors can either explore the three main sections of the site and click on the artifacts as they read the related essays, or click on "All Image Gallery" to see all 90 primary sources gathered on one page.

An easy-to-navigate bare-bones introduction to the hurry-up-and-wait side of war, the exhibit could draw students in with its personal, everyday artifacts.

Elizabeth Schaefer on the Impact of 9/11 in the Classroom

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Photo, September 11 memorial, September 28, 2005, FatBusinessman, Flickr
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Early in the year, teachers scramble to put back on their 500 hats and begin the year on the right foot. For the past two years, I have used a September 11th interview project in my 8th-grade U.S. History class to meet many early-in-the-year needs. With a week of instruction and one project, I have been able to better understand the level and lives of the students, communicate with families early on, set the tone for thinking historically within my class, and most importantly, gotten the students engaged and excited about American history.

Project Design

The original idea began simply with concern that my 13- and 14-year-old students did not understand what actually happened on 9/11 or its relation to our presence in Afghanistan and Iraq. Simultaneously, I knew I needed to meet standards and could not linger too long on a timeframe outside of my content area. Based on this balance of social studies duties, I ended up using 9/11 as a lens to teach the beginning of the year’s "history tools and vocabulary" unit. The consequential project design ended up looking like this during the first full week of school (ideal for a pre-Labor Day start time):

Monday - Students are introduced to primary and secondary sources and basic vocabulary. They work in groups to perform a primary source analysis on four different pieces: New York Times Sept. 12 cover, a photograph of people crying, a photograph protesting the backlash against Muslims, and the transcripts from 911 conversations. I found the conversations through my local NPR website. The students record descriptions, inferences, and questions.

The original idea began simply with concern that my 13- and 14-year-old students did not understand what actually happened on 9/11...

Tuesday - The students take guided notes on what happened during the day of September 11th, a simplistic statement about "why,” and basic bullet-pointed effects. I include the people that died from a variety of countries and positions in life, the economy, changes in transportation, the related wars, and increased hate crimes against Muslims.

Wednesday - The interview project itself is introduced. Students brainstorm a possible person to interview about their September 11th experience. In class, the students create two sourcing questions (find out about your subject), four experience questions (find out about his or her experience) and two opinion questions (find out about his or her thoughts or life after). Questions are modeled to demonstrate open-ended and information-based questions.

Thursday - The students bring in a minimum of 10 questions which they should have developed for homework (including the eight from the day before) and the class conducts peer edits based on open-endedness and knowledge.

Friday - Check back in with all students to make sure they have an interview plan. Model how to ask an adult to interview and set them up to turn the project in successfully with a grading rubric. The grading rubric involves an outline including an introduction to the interview, a question/answer section, and finally a four-part conclusion including a connection they made with their subject, a surprise, an additional question, and finally a reflection on the experience.

Due Date - In my classes, the interview project has been due on or next to the anniversary of 9/11. The students take a mini-quiz on the topic and then the students each share-out about their interview. This has been a very special day both years that I have done this project.

Improvements

As this was my second year using this project, several major adjustments were made. First, I fully committed to the mini-unit and had no qualms about using a full week to make sure that it integrated practical history skills and provided time for clarity. My students have been very interested in this subject and have many questions. When you are approaching this, there needs to be an outlet and plenty of time for an excess of GOOD questions.

This year I mentally prepared to get political and stick to the historic facts.

Secondly, this year I mentally prepared to get political and stick to the historic facts. The knowledge students have on this subject largely comes from their families. They have surprised me with their in-depth knowledge of conspiracy theories as well as confusion about their parents' anti-Islamic statements. I recommend requesting a trusted person to observe you if this is a concern. I personally felt relieved after my mentor teacher viewed a session to ensure that I was teaching the students to be good, knowledgeable citizens of the world as well as inquisitive historians without veering off the facts.

Finally, I had come to accept that as a middle-school teacher I should be in the beginning of their education, not the end. Although the students and I both want to go deeper into the history and the causes of September 11th, I needed to give myself clear boundaries recognizing the pieces I could teach effectively in the time allowed.

Next year more changes will be needed. I plan to increase guidance on how to interview. In retrospect, a full model interview session would have been helpful. Although the student's questions improved year-to-year, I would also like to move my next group closer to thinking deeply about the unique perspective of their subject and formulating questions based on their location, job, or past. As of now, this is the only interview that my students conduct, but I am considering making it a gateway to a more advanced interview later in the year to make sure that the students are growing in inquiry skills instead of just information.

Results

Early in the year, the results of this one-week experience are powerful for the teacher. The excitement about history is tangible in the classroom and written in student reflections. The information gathered about families on the second week of school is invaluable in a way that a parent survey could never be. With a very structured project outline, the data gathered on student's writing, ability to reapply knowledge, and ability to follow directions is worth much more than the test averages from the year before.

The excitement about history is tangible in the classroom and written in student reflections.

As for the students, according to their quizzes, they no longer think that the Pentagon is in New York or that Iraq is directly responsible for 9/11. Their conclusions however tell of a much deeper impact:

"I can't believe something so big happened during my lifetime and I never really knew about it."

"I did not know that my mom knew stuff about history. I really liked talking to her about this. "

"My dad told me more about 9/11 than the questions but I didn't report it because it was too personal. He cried and that never happens."

For more information

Interested in teaching 9/11 yourself? Try the September 11 Digital Archive or September 11, 2001: Attack on America for primary sources.

Created for the Bracero Archive, "People as Primary Sources: Conducting Interviews" presents useful tips for conducting oral history interviews.

Top Tens, or "Best Sites for..."

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blue ribbon sketch
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Lists of Top Ten Best Sites For... or 100 Best Whatevers or One Thousand Resources to Help You... abound on the internet.

But are lists of Bests valuable? They are one way to corral the quick fix, hyperlinked capability of internet research and to mediate enormous quantities of material of unknown quality. Then there's always the hope that other people's time spent compiling these lists might save us some of our own.

So, here's an eclectic selection of a few lists that have come to our attention. Since we don't want to marginalize other prime candidates, we won't call them the best of the bests, but they're definitely quite, quite good. And if all of them don't directly address history teaching, many do speak to pedagogical methods applicable to the history curriculum.

Lists that aren't content specific may still have ideas to adapt across the curriculum.

Educator Larry Ferlazzo is a prolific list creator (also featured in previous Clearinghouse blog posts). My Best Of Series is a table of contents to those lists that cover topics from A to W (Art to Web 2.0) with social studies, ESL and ELL, and a broad variety of content and methodological topics in between.

Making Teachers Nerdy is another teacher-based blog from a tech integration specialist who went back into the classroom when budget cuts affected technology teaching. This Kansas teacher blogged between January and September in 2009, annotating links and best of lists of tech tools appropriate to her curriculum. Attached comments from readers augment her blog entries.

Top Ten Sites for Brainstorming/Mind Mapping is from Technology Tidbits: Thoughts of a Cyber Hero the blog of technology education specialist Dav Kapuler. Kapular advocates mind mapping as "a tool that facilitates ideas and collaborative in nature," as an ideal tool for 21st century learners.

In October, 2009, the New York Times published The 10 best educational websites. Maybe yes. Maybe no. But these selections definitely link to some of the largest educational organizations that are crammed with information helpful to the American history curriculum and that serve as gateways to relevant microsites.

History News Network features Cliopatria's History Blogroll. This gateway places blogs within 30 categories such as American History, Primary Sources, Military History, Women's History—and each listing is well-populated with history content and commentary.

Kathy Schrock's Guide for Educators lists American History Sites, General History and Social Studies Sites, World and Ancient History Sites. These, too, are eclectic lists that may take you to historic sites, archives, lesson plans, and tech tools.

Technology enables teachers to develop personal learning networks for diverse learners.

Ten Tips for Personalized Learning via Technology from Edutopia talks about how to use digital technology tools for teaching and assessment to help meet the challenge of increased classroom diversity. "Income levels, ethnicities, family structures, first languages, interests, and abilities now vary so much, that a traditional teaching approach, with a uniform lesson targeted to the average-level student, just doesn't cut it" is the premise of the list.

One Alone

Resources specifically directed toward middle school teachers and students are often difficult to find, so here's a list of one.

Middle School Matrix: Exploring the changing world of middle school teaching and technology is a blog from a Philadelphia history, English, and technology educator . She talks about what she teaches, how she implements lesson plans, about how technology works (or doesn't work) with different units, and about the role and goals of the educator. The focus is the curriculum and the student; technology is a means to meet classroom goals.

Michael Yell on Using DVDs/Video Segments in the History Classroom

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Graphic, Interactive Viewing Guide, Submitted by Michael Yell
Graphic, Interactive Viewing Guide, Submitted by Michael Yell
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One may hear a thousand words or read a thousand volumes, and, at the end of the process, be very much where [he or she] was as regards knowledge. Something more than merely admitting it into the mind is necessary, if it is to remain there. It must not be passively received but actively and actually entered into, embraced, mastered. The mind must go to meet what comes to it from without.—John Henry Newman (1801-1890)

History instruction cries out for engaging thoughtful strategies to help our students embrace the content. And although it is understood by most teachers that information must not be passively received, it takes thought and a repertoire of effective strategies to maintain activity and engagement while imparting information. John Henry Newman discussed the ineffectiveness of imparting information through lectures and reading without engagement. DVDs, videos, and online streaming, via such online educational services as Discovery Education's United Streaming, were far off in the future when he wrote, but the same idea holds true. When showing students a video, DVD, or online streaming video to convey information on a unit, can we still actively engage our students? Can we still help them to embrace the content?

[. . . A]lthough it is understood by most teachers that information must not be passively received, it takes thought and a repertoire of effective strategies to maintain activity and engagement while imparting information.

As history teachers, we want our students to question and to inquire into historical events, ideas, and people, and we also want to impart historical information. One way to do both is through the use of DVDs, videos, and streaming, and we have many excellent video sources that we can choose from, but there are problems that teachers face in using them. How can we help our students get the information from that form of media while still keeping them involved? How do we help our students mine the media for information while still having them watch the program? How we utilize video resources determines much of what our students learn from them.

Some will give students worksheets to fill out while viewing, but that is hardly involving them. Having them take notes while viewing might get students active but while they are writing they are distracted from the viewing and invariably will miss some of the presentation. Some years back, I came across a reading strategy that utilized the old Cornell notetaking strategy and I adapted it for use with video presentations. My students know it simply as the Interactive Viewing Guide and it has become my go-to strategy in using nonfiction videos and DVDs.

The Interactive Viewing Guide

Experience told me long ago that simply turning on the video and running it from start to finish was definitely not the way to go, and so I began early in my career dividing the video viewing into segments. Using the viewing guide allows students to question, take brief notes, discuss, elaborate, and summarize what they have watched. The guide has several steps: 1) Preview the video or DVD, 2) Develop questions as a class, 3) Ask students to jot down one- or two-word impressions regarding each question while they view, 4) Divide students up for pair or group discussion, 5) Prompt students to summarize, 6) Convene whole-class discussion.

Key points for use of the guide include what the guide looks like, questioning, student notetaking while viewing the video, and discussion. I put the following guide on my Smartboard and students copy it into their notebooks:

Graphic, Interactive Viewing Guide, Submitted by Michael Yell

My preference is to begin the preview with discussion and developing questions. I might use an inquiry or simply pose questions to my students about the subject matter. I might use a primary source or artifact, but it is important to begin by appealing to the students' curiosity and establishing a purpose for what will be viewed. From this, we will begin to develop questions that they are to keep in mind during the video segment. As a teacher I guide the questioning and from their ideas develop a few brief questions for which they are to watch (of course, as a teacher I steer the questioning as I know what I want them to learn from the presentation).

Keeping the number of questions that students are to watch for during the segment to two or three, the questions are written in the Watch for. . . section. Students are told that when they hear or see something in the DVD that relates to the questions they are watching for, they are to jot down a one- or two-word impression or idea. This is the most difficult thing for many students as they want to write down everything, but they are told to keep it short; their purpose is not to write lengthy notes but to jot down short memory joggers for discussion.

[. . . T]heir purpose is not to write lengthy notes but to jot down short memory joggers for discussion.

Following the segment, we use a quick summarizing technique I call One-Minute Review for groups of four. Each student has jotted down some impressions and the brief review time allows them to discuss the ideas that they jotted down during the segment they just viewed. In this strategy, I set an interval timer on the Smartboard to run for four 15-second intervals. At the end of each interval an alarm sounds. Each student in each group reviews the impressions they wrote down for 15 seconds, the alarm sounds and the next student reviews hers or his, then the next, etc.

Following the brief discussion each students writes their own summary in the appropriate section of the guide. The summaries must be clear and complete and answer the questions posed for the DVD segment. We complete the interactive viewing guide with a whole-class discussion, following the reading of a number of summaries.

Turn the Suggested Process into Your Practice

The Interactive Viewing Guide has become my go-to strategy when using DVD segments in my 7th-grade history class. I find it excellent for use with nonfiction videos/DVDs/streaming (although I often use the one-minute review strategy from time to time with fictional programs, I do not use the writing component of this strategy until after the program). Although I continue to tweak it, I have found that through its use students become actively engaged in thinking about, discussing, and writing about information. Give it a try, adapt it, and help your students to embrace the informational content of the DVDs/videos that you use in class.

For more information

Our Teaching Guide "Teaching with Historical Film Clips" gives more guidance on leading students to analyze and question film sources.

A Yale professor models critique of a famous documentary in a review of Ken Burns's Jazz.

Planning their own documentaries can give students more insight into the interpretive process that goes into making any film.