World War and Literature

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Poster, Books wanted for our men in camp..., c.1918-1923, C.B. Falls, LoC
Question

Can you suggest any literature covering World War I to World War II that my 10th-grade world history class can read? I am looking for short stories or novels from that period that would interest my students. I would like stories that include what life was like during these years for young people.

Answer

Historical literature can really grab your students' interest. Consider the following excerpt:

They had come for him just after midnight. Three men in suits and ties and black fedoras with FBI badges under their coats. 'Grab your toothbrush,' they’d said. This was back in December, right after Pearl Harbor, when they were still living in the white house on the wide street in Berkeley not far from the sea. The Christmas tree was up and the whole house smelled of pine, and from his window the boy had watched as they led his father out across the lawn in his bathrobe and slippers to the black car that was parked at the curb.

He had never seen his father leave the house without his hat on before. That was what had troubled him most. No hat. And those slippers: battered and faded, with the rubber soles curling up at the edges. If only they had let him put on his shoes then it all might have turned out differently. But there had been no time for shoes.

Grab your toothbrush.
Come on. Come on. You’re coming with us.
We just need to ask your husband a few questions.
Into the car, Papa-san

Later, the boy remembered seeing lights on in the house next door, and faces pressed to the window. One of them was Elizabeth's, he was sure of it. Elizabeth Morgana Roosevelt had seen his father taken away in his slippers.

The next morning his sister had wandered around the house looking for the last place their father had sat. Was it the red chair? Or the sofa? The edge of his bed? She had pressed her face to the bedspread and sniffed.

"The edge of my bed," their mother had said.

That evening she had lit a bonfire in the yard and burned all of the letters from Kagoshima. She burned the family photographs and the three silk kimonos she had brought over with her nineteen years ago from Japan. She burned the records of Japanese opera. She ripped up the flag of the red rising sun. She smashed the tea set and the Imari dishes and the framed portrait of the boy's uncle, who had once been a general in the Emperor's army. She smashed the abacus and tossed it into the flames. "From now on," she said, "we are counting on our fingers."

The next day, for the first time ever, she sent the boy and his sister to school with peanut butter and jelly sandwiches in their lunch pails. "No more rice balls," she said. "And if anyone asks, you're Chinese."

The boy had nodded. "Chinese," he whispered. "I'm Chinese."

"And I," said the girl, "am the Queen of Spain."

"In your dreams," said the boy.

"In my dreams," said the girl, "I'm the King."

When the Emperor Was Divine, a novel by Julie Otsuka, p. 73–75

Recommendations

This list includes books considered to be for adult readers as well as books considered to be for young adult readers. These labels are only somewhat useful. Occasionally the young adult books are less challenging, though perhaps equally rewarding, for the reader.

A Very Long Engagement by Sebastien Japrisot won the Prix Interallie in 1991. This nonlinear mystery is a moving and incisive portrait of life in France during and after the First World War.

An ambitious, meticulously researched, novel, The Green Glass Sea by Ellen Klages is set in New Mexico in 1943 and told from the viewpoint of two disenfranchised children at Los Alamos where scientists and mathematicians converge (along with their families) to construct and test the first nuclear bomb. Grades 5–up.

No Pretty Pictures, Caldecott illustrator Anita Lobel's haunting memoir of her traumatic years in Nazi-occupied Poland, is told from the perspective of a child—she is just five when the war begins—who does not fully comprehend what she is witnessing. Grade 6–up.

Private Peaceful by Michael Morpurgo is a slim, stunning, and easily accessible novel written by the author of War Horse. "Exquisitely written vignettes explore bonds of brotherhood that cannot be broken by the physical and psychological wars of the First World War," said Horn Book Magazine. Grade 7–up. Match with the superb photo-essay The War to End All Wars: World War I by Russell Freedman.

Bird in a Box by Andrea Davis Pinkney is a graceful, restrained, and detailed portrait of America's Great Depression, a time when the radio delivered the sound of Ella Fitzgerald and Duke Ellington into living rooms across the country and boxing champion, Joe Lewis, the "Brown Bomber," came to represent so much more than the zenith of a sport. Grade 4–up.

Set on the Laguna Pueblo Reservation in the years immediately following World War II, Ceremony by Leslie Marmon Silko, focuses on Tayo, a young vet of mixed Indian ancestry. The book is Tayo's story of return and redemption. "The novel is very deliberately a ceremony in itself—demanding but confident and beautifully written," said the Boston Globe.

The Book Thief by Markus Zusak is an unsettling, unsentimental, poetic novel, set in World War II and narrated by Death. This is not an easy read, but it is a book that can change a life. Grade 9–up.

We Are the Ship by Kadir Nelson is a sumptuous history of Negro League Baseball from its beginning in the 1920s to 1947 when Jackie Robinson broke the major leagues’ color barrier. Dazzling, almost iconic paintings illustrate the easygoing, conversational, historically detailed text, and all in all the book illuminates more than baseball in the '20s and '30s—it is a history of all of us. Grade 4–up.

The narrator of Ruta Sepetys's Between Shades of Gray, 15-year-old Lina, begins "They took me in my nightgown." In 1941, Stalin is deporting families from Lithuania and imprisoning them in Siberia where daily life is brutal. It is the slim possibility of survival that provides hope. This book is similar to Esther Hautzig's earlier autobiographical novel, Endless Steppe in that it is similarly themed and equally searing. In Endless Steppe, 10-year-old Esther Rudmin is arrested with her family in Poland as "enemies of the people" and exiled to Siberia. Grade 6–up.

Homestead, by Rosina Lippi, is a series of interconnected vignettes beginning in 1909, about life in Rosenau, a small isolated village in the Austrian Alps. The villagers harvest, tend animals, and make cheese. Against this pastoral backdrop are all of life's vicissitudes. The prose is clean and clear, each chapter is seemingly autonomous but as we see an event (over generations) from different characters' points of view, the life of Rosenau becomes increasingly rich and complex. This novel won the 1998 Hemingway Foundation/PEN Award for best first fiction and was short-listed for the 2001 Orange Prize.

Complete List of Titles
  • When the Emperor Was Divine by Julie Otsuka
  • A Very Long Engagement by Sebastien Japrisot
  • The Green Glass Sea by Ellen Klages
  • No Pretty Pictures: A Child of War by Anita Lobel
  • Private Peaceful by Michael Morpurgo
  • The War to End All Wars: World War I by Russell Freedman
  • Bird in a Box by Andrea Davis Pinkney
  • Ceremony by Leslie Marmon Silko
  • The Book Thief by Markus Zusak
  • We Are the Ship: The Story of Negro League Baseball by Kadir Nelson
  • Between Shades of Gray by Ruta Sepetys
  • The Endless Steppe: Growing Up in Siberia by Esther Hautzig
  • Homestead by Rosina Lippi
For more information

See here to search the California literature recommendations. Choose “historical fiction” as one of your search parameters.

This Ask a Master Teacher entry has some other helpful resources for finding historical literature.

Minnesota: 6th-Grade Standards

Article Body

In the middle grades, the “lead discipline” approach continues, but with added emphasis on interdisciplinary connections (as the word “Studies” in the title “Minnesota Studies” suggests). Grade six features history as the lead discipline but the focus includes geographic, economic and civic understandings. Students study Minnesota history and its government, placing t he state and its people within the context of the national story. They engage in historical inquiry and study events, issues and individuals significant to Minnesota history, beginning with the early indigenous people of the upper Mississippi River region to the present day. They examine the relationship between levels of government, and how the concept of sovereignty affects the exercise of treaty rights. They analyze how the state’s physical features and location of resources affected settlement patterns and the growth of cities. Drawing on their knowledge of economics, students analyze the influence of a market-based economy at the local and national levels. They learn about the unique role Minnesota played, and continues to play, in regional, national and global politics.

Social Studies Strand 1: Citizenship & Government

Substrand 1: Civic Skills

  • 1. Democratic government depends on informed and engaged citizens who exhibit civic skills and values, practice civic discourse, vote and participate in elections, apply inquiry and analysis skills, and take action to solve problems and shape public policy.
    • 6.1.1.1.1 Evaluate arguments about selected issues from diverse perspectives and frames of reference, noting the strengths, weaknesses and consequences associated with the decision made on each issue
    • For Example:
      Historical issues—women’s suffrage, treaties with indigenous nations, Civil Rights movement, New Deal programs.
      Strengths might include—expanded rights to new group of Americans, established tribal sovereignty, collaborative effort of multiple groups in American society, provided a financial safety net for individuals.
      Weaknesses might include—too expensive, unintended consequences, caused more problems than it solved.

    • 6.1.1.1.2 Use graphic data to analyze information about a public issue in state or local government.
    • For Example:
      Graphic data—charts, graphs, maps, surveys, political cartoons.

    • 6.1.1.1.3 Address a state or local policy issue by identifying key opposing positions, determining conflicting values and beliefs, defending and justifying a position with evidence, and developing strategies to persuade others to adopt this position.
    • For Example:
      State and local policy issues—land use, human services, hunting or fishing regulations, school levy, labor unions.

Substrand 3: Rights and Responsibilities

  • 5. Individuals in a republic have rights, duties and responsibilities.
    • 6.1.3.5.1 Describe the establishment and expansion of rights over time, including the impact of key court cases, state legislation and constitutional amendments.
    • For Example:
      Key court cases and state legislation—the Minnesota Human Rights Law, Brown v. Board of Education, Miranda v. Arizona.

  • 6. Citizenship and its rights and duties are established by law.
    • 6.1.3.6.1 Define citizenship in the United States and explain that individuals become citizens by birth or naturalization.

Substrand 4: Governmental Institutions and Political Processes

  • 7. The United States government has specific functions that are determined by the way that power is delegated and controlled among various bodies—the three levels (federal, state, local) and the three branches (legislative, executive, judicial)—of government.
    • 6.1.4.7.1 Explain the relationship among the three branches of government: making laws by the legislative branch, implementing and enforcing laws by the executive branch, and interpreting laws by the judicial branch.
    • 6.1.4.7.2 Define federalism and describe the relationship between the powers of the federal and state governments.
    • 6.1.4.7.3 Identify the purpose of Minnesota's Constitution; explain how the Minnesota Constitution organizes government and protects rights.
    • 6.1.4.7.4 Identify the major state and local (county, city, school board, township) governmental offices; describe the primary duties associated with them.
    • For Example:
      State governmental offices—attorney general, secretary of state.
      Local governmental offices—city council, county board.

    • 6.1.4.7.5 Describe how laws are created; explain the differences between civil and criminal law; give examples of federal, state and local laws
    • For Example:
      Federal laws—immigration. State laws—drivers’ licenses.
      City ordinances—gun control.

    • 6.1.4.7.6 Describe the goals, offenses, penalties, long-term consequences, and privacy concerns of Minnesota's juvenile justice system.
    • For Example:
      Juvenile status offenses (laws that regulate behavior because the offender is under age)—truancy, tobacco use by minor, curfew violations.
      Goal—rehabilitation. (The adult system is more punitive.)
      Penalties—treatment, restorative justice, probation, deferred penalty. (Adult penalties are primarily fines and incarceration.)
      Long-term consequences—go beyond penalties imposed by the court system and predict future problems with the law.
      Privacy concerns—Juvenile proceedings are not open to the public. (Adult trials are public.)

    • 6.1.4.7.7 Compare and contrast the basic structures, functions and ways of funding state and local governments.
    • For Example:
      Property tax funds local government (schools, parks, city streets). Sales and income tax funds state government (State Patrol, Department of Natural Resources). Fees fund parks.

  • 11. The United States establishes and maintains relationships and interacts with indigenous nations and other sovereign nations, and plays a key role in world affairs.
    • 6.1.4.11.1 Explain the concept of sovereignty and how treaty rights are exercised by the Anishinaabe and Dakota today.
    • For Example:
      Organization of tribal government, gaming rights, hunting and fishing rights.

Social Studies Strand 2: Economics

Substrand 1: Economic Reasoning Skills

  • 1. People make informed economic choices by identifying their goals, interpreting and applying data, considering the short- and long-run costs and benefits of alternative choices and revising their goals based on their analysis.
    • 6.2.1.1.1 Create a budget based on a given monthly income, real-world expenses, and personal preferences, including enough savings to meet an identified future savings goal.

Substrand 2: Personal Finance

  • 2. Personal and financial goals can be achieved by applying economic concepts and principles to personal financial planning, budgeting, spending, saving, investing, borrowing and insuring decisions.
    • 6.2.2.2.1 Describe various types of income including wage, rent, interest and profit; explain the role that the development of human capital plays in determining one's income.
    • For example:
      Consider examples of Minnesota entrepreneurs, wages of various careers available in Minnesota, and the education or training required for those careers.

Substrand 3: Fundamental Concepts

  • 5. Individuals, businesses and governments interact and exchange goods, services and resources in different ways and for different reasons; interactions between buyers and sellers in a market determines the price and quantity exchanged of a good, service or resource.
    • 6.2.3.5.1 Describe the movement of goods and services, resources and money through markets in a market-based economy.
    • For Example:
      Circular flow model with households and businesses—The Mayo Clinic hires a doctor who uses her income to pay for auto repairs by a small business which then pays its mechanic who in turn uses his income to buy Mayo Clinic medical services.

Substrand 4: Microeconomic Concepts

  • 8. Market failures occur when markets fail to allocate resources efficiently or meet other goals, and this often leads to government attempts to correct the problem.
    • 6.2.4.8.1 Explain why federal and state governments regulate economic activity to promote public wellbeing.
    • For Example:
      Regulations—environmental (Environmental Protection Agency, Minnesota Pollution Control Agency), health (Food and Drug Administration), worker safety regulations (Occupational Safety and Health Administration); banking (Federal Deposit Insurance Corporation) and business oversight (Securities and Exchange Commission, Federal Trade Commission), wildlife preservation (Department of Natural Resources); anti-trust laws to promote competition.

Social Studies Strand 3: Geography

Substrand 1: Geospatial Skills

  • 1. People use geographic representations and geospatial technologies to acquire, process, and report information within a spatial context.
    • 6.3.1.1.1 Create and use various kinds of maps, including overlaying thematic maps, of places in Minnesota; incorporate the “TODALSS” map basics, as well as points, lines and colored areas to display spatial information.
    • For example:
      “TODALSS” map basics—title, orientation, date, author, legend/ key, source, and scale.
      Spatial information—cities, roads, boundaries, bodies of water, regions.

Substrand 3: Human Systems

  • 6. Geographic factors influence the distribution, functions, growth and patterns of cities and other human settlements.
    • 6.3.3.6.1 Locate, identify and describe major physical features in Minnesota; explain how physical features and the location of resources affect settlement patterns and the growth of cities in different parts of Minnesota.
    • For Example:
      Physical features—ecosystems, topographic features, continental divides, river valleys, cities, communities and reservations of Minnesota’s indigenous people.

Substrand 4: Human Environment Interaction

  • 10. The meaning, use, distribution and importance of resources changes over time.
    • 6.3.4.10.1 Describe how land was used during different time periods in Minnesota history; explain how and why land use has changed over time.
    • For Example:
      Land use might include agriculture, settlement, suburbanization, recreation, industry.

Social Studies Strand 4: History

Substrand 1: Historical Thinking Skills

  • 2. Historical inquiry is a process in which multiple sources and different kinds of historical evidence are analyzed to draw conclusions about what happened in the past, and how and why it happened.
    • 6.4.1.2.1 Pose questions about a topic in Minnesota history, gather a variety of primary and secondary sources related to questions, analyze sources for credibility, identify possible answers, use evidence to draw conclusions, and present supported findings.

Substrand 4: United States History

  • 15. North America was populated by indigenous nations that had developed a whide range of social structures, political systems, and economic activities and whose expansive trade networds extended across the continent (Before European Contact).
    • 6.4.4.15.1 Compare and contrast the Dakota and Anishinaabe nations prior to 1800; describe their interactions with each other and other indigenous peoples. (Before European Contact)
  • 16. Rivalries among European nations and their search for new opportunities fueled expanding global trade networks and, in North America, colonization and settlement and the exploitation of indigenous peoples and lands; colonial development evoked varied responses by indigenous nations, and produced regional societies and economies that included imported slave labor and distinct forms of local government (Colonization and Settlement: 1585-1763).
    • 6.4.4.16.1 Describe European exploration, competition and trade in the upper Mississippi River region; describe varied interactions between Minnesota’s indigenous peoples and Europeans in the seventeenth and eighteenth centuries. (Colonization and Settlement: 1585-1763)
    • For Example:
      The role of missionaries, the transmission of diseases, the domino effect of people being pushed further west due to the fur trade in Great Lakes region.

  • 18. Economic expansion and the conquest of indigenous and Mexican territory spurred the agricultural and industrial growth of the United States; led to increasing regional, economic and ethnic divisions; and inspired multiple reform movements. (Expansion and Reform: 1792-1861)
    • 6.4.4.18.1 Describe how and why the United States claimed and settled the upper Mississippi River region in the early nineteenth century; explain the impact of steamboat transportation and settlement on the physical, social and cultural landscapes. (Expansion and Reform: 1792-1861)
    • For Example:
      Louisiana Purchase in 1803, changing relationships between the United States and Dakota and Anishinaabe, competing concepts of land use, ownership and gender roles, transport of immigrants and freight by steamboat.

    • 6.4.4.18.2 Analyze how and why the United States and the Dakota and Anishinaabe negotiated treaties; describe the consequences of treaties on the Anishinaabe, Dakota and settlers in the upper Mississippi River region. (Expansion and Reform: 1792-1861)
    • 6.4.4.18.3 Describe the process of how Minnesota became a territory and state; identify the key events, individuals and groups involved in the process. (Expansion and Reform: 1792-1861)
    • For Example:
      Census, Territorial congress, writing a state constitution, Pierre “Pig’s Eye” Parrant, Henry Sibley, Alexander Ramsey.

  • 19. Regional tensions around economic development, slavery, territorial expansion and governance resulted in a civil war and a period of Reconstruction that led to the abolition of slavery, a more powerful federal government, a renewed push into indigenous nations’ territory and continuing conflict over racial relations. (Civil War and Reconstruction: 1850-1877)
    • 6.4.4.19.1 Explain the causes of the Civil War; describe how the debate over slavery and abolition played out in Minnesota. (Civil War and Reconstruction: 1850-1877)
    • For Example:
      Events related to debate over slavery—Dred Scott at Fort Snelling, role of free blacks in early Minnesota.

    • 6.4.4.19.2 Create a timeline of the key events of the American Civil War; describe the war-time experiences of Minnesota soldiers and civilians. (Civil War and Reconstruction: 1850-1877)
    • 6.4.4.19.3 Explain reasons for the United States-Dakota War of 1862; compare and contrast the perspectives of settlers and Dakota people before, during and after the war. (Civil War and Reconstruction: 1850-1877)
  • 20. As the United States shifted from its agrarian roots into an industrial and global power, the rise of big business, urbanization and immigration led to institutionalized racism, ethnic and class conflict and new efforts at reform. (Development of an Industrial United States: 1870-1920)
    • 6.4.4.20.1 Analyze how the rise of big business, the growth of industry, the use of natural resources, and technological innovation influenced Minnesota's economy from 1860 to 1920. (Development of an Industrial United States: 18701920)
    • For Example:
      Technological innovation—Improved ground and water transportation increased commerce.

    • 6.4.4.20.2 Analyze the causes and impact of migration and immigration on Minnesota society during the late nineteenth and early twentieth centuries. (Development of an Industrial United States: 1870-1920)
    • For Example:
      Establishment of ethnic communities and neighborhoods, shifting political power, language barriers.

    • 6.4.4.20.3 Describe the effects of reform movements on the political and social culture of Minnesota in the early twentieth century. (Development of an Industrial United States: 1870-1920)
    • For Example:
      Labor unions, Socialists, Progressive Movement, women’s suffrage.

    • 6.4.4.20.4 Describe Minnesota and federal American Indian policy of the late nineteenth and twentieth centuries and its impact on Anishinaabe and Dakota people, especially in the areas of education, land ownership and citizenship. (Development of an industrial United States: 1870-1920)
    • 6.4.4.20.5 Describe the political and social culture of Minnesota during World War I and how it affected Minnesotans. (Development of an Industrial United States: 1870-1920)
    • For Example:
      Temperance Movement, persecution of Germans in Minnesota, Minnesota National Guard, Commission of Public Safety, Non-partisan League.

  • 21. The economic growth, cultural innovation and political apathy of the 1920s ended in the Great Depression which spurred new forms of government intervention and renewed labor activism, followed by World War II and an economic resurgence. (Great Depression and World War II: 1920-1945)
    • 6.4.4.21.1 Describe how the major cultural and social transformations of the 1920s changed the lifestyle of Minnesotans. (The Great Depression and World War II: 19201945)
    • For Example:
      Arts, literature, entertainment, popular culture, gender roles, Prohibition, the Duluth lynchings, the farm crisis.

    • 6.4.4.21.2 Describe political and social impact of the Great Depression and New Deal in Minnesota, including the increased conflict between big business and organized labor. (The Great Depression and World War II: 19201945)
    • For Example:
      Trucker’s Strike, Citizen’s Alliance, New Deal Programs (Civilian Conservation Corps camps, Works Progress Administration art programs, National Youth Association roadside attraction construction), formation of the Farmer-Labor Party.

    • 6.4.4.21.3 Create a timeline of key events leading to World War II; describe how Minnesotans influenced, and were influenced by, the debates over United States involvement. (The Great Depression and World War II: 1920-1945)
    • For Example:
      America First, Charles Lindbergh, German-American loyalty.

    • 6.4.4.21.4 Identify contributions of Minnesota and its people to World War II; describe the impact of the war on the home front and Minnesota society after the war. (The Great Depression and World War II: 19201945)
    • For Example:
      Fort Snelling, Japanese Language School, SPAM, Iron Range mining and steel production.

  • 22. Post-World War II United States was shaped by an economic boom, Cold War military engagements, politics and protests, and rights movements to improve the status of racial minorities, women and America’s indigenous peoples. (Post-World War II United States: 19451989)
    • 6.4.4.22.1 Give examples of economic changes in Minnesota during the Cold War era; describe the impact of these changes on Minnesota’s people. (Post-World War II United States: 1945-1989)
    • For Example:
      Growth of suburbs, growth of Minnesota defense industries.

    • 6.4.4.22.2 Describe civil rights and conservation movements in Post-World War II Minnesota, including the role of Minnesota leaders. (Post-World War II United States: 1945-1989)
    • For Example:
      Movements—Civil Rights Movement (Hubert H. Humphrey, Eugene McCarthy, student takeover of Morrill Hall at the University of Minnesota); American Indian Movement; Women’s Rights Movement; Conservation Movement (Ernest Oberholtzer, Boundary Waters Canoe Area).

    • 6.4.4.22.3 Describe the response of Minnesotans to global conflicts and displaced peoples since 1945. (Post-World War II United States: 1945-1989)
    • For Example:
      World War II refugee resettlement, Vietnam War, The Red Bulls National Guard, Center for Victims of Torture, post-WWII refugee resettlement.

  • 23. The end of the Cold War, shifting geopolitical dynamics, the intensification of the global economy and rapidly changing technologies have given renewed urgency to debates about the United States’ identity, values and role in the world. (The United States in a New Global Age: 1980-present)
    • 6.4.4.23.1 Identify the push-pull factors that bring the Hmong, East African, Hispanic, Asian Indian and other immigrants and refugees to Minnesota; compare and contrast their experiences with those of earlier Minnesota immigrant groups in the nineteenth and early twentieth centuries. (The United States in a New Global Age: 1980present)
    • 6.4.4.23.2 Identify the major Minnesota political figures, ideas and industries that have shaped or continue to shape Minnesota and the United States today. (The United States in a New Global Age: 1980-present)
    • For Example:
      Minnesota political figures—Hubert H. Humphrey, Walter Mondale, Jesse Ventura.
      Minnesota ideas—rollerblades, Post-it Notes, thermostats.
      Minnesota industries—mining (taconite); forestry; technology/ health/ biosciences (3M, Medtronic, St. Jude Medical, Mayo Clinic, United Health Group); agriculture and agribusiness (Cargill, General Mills, Land O’ Lakes, Hormel Foods); manufacturing (CHS Inc., Ecolab, Toro, Polaris); retail (Dayton’s, Target Corporation, Best Buy, Supervalu, Mall of America).

International Spy Museum

Description

The International Spy Museum is "the only public museum in the United States solely dedicated to espionage," according to its website, featuring "the largest collection of international espionage artifacts ever placed on public display." The museum works to offer an apolitical view into the world of spies and espionage and to explore the importance of espionage work worldwide, both in the past and the present day.

The museum offers downloadable educator guides, pre- and post-visit materials, workshops for grades 5–12, bus tours, and long-distance web-conferencing-based programs.

Diana Laufenberg's What If?

Date Published
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Photo of illustration, Alternate Realities, May 24, 2010, jurvetson, Flickr
Article Body

NOTE: Deemed not acceptable for publication

  • What if Ben Franklin died in his electricity experiment?
  • What if Albert Einstein died before the theory of relativity was released?
  • What if Alice Paul and Lucy Burns were assassinated?
  • What if the Selective Service Act from World War I was not ratified?
  • What if Prohibition was not repealed?
  • What if Joseph Kennedy, Jr. lived?
  • What if JFK did not come to a diplomatic resolution to the Cuban Missile Crisis?
  • What if Ronald Reagan did not survive his assassination attempt?
  • What if Britain and the U.S. did not have the Revolutionary War?
  • What if Nat Turner did not get caught?
  • What if Puerto Rico did not become a U.S. territory?
  • What if Amelia Earhart survived her 1937 flight?
  • What if segregation in schools was never overturned?
  • What if Rachel Carson’s book Silent Spring did not "catch on" and DDT was never banned?
  • What if Osama bin Laden died in 1980?
  • What if Bill Gates's middle school never bought a computer terminal and made it available to students?
  • What if al-Qaeda was successful in the car bombing of the Twin Towers in 1993?

This is a sampling of questions asked by my juniors in their final project for American History. Counterfactual or alternate history is a fringe topic amongst academic historians. However, as a class activity it challenges students to understand history as more than a series of inevitable events. The What If? project focuses on the specific engagement of the individual student with a deep investigation of the historical record. The steps that take the student through the exercise are challenging, couched in research, and steeped in creativity.

Student Steps for Executing the "What If?" Unit:
  1. Brainstorm for ideas—think back to the most interesting units of study from the past year as a place to start; what are you most curious about in American history? The goal is to establish the Point of Divergence (POD).
  2. Investigate 2–3 PODs for the project.
  3. Choose one POD and fill out the contract for completing the project.
  4. Receive the graphic organizer that serves as a one-stop shop for writing down the pieces of the project. You will fill this out as you work through the project.
  5. Identify at least three primary source documents that PRECEDE your POD. (This establishes students' understanding of the historical record leading up to their PODs.)
  6. Use the National Archives Primary Source Document Analysis Worksheets to analyze your primary sources.
  7. Brainstorm three NEW events to add to the altered timeline that results after the POD.
  8. Create two primary source documents for each new event, to establish the events as 'real.'
  9. Finally, after they complete these eight steps, students use all the pieces amassed on their graphic organizers to pull together multimedia projects that utilize each piece of their evidence, real and created, in order to represent 2011 as it exists after their PODs. Students then post their work on their blogs and each writes a lengthy reflection. They answer questions including

    • What did you like about this project?
    • What was most challenging?
    • Describe the most interesting fact or event that you investigated.
    • How do the actions of individuals impact the historical record?
    • How do systemic changes impact the historical record?
    • How influential can one decision be in the historical landscape?
    • How could this project be improved?
    • If you had it to do over, what would you change about your process for the project?
    Student Responses to the Project

    Many times over I hear the students say things like, "You have no IDEA how much I know about this topic." They push back when I try to poke holes in their logic with events from the historical record; they cite primary sources when I need more proof. Their reflections often are the most telling records of the learning that occurs during this process. They write:

    The thing that I found most fun about this project, was coincidentally the same thing I thought was the most difficult, and that was the fact that there were so many different possibilities. It was very fun to see how different events related to one another, and how changing one could set off this long domino effect about all of history.Dennis

    My favorite part of the actual creating of the project was definitely fabricating primary source documents. I felt so cool, like some kind of all-powerful, primary-source-creating being.Luna

    I liked that I had free control to change something in history. It gave me the opportunity to choose something I was passionate about and change it to my liking. On the flip side, it was hard to pick something to change that would give me the outcome I wanted.Ayanna

    I really liked the hypothetical part of this benchmark, it left a lot of room for creativity. I enjoyed making my primary source documents and making up a different future for our country. However, topic choice was definitely the most difficult thing for me.Emma

    What I like about the project was that it made me do a lot of thinking and I learned a lot of history by going out on my own and researching the information that I needed.Sam

    Learning through Challenge

    This unit causes my brain to hurt. This project causes my students' brains to hurt. It puzzles, stumps, and perplexes us. Students choose topics poorly but do not realize it until well into the project. I approve a topic that is 'too big' and we are challenged to find a way out as the project comes to a close. There are contracts, organizers, analysis, predictions, and sweat involved in this project. In the end, each student learns. They learn content in an intense and curious manner. They learn skills with an urgency of 'I need to know this right now.' They learn their limitations and challenges in the most instructive of ways. This unit also pushes me in all these ways and more. It pushes me as a teacher and as a constant student of history to be the type of resource they need throughout this project. This is learning in its most messy and beautiful form.

For more information

In Ask a Historian, John Buescher looks at how complicated (and ultimately unanswerable) questions of 'what if? can be (here, for World War II history).

Ask students to 'stop action and assess alternatives,' suggests teacher educator Lori Shaller. This teaching strategy can help students realize that history, as it was happening, presented its participants with constant 'what ifs?'

Organize Your Thinking to Critically Analyze Text

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Video screencap, Organize Your Thinking to Critically Analyze Text, 27 Feb 2012
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This 15-minute video features 5th-grade teacher Jennifer Brouhard using several strategies for prompting deep understanding of historical texts. Brouhard explains how she noticed that her students were reading quickly and considered themselves finished with a text before going deeply into it or “doing anything” with it. Here, she explains several strategies that prompted her students to delve deeper into text and draw more meaning from it than a quick read allows.

This video provides examples of three promising practices:

  1. Creating opportunities to hear students making sense of the content and text and using what she learns about student understanding to design instruction tailored to that particular class’s needs;
  2. Using a historical question to frame instruction and student reading; and
  3. Using a variety of teaching strategies in response to student needs and abilities.
Strategies

In “Keep it or Junk it?” students nominate, vote, and discuss which words are needed to address the following focus question: What happened as a result of English settlement of Jamestown Virginia? Handouts for this strategy can be downloaded from the site.

“Jump in and read” lets Brouhard listen to her students read the text which helps her understand areas they need more help with. For example, if students stumble on the phrase “indentured servant,” it indicates that they need more review of this term and its meaning.

Writing subtitles for paragraphs is a third strategy Brouhard selectively employs.

Included with this video are handouts and samples of student work that make it easy to give one of these strategies a try in your own classroom.

"Uncoverage" in History Survey Courses

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A middle school student completing a writing assignment. NHEC
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The emphasis in survey courses is on "coverage"—trying to get through vast quantities of material. This can create routines which, according to Lendol Calder, rarely lead students to develop skills as historical readers, writers, and thinkers. As one of the study participants put it, in history survey courses you listen to a lecture, then you read a textbook, then you take a test. And then you do it all over again. Many teachers, however, acknowledge that covering everything is an impossible goal. But if "coverage" is not the aim of survey courses, then what is?

In this article from the Journal of American History, Calder argues for a new way of teaching these courses. Too often, history survey courses focus only on "what happened," without stopping to consider the work that historians do or to inquire into the writing and reading of history. Calder argues that "uncoverage" (a term used by Grant Wiggins and Jay McTighe to describe a way to delve into content instead of just covering it) is naturally suited to history, which is about inquiry, argument, and point of view, and often uses incomplete evidence to construct reasonable stories about the past. Calder claims that plowing through piles of historical facts actually prevents students from connecting with the disciplinary work of history. By emulating the work of historians, students actually retain content better, because they are more engaged in the process of learning and absorbing information.

. . . plowing through piles of historical facts actually prevents students from connecting with the disciplinary work of history.

Although the article focuses on college-level courses, the uncoverage concept could apply just as well to middle- and high-school classes, which are almost always taught as survey courses.

Framing the Course

Calder begins by asking students to consider reasons for studying history, the problems that arise in the pursuit of historical knowledge, and the stories and patterns from the past. After explaining the nature of "doing history," Calder explains that the class will be focusing on particular "problem areas" from the American past such as "Origins of the Cold War" and "1980s Culture Wars." For each problem area, Calder identifies six historical skills students can develop: questioning, connecting, sourcing, making inferences, considering alternate perspectives, and recognizing limits to one’s knowledge. At the heart of his approach are three modes of inquiry that students should learn to employ: the visual, the critical, and the moral.

. . . three modes of inquiry that students should learn to employ: the visual, the critical, and the moral.
Visual Inquiry

Calder tackles each problem area with a visual inquiry into the period. Through films that focus on historical topics and create an environment rich in information, students can become engaged and begin to ask historical questions. This approach "uncovers" the way historians choose topics to focus on, based on what they find interesting or have questions about.

Critical Inquiry

Next, Calder has his students engage in critically examining the problem area. In a structured history workshop, students examine primary documents and construct interpretations about the period. During this phase, Calder emphasizes questioning what doesn’t make sense, drawing connections to prior knowledge, making inferences, and considering alternate perspectives.

Moral Inquiry

Finally, Calder leads his students into what he calls "a moral inquiry" of the problem area. By this time students are primed to begin reading opinionated secondary sources that seem to "pick a side" in the history they tell. Particularly useful are provocative texts that prompt students to consider how they would think or write about interpretations of the past.

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Marginalia, CHNM
In the Classroom
  • If you teach a survey class, it's time to take a step back. Don’t worry about what you need to "cover." Instead, think about what you want to teach.
  • Consider which overarching history lessons students need to know. Ask your students questions like "What is the story of American history?" and "How and why have freedoms expanded (or contracted) over time?"
  • Next, consider the skills you want your students to acquire. Calder hoped his students would gain an understanding of how historians do their work. Perhaps you want students to conduct a conversation about how history is written. Or maybe your students could develop concrete skills such as using evidence to support their claims.
  • Once you’ve decided on your ultimate aims, consider what units of instruction would promote them. You’ll still be covering content, of course, but in the service of setting bigger goals for your students.
  • Leaving out material is hard. But remember, no one can teach everything. Using the "uncoverage" approach, you can explain to students why you’re teaching what you’re teaching.
Sample Application

Instead of asking them to memorize textbook pages or lecture notes, Calder presents his students with big questions about American history, such as:

  • What is the story of American history?
  • Who are Americans?
  • What have we accomplished?
  • How do we judge what we have done?
  • Are things getting better or worse, or are generalized statements like these possible to believe in the first place?

From there Calder asks questions about the process of "doing" history:

  • How do historians know what they claim to know?
  • Why would we want to think the way historians think?

Calder is asking his students to think about why and how they are studying history. These questions about purpose and process are at the heart of "uncovering" history.

For more information

Lendol Calder, with the assistance of Melissa Beaver, created a website to accompany his JAH article. Visit to explore his ideas in greater depth.

Bibliography

Lendol Calder, "Uncoverage: Toward a Signature Pedagogy for the History Survey," The Journal of American History, volume 92, no. 4 (March 2006), pp. 1358-1369. http://jah.oxfordjournals.org/content/92/4/1358.full.

Multiperspectivity: What Is It, and Why Use It?

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Photo, San Francisco, Calif., April 1942. . . , Library of Congress
Question

What is multiperspectivity in history?

Answer

Exploring multiple perspectives (which is known as "multiperspectivity" in parts of Europe) requires incorporating source materials that reflect different views of a historical event. In recent decades scholars and educators have begun to question the validity of singular (one-sided) historical narratives. Instead of just focusing on dominant groups and communities, they recommend employing multiple perspectives. One reason for this stems from increasing diversity and cultural pluralism, since many groups—women, the poor, ethnic minorities, etc.—have been ignored in traditional historical narratives.

. . . many groups—women, the poor, ethnic minorities, etc.—have been ignored in traditional historical narratives.

Another reason is disciplinary. After all, good historians don’t just settle for one perspective on a historical issue—they piece together many (sometimes competing) versions of a story to construct an accurate interpretation. As Ann Low-Beer explains, "In history, multiple perspectives are usual and have to be tested against evidence, and accounted for in judgments and conclusions."

Here's an instance of using multiple perspectives: When studying the voyages of discovery, students would not only learn about explorers like Columbus, but about the peoples who had been "discovered." Historian Jon Wiener, writing in American History 101 in Slate magazine, offers the following example:

In the case of Reconstruction. . . I focus [on] the three most significant [perspectives]: the Northern Radicals, who shaped federal policy and who wanted to bring the former slaves into the economy of the free market, as wage earners, and into the political system, as voters; the Southern planter elite, who wanted to preserve as much of the old plantation labor system as possible; and the former slaves themselves. Their understanding of freedom was, as Eric Foner has written, "shaped by their experiences as slaves." Freedom for them meant freedom to work for themselves—economic autonomy and access to land. This argument shows the freedmen defining their own interests, in conflict with the federal government, which claimed to represent them. Thus, instead of giving students a list of facts and dates to memorize, I would ask them to conceive of what's happening as a three-sided conflict over the meaning of freedom.

. . . instead of giving students a list of facts and dates to memorize, I would ask them to conceive of what's happening as a three-sided conflict over the meaning of freedom.

Consequently, for Wiener, "students end up learning not just about what happened during Reconstruction, but about how history itself gets reconstructed."

If not yet universal, this approach is widely accepted. In its most recent Position Statement, the National Council for the Social Studies in the United States recommended students learn to "think critically, and make personal and civic decisions based on information from multiple perspectives."

So what can a classroom teacher do? Try incorporating primary sources that represent a range of views on a historical issue. Then, ask students to spend some time thinking about why different groups may see the same event in different ways. Oftentimes a different story emerges when those multiple perspectives are put together. The result is enriched historical understanding.

Women Taking History: Women's History Month 2011

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Photo, Woman with camera, White House, Washington, D.C., Apr. 8, 1922, LoC
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African American History Month ends, and Women's History Month begins! Take a glance around the internet, and you'll find plenty of resources for teaching women's history—whether it be the Seneca Falls Convention, heroes of the American Revolution and the Civil War, social activists, First Ladies, workers during the World Wars, jazz and blues stars, or presidential candidates. You'll find photographs of many of these women, too—working in factories, on the campaign trail, helping the wounded, conducting scientific experiments.

But who takes these photographs? Who makes these images that become the records of history? Aren't the people behind the camera as significant as the ones in front of it?

Of course they are, though they can easily be forgotten. When we look at photographs of Amelia Earhart, we rarely ask who took the photo. When we're struck by a picture of New York during 9/11, do we ever ask if it was snapped by a man or a woman?

Explore women's history behind the camera this Women's History Month. What have women chosen to capture on film, as they record and live through history?

Taking Photos and Making History
  • The Kansas Historical Society tells the story of Alice Gardiner Sennrich, a professional photographer early in photography's commercial history. Born in 1878, Sennrich purchased a Kansas photography studio in 1902, and ran it throughout her life, including after her marriage. Recognized by the National Association of Photographers, she was also active in the Photographers Association of Kansas (PAK), an organization that had active female members since its founding. You can hear more about Sennrich in this podcast by the Society.
  • During the Great Depression, the Federal Government gave photographers, both men and women, work documenting the lives of ordinary U.S. citizens and the social conditions of the day. The Library of Congress's American Memory collection From the Great Depression to World War II: Photos from the FSA-OWI preserves more than 150,000 of these photographs. Try browsing the collections' black-and-white and color photos by creator. Look for women's names and work—and remember to check names with only a first initial and a surname! These may be women, too. Giving only a first initial was (and remains) one way to avoid being judged (at least in print) by gender.
  • Photographs aren't always taken as documentation. Sometimes, they're carefully composed as art. The online archive Women Artists of the American West showcases the artwork of 19th- and 20th-century Western women. Photography exhibits include photographs by white women of Pueblo arts and crafts workers (many of them women), taken from 1900 to 1935; modern art photography by Native women; landscape photography by Laura Gilpin (1891–1979); and 1972–1997 lesbian photography (some pages contain nudity). The Women in International Photography Archive, collects essays on more than 25 women photographers.
  • For an example of a modern photographer using her work as part of a political journalistic career, check out Jo Freeman.com. A writer, lawyer, and activist, Freeman's site features her photographs of Democratic and Republican conventions, marches and protests, New York after 9/11, the Chicago riot following Martin Luther King, Jr.'s assassination, and Congresswoman Shirley Chisholm's 1972 campaign for the presidency.

If photographs aren't enough, branch out into art, journalism, fiction and nonfiction writing, and other ways of recording and responding to the world, all meant for the public eye. What have women created and documented? What were their (myriad, uncountable) reasons for crafting "snapshots" and composing reactions? Women make history when they're behind its lens, as well as in front!

Further Resources

Looking for more resources? Take a quiz on women in history, with our weekly quiz archive! See how well you do on quizzes with subjects like women in the West. Search our Website Reviews, as well—we've reviewed and annotated more than 200 websites with women's history content.

If you'd still like more, these organizations feature content and pages created just for Women's History Month:

For more information

Speaking of photographs, the Smithsonian is looking for help identifying women in photographs with missing or incomplete background information. Take a look and see if you can help out!

Finding Local History Resources

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Photo, The old neighborhood. . . , Christopher Frith, 1998, NYPL
Question

I have been unable to find teaching materials and/or curriculum for the teaching of local history. Our small town has a very rich history, including being the place where Lewis and Clark joined together to form their expedition, and the town that is the oldest American town in what was the entire Northwest Territory. It is also the site of the only home that George Rogers Clark ever owned. We also have extensive archaeology of Archaic, Woodland, and Mississippian periods.

We would like to incorporate teaching our town's history into the curriculum of grades K-5, but find no curriculum help or materials to do so.

Answer

Learning history through a local lens can be an engaging and powerful way to study the past. It sounds like your town (in Indiana, I presume?) has a rich history to mine with elementary students. For curricular resources, first try local museums, libraries, and historic sites. Their local collections often have interesting and evocative primary sources and orienting secondary material that can be curricular building blocks.

Some of these local institutions even provide lessons, resources, and field trips designed especially for the K-5 classroom. See this site's Museum and Historic Sites search for locating institutions near your community.

But even without specific curriculum, repositories of historic photographs, documents, maps, and other sources can get you well on your way to creating classroom plans.

Here are some tips for creating local history curricula for the elementary classroom:

Remember your state's standards—these can help you identify important topics, themes, and concepts at each of the grade levels. (Click here to search state standards.)

Timelines and maps are invaluable tools for helping students of all ages study history. From using a timeline to understand photographs that show a changing town landscape to using maps to understand settlement patterns, these tools help young students locate primary sources in concrete ways and read and analyze these sources. Connections between local and regional or national events can also be more transparent for students when timelines and maps are compared. For instance, compare a timeline of national events with a timeline of local events to help students see these connections.

Guiding questions are important. Use them to help students read and look carefully at sources and consider the significance of what they see.

Remember that walking tours can help students engage with the past. Seek out local history experts to help you identify promising sources, stories, and sites.

Use existing curricula and lesson ideas on this site to help you plan questions, activities, and lesson structures. For example, see this teaching guide about reading historic photographs closely and using them as doors into larger historic questions, or this video for a teacher who uses walking tours to help students learn their local colonial history. And don't forget to explore our Primary Source Guides. The entry about the National Parks Service may be especially helpful.

Other national organizations also provide resources for teaching local history. See the Regional Education Resources of the National Archives, National History Day's state pages, and a list of resources from the Library of Congress's American Memory site. Finally, the New England Flow of History project has some teaching ideas and resources that can be helpful.

Please come back and tell us about your successes and challenges—this is a topic that is important to many educators!

National History Day Wins 2011 National Humanities Medal

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Photo, Final preparations, Mar. 6, 2009, Jose Kevo, Flickr
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On February 13th, National History Day (NHD), a year-long, nationwide contest that challenges students to hone their historical thinking, research, and interpretation skills, received the 2011 National Humanities Medal. Presented by the National Endowment for the Humanities, the medal "honors individuals or groups whose work has deepened the nation's understanding of the humanities, broadened our citizens' engagement with the humanities, or helped preserve and expand Americans' access to important resources in the humanities." This marks the first time a K–12 education program has received the medal, according to a press release.

Interested in learning more about the program? Your first stop should be the National History Day website. Then come back to Teachinghistory.org to read what our teacher-writers have to say about their NHD experiences! Eighth-grade teacher Amy Trenkle loves the website and documentary categories, which ask students to practice 21st-century skills in their NHD presentations (read her thoughts). Mike Yell, 7th-grade teacher and former National Council for the Social Studies president, recommends using the program as a differentiation option for self-directed students (read more here).

Are you and your students already involved in NHD? Do they have questions about historical thinking and research? Do you? Remember that anyone can submit questions to Ask a Master Teacher, Ask a Historian, and Ask a Digital Historian here at Teachinghistory.org. In the past, we've answered questions about aligning NHD to state social studies standards and given tips on places to begin research and steps in developing a research topic.

Congratulations, National History Day!