Art historian and curator David Dearinger traces the birth and development of the Hudson River School of American landscape painting, beginning in 1820, using key examples of paintings; gives an overview of the movement's historiography; discusses contemporary critical responses to it; and comments on the waning and eventual demise of the style in the 1870s. His presentation includes slides.
Author John Hanson Mitchell outlines his discovery of 2,000 antique glass plate negatives by a previously unknown 19th-century African-American landscape photographer, Robert Alexander Gilbert. Mitchell presents slides of Gilbert's work, and discusses what is known of Gilbert's life.
Bringing together a wealth of material from libraries, archives, and museums, this website examines the history and culture of the state of Georgia. Legal materials include more than 17,000 state government documents from 1994 to the present, updated daily, and a complete set of Acts and Resolutions from 1799 to 1995. "Southeastern Native American Documents" provides approximately 2,000 letters, legal documents, military orders, financial papers, and archaeological images from 17301842. Materials from the Civil War era include a soldier's diary and two collections of letters.
The site provides a collection of 80 full-text, word-searchable versions of books from the early 19th century to the 1920s and three historic newspapers. There are approximately 2,500 political cartoons from 1946-1982; Jimmy Carter's diaries; photographs of African Americans from Augusta during the late 19th century; and 1,500 architectural and landscape photographs from the 1940s to the 1980s.
The Florence Griswold Museum building was the site of one of the most renowned Impressionist art colonies in the United States. Founded in 1899, the Lyme Art Colony hosted Impressionist and Tonalist artists such as Edward Rook, Childe Hassam, Willard Metcalfe, and Henry Ward Ranger. The artists favored landscapes and plein air painting. The museum itself is housed within the 1817 Late Georgian mansion in which the artists boarded. The upper floor hosts exhibits while the lower maintains the appearance of the home in 1910. The site also includes additional exhibit space, an education center, the restored gardens, and William Chadwick's (1879-1962) studio.
The museum offers exhibits, period rooms, guided tours for groups, self-guided tours, student tours, student hands-on activities, school outreach programs, resource library access, painting opportunities, workshops, summer camps, gardens, lectures, educator workshops and tours, and boxed lunches. If students wish to order boxed lunches rather than bringing a bag lunch, advance notice is required. Outreach program options include art activities and lectures. The website offers the opportunity to watch a video about the colony, a teacher's guide, lesson plans, pre- and post-visit activity suggestions, and suggested reading lists.
This four-week institute will use Winslow Homer's paintings as the point of departure for a voyage of discovery about maritime history in the 19th and early 20th centuries. The goal is not only to understand the period historically and culturally, but also to explore multiple source materials for discovering the past, including works of art and literature, objects, landscapes, the built environment, descendant communities and a range of historical documents in order to synthesize these various perspectives. Participants will develop cross-disciplinary lessons and teaching materials for classrooms.
This institute explores the primary pictorial forms in American art from the British colonial settlement to the aftermath of the Civil War. The three units—portraiture, history painting, and landscape—will include a particular focus on works drawn from the National Endowment for the Humanities' new initiative "Picturing America." This NEH poster series, which has already been distributed to thousands of schools, captures 40 canonical works of American art that reflect the artistic and cultural history of the United States. Through the institute, participants will come to a deeper understanding of these works in their historical contexts and explore different methods of visual analysis. They will develop strategies and tools to use the "Picturing America" series in their classrooms.
"The Highwaymen were a group of self-taught African American artists from Fort Pierce who painted their way out of poverty in the 1950s. While they have burst into Floridians' consciousness in recent years, Harold Newton-leader of the Highwaymen and major Florida landscape painter-will help bring them to national acclaim. Photographer/author Gary Monroe tells the story of Newton and the Highwaymen by providing an overview of quintessential paintings, featuring some of Newton's finest creations."
Nearly 4,000 panoramic photographs of cityscapes, landscapes, and group portraits, deposited as copyright submissions by more than 400 companies, are displayed on this site. Panoramic photographs were used to advertise real estate and to document groups, events, and gatherings. Images depict all 50 states, the District of Columbia, and more than 20 foreign countries and territories. Subjects include cityscapes, landscapes, group portraits, agricultural life, disasters, education, engineering, fairs and expositions, industrial scenes, military activities, performing arts, sports, and transportation. Although the images cover the period from 1851 to 1991, the collection centers on the early 20th century. The site includes a bibliography, an illustrated 1,000-word background essay on the history of panoramic photography, and an essay outlining the technicality of shooting a panoramic photograph. Four essays focus on specific photographers: George R. Lawrence (1869–1938); George N. Barnard (1819–1902); Frederick W. Brehm (1871–1950); and Miles F. Weaver (1879–1932).
Embracing 12 digitized collections, five exhibits, and six student projects, this website contains a wealth of primary documents. Collections include two websites related to advertising—Emergence of Advertising in America, 18501920 and Ad*Access—in addition to a collection of health-related ads from 1911 to 1958 in Medicine and Madison Avenue.
George Percival Scriven: An American in Bohol, The Philippines, 18991901 presents a firsthand account by a U.S. officer of life during the occupation. Civil War Women offers correspondence and a diary relating to three American women of diverse backgrounds. African-American Women presents letters by three slaves and a memoir by the daughter of slaves. The Emma Spaulding Bryant Letters presents 10 revealing letters written in 1873 by Mrs. Bryant to her husband concerning medical and private matters.
Historic American Sheet Music includes more than 3,000 pieces published between 1850 and 1920. Documents from the Women's Liberation Movement offers more than 40 documents from 1969 to 1974. William Gedney Photographs and Writings provides close to 5,000 prints, work prints, and contact sheets from the 1950s to the 1980s. Urban Landscapes present more than 1,000 images depicting urban areas.