America Singing: 19th-century Song Sheets

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Song sheet, The Colored Volunteers
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Before the phonograph, America learned the latest music fads from printed song sheets. These single printed sheets, often beautifully illustrated, included lyrics only and were sung to familiar tunes like "Yankee Doodle." The lyrics and illustrations on these song sheets offer a unique perspective on the political, social, and cultural life of the time.

This American Memory collection offers the 4,291 song sheets from the Library of Congress Rare Book and Special Collection Division, spanning the years from 1800 through the 1880s, but primarily from the 1850s to the 1870s. Each item offers an image of the song sheet, publication and repository information, and a transcription of the lyrics.

The site also includes a 2,000-word essay on the history of song sheets, links to six related American Memory collections, and a bibliography of more than 70 related scholarly works, approximately 20 of which are for younger readers. The site is keyword searchable and can be browsed by subject, title, composer name, and publisher. For those interested in how 19th-century American politics and society were interpreted in popular culture, this is a useful site.

Historic American Sheet Music, 1850-1920

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Sheet music, I'm Going Back to Chattanooga, Tennessee, 1913
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This American Memory project, a collaboration between the Library of Congress and Duke University, provides a window on American culture between 1850 and 1920 by offering more than 3,000 pieces of sheet music from Duke University's Rare Book, Manuscript, and Special Collections Library. These musical pieces represent American history and culture through a variety of music types including minstrel, protest, sentimental, patriotic, and political songs, bel canto, spirituals, dance music, vaudeville, and musical pieces.

The collection is particularly strong in antebellum Southern music, Confederate imprints, and Civil War music and includes a large collection of piano marches, opera excerpts, waltzes, polkas, and quadrilles as well.

In addition to the music and lyrics, each item includes an image of sheet music cover illustrations, which provide further perspective on contemporary ideas about politics, patriotism, race, religion, and sentiment. Descriptive remarks, including notes on the composer, publication information, repository, and a transcription of lyrics accompany each item.

The site also offers a 750-word essay; a link to Duke University's home page for sheet music collections; a 1,000-word essay that defines sheet music as a cultural medium and outlines the history of music publishing in the U.S.; a bibliography of more than 150 works on the history of sheet music, composers, musicians, and performers in the U.S.; and links to five other American Memory collections with related materials.

The site is searchable by keyword and browseable by composer name and subject. Students and teachers researching American cultural history or the cultural significance of music in the late 19th and early 20th centuries will find this site useful.

Perfessor Bill Edwards Ragtime/Old-time Piano Gallery

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Sheet music cover, Chow Chow Rag, Andre C. De Takacs, 1909
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Provides more than 300 musical selections and sheet music covers, in addition to essays on ragtime music and related subjects. Music available as MIDI files, performed by site creator Bill Edwards, a professional musician and collector. Selections include descriptive annotations from 200 to 600 words, and many include lyrics. Biographical essays of 100-800 words each on 26 composers, including Scott Joplin, James Scott, Joseph Lamb, Artie Matthews, and Eubie Blake. Longer essays (2,000-6,000 words) on the histories of ragtime music, player pianos, sheet music cover art, and technique tips for playing ragtime. A section on ragtime nostalgia provides information on people, inventions, events, advertising, city life, and rural life during the ragtime era. Provides annotated links to approximately 80 related sites and a bibliography of 17 titles. Valuable to those studying music history and turn-of-the-century American culture.

Nineteenth-century California Sheet Music

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Image for Nineteenth-Century California Sheet Music
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These scanned images come from more than 2,700 pieces of sheet music published between 1852 and 1900 in California. The website also includes more than 800 illustrated covers, 48 audio selections, eight video clips of singers, and a handful of programs, posters, playbills, periodicals, catalogs, broadsheets, books on music, and maps. More than 350 items contain advertising.

Explanatory essays of 1,000 to 2,000 words in length provide general information on music from more than a dozen ethnic cultures, and with reference to specific topics, including buildings, composers, dance, disasters, gender, mining, performers, politics, product ads, railroads, and sports. Provides 14 links to additional sheet music collections and reference sources. These resources are valuable to those studying popular culture, California history, music history, advertising, and depictions of ethnicity, gender, and race in 19th-century America.

Now It Can Be Told: The Unknown Irving Berlin

Description

From the Library of Congress Webcasts website:

"The Music Division of the Library of Congress and the American Musicological Society, in joint partnership, presented the third in a series of lectures highlighting musicological research conducted in the division's collections. Jeffrey Magee presented 'Now It Can Be Told: The Unknown Irving Berlin.'

After Jerome Kern famously pronounced that 'Irving Berlin is American music' in 1925, Berlin continued for several decades more to define many of America's most distinctive musical idioms, from Tin Pan Alley to Broadway to Hollywood. Berlin's death 20 years ago at the age of 101 accelerated an ever-expanding cottage industry of commentary, reflection and scholarship on a legendary figure.

In an effort to amplify patterns in Berlin's stage and screen career, the talk will aim to draw connections among unknown (or little-known) materials—including songs, scripts, 'plot treatments,' and other notable documents—and Berlin's better-known work."

Although the video may appear broken, please be aware that it loads slowly, and will eventually start.

Empires, Multiculturalisms and Borrowed Heartsongs: What Does it Mean to Sing Russian/Mennonite Songs?

Description

According to the Library of Congress website, "As "colonists" in 19th-century Russia, Mennonites sang German diasporic choral music and borrowed Russian choral music; when war drove many to North America, Mennonites drew on this repertoire and borrowed new repertoires to forge links to a new elite: North American classical choral singing circles. In this webcast, Jonathan Duek, an ethnomusicologist and visiting assistant professor at the University of Maryland School of Music, traces this story not as a linear narrative, but as genealogical fragments, beginning with the resonances of particular songs for present-day Mennonite writers, historians, and singers; and then exploring past moments of the production and reception of these songs in Russia and North America."

Singing on the Illinois Frontier

Description

John Mack Faragher of Yale University considers the importance of singing as a pastime for antebellum frontier families and the view of frontier life that surviving lyrics provide. He examines particularly the views of death and mortality presented in many lyrics.

To view this clip, select "Singing on the Illinois Frontier" under "Frontier Settlement Video."

Stephen Foster Folk Culture Center State Park [FL]

Description

Situated on the banks of the Suwannee River, this center honors the memory of American composer Stephen Foster, who wrote "Old Folks at Home," the song that made the river famous. The museum features exhibits about Foster's most famous songs and his music can be heard emanating from the park's 97-bell carillon throughout the day. In Craft Square, visitors can watch demonstrations of quilting, blacksmithing, stained glass making, and other crafts.

The park offers exhibits, demonstrations, workshops and classes, and educational and recreational events.

B.B. King Museum and Delta Interpretative Center [MS] Anonymous (not verified) Tue, 01/08/2008 - 13:26
Description

The B.B. King Museum and Delta Interpretive Center will take visitors back to the place where B.B. King grew up and lived the blues long before he learned to make the music that would change his life. Proposed educational, cultural, and character development programming will take the form of classes, mentoring, and interactive exhibits. In addition, the stories of the Delta, from its history to its music, social mores, race relations, literature and legends, and adversities and successes will be examined in one interpretive setting.

Please note: The museum will open Sept. 13, 2008.

The museum will offer exhibits, tours, and educational and recreational events and programs.

Take Me Out To The Ball Game: 100 Years of Musical History

Description

This Electronic Field Trip takes a look at the song, "Take Me Out to the Ball Game," written by Jack Norworth and Albert Von Tilzer a century ago. Today, "Take Me Out to the Ball Game" is synonymous with a baseball game's seventh-inning stretch, but the song was originally written to be performed on home pianos and the vaudeville stage.

Broadcast from Brooklyn, NY, this presentation explores not only the history of "Take Me Out to the Ball Game", but also the influence of various musical styles of the past 100 years from vaudeville and swing to rock and hip hop.

Unpublished, as the page no longer exists.