Molly Brown House Museum [CO]

Description

The Molly Brown House was the opulent 1889 home of the Titanic's most famous survivor, the "unsinkable" Molly Brown. Brown, a wealthy "new money" philanthropist from Colorado was responsible for bringing publicity and aid to survivors of the disastrous Titanic sinking, of which she was also a victim. Her house is a tribute to her and all of her progressive ideals.

The site offers tours for students K-8, 12 traveling education outreach programs, and a host of online teaching resources.

Dirt on Their Skirts

Description

This electronic field trip looks at pioneering women baseball players, owners, umpires, and teams from as early as 1866, all the way up to present-day women playing and working in baseball. The common thread running through the stories examined is the efforts of women and girls to be a part of America's national pastime: baseball.

Many Americans are surprised to learn that women once played professional baseball in the All-American Girls Professional Baseball League (AAGPBL), from 1943-1954. Founded by Chicago Cubs owner Phil Wrigley as a method to entertain Americans and keep ball parks full during World War II, the league provided an unprecedented opportunity for young women to play professional baseball; see the country; and aspire to careers beyond the traditional female roles of teacher, secretary, nurse, librarian, or housewife.

Andover Historical Society [MA]

Description

The Andover Historical Society seeks to preserve and share the history of Andover, Massachusetts, founded 1646. To this end, the society operates the 1819 Amos Blanchard House and Barn Museum which illustrates the life of an early 19th-century (1820-1850), middle-class family. The barn contains a variety of vernacular tools. According to the society site, tour topics include "politics, religion, women's roles, economics, banking, youth, education, household management, and agriculture." Extensive archival materials are available for research at the Caroline M. Underhill Research Center.

The society offers exhibits, period rooms, guided tours, educational programs, hands-on activities, and archival access.

Paisley Shawl

Description

According to the Kansas State Historical Society website:

"Some clothes are well-suited for travel. That's what little Elizabeth Ruppert's father discovered when he concealed her in this shawl and fled from Virginia to Kansas."

American Literature on the Web

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Image, "Ralph Waldo Emerson"
Annotation

Provides thousands of links to information on and texts by more than 300 American writers from 1620 to the present. Users can search in five chronological periods for links to timelines, author's sites, related resources, music and visual arts, and "social contexts." Also contains specific categories for electronic text collections, U.S. History, American Studies, poetry, movements and genres, Southern literature, women writers, literary theory, reference works, and "minority literature/multi-cultural resources," including categories for African-American, Asian-American, Jewish-American, and Latino/Latina writers. Authors represented include famous literary figures such as Louisa May Alcott (1832-88), Anna Bradstreet (ca. 1612-72), Edgar Rice Burroughs (1875-1950), Emily Dickinson (1830-86), and Ralph Ellison (1914-94); important public figures, such as William Byrd (1674-1744) and Frederick Douglass (1818-95); and lesser-known figures, such as John Woolman (1720-72) and Amelia Edith Barr (1831-1919).

Offers images of many writers, links in Japanese, a section devoted to Canadian authors, a master list of authors in alphabetical order, and "two site-specific search engines" for word searches of this site and others. Last updated in December 2001, many links are no longer operable; however, as a gateway, it offers an abundance of usable links in a well-designed format for those needing resources on American writers and their times.

Mark Twain and the American Character, Part Two

Description

Professor David Foster analyzes Mark Twain's The Adventures of Huckleberry Finn, looking at what the novel, its characters, and the life of its author reveal about the "American character" and views of American ideals and life at the time of its writing.

This lecture continues from the lecture Mark Twain and the American Character, Part One.

For the lecture, follow the link below and scroll down to the second seminar under Wednesday, August 4.

An older version of this lecture can be found here.

Mark Twain and the American Character, Part One

Description

Professor David Foster analyzes Mark Twain's The Adventures of Huckleberry Finn, looking at what the novel, its characters, and the life of its author reveal about the "American character" and views of American ideals and life at the time of its writing.

For the lecture, follow the Website Title link and scroll down to the first seminar under Wednesday, August 4.

This lecture continues in Mark Twain and the American Character, Part Two.

An older version of this lecture can be found here.

A Visual Journey: Photographs by Lisa Law, 1965-1971

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Photo, "The "Road Hog" bus, El Rito, New Mexico 1968," Lisa Law
Annotation

This lively exhibit offers images from the 1960s counterculture as seen through the lens of photographer Lisa Law's camera from 1965 to 1971. The site covers the 1960s folk and rock music scenes, California's counterculture, and commune life in New Mexico in eight chronological sections. The "Introduction" provides an entree into the era of the 1960s; "Photographic Beginnings" outlines Law's background in the music industry, her marriage to John Law, manager of the band Peter, Paul, and Mary, and the start of her photography career. "The Castle" chronicles the Laws' sojourn in a Los Angeles group house in which many artists and creative individuals like Bob Dylan and Andy Warhol rented rooms. "The Counterculture" illustrates the unconventional appearance, sexual liberation, and drugs that characterized the 1960s; "Social Activism" offers images of the avenues for members of the counterculture to express social and political beliefs through protests of the Vietnam War, racial injustice, and materialism. "Communal Living" illustrates the utopian communal lifestyles that many members of the counterculture found attractive. "Organizing Woodstock" is a unique look inside the legendary music and art festival that Law helped organize; and the "Afterword" summarizes Law's life and photography career from the mid-1970s to the present, as she continues to document and work for social causes.

Each section offers a 250-300 word summary of the theme and 4-8 photographs. A "What Else was Happening" link provides a timeline that covers the social, political, and popular culture highlights of each year from 1963 to 1973. This site includes a warning that adults might want to speak to children about the 1960s counterculture to contextualize the images on the site before allowing young children to explore it. For students and teachers interested in the popular culture and counterculture of the 1960s, this site offers compelling and colorful images.

Gilded Age Plains City

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Gravestone of John Sheedy, Gilded Age Plains City
Annotation

Gilded Age Plains City: The Great Sheedy Murder Trial and the Booster Ethos of Lincoln, Nebraska tackles the issue of urban development through the lens of a nationally-followed murder case.

A document archive provides a rich variety of related primary sources—39 legal documents, 225 newspaper articles, 39 newspaper illustrations, 129 photographs, and 42 postcards. Documents range from items directly related to the Sheedy murder trial to sources depicting parts of the city or describing Lincoln culture and society.

One practice worth applauding on this site is it's loyalty to the concept of scaffolding. The first page offers links to vocabulary, an extensive list of Lincoln personages, and a similarly detailed timeline.

Selecting "Explore the City" brings up an introductory essay on Lincoln, Nebraska in the 1890s, as well as an interactive map. The map shows many buildings in red or yellow. Yellow buildings offer period images of the structure, as well as a description of its purpose. Red buildings only have the explanation. The most fascinating feature of the map is that it allows you to select a subsection of the city, such as "demimonde," "physician," "boosters," or "transportation." Each of these options alters the map so that only buildings within that particular subcategory are shown in red or yellow. This lets you see how food distribution and transportation, for example, are grouped in different parts of the city. Each subcategory also has an accompanying essay offering more on the social clime of 1890s Lincoln, Nebraska.

"Spatial Narratives" offers a series of texts on the location and nature of various city subcultures—practitioners of law, boosters, men, African Americans, women, the working class, and university students. Obviously, these subcultures overlapped both in body and in spatial terms within the city.

At this point, one might wonder where the Sheedy case comes into the picture. The third major site section "Interpretation and Narrative" introduces the murder. The narrative includes links to relevant newspaper articles.

Taken as a whole, the site is likely not particularly useful in the K-12 classroom. However, when used in pieces, it can be seen as an example of the ways in which cities develop, racial and moral tensions of the 1890s, or media "spin" of the period versus that of today.

Amy Trenkle on Glogging Class Greats

Date Published
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Student glog, Dorie Miller
Student glog, Dorie Miller
Student glog, Dorie Miller
Student glog, Dorie Miller
Student glog, Dorie Miller
Student glog, Dorie Miller
Article Body

This school year, each of my classes chose a person to represent them and become their class name. Instead of having blocks 3 and 4 or periods 6 and 7, I've had my Alice Paul and Daisy Bates classes on A Day and Dorie Miller and Rosie the Riveter on B Day.

At the beginning of the year, I gave my students the task of reading a biography in small groups. Student glog, Daisy BatesI chose historical figures in U.S. history, some well known and others lesser known to them, and created biographies no longer than a page, by cutting and pasting from credible websites or by using biographies from History Makers (published by Rada Press). After each group read their biography, they summarized what their person did and why they are in the history books. They then presented their findings to the class, as well as what characteristics their person possessed that would make them a great name to adopt for the class. Students cited such qualities as perseverance, tenacity, and strength. After the class heard all of the biographies, they voted on which name they wanted to adopt.

During the course of the year, I made sure each class had an activity outside of the curriculum that connected with their class name. Alice Paul, named after one of the founders of the National Women's Party, had a museum educator from the Sewall-Belmont House come in and speak about Paul. We then walked to the house and saw just how close the National Women's Party headquarters are to our school! Student glog, Dorie MillerDorie Miller, who had taken the name of the first African American to receive the Navy Cross, had a museum educator from the National Portrait Gallery come to our class to share World War II posters, with an emphasis on the Dorie Miller poster. She created a lesson that had students then write their own historic labels, like you would find in a museum, for the poster. Rosie the Riveter visited the Smithsonian National Museum of American History’s "The Price of Freedom: Americans at War" exhibit and had a tour, emphasizing Rosie! The kids even practiced riveting! Daisy Bates, who had taken the name of the civil rights activist, traveled to the National Museum of American History in February and heard from veteran Freedom Riders. While there wasn't a direct connection to Daisy, they heard from civil rights leaders who fought alongside of Daisy Bates.

Memorializing History with Glogs

I've decided that I will definitely continue this for next year’s classes, but that I could never have another Dorie, Daisy, Alice, or Rosie class. So, my last assignment for each class this year was for them to create glogs memorializing their class names. Students worked individually or in pairs to create a glog.

The class then voted on which glog was the best. I will print the final, winning glog for each class in poster form and hang it in my room to teach future classes with and to remind me of the legacy of these classes.

What is a Glog?

Student glog, Dorie MillerBut what's a glog? This is a question that my students had.

At first, they thought I said they were creating a blog—like a blog entry—since they were used to doing that. I clarified and enunciated the word "glog" again. There were confused looks.

A glog, as I explained to my students, is a multimedia poster, created on the computer. On a glog you can add text, photos, videos, music, audio recordings, documents—you name it!

Student glog, Daisy BatesOne of the first things we did was find a Plan B. Glogster, a glog creation tool and community, is blocked by my school district. Having explored Glogster at home, I did know that they have a teacher's address. I directed my students to edu.glogster.com and had them create accounts as "Basic" members (it's free!). The students were soon underway!

Students were to create posters about their class name, and incorporate photos, a quote about or from their person, a brief summary of what their person did, and at least one multimedia clip (a video or music).

When the students were done with their posters, they published them and then emailed me their blog with the "email friends" feature. I did this activity over two days. The second day, I was much more clear about my expectations for inclusion of elements on the glog, and they turned out much better, content-wise, for more groups. I think it was helpful for students to have to think about the various elements to incorporate and served as a review of primary sources for them.

The Impact of Glogs

Student glog, Daisy BatesI can definitely say that this was a hit among the students. They really enjoyed learning about the new technology and many said they were going to go home and play with it. They became engrossed in looking for sources that others wouldn’t find so that their posters would be unique.

The technology was very intuitive for the students, and I learned a lot from watching them. While I had spent time learning how to glog myself, I watched my students just fly with it! Before I knew it, they were asking each other questions about how to add something or asking their friends to look at what they did on their screens. They clearly were enthusiastic for not only their class name, but for creatively sharing the history of their person through their glogs for future classes.

Evelyn MacPherson, one member of the two-person winning Alice Paul glog team, said the following about making her glog:

I enjoyed making the poster, it was a lot of fun to create something that could be used as a learning tool that required you to use creativity. We knew that you had to balance out the facts with things that would draw people to your poster, such as a theme, or pictures. It required some trial and error, but it was a lot of fun.

I really enjoyed this activity and hope to use glogs more in the future. Glogster was easy to use, and this activity required critical thinking skills from my students and integrated technology and history in an engaging way for them . . . and me!

For more information

Our bloggers have many ideas for using visuals in the classroom! Once you've learned how to glog, take a look at Jennifer Orr on using art in a 1st-grade classroom, Diana Laufenberg on tying visuals and visualizations in at the high school level, and Joe Jelen on Google's Art Project.

Tech for Teachers can introduce you to more online tools—including Glogster—and our articles on copyright can help you (and your students) understand the complexities of locating and using images online.