Duluth Lynchings Online Resource: The Tragic Events of June 15, 1920

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Photo, Interior of cellhouse, Minnesota State Prison, Stillwater
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On June 15, 1920, a white mob broke into a jail in Duluth, Minnesota, and lynched three black men—Elias Clayton, Elmer Jackson, and Isaac McGhie—accused of raping a white woman. This website tells the story of that attack and its aftermath through more than 700 primary source documents and photographs relating to the lynchings, legal proceedings against members of the lynch mob and several other black men accused of rape, and the incarceration of three white mob members for rioting and one black man for rape. It ends with the aftermath of the incident, including a drop in the black population of Duluth by 16 percent, the formation of an active NAACP chapter in the city, and a campaign for anti-lynching legislation. A Background section sets the scene in 1920s Duluth alongside information on rising racial tensions across the country and lynchings in northern states. An interactive timeline of events surrounding the lynchings, accompanied by an audio narrative, is a good place to begin. All documents are keyword searchable and browseable by document type (government document, newspaper, correspondence) and by date.

Lynch Mobs

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Professor Eric Foner of Columbia University considers the lynchings of blacks in the South to be a "system of terror," carried out in public.

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The Story of Emmett Till

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NBC Narrator Rosalind Jordan looks back at the story of Emmett Till, who was 14 when he left Chicago to visit his family in the segregated South. Two white men accused Till of making a pass at Bryant's wife, Carolyn, and Till was brutally murdered.

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Without Sanctuary: Photographs and Postcards of Lynching in America

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James Allen has assembled a collection of chilling photographs of lynchings throughout America, primarily from the late 19th and early 20th centuries. Many were circulated as souvenir postcards. The site is a companion to Allen's book Without Sanctuary. The exhibit can be experienced through a flash movie with narrative comments by Allen or as a gallery of more than 80 photographs with brief captions. Most images also have links to more extensive descriptions of the circumstances behind each specific act of violence.

While the vast majority of lynching victims were African Americans, white victims are also depicted. Individually and as a group, these images are disturbing and difficult to fathom. They provide, however, an excellent resource for approaching the virulence and impact of racism in late 19th and 20th-century America.