Glogster

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What is it?

Unlike posterboards commonly exhibited in classroom presentations, Glogster allows students (and teachers) to add sounds, videos, and graphics to text and images. These digital posters can then be shared with classmates and teachers via email, posted on class blogs, or simply accessed through the poster's URL address. There is a $5 30 day trial, and educators can also subscribe to an educator's plan that offers a variety of options depending on the specific needs of the course. A "teacher" plan accesses added features and the ability to enroll up to 200 students while a "school" plan allows an unlimited number of enrollees.

Getting Started

Signing up for Glogster (and its educator's plan) is fairly simple and takes only a few minutes. When users click on "create a Glog" they are directed to a sample poster whose elements can be edited and deleted at will.

Although many students can quickly find multimedia sources online, teachers should emphasize that the quality of these images, videos, and sounds will determine the effectiveness of the poster presentation

Before allowing students to begin a Glog, teachers should allow for some time (either at home or at school) for students to gather images, sounds, and video clips into a specific folder and save them on a computer or flash drive. Although many students can quickly find multimedia sources online, teachers should emphasize that the quality of these images, videos, and sounds will determine the effectiveness of the poster presentation. It would also be wise for students to draft the text that will appear on the poster before beginning a Glog. Elementary teachers, especially, should be prepared to assist students in finding sources and saving them in a folder. Students in grades K–3 may struggle with uploading their sources onto the poster but will find that entering text and personalizing the Glog is fairly simple. Once all the images, sounds, and videos are saved onto a folder, students can begin a Glog with either a blank template or by deleting and editing the default poster. To insert files, users have several options. In the top left corner, the "upload" button allows users to select all the files needed for the poster and save them to their Glogster account. Users can also click on the "link" button if they know the URL of their desired media sources. A third option is to simply record a video, audio, or image using the computer's WebCam and/or microphone by clicking on the "grab" button. Each time a file is uploaded a flashing star will appear next to the category in the media toolbox. Users can also upload sources specifically by toolbox category. Editing the poster is fairly simple as well. In order to change the background, select the "wall" tool and choose from the various background designs found in the different categories. The "graphics" tool also allows users to select from various categories, and the animated characters might prove popular with younger ages. Color, font, and size options in the "text" tool help students format the perfect text for the poster presentation. The only tools unavailable under the free education plan are the "data" and "drawing" tools. Once finished, students can save and publish—selecting whether the final product will be publicly visible or kept private. Even if a poster is finalized, it can still undergo editing—a nice feature.

Examples

Effective posters employee a particular theme applied in a consistent manner through the wallpaper design, font selection, and graphics. Teachers and students can begin thinking about glog design by browsing sample glogs from the site's collection of history posters (in the "Education" category).

One particularly effective poster is a cultural history of the Blues, with a rustic style and video samples of two different eras of the genre. Glogs can also be used to post assignments for students, such as this field trip to Cowpens Battlefield. Its novel use of drawing, as well as making each element a link to more expansive page, is noteworthy for demonstrating how Glogs can be given interactive touches.

History teachers will find the quality of Glogster projects will largely depend on instructions, rubrics, and exemplars that all focus on the targeted objectives of the lesson. In other words, what can students accomplish on Glogster that they could not do otherwise? More importantly, how can a digital poster enhance the learning and presentation of history? Answering these questions, and planning well ahead of time, will help teachers and students to maximize the potential of Glogster in the history classroom. In one example of Glogster in action, Amy Trenkle, a DC educator, used glogging to wrap up her 8th-grade class's school year in a unique fashion.

In terms of visual and digital literacy, Glogster can help students apply content knowledge as they create an original product that demonstrates levels of analysis and evaluation. Generating an exciting and thoughtful poster promotes the higher-level thinking teachers seek in the history classroom.

For more information
National Constitution Center: Explore the Constitution Anonymous (not verified) Wed, 07/13/2011 - 12:47
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Annotation

Understanding the significance of the U.S. Constitution requires more than simply reading its text. This website provides context and tools designed to historically contextualize the U.S. Constitution and help users assess its lasting impact. An interactive Constitution lies at the heart of the website, providing line-by-line commentary by current scholars alongside excerpts from contemporary primary sources. Users can also search the Constitution in connection with specific court cases, topics, and keywords.

An interactive timeline in the exhibit "Centuries of Citizenship" provides useful background information. Additional contextual information is available in the form of a set of "fast facts"; descriptions of "basic governing principles," such as the rule of law, Federalism, and judicial review; detailed biographical information on all delegates to the Constitutional Convention; and audio discussions with scholars and pundits on topics ranging from voting to prominent court cases to women in the Early Republic. Three scholarly essays provide different "perspectives on the Constitution," reminding users that the success of the Constitution in uniting a group of diverse territories was far from assured in the late 1700s. Related primary sources in the "Founding Documents" section allow users to trace the relationship between the U.S. Constitution and the Magna Carta, the Mayflower Compact, and the Virginia Declaration of Rights.

New editions include the interactive experience "Lincoln's Crossroads," in which students face some of the choices Lincoln faced during his presidency; "A More Perfect Union," an exhibit on Barack Obama's 2008 speech on race at the Constitution Center; " and "Seize the Vote," a 4-player game testing voting rights' knowledge.

SurveyMonkey

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What is it?

SurveyMonkey is an online survey builder. Its ability to analyze data through various graphs is a useful way to engage students in how historians construct questions and use data to inform historical thinking.

Getting Started

To start creating a survey, users can sign up for free (basic plan) through the SurveyMonkey site, or through their existing Google or Facebook account. Once enrolled, users can begin developing their first survey by choosing a theme/template, creating a name for the survey and choosing its category, or by simply choosing an established “expert” survey template. Next, users can edit the look of the survey and begin establishing questions. Throughout the creation of the survey, users can preview at any time. The basic, free plan is limiting and users would need to subscribe to a priced plan in order to customize surveys (which is appealing at an institutional level—school district, school, athletics department, PTA, marching band—but not for individual teachers in the classroom).

In order to add a question, users can click on the appropriate box which then opens into a new window where the type of question can be selected (i.e. multiple-choice, rating, matrix of choices, comment/essay). The first step is to develop the question, which is then followed by a prompt to provide choices based on the “question type.” For example, if "multiple-choice (only one answer)” is selected, each answer option is entered in a text box on separate lines. However, if a “matrix of choices” is the preferred format, then users will have rows where they can enter secondary questions, followed by fields where column headings can be entered in relation to the weight of the option. In other words, will “Excellent” rank as a “5” or a “1” on a 1 to 5 scale?

In addition to writing new questions, users can select questions from an appropriate databank, such as "education." Once the survey is complete, users can print a copy and send the survey electronically via email. One of the best features of Survey Monkey is the visualization tool, based on the type of feedback provided. Visualization options allow users to view data from many perspectives (bar, graph, area, line.) In addition, responses can be browsed, filtered, cross-tabbed, downloaded, and shared.

Examples

So, why use SurveyMonkey in the history classroom? Teachers can use surveys not only to gauge student learning, but also to walk students through how to ask questions. Understanding how historians pose questions is an essential skill in the social studies classroom; teachers can use Survey Monkey to help students understand cognitive levels of thinking and questioning (from fact recall to analytical or evaluative). If teachers model how to construct thoughtful surveys that will yield useful results, students are one step closer to answering their own questions with well-designed data collection tools.

...Students can develop surveys that critically reflect on a previous unit, in order to collectively discuss what they learned and what material still requires attention. This can be valuable ahead of AP exams, midterms, and final exams.

Using SurveyMonkey as an instructional tool is a great way to engage students in curriculum development. In this example, a teacher instructs her students to construct a survey on immigration. In the comments section, you can browse through the student-created surveys to see some examples. Unfortunately, most online examples are not produced by students. Most teacher-produced surveys tend to ask students to assess their teacher's instruction or are geared towards colleagues in the field of teaching. Hopefully, as survey-building tools become more commonplace, more student-produced surveys will appear online. On a final note, teachers should be aware that learning how to construct surveys is a valuable lesson for students, but learning how to construct questions that yield valuable data is even more important . . . but not easy. Wording of questions, understanding the target audience, and minimizing bias are all concerns students should be thinking about in constructing poll questions. But introducing students to these challenges can help them begin to understand why historians must think about these concerns in the process of analyzing historical events. One Teacher's Experience: Bridget Federspiel, Teachinghistory.org Teacher Representative Bridget Federspiel I have used SurveyMonkey for numerous projects. While completing a Teaching American History (TAH) grant proposal, I needed to collect information about the education background and professional development activities of my colleagues. I created a 10-question survey and sent the link in an email. My students have used SurveyMonkey to collect data for use in a National History Day project. The students created a survey and posted the link on their Facebook page. First the students made a list of questions for their survey. They wanted to gather information about how often students use particular Internet sites for research. The students created 10 multiple-choice questions for their survey. (Multiple-choice questions worked best due to the fact that it didn’t take too much time for people to answer the questions.) The questions ranged from the vague (how often do you use the Internet for research?) to the specific (how often have you used the Library of Congress site to search for information?). Each student then linked to the survey on their Facebook page, asking their friends to answer the survey. The students collected over 500 hits on their survey. SurveyMonkey tallied the answers for them, and the students used the information to create graphs of their results, indicating the most popular Internet sites used by the students.

For more information

SurveyMonkey's free basic plans provides users with unlimited questions and responses, custom survey design and URLs, security features, and the ability to create an Excel export and printable PDF. Additional pay plans add random assignments for A/B testing, question and answer piping, question randomization or flipping, and text analysis for open responses; the advanced plan also offers survey URLs, logo and branding, and the ability to decide where your respondents go after they complete your survey. Users should also note that other survey-building tools are quite popular online, such as Polldaddy.com and Zoomerang. In this brief article, a comparison is made between SurveyMonkey, MySurveyLab, Zoomerang, and FluidSurveys. Because each one of these programs adds features on a fairly regular basis, it is best to examine the various programs' websites for a more up-to-date comparison. One teacher reflects on the use of Polldaddy and SurveyMonkey as a useful tool for class presentations.

YouTube

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What is it?

YouTube is a popular video hosting tool that allows users to create and upload videos as well as browse submissions by other users. At more than 1 billion views per day, it is the most accessed video hosting site on the Web, producing both challenges and rewards for educators.

Getting Started

The YouTube video hosting site, like the Google search engine, has so utterly dominated the market that there are probably few people who haven't heard of it—amazing for a company only six years old! With success, however, comes obstacles for educators. The content on YouTube is diverse and many school system administrators have blocked YouTube for that very reason: just as students can find interesting and educational videos to better understand history, they can also be distracted by non-educational content (some of which might be inappropriate). Regardless of school system filters and restrictions, YouTube can enhance the teaching of history. Here are some tips and considerations to keep in mind. One strategy is to use YouTube for planning purposes at home or at work. Whether you sign up for an account or simply browse, begin by looking through available YouTube channels. YouTube EDU (youtube.com.edu) offers videos aimed at educators from many institutions of higher learning. A quick search for "civil war" within the YouTube EDU portal yields a variety of engaging videos that provide usable content (note: many of the videos in this search are lectures, but others include vodcasts—such as an examination of Winslow Homer by Duke professor Peter Wood).

Examples

Here are a few suggestions on how to best search for educational videos in the classroom:

Teach students how to search online wisely.
  1. Set up your own channel. This approach requires a bit of work up front, but it provides a resource that can be used repeatedly. And once searching for history videos becomes second nature, it becomes easier to teach students how to search for quality content on YouTube. As you find course-appropriate videos, click on the down arrow button next to "Add." Here, you have two choices: either add the video to "favorites" or create your own playlist. "Favorites" automatically displays in your course YouTube channel. In order to display a personalized playlist, however, you must be logged onto your YouTube account and in your specific channel. There, you will find a user menu at the top and be able to select "Videos and Playlists." Check the playlist box, and then check the specific title of your desired playlist. Your channel will refresh and display the specific playlist underneath "favorites." Once you collect a number of videos in the course channel's "Favorites" category, or add them to a specific playlist, students can select from videos approved for the course.
  2. Teach students how to set up their own "History" channels. After setting up a course-specific channel with favorite videos and user-generated playlists teach students how to create their own channels and playlists. This is ideal for long-term projects. Students can also add videos to the course YouTube channel by emailing you the link to a particular video, or if you have created a student-accessible account, students can add videos directly. Specific guidelines and monitoring, though, are highly recommend to avoid unwanted videos on a course channel.
  3. Search for reputable organizations on YouTube. Find channels created by educational organizations such as the Library of Congress, National Archives, TimeLife, or the U.S. Holocaust Memorial Museum.
  4. Use existing channels as a gateway to other sites. For example, TED.com offers videos from TED (Technology, Entertainment, Design) talks around the world. It hosts videos both on its own site and on YouTube. Arrangements like this provide educators some flexibility by using YouTube as a "gateway" to other video sites. For example, a quick exploration of TED videos via the tags page leads users to talks on history that can be used to generate discussion in class.
  5. Teach students how to search online wisely. Teaching students how to become digitally-literate is now part of many social studies teachers' job descriptions. Too often, we expect students to be more savvy than their elders in using new-media technologies . . . and sometimes they are. Social studies teachers, however, can teach students how to maximize the use of online tools for the research, writing, and production of history. Searching for "Civil War" or "Jefferson" is unlikely to yield desired results (unless students want to watch Jefferson Airplane and Guns N' Roses music videos). Encourage students to use specific search terms and broaden from there if necessary. For example, specifying the "American Civil War" will provide better search results than simply searching for "Civil War." "U.S. Civil War battles in western North Carolina," however, may be too specific to generate good results. Search for a particular event ("Battle of Bull Run") will help, as will using first and last names when searching for YouTube videos on famous personalities in history—such as "Thomas Jefferson."

"Wait! YouTube is blocked at my school!"

Here are a few options that might work:

  • If YouTube is blocked at your school, use write-ups like this Tech for Teachers entry (as well as other education articles) to see if school system IT personnel can allow password-protected access to YouTube.
  • Ask the school system's IT personnel to unblock your teacher-generated course (or teacher) channel on YouTube. You may want to add to this list any organizational YouTube channels of importance to your teaching, such as the Library of Congress or the JFK Library. Providing a particular list of URLs for content-specific YouTube channels will increase your chances of accessing valuable videos. This is a much easier request than providing hundreds of URLs for individual video clips.
  • If all else fails, you may be able to download YouTube videos at home for use in the classroom. Many free sites can convert YouTube videos into files that can be played on QuickTime, Real Media Player, or Windows Media Player. Sites like Convert Direct or Media Converter will convert YouTube videos into an .mp3, .wmv, .avi, or .mov file. Pay close attention to copyright restrictions before copying online content.
  • TubeChop is an online tool to cut, or chop, a particular portion of a YouTube video—perfect for showing a specific clip for classroom instruction. Users drag the beginning and end cursors to desired location, chop, and TubeChop provides a URL address via their site and an embed code.

In short, YouTube offers teachers a wide variety of materials to use in the classroom. As with any online tool, careful consideration is necessary before students begin using YouTube for historical research and projects. Videos are not a solution to ineffective lessons, but when used in a specific—and targeted way—they can enhance well-designed lesson plans, engage visual learners, and help make history come alive for students.

For more information
  1. Baker, Richard Beach & Frank W. “Why Core Standards Must Embrace Media Literacy.” Education Week, June 22, 2011. http://www.edweek.org/ew/articles/2011/06/22/36baker.h30.html
  2. Hammond, T. C., & Lee, J. K. (2010). "Editorial: Digital video and social studies." Contemporary Issues in Technology and Teacher Education, 10(1). http://www.citejournal.org/vol10/iss1/socialstudies/article1.cfm
  3. Lesson Plan Idea: Using YouTube in a social studies/geography lesson.
  4. A small but helpful list of links to history-focused YouTube videos.

What Do You Mean?: How Language Changes Over Time

Teaser

This creative lesson transforms language into a historic artifact and enables students to analyze how language changes over time.

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Description

Students create sentences using words whose meanings have changed since the 17th century. They then discover how their sentences change meaning when the words’ 17th century meanings are used.

Article Body

This lesson provides students with a simple introduction to a fundamental and often elusive component of historical thinking—placing the prose of an historical document in its appropriate context. Students begin with a list of words from 17th-century English that are still in use in the 21st century. Students create sentences using these words based on their modern meanings, then note how their sentences change in meaning with the 17th-century usage of the words. The short follow-up discussion focuses on how such changes in the meanings of words make the historian’s task of analyzing primary sources challenging.

Contextualization, or placing a historical text in its appropriate social, political, cultural, and even linguistic context, is a challenging task even for collegiate students of history. Because contextual influences are often subtle and linked to extensive background knowledge, younger students can have difficulty noticing them, and teaching younger students to recognize the historical context of a document can be a daunting task when students are already dealing with challenging texts. This lesson introduces the idea of context through the changing meaning of words. Rather than dealing with the meanings of entire texts, students are focusing on the meanings of individual words. Thus, this lesson provides a useful starting point in laying the foundation for historical thinking skills like contextualization and the close reading of documents, while clearly showing that language changes over time.

Topic
Daily Life, Southern States
Time Estimate
1 class session
flexibility_scale
4
Rubric_Content_Accurate_Scholarship

Yes

Rubric_Content_Historical_Background

Yes
In addition to information on the historical usage of words featured in the lesson, the site also includes a brief article on the history of the Jamestown settlement, and a variety of other resources for teachers and students.

Rubric_Content_Read_Write

No
The amount of writing required is minimal, but teachers may easily adapt and extend that part of the lesson.

Rubric_Analytical_Construct_Interpretations

No

Rubric_Analytical_Close_Reading_Sourcing

No
Although the lesson itself does not require close reading, it focuses on skills that will help students closely read and question other texts.

Rubric_Scaffolding_Appropriate

Yes
This lesson is easily adapted to the needs of a variety of students; while designed for elementary school, it could be adapted easily for a middle or high school classroom.

Rubric_Scaffolding_Supports_Historical_Thinking

No
Teachers may want to scaffold the lesson for younger students by providing 21st century definitions of the words.

Rubric_Structure_Assessment

No

Rubric_Structure_Realistic

Yes

Rubric_Structure_Learning_Goals

Yes
A simple, but elegant, plan.

Padlet

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What is it?

In a nutshell, Padlet is an online bulletin board. History teachers, however, can use this tool in myriad ways. For example, Padlet users can pose open-ended questions and elicit multiple student responses—ideal for posing document-based questions using primary sources. Users can also create their own "post-it" notes in response to a directed question. Teachers can also use Padlet as an online posterboard—a natural fit for group projects. Padlet can also function as a "bell-ringer" or "ticket-out-the-door" activity, as well as a homework assignment.

Getting Started

Although registering is not required, it is free and easy to do via Padlet's own registration portal, or using a Google (or Open ID) account. Once users are registered, they can create their first bulletin board and (in the top left corner) edit the title and description of the "wall." Teachers can create a topic, or simply post a question for students to answer. Users can also edit the image associated with the wall, which functions as an identifying logo. (Students looking to create a World War II wall could use, for example, a propaganda poster like Rosie the Riveter as the logo.) Lastly, users can select the design template and set access privileges (which includes a custom URL ID).

After the wall is established, users can add a "post-it" note by double-clicking anywhere on the wall. Text, audio, video, and images can be posted to the wall (videos and images automatically display a Zoom picture when clicked on—a temporary pop-up window for viewing.)

[Note: Do not place any "sticky notes" too close to the wall title and description. If the top of the sticky note is hidden underneath the wall title and description, it can be hard to move the note.]

Examples

An easy way to experiment with Padlet is to give it a try with a simple question. Once users become more accustomed to how Padlet functions, they can construct walls that employ more Web tools. We posted a sample question on a 1960s U.S. advertisement for a non-coffee product so that readers of this Tech for Teachers entry can add their own thoughts. Try it out! Leave a "sticky" note and tell us how you would respond to the coffee question, ad, and TV commercials.

The use of various multimedia sources makes historical questions more complex, engages students, and goes beyond what is possible in a traditional worksheet/whiteboard approach.

Embedding an image for viewing and providing a directed question allow the coffee example to work like a document-based question (DBQ). Additionally, the coffee question can be expanded into other discussions. In this case, a YouTube clip on coffee advertisements opens up questions about gender relationships in 1950s-1960s America. The use of various multimedia sources makes historical questions more complex, engages students, and goes beyond what is possible in a traditional worksheet/whiteboard approach. By modeling specific uses for Padlet, teachers can also empower students to create their own effective walls for classroom use and history-based discussions.

A few technical issues are worth considering. Each sticky note is limited to 150 characters. Also, images heavy on text might not be legible, even in their zoom pop-windows. If this is the case, viewers can find larger images by either right-clicking the image and saving it to their desktop, or enlarging the zoom view on the computer screen. Lastly, and most problematically, the site tends to become tied up and non-responsive. We have encountered many instances when Padlet fails to load properly. However, the value of the tool should encourage users to be patient and hope for a more consistent service in the future. Padlet is a simple tool, but one that can accentuate the best teaching practices teachers employ on a day-to-day basis. For students, carefully posed questions will allow them to respond in many ways—which only helps classroom discussion.

For more information

Check out the Padlet Blog to see some other ideas for using Padlet.

Little Bird Tales

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What is it?

Finding digital tools for social studies in the elementary classroom, especially in the early grades, can be a bit difficult. Little Bird Tales is a helpful tool in making social studies come alive for young students through its simplicity and marriage of visuals and sounds.

Getting Started

Registering with Little Bird Tales (LBT) is quick and easy; the focus on small learners means that privacy concerns are respected: the site contains no ads, merchandising, or external links, and only requires a valid email to sign-up. LBT also offers a teacher account, which is accessible via an email request (teachers should provide the same email used to sign-up). Before working with students, teachers should be aware of the technical specifications, such as supporting browsers, image file size, and storage capacity—the FAQ page addresses these points fairly well.

Once an account is activated, creating a digital tale is fairly simple. Click on "create a new tale" to construct the tale cover. Users can either draw an image—using the built-in art pad—or upload a saved image (note: minimum image size is 600x420 px). Add a title, submit author information, and a record an audio introduction to finalize the tale cover. Users should also test microphone quality for volume and clarity before proceeding with new pages.

Each subsequent page follows the same procedure, and the size of the final project is only limited by the tale box capacity in your account. The main difference from the cover page is that students can enter text for their product—an ideal feature that reinforces reading and writing, while providing students a "script" for their sound recording. Page order can be easily rearranged at any time by dragging each page into the desired order in the sidebar found on the right.

Users can resume editing their tales by logging back in, selecting "My Tales," and clicking on the notepad icon. Other icons on the "My Tales" screen include a play option (to see the video in progress), an email icon to share the video, and a trash icon to delete the tale project.

Once the video tale is completed, users proceed to step three in order to share the tale via email—regardless of whether users choose to keep the video private or make it public. Users who choose to make the video public can do so by clicking on the account homepage (house icon) and selecting "public" under the cover page image (note: Little Bird Tales moderates all videos before they become public).

Examples

It is highly recommended that teachers create a "test-run" project ahead of time before working with students. In addition, it might serve well to have students prepare all images and script beforehand. Users can create their own artwork using the built-in drawing pad, but teachers may need access to a scanner to create image files of original student artwork on paper (note: images and scans should be saved in .jpg, .png or .gif).

Little Bird Tales works well because it captures the imagination, creativity, and voice of the child in a free and easy to use platform.

The strength of Little Bird Tales is the ability for children to tell stories that can be autobiographical (my life, my community, my school, my family), biographical (U.S. presidents, world history figures), or related to other aspects of the early grades social studies curriculum such as the environment, economics, civic ideals, or global communities. Little Bird Tales works well because it captures the imagination, creativity, and voice of the child in a free and easy to use platform. Public Tales on the LBT site include a civics project on American symbols, a story on "daddies", a tale on regional history, a silent tale on global cultures and clothing using beautiful imagery, and an inspirational video by a young runner. Middle school and high school students can also benefit from LBT, as evidenced on a video dealing with homelessness in America. In our experience in working with a 1st-grader, the initial day of trying out LBT was a learning curve for her but she caught on quickly. With simple guidance, she was able to do all the work (although uploading images needed more hands-on assistance.) By the half-way point, she was typing, recording her voice, saving her work, and moving on to the next slide. Fatigue did settle in after a while, so preparing all materials and images beforehand helped her. She also discovered LBT's ability to rearrange pictures in any order—a useful benefit whenever she changed her mind after previewing the video. The student found the playback of the recording useful and empowering; immediately recording a passage again helped her get the video "just right." It took her about 2-3 hours in total to finish the project. Keeping this one experience in mind, it might be best for teachers to first try LBT by having each student create one or two slides for a class video. For example, in a 50-states project, each student could easily adopt one or two states and create a few slides which would allow the entire U.S. to be included in a video project. This model could likewise work for U.S. presidents, famous American citizens, local communities, or other topics with a large number of elements. Such an introductory approach serves teachers and students alike. Children can become familiar with technology in a limited way by creating only a few slides. For their part, educators can invest limited curriculum time for a collective project, before expanding a video project to a more extensive one for individual students.

For more information

Teachers, review the specific features provided by the "Teacher Account," including class and school management.

For more on the tool, read Discovery Education Blog on Little Bird Tales

Laura Jernegan: Girl on a Whaleship

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Annotation

In 1868, Laura Jernegan, six-year-old daughter of a whaling captain, put to sea with her parents and younger brother. This website, created by the Martha's Vineyard Museum, explores her family's four-year whaling expedition, focusing on Laura's own diary.

Two narratives ground the exhibit: "The Story of Whaling" and "Laura's Story." Each narrative is divided up into three sections—"Before the Voyage," "The Voyage" and "After the Voyage"—and consists of 14—15 individual "chapters," each a short essay of approximately 300—1600 words. "The Story of Whaling" describes the rise and fall of the whaling industry and the nature of a whaling voyage, including preparation and hiring crew.

"Laura's Story" narrates the voyage of the Roman, the ship on which Laura and her family set sail. The voyage included a stay in Hawaii, mutiny, and the Roman's sinking in the Arctic (everyone survived). "Laura's Story" also looks at the lives of Laura and her family before and after the voyage, as young children and as adults. Each essay include links to images, descriptions, and other sections of the website that clarify and enrich the text.

For Laura's own description of her time at sea, "Explore Laura's Journal" lets visitors browse her 43-page journal. Written in a child's bold handwriting, the journal is short and easy to read, and can be viewed in the original scans, as a text transcript, or with a magic lens feature that translates the writing into print as the mouse runs over a page.

Further background information supports the two narratives and Laura's journal, including:

  • "About Whales," a mini-exhibit answering basic questions about six whale species;
  • an interactive timeline reaching from 1774 to 1955, including both general world history events and whaling events;
  • "Explore the Ship," a diagram of a whaling ship that visitors can click for information on crew positions and parts of the ship; and
  • a "Map of Whaling."

This interactive world map lets visitors display features from six sets of information, turning each set on or off and overlaying them. The sets include the four routes of the Roman's journey, three typical whaling routes, posts and sites important to whaling, 1878 whaling grounds for four species, major ocean currents, and whale migration patterns for three species.

Finally, visitors can view zoomable photographs of 175 different whaling-related objects in "Artifacts," read the descriptions of 15 crew positions in "Meet the Crew," and browse 16 pieces of logbook art, 36 photos, and 53 whaling-related images in the "Picture Gallery." An A-to-Z glossary offers definitions for 180 historical and whaling terms. Visitors can also explore the biographies of five people, including all of the members of the Jernegan family and, in "More About," can read 10 more 1,000-3,000-word essays on subjects like race and whaling, women and whaling, and 19th-century children's literature.

In the "For Teachers" section, educators can download two units on whaling: a four-lesson unit for grades 1–3, or a six-lesson unit for 4–5. "For Further Study" features a bibliography of 75 books for children and adults and eight annotated links.

A thorough website centered around a very unique primary source—use it to invite young children into history through the voice of a peer!

Finding a Speaker Willing to Use Digital Networks

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Question

Is there a historian that would be willing to Skype a 4th-grade classroom on the American Revolution?

Answer

There are two levels to your question—how does one find a historian who would speak to a 4th-grade class, and how does one find a historian who will Skype into the classroom? The first question is much simpler than the first. In my experience, historians greatly value current and future students of the discipline, so I often find they are quite receptive to opportunities to talk about their subjects. At the American Historical Association we maintain fairly wide-ranging databases of faculty in almost every field of specialization, and regularly suggest names of specialists that might speak on particular historical topics.

While a growing number are willing to experiment with technologies such as Skype, most tend to just dismiss them as too much trouble

The next question you should ask is—how generally you want someone to speak on the topic? For instance, would you be looking for someone who could provide a broad overview and then take questions from students, or would you be more interested in someone who could talk in some greater depth about a specific aspect of the Revolution? There are hundreds of historians who work and teach in this area of American history to choose from, but that is where the added criteria about finding a historian who will Skype into the classroom creates a complication. In a survey of historians conducted last year, AHA found that they are much more likely to use technologies for personal research than interpersonal communications and teaching. That statistic certainly bears out in my work with other members of the discipline. While a growing number are willing to experiment with technologies such as Skype, most tend to just dismiss them as too much trouble. I often have to coax historians to participate in meetings with Skype, even though they often find it all much simpler and easier to use than expected. Hopefully, as these technologies become more ubiquitous that problem will disappear, but for now it would significantly complicate your request. I can't think of any databases other than our directories of history departments and members. (Unfortunately they are gated, though I am always happy to dig into them for anyone who writes or calls looking for help.) Part of the problem may be that I am a little too stuck in the world of academics. The best first step for finding a potential speaker is probably to just look on your bookshelves for the authors of books on the subject, or even Wikipedia, which has a pretty good list of popular surveys on the topic. From there, a quick Google search on the author's name will usually take you to their faculty page, which will almost always have an email address. You really don't have to be shy about writing to ask them if they would be willing to speak to your class. A simple and direct request, noting that you are trying to develop your students' appreciation of history and desire to help them understand how history gets made should elicit a generous response. Even if they cannot assist, they are likely to have a student or two who also writes on the subject and could also be asked to serve. In my experience, most historians are happy to assist as time and opportunity allows.

Bibliography

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American Historical Association Accessed March 2, 2011.

Humanities and Social Sciences Online. Last Modified March 2, 2011.

OIEAHC - Omohundro Institute of Early American History & Culture. "Institute Colloquium." Accessed March 2, 2011.