History of the Cherokee
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Created by a tribal member of the Cherokee Nation of Oklahoma. From five sections--History; Images and Maps; Genealogy: Cherokee and other Native Americans; Books and Newspapers; and Related Links--users can access excerpts from 12 historical texts; 18 images dealing with Cherokee history; and seven maps. In addition, the site provides a bibliography of 18 books and newspapers on Cherokee history; information on seven relevant booksellers; and 43 links on such topics as Cherokee genealogy, language, and tribal organizations. A useful starting point for those interested in Cherokee history and culture.
Roosevelt spoke these words on March 4, 1933, in his First Inaugural Address— which also included his famous phrase "the only thing we have to fear is fear itself." In this speech, FDR first assured the American people that he had faith that the Constitution and current understandings of constitutionally-acceptable presidential power were sufficient to overcome the crisis posed by the Great Depression. He then went on to note that, if necessary for the good of the country, he would ask Congress for executive power equivalent to that granted in wartime.
In his book Democracy in America, French thinker, writer, and politician Alexis de Tocqueville (1805-1859), considers the strengths and weakness of the American federal system of government as it was in the early 1830s, when he visited the young country on a 9-month tour. This passage comes from chapter 8 of the book's first volume: "On the Federal Constitution." Subheading "The Federal Constitution, Part V," "Why the Federal System is Not Adapted to All Peoples" looks at the uniqueness of the Constitution and of the expectations it sets out for the people putting it into practice. 
Fiery abolitionist William Lloyd Garrison (1805-1879) included this condemnation of the Constitution in the December 29, 1832, issue of his abolitionist newspaper The Liberator. The article in which it appeared, titled "On the Constitution and the Union," denounced the Constitution for allowing slavery to exist in the U.S., calling it a document "dripping" "with human blood." 
Woodrow Wilson included these words in his 1913 book The New Freedom: A Call for the Emancipation of the Generous Energies of a People, which laid out many of the views on which he had campaigned for the presidency. Writing in 1885, in his earlier book Congressional Government, Wilson saw many problems in the United States' established form of government, arguing that the Founders' system of checks and balances obscured responsibility more than it ensured balance. Wilson saw the Constitution as a product of a certain time and place, with questionable relevance to the present day. 
The tune that would later become "John Brown's Body" developed in the religious camp meetings of the Second Great Awakening (a period of widespread evangelical religious revival, from the early to mid-1800s). Though it existed in various forms for at least several years beforehand, the music first appeared in print in choral books in 1858. Religious lyrics accompanied these versions—and included the "glory, glory, hallelujah" chorus that would remain in "John Brown's Body." 
According to the most common "origin story," the tune to "John Brown's Body" gained its most famous lyrics—"John Brown's body lies a-mouldering in the grave"—in 1859, some time after the execution of John Brown, the abolitionist who led an antislavery raid on Harper's Ferry, VA, and was subsequently hanged. However, these lyrics were not, originally, about that John Brown. Instead, they referred to a Massachusetts Union soldier, whose fellow soldiers improvised the song from the original camp-meeting tune and religious lyrics to tease him. The song gained verses and lyrics and spread, to be heard by others who assumed "John Brown" was John Brown the abolitionist. Later lyrics, like (d) above, worked from this assumption.
William Weston Patton (pictured here), abolitionist and president of Howard University, heard the song "John Brown's Body" in one of its early versions and wrote a more polished, elaborate set of lyrics for the tune. These lyrics changed the song from being about a John Brown (sometimes the abolitionist and sometimes not) to the John Brown, explicitly telling the story of Brown's execution and memorializing him as a martyr to the abolitionist cause.
Abolitionist Julia Ward Howe (pictured here) first heard "John Brown's Body" sung by soldiers during an 1861 troop review in Washington, DC. The tune struck her, but the lyrics, in one of their early forms referring to John Brown of the Massachusetts militia, did not. Shortly afterwards, she woke in a DC hotel and composed the words of a poem set to the tune of "John Brown's Body" while lying in bed. In 1862, the Atlantic Monthly published her new lyrics—a paean to the Union Army—to be sung along with the music that had inspired her to write it.
