Kingston Woman's History Club and Museums (GA)

Description

Kingston, rich in antebellum history, displays its pride through artifacts, scrapbooks, and photographs in two museums maintained by the Kingston Woman's History Club. The newest museum, the Martha Mulinix Annex, opened in April 1998 and displays material about Kingston and the surrounding area. The Civil War museum portrays Kingston's role in the Civil War along with memorabilia from past Kingston Confederate Memorial Day Observances (the oldest such ceremony in the nation).

The museums offer exhibits.

Sidney Lanier Cottage House Museum

Description

The Sidney Lanier Cottage House Museum is the birthplace of noted poet, musician, and soldier Sidney Lanier (1842–1881). Among the objects on view at the Cottage are one of Sidney Lanier's flutes (a silver, alto flute made by the Badger Flute Company), Mary Day's wedding dress of 1867, and several portraits and first editions.

The museum offers exhibits and tours (include tours specifically designed for schoolchildren).

Godey's Lady's Book Online

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Cover Image, Godey's Lady's Book
Annotation

Provides three full issues—July, August, September 1855—of one of the most popular 19th century publications, Godey's Lady's Book. Each issue includes poetry, engravings, and articles, as well as a section on Victorian fashion. In addition to these full issues, the site also includes a Samples Collection, which features selections from the Book during the years 1855-1858. These samples are divided into six main categories, each of which is further broken down to make the content more accessible. Overall, this is a useful resource for teachers and students interested in aspects of Victorian popular culture.

Vincentian Postcards

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Postcard, After the Attack: Consolation, c. 1915, DePaul University Library
Annotation

The Community of the Sisters of Charity, an order of the Congregation of the Mission founded by St. Vincent De Paul and dedicated to teaching and nursing, was founded in the U.S. in 1809 by St. Elizabeth Seton (1774-1821). This collection of 580 postcards "documents the spirituality and mission of the Vincentians" and includes images of institutions such as hospitals, churches, and seminaries in many U.S. states including California, Illinois, Indiana, Kansas, Kentucky, Louisiana, Missouri, Maryland, and Massachusetts. "Spanning 200 years, these postcards reflect the heritage of the religious orders, the growth of social institutions, advancements in technology, and changes in urban environments." Visitors can browse the full collection or use advanced and simple searches to locate images of particular interest. Full bibliographic information accompanies each image. This archive is of interest to anyone researching the history of religious institutions in 19th- and 20th-century America.

Fort Gibson [OK]

Description

Built in 1824, Fort Gibson served as a staging area for several military expeditions which explored the west and sought peace between the tribes of the region. It was occupied through most of the Indian Removal period then abandoned in 1857. The post was reactivated during the Civil War. The army stayed through the Reconstruction and Indian Wars periods, combating the problem of outlaws and squatters. In 1890, the army abandoned Fort Gibson for the last time. Visitors to the site can see a reconstruction of the early log fort as well as original buildings from the 1840s through 1870s. Exhibits detailing the history of the fort are located in the Commissary Visitors Center. The site also hosts a number of special living history events and programs throughout the year.

The fort offers exhibits, occasional living history events, and other recreational and educational programs.

Barrington Living History Farm [TX]

Description

Last president of the Republic of Texas Anson Jones farmed near Washington during and after his presidency. Jones named his farm "Barrington" after his Massachusetts home, Great Barrington. There he lived with wife Mary, their four children, his sister, sister-in-law, and five slaves. The family home, two slave cabins, a kitchen building, smokehouse, cotton house, and barn made up Barrington Farm. With Jones's daybook as their guide, the interpreters at Barrington Living History Farm conduct themselves much as did the earliest residents of the original farmstead. The Jones home is original; the outbuildings are replicas constructed by Texas Parks and Wildlife using Jones's own journal and drawings. Visitors to the farm can experience the sights, smells, and sounds of the 19th century. The scene is complete with heritage breeds of livestock. Interpreters, dressed in period style clothing, help visitors better understand what life was like 150 years ago. Visitors can participate in the work of the farm and become a part of the exhibit.

The farm offers demonstrations, tours, classes, educational programs, and occasional recreational and educational events (including living history events).

Conrad W. Chapman: A Confederate Soldier's Paintings of the Defense of Charleston

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Oil painting, Quaker Battery, Conrad Charles Chapman, Museum of the Confederacy
Annotation

This Museum of the Confederacy website offers access to 31 paintings created during the Civil War by a Confederate soldier.

The simplest way to navigate the site is to click the "next" arrows located at the bottom right of each page. This will flip to the next "page," causing the website to read like a book. The exhibit is not overly long or text heavy, so this is a pleasant way to approach the material. The first page introduces you to Conrad Chapman and his father John, U.S.-born artists who largely lived in Europe. Conrad traveled to the U.S. in 1861 to join the Confederate Army. As a soldier he was ordered to sketch the defenses of Charleston, SC. These sketches became the basis for the 31 oil paintings which constitute the majority of the exhibit. Chapman and his father both painted scenes based on Conrad's sketches for 25 years.

Additional pages include a map of Charleston's defenses; a small amount of information on General P. G. T. Beauregard, Chapman's commanding officer; and images of the paintings accompanied by commentary by Chapman himself.

Note that prior to viewing the paintings, the website will have a page suggesting the purchase of prints. As a result, it may be wise to access the page and select images prior to your classes rather than allow students to navigate on their own.