Implementing Lesson Study

Video Overview

Professor Mimi Coughlin and professional development coordinator Roni Jones outline the ongoing process of creating and managing effective lesson-study-focused grants, emphasizing the importance of flexibility and being open to change and rethinking as a grant project continues.

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Video Clip Title
The Process of Lesson Study
Building Flexible Relationships
Bringing Teachers Together
Sustainable Results
Video Clip Duration
4:13
3:45
1:59
2:31
Transcript Text

Roni Jones: So we received our first Teaching American History grant in 2005 and Mimi and I were both on the writing group that put that grant together, and lesson study was a part of that grant that was originally written. And I think that over the last five years, we've really learned a lot about the fact that lesson study empowers teachers in their own classrooms.

So even though they're developing an individual lesson plan, it's not necessarily about the development and completion of the individual lesson plan, it's about the teachers coming together collaboratively, talking about the content that they've learned from historians, and then translating that content for their students. In California, they're at the 5th-, 8th-, or 11th-grade level. And I think that what lesson study allows them to do is be the experts in their own class and in their own field and then working collaboratively, coming together to take ownership of that content, so that their students can then take ownership of that content.

Mimi Coughlin: There's something about the process of lesson study is very professionalizing for the teachers. It does bond them to each other, it has bonded us as a community, and it connects them deeply to the content, too, because they can sort of own it, and I think Roni said that. It is a real ownership model.

Roni Jones: Because we're a countywide project, we actually act as a consortium for 14 different school districts, K–12. We have two partners. Our biggest partner is Sacramento State University, and they provide us with access to historians. And then Mimi is the other faculty member in the College of Education that we work with. And we also work with historians from our local community college because it is the institute of higher ed in our county, that most of our high school students go onto.

So we bring our teachers together, and typically we have a cohort of about 30 teachers, and we've experimented with different models. Sometimes we've had all 4th- and 5th-grade teachers in a summer institute, or all 8th-grade teachers. In the last few years, we've had a mix of 5th, 8th, and 11th grade, because that's where the standards are for U.S. history in California. We bring them together in a multiday summer institute where they're working with historians. Historians are doing formal lectures, with PowerPoint, sometimes historians are bringing in primary source documents and teaching them to evaluate the primary source documents and actually act as historians to draw conclusions and interpret those documents.

We also work with them on lesson design, what good lesson design looks like, having an assessment with their lesson plan, instructional strategies that will work at different levels using graphic organizers or student conversations, those types of things.

So that's, that's during the summer, where they're really interacting in a concentrated way with the content and with our faculty members. Then during the school year, we provide them with four substitute days, where we pull them together as large groups and as small groups to plan a lesson collaboratively. They use online lesson planning tools and online learning environments like Blackboard to continue some of their professional conversations.

And then they actually have two teaching events where two teachers from their group teach the lesson on different days. After each teaching event they reflect and revise the lesson plan that they've created as a group. And I think that's really important, the most important thing about that is that they have collaboratively designed this lesson plan so they're not watching the teacher teach, they're watching the students interact with the material and the content. And that's how they do their revision, they base their revision on that interaction and on the evidence that they gathered during those teaching events

And then we have instituted over the last few years, a final revision day because even though they're teachers, they don't always get the grammar right. So we bring them together, we actually have a copyeditor that we work with, we have our historians come in for the final day to answer questions, to really sort of finalize that content, selection of primary source materials and those sorts of things. So they finalize that lesson plan in the online lesson builder and they submit it to us that we can then post it and they can share it with each other. They have time to share with each other across grade levels, as well, during that time. So that's how our teachers really interact with each other and with the content.

Mimi Coughlin: Because it really is a relationship model, where Roni and I and other members of our teams are in teachers' classrooms, they're in each other's classrooms, we have the historians in the classrooms, and we're right where the teachers live, we're right there.

And every time we do a lesson study, at the very end of the day, I always says to the teacher, thank you for letting me into, for having me in your room, and you can just kind of see that they're very proud of their kids and their classrooms, and that's where we should go. If we want to change what they're doing, that's where we need to change it is right there where they—we interact with the students when we go into the classroom, we interact with the curriculum and it's all very, it's very hands-on and it's hands-on right where it should be, right where the kids interact with the content.

Roni Jones: They ask you to list the roles, what everybody's title is and what their role is and how much time they dedicate and you do this nice little chart and you put it in the grant and you submit it. And if you don't submit it in such a way that you even have a percentage of somebody's time—Mimi's going to spend 10 hours a week or the historians are going to do this many hours—the readers can actually mark you down for that in your grant application. But I think what people should know is that as you start working on this grant, those roles and those relationships and that amount of time changes based on what starts to happen in the grant.

So at the beginning we used the model that most Teaching American History grants use where we have scholars come in, and historical scholars and Pulitizer Prize-winning historians and these academics who are very much into the research of what they're doing and their knowledge is incredibly important to us and it helps guide our content. But what we have also discovered is that they come in and they want to give a lecture as though they're lecturing to a room of graduate students and there's always value in that, in increasing the personal contact knowledge, history content knowledge, of the audience.

But we've also realized that we need a historian who can be in a little bit more flexible role, who isn't just giving a lecture, but who is helping the teacher to grapple with their own misconceptions as an adult learner because they then have to translate that for the students.

So we find that we need multiple historians and multiple faculty members in multiple roles. And sometimes you go through a few and it's not really comfortable and you have to figure out how they fit into those roles. And so I think that somebody like Mimi who works with us on a regular basis, and Mimi and I talk almost every day, we correspond by email, we talk multiple times during the week. For historians we may not converse with them as often, but they have to be apprised as to what's going on, so you need a very a clear communication stream with all of those people.

And then you need to be flexible as to how people are fitting into the grant, so having that relationship with historians so that you can ask what seem like simple questions of them so that teachers can really begin to organize those thoughts and that information in their head, so that when they do teach their lessons it's very clear to their students. Because teachers can't teach a concept that they're not clear about—it just doesn't work, it comes out as confused for the students as it does for the teacher.

So I think that the role with historians is very important and I think that any new grantee or a struggling grant really needs to think about the fact that you have to be a little flexible and find where people fit, and if someone doesn't fit that role, you can't make them. You have to go find somebody else who can fit that role, and utilize the expertise of the other person in a different way. And I think that's probably one of the biggest lessons we've learned from an administrative standpoint.

Roni Jones: We had some resistance the first few years because teachers weren't understanding well, how does this matter to me and how does this fit into my classroom? And so we've been able to frame our summer institutes and frame the work that we do a little bit differently, so that they understand larger concepts and themes about U.S. history. So that if we're talking about race, class, and gender, that we're going to talk about that over multiple time periods and they're going to select the information that they need for their standards

And so in the past, we've really worked with 8th-grade teachers working with 8th-grade teachers and 5th-grade teachers working with 5th-grade teachers. This year we experimented a little bit and we actually were working with the Constitution as our main topic. And we brought together 5th-, 8th-, and 11th-grade teachers working collaboratively on a lesson plan.

So we had 5th-grade teachers working with 11th-grade teachers and 8th-grade teachers. And we had a little resistance at first because they really don't teach the same things about the Constitution, but they trusted us enough over time—we don't keep a common cohort for all three years, we have teachers coming and going throughout the life of the grant so that we have some people who've been with us for multiple years and some teachers who come in for a year—and they trusted us enough and they trusted the lesson study process enough that it became a really rich and valuable experience for them.

And so we have 11th-grade teachers who were learning from the 5th-grade teachers—simple things like how to give directions for a multistep process and putting those directions on the board, which an 11th-grade teacher would never do because they think their students know how to do that, when really they don't, and a 5th-grade teacher learning how to very eloquently deliver difficult concepts that they wouldn't necessarily deliver in the same way that a high school teacher has. So we have a lot this year—we actually really—we felt like we really sort of pushed the edge of that for our teachers and got them out of their comfort zone and it ended up being very successful.

Mimi Coughlin: You know, I was thinking about that, I was thinking it is, it is resource intensive but it is outcome rich and I think that—I mean, there is no doubt about it, we have tons of evidence that our teachers are motivated, our teachers are taking initiative to do things beyond just the one lesson. They're taking initiative to do all kinds of things. They're recruiting their peers into the program, they're recruiting principals into their classroom, to come observe.

They're seeing students differently—and we really need to talk about that, the impact on students is—you know, when a teacher is bringing in something interesting and that works and then the students respond positively and demonstrate skills and abilities that the teacher didn't know they had and so then it's this whole iterative process where you know, teachers are motivated by their kids. So when their kids are doing better, then the teachers want to do more. And we've heard that from more than one teacher. They say, wow my kids always want to do this now, now they're asking me, can we do something else like that?

So there's all of that, but then there's the CST scores, which are our state scores. We have assessments we've done with our evaluator that show student achievement goes up, and we can demonstrate that in several different ways. Student engagement goes up. The ability of teachers to apply the historical thinking skills increases.

Roni Jones: There are really two separate things going on. We have all of this evidence based on feedback from teachers. Everyone wants to call that anecdotal, but pretty soon, there's a pattern and pretty soon there's a message that's coming very clearly from teachers—that teachers are actually demanding—calling their administrators and sending emails to their administrators saying, you know, unless you do lesson study, I don't want to do professional development.

Mimi Coughlin: I really believe that the professional development is profound and the leaders in Placer County in the coming years will be people who say, you know, that lesson study thing. . . Because it provided networking opportunities, it provided a clear content focus and a clear focus on the student experience—student achievement, student engagement, examining student evidence, all these great things that you want educators to do.

The Articles of Confederation

Description

This mini documentary, produced by NBC, describes the Articles of Confederation, which suited the goals of the Americans when they were fighting for freedom from the monarchy. These documents, which favored state's rights over federal power, were inadequate after the Revolution when a strong central government became necessary.

To view the documentary, follow the link below and scroll down past "Thomas Paine and 'Common Sense'" and "Women in the American Revolution."

Amy Trenkle on Experiencing the First Amendment

Date Published
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Photo, students learning linoleum-cut printing
Photo, students learning linoleum-cut printing
Photo, students learning linoleum-cut printing
Photo, students learning linoleum-cut printing
Photo, students learning linoleum-cut printing
Article Body
Welcome our blog's first guest writer!

In the future, look for more entries by practicing teachers we've selected to bring you their experiences connecting students with primary sources and/or using technology and digital resources to support and enrich their teaching. Teachers will come from elementary, middle, and high school; some have been teaching for years and some have just started out. Each will have their own unique insights on teaching U.S. history and social studies.

Amy Trenkle teaches 8th-grade U.S. history at Stuart-Hobson Middle School in Washington, DC. A National Board Certified Teacher in early adolescence social studies/history, she has taught in DC since 1999. Amy believes in experiential learning and using the museums in her city and across the country to make concrete connections for her students to their history curriculum. She has served on several advisory boards to local museums, including the Smithsonian Center for Education and Museum Studies, the National Museum of American History, the Newseum and the National Building Museum. An active participant in the DC Council for the Social Studies, National Council for the Social Studies, and DC Geographic Alliance, Amy the received the DC History Teacher of the Year Award in 2005 as sponsored by the Gilder Lehrman Institute of American History. Currently, Amy is serving as an adjunct professor of education at American University.

Picturing the First Amendment

This year, celebrating Constitution Day was a school-wide affair.

Thanks to a special grant opportunity offered through the Newseum and 1 for All, students at my school became aware of, or reviewed, their First Amendment rights.

Students took a field trip to the Newseum, where they had a class taught by a Newseum educator about the First Amendment, and then visited the First Amendment Gallery, both highlighting issues related to the First Amendment today.

Upon returning to school, students in each grade level shared what they learned in different forms. The 5th grade made sidewalk chalk drawings, the 6th graders made a mural about their First Amendment rights, 7th graders left their impressions of the First Amendment via window drawings with washable window paint, and 8th graders made a linoleum print about the First Amendment.

Finding Your Freedoms

As the 8th-grade U.S. History teacher, I really wanted to emphasize the importance of the First Amendment—we will be studying it more in-depth later this year, but what a great opportunity to bring it to life now! To prepare my students for this trip, we took a walk around several blocks near the school. Students listed as much evidence as they could for our five First Amendment rights in action. I directed them not to just look for signs, but to listen for them and to really observe.

Students came up with the following:

  • Assembly: We are all walking as one group on the sidewalk.
  • Religion: The Imani Temple Church, Tibetan worship flags, a cross (for Christianity)
  • Speech: the Redskins sign, bumper stickers on car, mayoral candidate signs
  • Press: Newspaper stands, Washington Post newspaper

Armed with our examples in our neighborhood, I felt we were ready for our field trip. We had a great time—the students LOVE going to the Newseum. As a teacher, I felt that they deepened their understand of the First Amendment and connected it to what we did in class.

What Do Freedoms Look Like?

Our final activity, upon our return, was to synthesize what we learned through a print. Students were first asked to choose one of the five parts of the First Amendment to focus on. They then were tasked with finding a quote, lyrics, or saying that they felt related to that part of the First Amendment, and to cite it. Then, they drew a sketch of how they would illustrate this on a print.

The next day a local artist, Alexandra Huttinger, came in and taught the students how to make linoleum-cut prints. Each student carved his/her own linoleum and then printed their print. They then wrote what their print was about. These will be displayed in our school's foyer.

Taylor chose to focus on the Freedom of Assembly because "the right to assemble is very important to me." She chose to illustrate her drawing as she did because "to protest you could have megaphones and signs." From this activity she learned "that our First Amendment rights are important to us as Americans."

Virgil chose to illustrate the Freedom of Petition "because it got my attention because I remembered the Tea Partiers." He used a quote from his father: "We have a right to protest against things that we feel are not right." He chose to illustrate his right as he did "because people signing a paper to get things or to relieve things is a form of petition." As for the activity? Virgil says, "It is a really fun experience!"

Ashley chose to highlight Freedom of Speech. "I chose to focus on this particular part of the First Amendment because I think that the Freedom of Speech is used the most," wrote Ashley. She used a quote from Benjamin Franklin that she found on thinkexist.com: "Without the freedom of thought, there can be no such thing as wisdom, and no such thing as public liberty, without freedom of speech." Ashley explains her choice: "I chose to illustrate the First Amendment as I did because I thought it really illustrates what my feelings are about Freedom of Speech. The mouth represents speech and the flag as the tongue in the mouth represents freedom." She "enjoyed learning how to print and about our First Amendment rights again."

Whether it was new or a review for students, I felt, as a teacher, that my students were thinking about the First Amendment and their rights on Constitution Day. I'm very proud of their work!

For more information

Visit the Newseum's website to explore the museum's resources for students and teachers yourself.

Also check out 1 for All, a nonpartisan educational campaign seeking to celebrate and publicize the rights granted by the First Amendment. The website offers lesson plans for all grade levels, and links to further resources.

National Archives and Records Administration

Article Body

The National Archives and Records Administration (NARA) holds more than 10 billion items addressing the social, economic, political, and cultural history of the U.S.

In the recent site redesign NARA created a new Teacher's Resources section. Check out the training page for videoconference and summer workshops.

Don't pass on their new page DocTeach, which offers access to thousands of primary source documents and activities based on them.

The previous version of this section is still available at Educators and Students, a gateway to online resources and professional development opportunities for teachers. Links to the Declaration of Independence, the Constitution of the United States, and the Bill of Rights with accompanying instructional materials are among the highlights.

Digital Vaults is an interactive resource enabling visitors to manipulate digitized archive holdings to create historical scrapbooks and narratives.

Visit Presidential Libraries is a gateway to the holdings, programs, and events of Presidential libraries across the country.

Regional Archives maps the locations of branches of the archives by state and territory and describes their holdings, events, and activities.

Or search NARA's catalog through the Archival Research Catalog (ARC). ARC offers approximately 78,000 digital images of governmental textual records, photographs, and maps. Materials date from the colonial period to the recent past. To access digitized materials only, check the box marked "Descriptions of Archival Materials linked to digital copies." A newer, more streamlined way to search is the Online Public Access search. Enter your keyword, and then select appropriate limitations (images, etc.) in the bar to the left of the search results.

Regional Branches

If you would like to learn about your (or any other) region specifically, be sure to take a look at the physical archives and web resources provided by the NARA in various parts of the country. The following list links to each region's listing on teachinghistory.org.

Creating the United States

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In this online exhibition from the Library of Congress you will find three primary source documents—the Declaration of Independence, the U.S. Constitution, and the Bill of Rights—along with more than 350 other related sources including laws, acts, essays, letters, political cartoons, and more. The exhibit displays images of the documents in their original and in interactive forms.

Each of the three major documents appears on the home page. Clicking on a link that begins "Read more about the history of..." takes you to a collection of short (1-2 paragraph) essays on steps in the process of creating the document, with each step accompanied by related primary sources. By clicking on a link that begins “View all items from Creating the...” you are taken to a page where you can view all the available documents related to the major document.

Rather than presenting the documents as works that spontaneously came about, this site can be used to teach and learn about the steps that led to the writing of the documents. For example, if you are interested in documents that were written prior to the U.S. Constitution, you can find more than 50 primary sources related to and predating the U.S. Constitution, including the Articles of Confederation and Thomas Jefferson writing on black education. If you are overwhelmed by the number of sources, you can create a free myLoC account where you can download, save, and store the documents you are interested in.

The best part of the website is that you can interact with the documents, completely dissecting them. (In order to interact fully with the documents you need Microsoft Silverlight, free to download on the site.) Clicking on “Interactives” in the menu at the top of the screen takes you to the interactive documents. Once you choose a document, the screen splits in two; on the left an explanatory text overview appears and on the right the original handwritten primary source. By clicking the “Explore” icon and then "Show Themes" on the right-hand side, you can explore the many themes of the primary source. For example, if you click on "Explore" and "Show Themes," the exhibit highlights parts of the document related to “The Pursuit of Happiness,” "Consent of the Governed," or three other themes. Click on a section marked with "The Pursuit of Happiness" on the Declaration of Independence, and you will see an overview/explanation of the idea on the left. Then you have the option of clicking “Where does this idea come from?” Clicking on that brings up documents that are related to the theme, such as Two Treatises of Government by John Locke, with the related passage in each highlighted.

Clicking on "Explore" also lets you click on "Transcribe." "Transcribe" pops up a window that you can drag over the primary source. The window shows a transcription of the handwritten text beneath it, including any changes the writer made to the document.

Teachers as well as students in grades 6-12 will find this website useful in learning about the history of each of the three major primary sources and about where the ideas in these documents come from.

Teachinghistory.org Teacher Representative Karla Galdamez wrote this Website Review. Learn more about our Teacher Representatives.

Massive Resistance Political Cartoons

Video Overview

Historian J. Douglas Smith contextualizes and analyzes two political cartoons commenting on Virginia government's reactions to Brown vs. Board of Education and the call for desegregation.

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Video Clip Title
Cartoons and Newspapers
Segregation
Looking at the Cartoons
Teaching Massive Resistance
Video Clip Duration
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6:15
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4:33
Transcript Text

These are political cartoons, which typically do appear on the editorial page and are a comment on the major political events of the day. The first cartoon from May of 1954 entitled "Now What," was drawn and published in the immediate aftermath of the Supreme Court’s Brown decision.

Typically, the editorial cartoonists will reflect the editorial position of the newspaper. Certainly in the Richmond Times-Dispatch in the 1950s, the cartoonists would’ve more or less reflected the editorial position of the newspaper. By the time you get to the ’50s, you cannot avoid talking about massive resistance, you can’t avoid commenting on the Brown decision, you can’t avoid commenting on the imminent closing of the public schools. These are single images that convey a quite bit of information. Once you really begin to look deeply at this, you start to understand and to see where Virginia has gone in the four years from the Brown decision.

Virginius Dabney was the editor of the Times-Dispatch from the ’30s until late 1960s. And he recognized that massive resistance itself was not going to lead to anything productive, but the publisher of the paper, the Bryan family, were firm supporters of massive resistance, and so the bargain that essentially was worked out is that Dabney just didn’t say much about massive resistance. He certainly didn’t editorialize against it.

This is actually, I think, quite typical of the elites in Virginia, He was certainly amongst those, but Virginius Dabney once famously described massive resistance as an aberration from Virginia’s heritage of sound leadership and forward-looking thought. So, he was able to sort of dismiss this four- or five-year period as a blip on an otherwise excellent record when, in fact in many, many ways, massive resistance is the logical culmination of a particular type of race relations that people like Virginius Dabney did support.

Dabney is a complicated figure in this in that he was somebody who always editorialized for the better treatment of African Americans in Virginia. But within this paternalistic vein that had developed in Virginia; at one point in time he was seen as a liberal in the '30s because he was advocating better treatment of blacks and anti-lynching. By the '40s he’s more moderate, by the late '50s and '60s he’s actually seen as quite conservative.

Richmond had two papers. There was the Times-Dispatch which was the morning paper and then the News Leader which is the afternoon paper. The editor of the News Leader was James Kilpatrick who was one of the real leaders of massive resistance in many ways. In Norfolk, you have the Norfolk Virginian-Pilot, the other major paper in the state and it was the only one of the white papers that opposed massive resistance. Not that they embraced and desired integration, but that they recognized that the Supreme Court was the law of the land, that the Justice[s] had spoken and it was a responsibility to adhere to those decisions.

The Norfolk Journal & Guide and the Richmond Afro-American were black papers of the time. They were weeklies, and they had a relatively small readership. I think that most African Americans felt they had the Supreme Court ruling on their side and that ultimately that would have to prevail, but getting there wasn’t easy. Richmond was the capital, the power center, and so the Richmond paper certainly was the most important in the state and then the Norfolk paper after that in terms of overall readership.

The 13th Amendment simply abolished slavery towards the end of the Civil War. The 14th Amendment said that no citizen of the United States can be denied the equal protection of the laws. What was so important about the 14th Amendment was that it basically said that any citizen of the United States is first and foremost a citizen of the United States and secondarily, a citizen of their individual state and therefore it meant that no state could deny any individual any of the guarantees that were made by the federal government.

The 15th Amendment said that no person could be denied the right to vote based on race or previous condition of servitude. It doesn’t say that you can’t be denied the right to vote for other reasons, so what you end up with is the implementation of Jim Crow. Because of the 15th Amendment, no state could pass a law which said blacks can’t vote, but what they did instead was come up with all sorts of other methods for achieving essentially the same purpose.

Understanding clauses were educational tests where it was up to individual registrars to decide who passed certain tests. One of the problems with the literacy tests and understanding clauses is that there were in fact many uneducated whites who might have failed those tests. This is where you get grandfather clauses in which states would pass a law which said that if your grandfather could vote, then you can vote. There was no black person whose grandfather could vote because you’re talking about the slave era.

It was under the guise of the 14th Amendment that in Brown, the Supreme Court basically says that the court in Plessy was wrong, that equal protection laws do not allow for segregation. The 14th and 15th Amendment are quite important in terms of understanding the whole edifice of white supremacy and of Jim Crow. It’s not until 1965 with the Voting Rights Act that the vestiges of the disfranchisement laws are finally put to rest.

In the late 19th century you have the implementation of series of state laws, many of them begin with railroad transportation and quickly spread to other aspects of public life. As public schools come into being, they are fully segregated. The segregation laws tend to have to do with public separation of the races in public places.

The whole notion of Plessy v. Ferguson in 1896 when the Supreme Court gives its permission for the South to maintain and build a segregated state. Homer Plessy, who was a man who was one-eighth black, wanted to test the law. The state of Louisiana had passed a law which said that the races could not sit together on railroad cars. He did so anyway. He was arrested, charged with a violation of the law.

The case went to the Supreme Court and by an eight-to-one decision, the Supreme Court said that laws that mandated segregation were okay as long as facilities for both blacks and whites were equal and so the phrase separate but equal comes out of this, talking about parks, playgrounds, schools, trolley cars, then later buses, railroad cars, any sort of place of where the public might mingle.

The standards definition of desegregation is the abolishment of racial segregation and integration, as the full equality of all races in the use of public facilities. A distinction I often find helpful especially in the context of understanding massive resistance, and even more so with what happens after massive resistance is that I think that in many respects desegregation means the end of state-sponsored segregation. Desegregation comes to mean the absolute minimum necessary to comply with the law. What really happens in the wake of massive resistance is that you end up with token integration, at least for another decade until another series of court decisions force more complete integration.

On a national level Brown v. Board of Education was the culmination of a nearly two-decade campaign led by the NAACP to attack segregated education at the professional and graduate school—the whole notion of Plessy v. Ferguson in 1896 when the Supreme Court gives its permission for the South to maintain and build a segregated state.

The NAACP began winning a series of precedents: in the Maryland courts, then Missouri, in Texas, Oklahoma. NAACP recognized that they could keep doing this forever and ever, they basically were arguing that there was nothing equal about segregation, that the states were failing to meet their constitutional mandate under Plessy. The hope was not that they’ll simply increase funding and we’ll have a separate but equal society, but that they would recognize that to do so would be so prohibitively expensive, that real meaningful change would have to take place.

The case of Brown v. Board of Education, which was five cases which all examined the question of segregation in the public schools at the pre-collegiate level—these cases worked their way through the different courts and then finally they were bundled together by the Supreme Court and we know them as Brown v. Board of Education.

In the early ’50s we know Virginia provided one of the cases that was bundled in Brown, the case out of Prince Edward County which started when a group of young students led by Barbara Johns, who was a junior at Moton High School—the facilities in Farmville are horrific and the students finally say enough. Many of their parents are scared because their parents’ jobs depend upon not causing trouble and so the students don’t tell their parents about this. One day they march down to the superintendent’s office and have a protest of their own.

It would be simply wrong to suggest that African Americans in Virginia weren’t demanding more change. Even though the Brown case comes out of Kansas, it’s every bit as much about life in Virginia. People often assume that the Brown decision dealt with segregation and all of its guises and aspects, but the Brown decision actually was limited to segregation in the schools.

Part of the problem with Brown and part of what why we end up with massive resistance is that the court they’re obviously worried about the reaction in the South. So they actually did not in 1954 issue an actual implementation ruling. They could have said all public schools in the South must be desegregated beginning in September, but they did not. They left it up to the district courts and they said they must move with quote unquote “all deliberate speed” and this provides the context for massive resistance.

The NAACP basically said look you’ve got to do this now, or else the white South is going to stall and certainly the NAACP proved to be quite right about this. So, the court decision comes down in May of 1954 and the initial response in Virginia is sort of like this cartoon suggests. The Virginia constitution guarantees every child the right to a public education. So, there were some who thought well maybe if we get rid of that guarantee then we don’t have to run public schools. There were others who thought you know that was going a bit too far. So you have this ferment in the summer or fall of 1954 who are trying to figure out what to do.

We have an ocean with no land in sight whatsoever, but a giant rock sticking up right in the middle. It says "Supreme Court Segregation Decision," in reference to the Brown decision which declared segregation of the schools unconstitutional. The ship itself is sitting on top of the rock. It’s on the point of the rock so you could imagine if the weight shifted too much one way or the other that it would fall into the ocean. The water itself is pretty still.

The ship is an old wooden vessel labeled The South. Inside the ship there is a schoolhouse. It says public schools. In the front, presumably the captain of the ship is a man that looks like a throwback from the Confederate era. He’s got the trademark long moustache and long, pointed beard. The big top hat, almost a 10-gallon hat except we’re not in Texas but otherwise similar to that. Almost the type of man that you would imagine as a model for Colonel Sanders of Kentucky Fried Chicken fame. This is an old Confederate general, the embodiment of the myth of the lost cause if you will, of the Southern confederacy, and yet here he is in 1954 at the helm of the ship The South standing at the front, but firmly inside the boat, gazing out to sea to look and see whether or not help might be coming.

The overall message is that the Supreme Court decision has put the South in a very difficult spot with regard to the public schools, but disaster is not necessarily imminent. There may yet be a way out of this. The ship is not breaking apart as far as we can see. It’s stuck but not coming apart. The title of the cartoon itself “Now What” suggests some ambivalence about where things are headed.

The Byrds would have to be considered the most prominent political family in Virginia in the 20th century. Harry Byrd, Sr., was the dominant political figure in Virginia from the early 1920s until his death in the mid 1960s. He was elected governor in 1925 as a very young man. Recognized as the head of what comes to be known as the Organization—a small tightly-knit group of important political figures that revolved around the county courthouse the county clerk and the county judge and the county sheriff. He was brilliant at maintaining contact with people, at knowing how to relate with people. People around the state loved Harry Byrd and he was as a governor in some respects progressive for the time, but certainly on issues of race and many others, quite, quite conservative. He went to the U.S. Senate, until 1965 when he became very ill and he actually resigned his seat so that the governor could appoint his son, Harry Byrd, Jr., and then Harry Byrd, Jr., occupied that Senate seat until he retired in 1982.

It’s interesting to note the ways in which the political dynamics of Virginia and the South shifted. Up until the 1960s, Virginia, like every other Southern state, was virtually all Democrats. The Democrats were the party of white supremacy, which makes sense if you think about the Republicans as the party of Lincoln and of Reconstruction. The Democrats regained control in the late 19th century, and it was very much a one-party state until the advent of the civil rights movement when the national Democratic party embraces civil rights beginning in 1948 and then accelerating in the 1960s, you begin to see many southern Democrats switching parties.

A lot of the South was watching to see what Virginia would do. In the fall, the governor appoints what’s known as the Gray Commission in November of 1955. The Gray Commission issues a report. The key provision, and the most controversial one, was a recommendation that the state begin to make available tuition grants so that any white family that objected to sending their child to a school which was integrated could get a tuition grant from the state to go to private school. In January of 1956 the state overwhelmingly voted to amend the Constitution to allow for tuition grants.

The Gray Commission would actually have allowed some integration in places. It was very clear that Arlington especially was ready to integrate its schools. Also, the mountainous parts of Virginia, there’re very few African Americans and they would’ve made financial sense to integrate the schools because running two separate school systems was costly. So the fear was that there were parts of the state that would in fact comply with the court decision and for a lot of people in the southern part of the state, that was untenable.

So, it’s in the spring/summer of 1956 that Harry Byrd and others began to try to formulate a plan and this leads to the real showdown in August and September of 1956 when the governor calls a Special Session of the legislature and what come to be known as the Massive Resistance Laws are passed. The most important components of Virginia’s Massive Resistance Laws were that the people placement was taken out of the hands of local officials and put in the hands of a state people placement board, so that meant that people in Arlington, for instance, could not automatically send to a formerly white school a handful of black students.

Secondly, the Massive Resistance Laws provided for tuition grants. Most importantly, though, what the Massive Resistance Laws did is that they empowered the governor to take control of and close down any schools which integrated as a result of court orders.

On the other side of the issue, there were various people who made very clear that they were more committed to public education than they were to segregation. I think if you had surveyed most white Virginians at the time of the Brown decision they would have preferred to maintain segregation, but that doesn’t mean they’re necessarily willing to defy the Supreme Court. If forced to choose between segregation and public education, they would prefer public education.

The portions of the state, which had the heaviest concentration of African Americans, most of whom were prevented from voting by a variety of reasons, were vastly overrepresented in the Virginia legislature. In the 1956 Special Session when the Massive Resistance Laws were implemented, the key vote in the state Senate was 21 to 17. The 17 who voted against massive resistance actually represented more Virginians than did the 21 who voted to implement the law.

The second cartoon is from late September 1958 and clearly things are quite different. The ship is still intact but somehow it has managed to get off the rock. We have huge waves. There’s massive lightning bolts which appear that they might be headed towards the ship even if they haven’t hit quite yet. The storm is clearly in full force and presumably the waves have risen high enough to pull the ship off of the rocks.

The title "Riding Out the Storm" suggests that there is a way out of this. The fact that the ship has not turned over. It’s still upright. We still have the Confederate-era gentlemen at the helm. He’s now identified specifically as Virginia as opposed to the South. He’s looking out to see what’s ahead, and the presumption is that there is a possibility of still riding out the storm, however severe it now seems to be.

This isn’t a cartoon that has an image of an integrated classroom that somehow leads to some catastrophe. But it certainly suggests that it’s important to maintain segregated schools. Integration is seen as a cause of a storm that’s going to somehow damage or change the way of life.

The character is the same person in both cartoons and yet in the first cartoon, it says "The South," certainly a sense that the South as a whole is sort of stuck looking for a way out, whereas in the second one, it doesn’t say "The South" anywhere. It does say "Virginia" and so in that case it’s more a sense of this is Virginia’s path because by 1958 much of the rest of the South is watching to see what Virginia will do. The message of the first cartoon is that the Supreme Court decision has caused some problems for the South. It’s not entirely clear what’s going to happen next, but what does that actually mean in practical terms.

By 1958, four years later, quite a lot has happened, both on the national level but especially in Virginia. Those who are most committed to keeping the schools segregated have now taken quite a different step. Instead of the ship saying "The South" on the side, it actually now says "public school closing." This is the point just a few weeks before schools actually are closed. There’s still a message here that Virginia can navigate its way through the waters. Despite the Supreme Court edicts, this is somehow a viable strategy to get through this crisis, although it’s become much more problematic.

This was a public relations disaster for the state. Histories of massive resistance are often quick to credit a group of businessmen and bankers in Richmond who quietly said you’ve got to do something to stop this, this is hurting the state’s reputation, it’s hurting business.
I think we should be very careful because these individuals said nothing for four years, so to give them credit for stepping in when they should’ve done so much earlier I think is problematic. By the end of 1958, early 1959, the NAACP and others were challenging the constitutionality of the Massive Resistance Laws in both federal and state courts. In January of 1959, both state and federal courts ruled the Virginia Massive Resistance Laws unconstitutional.

So in the spring of 1959, you have a final showdown between those who want to return to the local option, but with tuition grants, always giving white students the option of getting out of integrated schools at state expense and then those who continued to resist despite all the court decisions. What you really end up with is very token integration. The percentage of black students attending white schools is quite small until the late 1960s. In 1968, the Supreme Court finally said enough of 'all deliberate speed.' It’s been 15 years since the Brown decision.

Start with what appears to be the obvious and then draw out from that what the different components represent. What does this ship represent? What does the person at the helm represent? What is it that’s going on in the sea here? What might the cartoonist not be telling us or not sharing with us? Asking them to explain what do they see here, what do they think is likely to happen?

I think it's important to pay attention to all of the details, to really look at each particular component both on its own and also collectively. See how these pieces fit together. You could look at the cartoons without the caption at the top and it would be interesting to see whether the caption is one that you would necessarily come up with yourself based on the image. In reading any cartoon or any image it's important also to ask what’s not in the picture. And one way you might answer that question is think about how would other newspapers have portrayed the series of events. And in Virginia certainly if you looked at either of the African American newspapers you would have gotten a very different perspective.

The northern Virginian Pilot is the only major white newspaper in the state that opposed massive resistance. And certainly if you were to compare this to cartoons that they had at the time you would see a very different image. They would’ve suggested what they argued editorially, which is that it was doomed to fail. That it could not possibly pass constitutional muster. That by prolonging the inevitable, you’re simply heightening tensions.

It would be very interesting to compare the cartoons with the actual written editorials of those papers. It would be interesting to think about the different ways in which public opinion is reflected. Newspapers aren’t necessarily always accurate. Public documents, to compare what a newspaper is reporting with what the actual public statements are, whether it’s a press release of the governor or looking at the actual laws, looking at election returns. One of the things that’s quite fascinating is to look at private letters, what people are saying behind the scenes. What is the cartoon telling us about the event versus what does it tell us about the person who’s actually created the image. The more sources you can find the better because you’re going to often get conflicting points of view and then it’s important to try to understand those sources in a way that makes those seeming disparities make sense.

Picking Civics Textbooks

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Question

We are a new charter school in New Mexico. I have been tasked with ordering government textbooks. Do you have recommendations?

Answer

My first suggestion is that you look for outstanding curriculum, not just outstanding textbooks. I have seen most government textbooks gather dust on classroom shelves, while there is a host of interactive government curriculum that engages students in problem solving, group work, research, and exploration of major themes.

Quality Curriculum

One approach to curriculum adoption is to use the leading experiential programs to create your own curriculum, rather than use a textbook as its centerpiece. This is what I have done over 10 years teaching high school government, while my class set of Magruder's American Government textbooks stays mostly on the shelf. The programs I recommend below all actively involve students in collaborative learning, research, public speaking, deliberation, and other skills that good citizens must have. These programs have strong content but also require a level of activity that is absent in the traditional textbook approach to civic education. Most state civics standards are weighted heavily toward learning about the history and principles of the U.S. Constitution and the operation of our federal government. Most state standards also include learning about state and local government, citizen participation in government, foreign policy, and the government's role in the economy. I recommend the following project-based experiential curriculum to address each of those standards individually.

U.S. Constitution
[. . . T]here is a host of interactive government curriculum that engages students in problem solving, group work, research, and exploration of major themes.

The best curriculum for teaching the history and principles of the U.S. Constitution is We the People...the Citizen and the Constitution, published by the Center for Civic Education. Available at elementary, middle, and high school reading levels, this textbook presents the Constitution through its historical context and philosophical foundations rather than as a series of facts to be memorized. The culminating activity associated with the We the People curriculum is a simulated Congressional hearing, in which students grapple with big questions about our form of government and defend their answers before a panel of experts. See students answering questions at the national finals here. While Congressional funding for this and other civic education programs was recently eliminated, the curriculum is still available for purchase, and many states will continue to hold hearings and offer professional development. Contact your state coordinator to inquire about the We the People program in your area.

Foreign Policy

The CHOICES program at Brown University produces an outstanding and engaging unit for evaluating U.S. foreign policy alternatives. The U.S. Role in a Changing World consists of background readings, optional learning activities, and a culminating activity in which students simulate a U.S. Senate Committee Hearing and deliberate four alternative "futures" for the United States' role in the world. Also check out the other fine resources produced by CHOICES.

State and Local Government and Civic Participation

The Center for Civic Education also publishes the We the People...Project Citizen curriculum. Project Citizen is the leading program for getting students directly involved in state and local government. Far from a textbook, Project Citizen is a brief manual that students and teachers use to analyze public policy problems and propose realistic policy solutions. The culminating activity is a showcase in which students present their portfolios to a panel of experts and policymakers. Here is a video overview of Project Citizen.

Online Resources

Finally, I recommend supplementing your government curriculum with online resources. The following websites provide free interactive activities to enhance your teaching. Street Law hosts the Landmark Supreme Court Cases site, which provides resources for teaching about the most important cases through moot courts and other interactive strategies. Budget Hero is a fun way for students to understand the federal budget. The Center on Congress hosts interactive learning modules on the role of Congress. C-SPAN classroom provides "Timely Teachable Videos," "Constitution Clips," and lesson plans based on C-SPAN's deep well of video archives. IDEAlog presents an interactive approach to understanding political ideologies.

Textbooks

Among traditional high school government textbooks, Magruder's American Government is a good bet. This high school textbook presents a comprehensive explanation of every major topic that is addressed in a government class, including the Constitution, foreign policy, economics, local government, and comparative government. To help teachers differentiate instruction and provide accessible content to English language learners and students with special needs, Magruder’s now offers a "Foundation Series" textbook. This book is designed for students reading at the 6th-grade level, yet it is aligned with the traditional high school reading level textbook. Magruder's also offers the "Experience It!" hands-on curriculum "for teachers looking for an experiential approach to American Government that focuses on simulations and online learning." Magruder's textbooks are not cheap, at about $85 per student edition, but if you want a traditional comprehensive government textbook as the core of your curriculum and have the budget to support it, it's a good place to start. Government Alive!, published by the Teachers' Curriculum Institute, provides a more interactive yet comprehensive approach to government. You can get a free trial and sample chapters on request. When reviewing textbooks I ask myself the following questions: Is it engaging for students to read? Does it address all the standards for my course? Is the reading differentiated for students below grade level? Does it fit in my budget?

National Constitution Center: Explore the Constitution

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Understanding the significance of the U.S. Constitution requires more than simply reading its text. This website provides context and tools designed to historically contextualize the U.S. Constitution and help users assess its lasting impact. An interactive Constitution lies at the heart of the website, providing line-by-line commentary by current scholars alongside excerpts from contemporary primary sources. Users can also search the Constitution in connection with specific court cases, topics, and keywords.

An interactive timeline in the exhibit "Centuries of Citizenship" provides useful background information. Additional contextual information is available in the form of a set of "fast facts"; descriptions of "basic governing principles," such as the rule of law, Federalism, and judicial review; detailed biographical information on all delegates to the Constitutional Convention; and audio discussions with scholars and pundits on topics ranging from voting to prominent court cases to women in the Early Republic. Three scholarly essays provide different "perspectives on the Constitution," reminding users that the success of the Constitution in uniting a group of diverse territories was far from assured in the late 1700s. Related primary sources in the "Founding Documents" section allow users to trace the relationship between the U.S. Constitution and the Magna Carta, the Mayflower Compact, and the Virginia Declaration of Rights.

New editions include the interactive experience "Lincoln's Crossroads," in which students face some of the choices Lincoln faced during his presidency; "A More Perfect Union," an exhibit on Barack Obama's 2008 speech on race at the Constitution Center; " and "Seize the Vote," a 4-player game testing voting rights' knowledge.

Do I Have a Right?

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What is it?

Supreme Court Justice O'Connor conceived of the iCivics digital initiative to provide higher quality materials for civics education. The core of iCivics is a set of free-to-play web-based games. One of these, Do I Have a Right?, according to the designers, "teaches kids the constitutional amendments." Dissecting this a bit, the game essentially has three learning goals:

Students will be able to:

  1. Identify and summarize 12 of the amendments of the U.S. Constitution (1-6, 8, 13-15, 19, and 26).
  2. Judge whether a variety of individuals in hypothetical situations have had their constitutional rights violated.
  3. Apply the relevant amendments to cases where people's rights have been violated.

The game is aimed at a middle school audience but may be useful anywhere from 5th grade to high school, depending on the goals of the teacher and the role envisioned for the game in the unit (more on this later).

Getting Started

Do I Have a Right?, Screencap of client's claim In DIHR? the player manages a legal firm specializing in constitutional law. The player first selects whether to do the "Full Edition" of rights throughout the Constitution or "Bill of Rights" which focuses on rights within the first 10 Amendments. He or she then customizes their lawyer and chooses a partner lawyer who specializes on a right. The game takes place over seven rounds, each representing a day. In each round the player tries to earn as many prestige points as possible for the firm by taking on clients and winning their cases. This involves a three-step cycle.

First the player greets a new client. The client then presents their story and the player must determine whether the client's constitutional rights have been violated. Clients whose rights have not been violated must be told so and sent away. Clients whose rights have been violated, on the other hand, must be introduced to a lawyer specializing in the relevant amendment that protects those rights. As the player successfully completes rounds, each lawyer in the firm has the chance to level up. Doing so unlocks a specialization in one new right protected by a constitutional amendment. Each lawyer can learn three additional areas of expertise. Do I Have a Right?, Screencap of skill upgradeGeorge Sayit, for example, begins with freedom of expression. The player can, through successful gameplay, unlock George's ability to plead cases on the freedom of religion, right to vote regardless of race, and, finally, right to vote regardless of gender. The player can ultimately hire six lawyers, each of whom can have four areas of expertise. As a result increasing numbers of different constitutional scenarios can be brought up in each successive round of gameplay.

Appropriately for a game promoting learning, the player needs more than luck to succeed. Failure to send away clients with illegitimate complaints and failure to match legitimate clients with the right lawyers will subtract from the player's prestige score; success adds to the score. The stories of clients whose rights have not been violated tend more to the absurd. Some such as "Do I have a right not to learn to read and write?," however, may challenge schoolyard folk wisdom. The legitimate claims are often straightforward, though posed in a variety of ways. A player who is shaky on the exact rights guaranteed by the constitution, however, will need to think about each client's story carefully. Further, even those with a stronger recollection of the amendments can be misled by some claims if inattentive. A good example: "I want to be on a jury. Yesterday, my state governor announced that Asians can no longer serve on a jury. I am a U.S. citizen and I am 18 years old. Do I have a right to be on a jury?" References to age and ethnicity could trigger a player's associations with the incorrect amendments. Even if the client has a legitimate claim, matching his case to the wrong amendment will deduct from the player's prestige.

 

Do I Have a Right?, Screenshot of round summaryAt the end of each round, the player gets a summary of his or her performance. This takes the form of a newspaper that includes descriptions of the cases and relevant constitutional issues from the round. After the summary, the player can spend any earned prestige points to improve the firm—an important motivator since success at matching clients and lawyers leads to tangible gameplay bonuses. New lawyers can be hired, allowing the player to handle a greater variety of cases and win more prestige. In addition, each lawyer's desk can be enhanced with bonus items. These increase that lawyer's speed in handling cases, likelihood of learning a new area of constitutional law, or the prestige gained for a successful case. Finally, improvements can be made to the waiting area to increase the number of clients it can hold and the amount of time they will wait before storming off in rage—a feature that becomes especially important in later rounds as the number of clients increases.

At the end of the game the player is given a score report with a breakdown of play. This will help teachers identify areas of the amendments that the player needs to review more. Do I Have a Right?, Screenshot of hint system The ease of the control system and the core gameplay are important features of the game, adding to its suitability as a classroom tool. At the start of the game, onscreen hints helpfully label important areas of the firm and the screen—these hints can be left on or turned off at the player's discretion. All decisions are made through clicking on the relevant button or area in the game with the mouse. For those who still would like more guidance, there is even a teacher's guide that provides a detailed description of the game written for those less familiar with game motifs.

At its heart, DIHR? is a drill game. Unlike many other drill games, however, the focus on application as well as identification promotes a higher level of learning than many of its peers. Ultimately, DIHR? is well designed to achieve the goals of its designers. The playful and attractive graphics, core gameplay, and upbeat soundtrack make the game inherently engaging. The end-of-round system for leveling up lawyers and buying improvements will motivate players to continue playing, trying to improve their scores. Since maximizing one's score is best achieved by knowing the amendments well, DIHR provides an engaging and effective tool to learn basic constitutional rights.

Examples

Most teachers, of course, will want to go beyond the basic identification and application of constitutional rights. Happily, iCivics has provided some outstanding materials to help teachers foster students' analytical skills concerning constitutional rights. The site has an excellent pre-game lesson plan titled "Bill of Rights: You Mean I’ve Got Rights?" complete with flashcards, worksheets, and instructions for crafting a "Pamphlet of Protections." A post-game PowerPoint provides structure and questions for a debriefing discussion based on the many stories from the game. The PowerPoint can effectively spark conversation about the more complex issues involving free expression, unreasonable search and seizure, cruel and unusual punishment, etc.

These lessons, like the game itself, are targeted at a middle school audience. The game, however, can be effectively assigned as a lighthearted but worthwhile classroom warm up for high school students—after all, it can only help for students to be motivated to remember and apply the amendments. Teachers of high school civics can effectively use this game as a supplement to a more advanced discussion of constitutional rights crafted by the teacher—it all depends on the comfort the teacher and students have with the playful art, tone, and music of the game.

Upbeat and engaging, with core gameplay that encourages learning these 12 amendments well, Do I Have a Right? is well worth considering by any teacher interested in finding more engaging methods for learning constitutional amendments.

For more information

Do you use iPads in class? iCivics also offers Do I Have a Right? as a free app, Pocket Law Firm.