Old Political Cartoons

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Teddy Roosevelt as bullmoose, E. W. Kemble, Harpers Weekly, July 20, 1912
Question

What issues influence a person’s interpretation of a political cartoon from the past?

Answer

To understand a political cartoon from the past, you have to have a good understanding of the historical events and persons depicted in it, as well as an appreciation of the symbolic currency of the time, specifically, the stock characters and objects that contemporary artists and commentators used to carry their points. This might include such things as the songs, music, poetry, literature, sports, clothes fashions, and celebrity figures of the time. Without this last sort of knowledge, you are liable to miss the point of the cartoon—or at least the sharpness of the point.

You could read into it, for example, today’s meaning of the words and symbols that the artist used, when in fact, it may have changed. The artist and his audience inhabited the same culture and may have shared assumptions that we may not. Bringing these into the light not only reveals the actual intent of the cartoonist, but also reveals to us how parts of our own cultural and political landscape have changed.

History teachers nowadays often introduce political cartoons from the past into their lessons, asking their students to analyze them. Partly, this stems from trends in social history that have newly emphasized the value of looking at the more everyday, ephemeral aspects of culture in trying to understand the past. Partly, too, it stems from the notion that today’s students are much more attuned to visual images than to written texts. Lastly, it fits into the educational emphasis on introducing students to multiple primary sources rather than relying exclusively on the synthetic, authoritative, and detached narrative of a textbook.

On this last point, teachers should not lose sight of the fact that, while old political cartoons are primary sources, opening clear windows into another time, they were created to comment on the people and events depicted, most often by use of written and visual satire, parody, and humor.

Why note this seemingly obvious point? Because surrounding a political cartoon with an elaborate array of serious analytical probes in a classroom lesson—as necessary as it might be—also endangers the patient under the scalpel. At some point in the operation being performed upon it in the classroom, it would seem worthwhile to deliberately step back and simply ask whether the cartoon is “alive,” that is, funny and why it would have been seen as funny when it was created.

For more information

Michael O’Malley, “Analyzing Political Cartoons,” History Matters

Online examples of how teachers use political cartoons in the classroom: a Vietnam War-era cartoon, and cartoons about school desegregation and “massive resistance” in Virginia during the 1950s.

"Teaching with Documents: Lesson Plans” at the National Archives and Records Administration includes a cartoon analysis worksheet that can be used to help guide students into understanding historical political cartoons.

The Library of Congress has a collection of online exhibitions and presentations about political cartoons.

Harper’s Weekly, Cartoon of the Day.

Joe Jelen on Political Cartoons 2.0

Date Published
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colored lithograph, A weak ticket in the field, 1880 June 16, James Albert Wales
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Since Revolutionary times, political cartoonists in America have used their art to comment on the political and social landscape. While political cartoons in newsprint fade away, political cartoons have found a new home online and in social media. These cartoons often pack their punch with metaphors and subtle humor, which can leave students perplexed when unwrapping their meaning. However, grappling with this confusion through careful analysis can help students become politically savvy citizens.

Finding Political Cartoons

Whether you are looking for the latest political cartoons or cartoons from the past, a number of useful repositories exist for your use.

One of the best places to find today’s political cartoons comes from the American Association of Editorial Cartoonists (AAEC). The site features several cartoons daily. In addition, the AAEC along with NIEonline.com maintains Cartoons for the Classroom, which features a weekly downloadable lesson and links to historical political cartoons.

For a weekly collection of cartoons, MSNBC posts the Week in Political Cartoons, which might be a useful way to review the week’s headlines with students.

Of course, you should also check out your local newspaper for political cartoons related to politics in your state or city.

If you are looking for political cartoons from the past be sure to visit the Library of Congress. A simple search of the Library’s online content reveals hundreds of cartoons available for download, many from the 18th and 19th centuries. In addition, the Library of Congress maintains this collection from the famous Herblock. Herb "Herblock" Block was active from 1929 to 2000, and his cartoons provide a liberal perspective on 20th-century political topics.

For Civil War and Reconstruction era cartoons, HarpWeek maintains a historical database of cartoons that appeared in Harper’s Weekly (published from 1857 to 1916). In the “Cartoon of the Day” collection, one can browse cartoons by topics, people, or places. Each cartoon is accompanied by a detailed explanation of its historical context and bibliographic information.

Interpreting Political Cartoons

There are countless ways to help students make sense of political cartoons. To start making cartoon analysis routine in your classroom, you may want to download the Library of Congress’s Political Cartoon Analysis Sheet or the National Archive’s Cartoon Analysis Worksheet.

For a more in-depth approach to interpreting political cartoons, "It's No Laughing Matter" a webpage created by the Library of Congress, can help students better understand political cartoons. In addition to resources for teachers, the site has a great interactive lesson that helps students identify techniques used frequently in political cartoons. This unit plan from ReadWriteThink also provides a series of useful high school-level lessons for interpreting political cartoons.

If you find students struggle with analyzing elements of a political cartoon, try narrowing their focus.

If you find students struggle with analyzing elements of a political cartoon, try narrowing their focus. Have students examine one quadrant of the cartoon at a time and ask them to decipher what is happening. Often political cartoons have a lot of detail that can distract students from the overall message. In this case, a zoom-in inquiry could also help focus student attention. Along the same line, a document camera could be used to focus on specific elements of a cartoon to prevent students from bogging down in the details. It may also be helpful to have a scholar model the interpretation of a political cartoon. Here, historian Mike O’Malley analyzes a Thomas Nast cartoon related to the gold standard.

Have students practice interpreting political cartoons at home by creating a VoiceThread. You can upload a cartoon and have students identify elements of the cartoon with a video marker and add their commentary or questions (see an example).

Web Tools for Creating Political Cartoons

Why not take students to the top of the new Bloom’s taxonomy and have them create their own political cartoons? With many web tools available, students need not worry about their drawing ability. Teaching History With Technology reviews several sites for creating comics online.

Political cartoons offer a great deal of content, if students are given the right tools to access and analyze it. The many websites now available for finding cartoons and helping make sense of them give us the resources to practice high-order thinking skills with students through interpreting and creating political cartoons. We should, therefore, give students ample opportunity to explore these cartoons in and out of the classroom.

For more information

Watch historians analyze political cartoons on the gold standard, the presidential election of 1932, massive resistance, and the My Lai Massacre in Examples of Historical Thinking.

Try Jonathan Burack's guidelines for interpreting political cartoons in Teaching Guides. John Buescher offers more advice in Ask a Historian.

See award-winning teacher Stacy Hoeflich introduce her 4th-grade students to a political cartoon in Teaching in Action.

Test your students' analytical skills with our quizzes on a Thomas Nast cartoon and a cartoon on massive resistance.

Dr. Seuss Went to War: A Catalog of Political Cartoons

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Cartoon, Cages cost money! Buy More U.S. Savings Bonds and Stamps!, c. WWII
Annotation

Dr. Seuss (Theodor Seuss Geisel), the prolific and talented children's book author, was also a political cartoonist. From 1941 to 1943, Seuss drew over 400 editorial cartoons as the chief editorial cartoonist for the New York newspaper PM. All 400 of his cartoons have been scanned onto this website by the staff of the Mandeville Special Collection Library at the University of California, San Diego, which houses the original cartoons in the Dr. Seuss Collection.

The cartoons are primarily related to issues surrounding World War II; and include caricature images of political figures like Adolph Hitler, Benito Mussolini, and Franklin D. Roosevelt. There are also a series of 10 War bond cartoons that Seuss drew for PM.

The site has a brief (500-word) introduction that gives an overview of Seuss's life and career. Currently the images are accessible by the month and year of publication or by subject. The site is somewhat difficult to use because of the lack of keyword search, but it is still a rich resource for information on popular culture, politics, and the media during World War II.

Bully!: The Life & Times of Theodore Roosevelt

Description

From the Library of Congress Webcasts site:

"Theodore Roosevelt was a favorite subject of political cartoonists, due in large part to his outsize personality, his exploits as one of the leaders of the Rough Riders and, of course, his career as president. Roosevelt's biography as told through these political cartoons forms the basis of 'Bully!: The Life and Times of Theodore Roosevelt' by Rick Marschall."

FDR Cartoon Archive

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Portrait, Franklin Delano Roosevelt
Annotation

A continuing project of high school history and science classes, this site presents thousands of political cartoons concerning the presidency of Franklin D. Roosevelt.

Selected from the collection at the Hyde Park Presidential Library of Basil O'Conner—Roosevelt's New York City law partner—the materials are arranged into eight subject categories and often include brief background essays and questions designed to prompt further inquiries. Periods currently emphasized include 1932, "The Road to Pennsylvania Avenue"; 1937, "The Supreme Court"; and 1943, "The War Years."

Well-conceived and executed, the site also gives the texts of Roosevelt's inaugural addresses and a page of teacher resources and suggested projects.

Digital Library of Georgia

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Postcard, 270 Peachtree Building, Historic Postcard Coll., Digital Library of Ga
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Bringing together a wealth of material from libraries, archives, and museums, this website examines the history and culture of the state of Georgia. Legal materials include more than 17,000 state government documents from 1994 to the present, updated daily, and a complete set of Acts and Resolutions from 1799 to 1995. "Southeastern Native American Documents" provides approximately 2,000 letters, legal documents, military orders, financial papers, and archaeological images from 1730–1842. Materials from the Civil War era include a soldier's diary and two collections of letters.

The site provides a collection of 80 full-text, word-searchable versions of books from the early 19th century to the 1920s and three historic newspapers. There are approximately 2,500 political cartoons from 1946-1982; Jimmy Carter's diaries; photographs of African Americans from Augusta during the late 19th century; and 1,500 architectural and landscape photographs from the 1940s to the 1980s.

Teaching Lincoln with Political Cartoons of His Time

Description

Eighth grade American history educator Eric Langhorst discusses two books—The Political Cartoons of the Whispering Gallery by the Lincoln Presidential Library and Museum and The Lines are Drawn: Political Cartoons of the Civil War, edited by Kristen M. Smith—that he uses to give students an understanding that Abraham Lincoln was viewed in many different lights during his own time.

Cold War Wrestling Match kmconlin Fri, 01/21/2011 - 11:36
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1961, B&W photo, Meeting in Vienna: JFK and Khrushchev, Presidential Library
Question

There is a political cartoon of Kennedy arm wrestling Khrushchev, and they are both sitting on hydrogen bombs. I would like to know who drew that, when it was drawn, and where was it first seen.

Answer

Welsh-born cartoonist Leslie Gilbert Illingworth drew the famous cartoon of John F. Kennedy and Soviet Premier Nikita Khrushchev arm wrestling while sitting on hydrogen bombs. It appeared in the October 29, 1962 edition of the British newspaper The Daily Mail.

Born in 1902, Illingworth started drawing cartoons for the famous British news magazine Punch in 1927. The Daily Mail hired him as well in 1937 and he continued to provide cartoons for both publications for the rest of his career. He gained a measure of national fame for the effective cartoons he drew during England's dogged stand against Nazi Germany.

Illingworth was not an overtly political cartoonist and this is evident in this arm wrestling cartoon. One notices the characteristic Illingworth preference for detail rather than commentary on who is right or wrong. The intensity of the struggle is captured both by the energy that radiates out of Kennedy and Khrushchev's gripped hands, but also by the fact that each is sweating profusely. Each man still has his finger on the button that will detonate the bombs.

Illingworth's cartoon reminded readers that the superpower struggle would continue and that the possibility of nuclear annihilation remained.

Illingworth's drawings contrast sharply with those of Edmund Valtman, the Pulitzer Prize-winning and fiercely anti-communist cartoonist for The Hartford Times. On October 30, after the crisis had seemingly passed, his paper published a Valtman cartoon of Khrushchev yanking missile-shaped teeth out of a hideous-looking Castro's mouth. The caption above the illustration reads, “This Hurts Me More Than It Hurts You” and the cartoon clearly represents a moment of American gloating over the communists.

That the Illingworth cartoon was published in a British newspaper bears witness to the fact that the outcome of the Cuban Missile Crisis affected the fate of populations beyond those of the United States and the Soviet Union. Indeed the whole world was watching. The publication date of October 29 is also significant since on October 28, Khrushchev announced that he was withdrawing the missiles out of Cuba and the crisis seemingly had passed. Illingworth's cartoon reminded readers that the superpower struggle would continue and that the possibility of nuclear annihilation remained.

For more information

Gaddis, John Lewis. The Cold War: A New History. New York: The Penguin Group, 2005.

Frankel, Max. High Noon in the Cold War: Kennedy, Khrushchev, and the Cuban Missile Crisis. New York: Presidio Press, 2004.

Library of Congress. "Prints and Photographs Collection Online Catalog." Accessed January 2011.

Taubman, William. Khrushchev: The Man and His Era. New York: W. W. Norton & Company, 2004.

University of Kent. "British Cartoon Archive, Illingsworth Collection" Accessed January 2011.

Bibliography

Dobbs, Michael. One Minute to Midnight: Kennedy, Khrushchev, and Castro on the Brink of Nuclear War. New York: Vintage Books, 2008.

Kennedy, Robert F. Thirteen Days. New York: W.W. Norton & Company, 1999.

Illingsworth, Leslie Gilbert. "Kennedy/Khrushchev". The Daily Mail, October 29, 1962. Accessed January 2011.

Valtman, Edmund. "This hurts me more than it hurts you." The Hartford Times, October 30, 1962. Accessed January 2011.