Education by Design: Using Visual Aids

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Puzzle, Kindergarten cut-outs
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This site offers an online exhibit and an image database of more than 70 historic educational visual aids created for use by schools, libraries, and museums beginning in 1935 by the WPA's (Works Progress Administration) Museum Extension Project. The collection features items such as puppets, toys, architectural models, dioramas, jigsaw puzzles, handbooks and pamphlets, lantern slides, miniature furniture models, prints, and posters. Each item contains information about its size and place of production.

The collection is searchable by item and by state of manufacture and contains materials from Connecticut, Illinois, Kansas, New Jersey, Pennsylvania, and Wisconsin. Suitable for those interested in material culture or government-sponsored education projects.

Brooklyn in the Civil War

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Photo, Private Charles Mitchell, Matthew Brady, c. 1862
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This website is focused on exploring and teaching the history of Brooklyn and Brooklyn's people during the Civil War through primary sources, essays, and instructional materials. More than 100 primary sources focus on Brooklyn's role in the Civil War, including letters, maps, newspaper articles, photographs, and illustrations. Additionally, the document collection can be explored through four thematic presentations on soldiers, women, slavery, and daily life. Each presentation features a short introduction and each document is accompanied by a brief description and links to related material.

Lesson plans, available as word or .pdf documents include 11 on soldiers, six on slavery, eight on women, and nine on daily life. There are also links to the Brooklyn Public Library's lists of books and related websites, resources for children, and resources for teenagers. An interactive map and timeline are also available. A useful resource for those teaching or researching Brooklyn, NY, or northern states during the Civil War.

Hands Of An Artist: Daniel French's Lincoln Memorial

Description

In commemoration of the bicentennial of the 16th president's birth, the National Gallery of Art in Washington, DC, has rolled out a special exhibition called "Designing the Lincoln Memorial: Daniel Chester French and Henry Bacon," which will be on view for the rest of this year. NPR's Susan Stamberg looks at the creation of the monument which has presided over so many public events and gatherings since it was dedicated in 1922.

Burlington County Historical Society and Museums [NJ]

Description

The Burlington County Historical Society operates three house museums furnished in period style—the 1743 Bard-How House, circa 1780 James Fenimore Cooper House, and Captain James Lawrence House. The Cooper House was the birthplace of James Fenimore Cooper (1789-1851), author of The Last of the Mohicans; and now contains items from the estate of Napoleon's brother. The Lawrence House served as the boyhood home of Captain James Lawrence (1781-1813), who died in the War of 1812, best known for initiating the battle cry, "Don't give up the ship!" The society also maintains a research library and an exhibit on production history within Burlington County, NJ.

The society offers exhibits, research library access, period rooms, and guided house museum tours.

Merchants House Museum [NY]

Description

The Merchant's House Museum is New York City's only family home preserved intact, both the interior and exterior, from the 19th century. Built in 1832, this red-brick and white-marble late Federal and Greek Revival row house on East Fourth Street was home to a prosperous merchant family for almost 100 years (1835–1933). The façade, with its steeply pitched roof, dormer windows, marble door surround, and elaborate fan light recalls earlier Federal-style homes; while, inside, the formal Greek Revival parlors reflect the latest architectural fashion of the day. The Merchant's House is considered New York City's prime example of a Greek Revival home. Complete with the family's original furnishings and personal possessions, the house offers a rare and intimate glimpse of domestic life during the pivotal era of the 19th century when New York City was transformed from a colonial seaport into a thriving metropolis and the center of U.S. commerce. Three floors and eight period rooms display the possessions of the inhabitants—including their furnishings, clothing, and personal items. The costume collection includes 420 articles of clothing—primarily women’s dresses and their accompanying accessories, such as petticoats, collars, undersleeves, and chemisettes. The majority of the dresses range from 1840–1885, with two examples of 1830s dresses and an extremely rare dress ca. 1813-1815 that is in excellent condition, as well as a rare mid–19th–century corset. The 19th–century rear garden is also open for viewing.

The museum offers self-guided tours, mp3 download or cell phone audio tours, guided house tours on a variety of subjects, guided neighborhood tours, an introductory slide show, docents available to answer questions, an outreach slide show and lecture program, a traditional afternoon tea, period rooms, online exhibits, and the option of friending Gertrude Tredwell (one of the houses residents, 1840–1933) on My Space or Facebook.

Chadds Ford Historical Society, Barn Visitors Center, and Historic Sites [PA]

Description

The Society maintains the Barn Visitors Center, as well as three 18th-century historic sites: the 1725 John Chads House, the John Chads Springhouse, and the 1720s Barns-Brinton House.

The society offers educational programs, lectures, research library access, and occasional recreational and educational events; the Center offers exhibits; the John Chads House offers tours; the Barns-Brinton House offers tours.

Papers of John Jay

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Portrait, John Jay
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This site is a compilation of the unpublished papers of founding father John Jay, dating from 1745 to 1829. It is comprised of nearly 14,000 pages scanned from Jay's manuscripts and related materials. Abstracts and bibliographic notes accompany the scanned images. The primary documents are difficult to read in the original handwriting and they have not yet been transcribed. The quality of some of the images is also poor, although users can enlarge and enhance them. The records are searchable by name of writer, date of composition, name of holding institution, and accession number. Keyword searching of the abstracts, which vary in length and informational detail, is also possible.

Users will find letters from such prominent individuals as John Adams, Benjamin Franklin, Alexander Hamilton, Thomas Jefferson, and George Washington. The correspondence deals with New York, anti-slavery, repeal of the Missouri Compromise, international affairs, and state government and politics. Those unfamiliar with Jay and his historical significance should be sure to visit the site's four thematic pages, each containing an essay (500 to 800 words) with links to documents. The site also includes a 1,300-word brief biography and a more than 50 item bibliography of relevant sources.

Teaching Teachers Using Primary Sources

Video Overview

David Jaffee details his thoughts on using visual primary sources in teaching, including the importance of establishing the original context of images.

Video Clip Name
LL_David.mov
Video Clip Title
Teaching Teachers Using Primary Sources
Video Clip Duration
2:54
Transcript Text

We were working now on the New York City draft riots. I was asked to do some work with visual materials, which is the area that I'm probably most interested in, in thinking about teaching at every level. And so I went, you know, and looked for some materials, and I looked in various books on the draft riots and what was out on the web, and it wasn't hard to find materials.

What I railed against, of course, is the lack of context.

There were materials from Frank Leslie's Illustrated Newspaper, from Harper's. But I had the really interesting sort of research problem of, "Well, here are these images." What I railed against, of course, is the lack of context. These images appeared in illustrated newspapers and journals with articles, with text, which surrounded it and contextualized it, which framed how the readers would view it because they wouldn't just look at the pictures the way we do. Sort of a similar experience to when we look at a Louis Hine photograph on a wall but forget that it was actually maybe part of a poster or a newspaper article that very much framed how someone in a progressive era would have seen that, and this is a really valuable lesson.

Context Reinstates the Humanity in History

I went to one of the online databases, HarpWeek, as well as Frank Leslie's database. I had some Frank Leslie material, and sort of gave the teachers the next day after I'd done my little research, a few of the articles and images together. And they were just really bowled over. They got my point immediately that, oh, here's another. And they made—second, they really found these really interesting juxtapositions. One article on the draft riots had, one teacher pointed out, a little squib in the corner of the page where it was announced that the social season was beginning in Newport. All these various politicians had gone off to Newport, and it was very odd, obviously, to think that while this sort of blood bath was going on in the streets of New York City, the social season was beginning in Newport and these, you know, politicians and other dignitaries had gone off to start the season. And they, of course, realized, you know, their students would be immensely interested.

So, again, it was sort of careful reading. It was careful viewing, and it was research. And they again rushed past me, the teachers I was involving in this discussion, to say, "Oh, I could do this as a research project." My students could sort of take this instead of what I did, what I found interesting, I could really turn it around and ask them to go dig in that database and come back with little things.

Again, I think one of the great dilemmas with now that we keep talking about using images is we forget that we really want them grounded as well with text, and that's how, often, they appear.