Sardi's Restaurant

Description

From the Bowery Boys website:

"The famous faces on the walls of Sardi's Restaurant represent the entertainment elite of the 20th Century, and all of them made this place on West 44th Street their unofficial home. Known for its caricatures and its Broadway opening-night traditions, Sardi's fed the stars of the golden age and became a hotspot for producers, directors and writers -- and, of course, those struggling to get their attention.

When Vincent Sardi opened his first restaurant in 1921, Prohibition had begun, and the midtown Broadway tradition was barely a couple decades old. By the time the current place threw open its doors (thanks to the Shuberts) in 1927, Broadway's stages were red hot, and Sardi found himself at the center of New York City show business world.

We have nuggets from the old days—starring John Barrymore, Tallulah Bankhead, Carol Channing and a cast of thousands—and the scoop on those famous (and often unflattering) framed caricatures. So sidle up to the Little Bar, order yourself a stiff drink and eavesdrop in on this tale of Broadway's longest dinner party."

American Literature on the Web

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Image, "Ralph Waldo Emerson"
Annotation

Provides thousands of links to information on and texts by more than 300 American writers from 1620 to the present. Users can search in five chronological periods for links to timelines, author's sites, related resources, music and visual arts, and "social contexts." Also contains specific categories for electronic text collections, U.S. History, American Studies, poetry, movements and genres, Southern literature, women writers, literary theory, reference works, and "minority literature/multi-cultural resources," including categories for African-American, Asian-American, Jewish-American, and Latino/Latina writers. Authors represented include famous literary figures such as Louisa May Alcott (1832-88), Anna Bradstreet (ca. 1612-72), Edgar Rice Burroughs (1875-1950), Emily Dickinson (1830-86), and Ralph Ellison (1914-94); important public figures, such as William Byrd (1674-1744) and Frederick Douglass (1818-95); and lesser-known figures, such as John Woolman (1720-72) and Amelia Edith Barr (1831-1919).

Offers images of many writers, links in Japanese, a section devoted to Canadian authors, a master list of authors in alphabetical order, and "two site-specific search engines" for word searches of this site and others. Last updated in December 2001, many links are no longer operable; however, as a gateway, it offers an abundance of usable links in a well-designed format for those needing resources on American writers and their times.

Crown Point State Scenic Corridor and Vista House [OR]

Description

The Vista House was built in 1916 at the same time as Highway 30 (what is now the Historic Columbia River Gorge Highway, and the only way to reach Crown Point). The building was designed to be a place of refreshment and enjoyment of the Columbia Gorge. The octagonal building with its copper dome houses a museum, with interpretive displays of historic and geologic points of interest in the Gorge.

A second website for this website can be found here.

The site offers exhibits

National Polish-American Sports Hall of Fame [MI]

Description

The National Polish-American Sports Hall of Fame exhibits a collection of historic artifacts at the American Polish Cultural Center in Troy, Michigan. Many of the items are one-of-a-kind. Visitors can see the uniforms worn by such greats as Steve Gromek, Carol Blazejowski, and Ed Olczyk; the boxing gloves used by the 1940s world middleweight champion, Tony Zale; and basketballs, baseballs, footballs, and bowling balls used and signed by Mike Krzyzewski, Whitey Kurowski, Ted Marchibroda, and Ed Lubanski. Among other items is a football signed by NPASHOF inductee Bob Skoronski, Vince Lombardi and many other members of the 1967 Super Bowl I Champion Green Bay Packers.

The hall offers exhibits.

Mark Twain and the American Character, Part Two

Description

Professor David Foster analyzes Mark Twain's The Adventures of Huckleberry Finn, looking at what the novel, its characters, and the life of its author reveal about the "American character" and views of American ideals and life at the time of its writing.

This lecture continues from the lecture Mark Twain and the American Character, Part One.

For the lecture, follow the link below and scroll down to the second seminar under Wednesday, August 4.

An older version of this lecture can be found here.

Mark Twain and the American Character, Part One

Description

Professor David Foster analyzes Mark Twain's The Adventures of Huckleberry Finn, looking at what the novel, its characters, and the life of its author reveal about the "American character" and views of American ideals and life at the time of its writing.

For the lecture, follow the Website Title link and scroll down to the first seminar under Wednesday, August 4.

This lecture continues in Mark Twain and the American Character, Part Two.

An older version of this lecture can be found here.

Hershey - Derry Township Historical Society [PA]

Description

The Hershey - Derry Township Historical Society seeks to preserve and share the history of Hershey and Derry Townships, Dauphin County, Pennsylvania. To this end, the society operates a museum and research center. The museum presents information on Milton Snavely Hershey (1857-1945), the founder of Hershey's, who made chocolate affordable to the masses, and life in the area prior to Hershey. The archives include cemetery listings, obituaries, historic photographs, obituaries, and oral histories, among other items.

The society offers exhibits and archival access.

A Visual Journey: Photographs by Lisa Law, 1965-1971

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Photo, "The "Road Hog" bus, El Rito, New Mexico 1968," Lisa Law
Annotation

This lively exhibit offers images from the 1960s counterculture as seen through the lens of photographer Lisa Law's camera from 1965 to 1971. The site covers the 1960s folk and rock music scenes, California's counterculture, and commune life in New Mexico in eight chronological sections. The "Introduction" provides an entree into the era of the 1960s; "Photographic Beginnings" outlines Law's background in the music industry, her marriage to John Law, manager of the band Peter, Paul, and Mary, and the start of her photography career. "The Castle" chronicles the Laws' sojourn in a Los Angeles group house in which many artists and creative individuals like Bob Dylan and Andy Warhol rented rooms. "The Counterculture" illustrates the unconventional appearance, sexual liberation, and drugs that characterized the 1960s; "Social Activism" offers images of the avenues for members of the counterculture to express social and political beliefs through protests of the Vietnam War, racial injustice, and materialism. "Communal Living" illustrates the utopian communal lifestyles that many members of the counterculture found attractive. "Organizing Woodstock" is a unique look inside the legendary music and art festival that Law helped organize; and the "Afterword" summarizes Law's life and photography career from the mid-1970s to the present, as she continues to document and work for social causes.

Each section offers a 250-300 word summary of the theme and 4-8 photographs. A "What Else was Happening" link provides a timeline that covers the social, political, and popular culture highlights of each year from 1963 to 1973. This site includes a warning that adults might want to speak to children about the 1960s counterculture to contextualize the images on the site before allowing young children to explore it. For students and teachers interested in the popular culture and counterculture of the 1960s, this site offers compelling and colorful images.

1904 World's Fair: Looking Back at Looking Forward

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Photo, Entrance to Creation on the Pike, Louisiana Purchase Exposition, LoC
Annotation

Marking the 100th anniversary of the 1904 World's Fair in St. Louis, an event designed to commemorate the 100th anniversary of the Louisiana Purchase, this site documents the extensive preparation for the event that saw 20 million visitors.

Virtual Fair recreates the original layout of the fair and allows visitors to see many of the original sights and structures through 100 contemporary photographs. Artifacts allows viewers to see 32 items significant to the fair and the subsequent Olympic Games. Short, 500- to 1,000-word essays detail the enormous preparations required for hosting the fair. Educators provides some useful materials for teachers, but is designed primarily for teachers planning to bring students to the site of the exhibition.

True Americans in the Cold War

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CPUSA membership card detail
Question

How did Cold War politics and culture create conflicts over what it meant to be a “true American”?

Answer

America has not yet emerged from conflicts over what it means to be a "true American." Consequently, historical assessments of the Cold War and its ramifications in American culture vary widely, depending on how they see the fundamental political issues at stake.

Internal and External Conflict

During the Cold War, the debate about what it meant to be a true American expressed tensions that had been present in the U.S. since its founding and had inspired reformers ever since. In that sense, Cold War struggles with the question of what it meant to be a true American represented an internal problem, rather than merely something thrust upon the country by an external threat. These struggles, for example, amplified popular ambivalence about the leftward swing of the country during the Depression and the New Deal, and the resulting recalibration of the relationship between the government and the individual.

Nevertheless, they also resulted from an external political and military challenge posed by the Soviet Union that deliberately "heightened the contradictions" within American culture, to use the Marxist term. Soviet policy aimed to advance the U.S.S.R.'s interests and to spread its revolution against capitalism around the world. The Soviets also recognized that this same policy would counter U.S. efforts to encircle or "contain" them in Europe, the Mideast, and Asia. The result was that many Americans at the time regarded the Cold War as a war with two fronts. One was abroad and one was at home.

Political Partisans

Toward the end of World War II, Democrats were criticized as being too tepid about the threat that international communism was "coming home" to America. Because of this, in the run-up to the election of 1944, FDR dumped his incumbent vice-president, Henry Wallace, and replaced him on the Democratic ticket with Harry Truman.

Henry Wallace ultimately ran for president on the Progressive Party ticket. In the 1948 election, he charged that the Cold War was America's fault, and was principally the invention of U.S. military and corporate interests for the purpose of consolidating their power by exploiting a baseless fear of the Soviet Union and communism. This line in fact mirrored what the Soviet Union was saying.

When Truman became president after FDR's death, he formulated his own foreign policy, trying to solidify a tough anti-communist effort in the face of his party's recent widely perceived softness. The strategy he adopted was that of "containment" and "deterrence" of the Soviet Union and communism abroad, combined with funding and promoting economic development in democratic and potentially democratic countries. This strategy was continued in one form or another by both Democratic and Republic presidents throughout the Cold War.

Nevertheless, beginning under the Truman administration and coming to a crescendo under Eisenhower's, a series of Congressional committees began to investigate whether the Executive Branch, during the New Deal under FDR and Truman, had been "infiltrated" by Soviet sympathizers and even active enemy agents. No matter what they uncovered, these investigations were bound to be clothed in divisive partisan politics.

Homegrown Conflicts about American Identity

In one sense, the contest over what constituted a "true American" reflected a competition between two great powers, each aiming to advance two variants of revolutionary ideologies, democracy and communism.

Was a "true American," then, a collectivist or an individualist? Liberal or conservative? Urban or rural? Part of an intact and content nuclear family or not? Was it more "American" for women to be stay-at-home mothers or to stay single and pursue their careers in the workplace?

Was it more "American" to rebel or to salute a flag? To submit to authority or to dissent from the status quo? To urge social reform or to honor traditional social mores? To sing "God Bless America" or "This Land is Your Land"? To work for a union or in an open shop? Was America a place that welcomed foreigners or not?

Such questions had not been settled before the Cold War; nor are they settled today. In addition, there were forces at work at every point along the political spectrum that both unified and fragmented the American identity. Necessarily, the question of what and who was a "true American" had ramifications in political debate about foreign and domestic policy, but it also appeared with many inflections in art, music, literature, cinema, and even in such areas of life as marriage, child-rearing, relations between men and women, and living arrangements.

On the "Home" Front

Historians have recently begun to look more closely at how the political and military challenges during the Cold War influenced social life and material culture. Overall, the social keynote of the times was high anxiety. Skimming the pages of the Los Angeles Times for the year 1948, for example, gives one a sense that America was being confronted by wave after wave of internal threats, not just external ones such as the Soviet blockade of West Berlin and its opposition to the Marshall Plan for rebuilding Europe.

Science was seen as both a progressive tool for achieving a bright future and a death-dealing weapon that might end human life. Fear of an atomic apocalypse affected culture and politics. Cold War movies dealt with political espionage, like The Red Menace, and nuclear anxieties, like Seven Days in May, The Bedford Incident, and Dr. Strangelove.

LA Times reports in the summer of 1948 on the phenomenon of smog were saturated with anxiety. American cars and industry had "manufactured" the modern, liberated lifestyle. But they had also "manufactured" a new threat: mysterious toxic clouds that threatened, like the atomic bomb, with little advance warning, that might blanket the city and cause widespread deaths. The newspaper proposed a smog "early warning system" (akin to the Civil Defense warning system for nuclear attack) as well as a variety of technological fixes.

Social Problems

The LA Times reported Elizabeth Bentley's revelations about a Communist spy ring to a Congressional committee alongside other disturbing news. A crippling port strike in Los Angeles grew more complicated when the union, part of the CIO, conducted internal purges of high-level officials accused of being clandestine Soviet agents. Turing the page of the Times, an ad for Admiral televisions promised to keep children safe at home. A reported rise in juvenile delinquency and crime appeared to threaten the institution of the family, with commentators identifying threats from outside (or at the margins of) society as well as threats from within.

Throughout the period, debates over various solutions to social problems centered on what was "truly American." This included the push for civil rights, for extending women's rights and roles outside the home, and for expanding government welfare programs. Singer Paul Robeson, for example, after a visit to the Soviet Union, made public statements that African Americans should prefer the Soviet system; N.A.A.C.P. President Roy Wilkins and baseball star Jackie Robinson vigorously disagreed.

The U.S. and the U.S.S.R. competed against each other during the Cold War in all realms. Each country offered its own culture (or at least what it wished to showcase) to the rest of the world as evidence of its superiority. Thus, the notion of being "true American" overlapped with enthusiasm for international sports teams, dance troupes, orchestras, bands, automobiles, tractors, soft drinks, and even kitchen appliances.

The Red Scare: Real and/or Imagined?

On the one hand, much of the "pro-American" and "anti-Communist" phenomena of Cold War culture during the "Red Scare" was bizarre, comical, and in some cases (such as the McCarthy hearings) downright dangerous. On the other hand, recent historical work on the Cold War has taken into account the extent of the Soviet Union's espionage activities, made public after the opening of the KGB archives and the dissolution of the Soviet Union. These revelations have demonstrated the widespread Soviet successes in America from the 1920s through the end of the Cold War and documented the real presence of sympathizers and spies among U.S. government employees. They also show Soviet funding for a range of political and social activist groups most of whose rank and file members never thought of them as anything but independent, homegrown, and purely "American."

For more information

Documentary Sources on the Political Foundations of the Cold War:
"Text of Bernard Baruch's Address at Portrait Unveiling," New York Times, April 17, 1947.
"Dr. Douglass Calls for End of 'Cold War,' Militant Peace," Washington Post, August 4, 1947.
Mr. X [George F. Kennan, Director of Policy and Planning, U.S. State Department], "The Sources of Soviet Conduct," Foreign Affairs Vol. 26, no. 2 (July 1947): 566-82.
Harry S. Truman, "Address before a Joint Session of Congress," March 12, 1947 [Truman Doctrine].
George C. Marshall, "Speech Delivered at Harvard University," June 5, 1947 [Marshall Plan].
"Text of Hoover Address Warning U.S. of 'Collectivism,'" New York Times, August 11, 1949.
Andrei Zhdanov, "Report on the International Situation to the Cominform," September 22, 1947.

Historians' Assessments of the Culture of the Cold War:
Paul Boyer. By the Bomb's Early Light: American Thought and Culture at the Dawn of the Atomic Age. Chapel Hill: University of North Carolina Press, 1994.
Christopher Andrew and Vasili Mitrokhin. The Sword and the Shield: The Mitrokhin Archive and the Secret History of the KGB. New York: Basic Books, 2000.
John Lewis Gaddis. We Now Know: Rethinking the Cold War. New York: Oxford University Press, 1997.
Arthur Herman. Joseph McCarthy: Reexamining the Life and Legacy of America's Most Hated Senator. New York: Free Press, 2000.
Ronald and Allis Radosh. Red Star over Hollywood: The Film Colony's Long Romance with the Left. San Francisco: Encounter Press, 2005.
Harvey Klehr, John Earl Haynes, Alexander Vassilev. . New Haven: Yale University Press, 2009.
Allen Weinstein and Alexander Vassiliev. The Haunted Wood: Soviet Espionage in America—The Stalin Era. New York: Random House, 2000.
Whittaker Chambers, Witness. Washington, D.C.: Regnery, 1997 [orig. publ. 1952].
John Earl Haynes and Harvey Klehr. In Denial: Historians, Communism and Espionage. Encounter Books, 2005.
John C. Culver and John Hyde. American Dreamer: A Life of Henry A. Wallace. New York: W.W. Norton, 2001.
Elaine Tyler May. Homeward Bound: American Families in the Cold War Era. New York: Basic Books, 1988.
Ruth Oldenziel and Karin Zachmann, eds. Cold War Kitchen: Americanization, Technology, and European Users. Cambridge: MIT Press, 2009.
Beatriz Colomina et al. Cold War Hothouses: Inventing Postwar Culture, from Cockpit to Playboy. New York: Princeton Architectural Press, 2004.
Larry May, ed. Recasting America: Culture and Politics in the Age of the Cold War. Chicago: University of Chicago Press, 1989.
Stephen J. Whitfield. The Culture of the Cold War, 2nd ed. Baltimore: Johns Hopkins University Press, 1996.
John Fousek. To Lead the Free World: American Nationalism and the Cultural Roots of the Cold War. Chapel Hill: University of North Carolina Press, 2000.
Elizabeth Borgwardt. A New Deal for the World: America's Vision for Human Rights. Cambridge: Belknap Press of Harvard University Press, 2005.
Richard M. Fried. The Russians Are Coming! The Russians Are Coming! Pageantry and Patriotism in Cold-War America. New York: Oxford University Press, 1998.
Laura A. Belmonte. Selling the American Way: U.S. Propaganda and the Cold War. Philadelphia: University of Pennsylvania Press, 2008.
Tony Shaw. Hollywood's Cold War. Amherst: University of Massachusetts Press, 2007.
Thomas Doherty. Cold War, Cool Medium: Television, McCarthyism, and American Culture. New York: Columbia University Press, 2005.
Jane Pavitt. Fear and Fashion in the Cold War. London: Victoria & Albert Museum, 2008.
The University of Washington library, The Red Scare: A Filmography.
Transcript of Richard Nixon and Nikita Kruschev's 1959 "Kitchen Debate."

Bibliography

Images:
Confessed Soviet spymaster Elizabeth Bentley, Prints and Photographs Division, Library of Congress.

Inside of membership card of Communist Party U.S.A.