Theodore Roosevelt After the White House

Description

Theodore Roosevelt was only 50 years old when he left the White House in 1909, but his boundless energy kept him very much in the public eye until his death in 1919. In this lecture, historian Patricia O'Toole recounts the last decade of T.R.'s fascinating life, which included an unsuccessful run for the presidency as a third-party candidate, an attempt to raise and then command a battalion of American soldiers in World War I, and the tragic death of his son Quentin.

South Carolina Confederate Relic Room and Military Museum

Description

The South Carolina Confederate Relic Room and Military Museum is South Carolina's official state military museum. It presents the history of military actions involving South Carolinians. Collections include uniforms, weaponry, Civil War battle flags, and textiles from the 19th and 20th centuries. Wars covered include Revolutionary War, War of 1812, Seminole War, Mexican War, Civil War, Spanish American War, World War I, and World War II. Exhibits are designed to meet state educational standards.

The museum offers exhibits, approximately one-hour school tours, monthly home school programming, Scout tours, JROTC tours, summer day camp, and teacher workshops. School tour options include a general tour and a tour with a focus on African American military history. The website offers activities to be completed at the museum, lesson plans, classroom activities, and a series of educational video clips.

A Life in the 20th Century

Description

According to the Gilder Lehrman website:

"Distinguished American historian and counselor to presidents, Arthur M. Schlesinger, Jr. had a ringside seat to the most pivotal moments of the 20th century. Schlesinger's Journals: 1952-2000, the second volume of his journals, were published in 2007 to great acclaim. The Gilder Lehrman Institute presents a 2001 Historians' Forum that he delivered on the first volume of his journals, A Life in the Twentieth Century: Innocent Beginnings, 1917-1950. Schlesinger focuses particularly on how perceptions of progress, government, and human nature changed in the face of the two World Wars and the rise of government forms that challenged democracy."

An Ear for the Past: The National Jukebox

Date Published
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Poster, New Victor records of popular patriotic selections, 1917, LoC
Article Body

You don't have to look far to see how important music is to modern American life. Young people (as well as adults) talk about music, listen to music, download music, remix music, share music, and define themselves by music. In classrooms across the country, MP3 players and pop-tune ringtones give students' musical tastes away (and get them in trouble). But has music always been this personal, portable, and repeatable?

Ask your students to think back. Do they remember a time when music wasn't something you could own? When they, someone in their family, or someone they knew didn't have an MP3 player—or a CD, tape, or record player?

Before the birth of the recording industry, you could buy sheet music and learn how to perform musical pieces for yourself—but that was it. An individual performance was ephemeral, literally once in a lifetime.

When the recording industry took off, music became an object. Now you could buy and trade moments in musical time, preserved forever. You could listen to artists who lived far away from you, whom you might never see live. You could listen to your favorite performances again and again. You could even sell music, without having to worry about arranging performances. One song sung once by one artist could earn money for months or years to come. Sound become solid, something that could be passed from hand to hand—and preserved.

Exploring the Jukebox
Sound become solid, something that could be passed from hand to hand—and preserved.

On May 10, 2011, the Library of Congress launched its National Jukebox, an online archive of more than 10,000 recordings from 1901–1925. According to the website, Library of Congress staff worked throughout 2010 to digitize this massive collection of Victor Talking Machine Company recordings (Victor, now RCA, is one of the oldest record companies in existence, according to the Library of Congress's blog entry announcing the launch of the Jukebox).

You can browse the recordings by vocal artist, composer, lyricist, language, place or date of recording, target audience, label, category, or genre. And if you find some music you'd like to remember? Add it to your playlist in the site's pop-up player. Now you can listen to it while you browse other sites, email it to yourself to listen to later, or share it with others on social media sites or by embedding it in a blog or website.

Students and the Jukebox

While exploring the Jukebox is entertaining in its own right—I just spent two minutes listening to humorous singer Burt Shepard trying to lure a lost cat home—it also makes invaluable primary sources easily accessible.

Teaching about the rise of ragtime and jazz? Make a playlist of famous (and less famous) songs and artists and share it with your students.

How about the invention of the airplane? The Haydn Quartet's "Up in My Aeroplane" can give students an idea of the romance and novelty of flight six years after the Wright Brothers' first successful test run.

World War I? "Hooray, the war is over!" sings Harry Lauder in 1918; months earlier, baritone Reinald Werrenrath remembered the U.S.'s debt to Lafayette and to embattled France.

Pick a time period, a genre, an artist, a word—and go looking! There's something in this storehouse to accompany almost any topic from 1901–1925, if you look hard enough. Use the recordings to grab your students' attention—or ask them to analyze or compare music and lyrics. What do the words (if you choose a vocal piece) say? What emotions does the piece seem to seek to evoke? When was it recorded? Where? Who audience did the composer, artist, or publisher have in mind?

Finding music by topic can be difficult, as none of the pieces have transcriptions, but a little creative searching should leave you with at least a handful of catchy new sources to play with. Watch for more to come—the Library of Congress adds new content monthly, and it hopes to provide content from other Sony labels, such as Columbia and Okeh, in the future.

For more information

Looking for guidelines for music analysis? Professors Ronald J. Walters and John Spitzer introduce you to using popular song as a source in Using Primary Sources, and scholar Lawrence Levine demonstrates historical analysis of two blues songs.

Professor of social studies/history education Anthony Pellegrino's blog entries have ideas for exploring music in the classroom, too.

Battleship TEXAS State Historic Site [TX]

Description

In 1948, the battleship Texas became the first battleship memorial museum in the U.S. That same year, on the anniversary of Texas Independence, the Texas was presented to the State of Texas and commissioned as the flagship of the Texas Navy. In 1983, the Texas was placed under the stewardship of the Texas Parks and Wildlife Department and is permanently anchored on the Buffalo Bayou and the busy Houston Ship Channel.

The site offers tours and occasional recreational and educational events.

Gen. John J. Pershing Boyhood Home State Historic Site [MO]

Description

One of America's highest ranked military officers, Gen. John J. "Black Jack" Pershing, spent most of his childhood years in the small town of Laclede. Pershing was born Sept. 13, 1860, and moved into the Gothic nine-room house in Laclede with his family at age six. He taught at Prairie Mound School, and in 1886, graduated from the U. S. Military Academy at West Point, thus beginning his military career. Between 1886 and his military retirement in 1924, Pershing fought his way up through the military ranks. In 1917, Pershing was sent to France as Commander-in-Chief of the American Expeditionary Forces in World War I and two years later was named General of the Armies of the United States by a special act of Congress. Today, visitors can tour Gen. Pershing's boyhood home. A statue of "Black Jack" stands next to the home surrounded by granite tablets naming war veterans. Inside Prairie Mound School, an exhibit gallery allows visitors to walk through the many doorways Gen. Pershing passed through during his childhood life, military career, and numerous accomplishments.

The site offers a short film, exhibits, and tours.

Experiencing War: Stories from the Veterans History Project

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Logo, Veterans History Project
Annotation

This collection presents video and audio oral histories and additional material from American veterans of 20th-century wars. Materials include memoirs (some lengthy), letters, diaries, photo albums, scrapbooks, poetry, artwork, and official documents. The website currently provides digital materials from 4,351 veterans from World War I, World War II, the Korean War, the Vietnam War, the Persian Gulf War, Afghanistan and the Iraq War, and other similar events. The 226 video interviews range from 25 minutes to two hours in length.

The material presented is part of a rapidly growing archive, the Veterans History Project, created by Congress in 2000 to collect stories from the 19 million living veterans. Other sections highlight World War I; World War II's forgotten theaters in China, Burma, and India; and 37 other unique war experiences.

North Carolinians and the Great War

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Poster, Blood or Bread, Henry Raleigh, 1914-1918
Annotation

A new addition to the Documenting the American South collection, this site focuses on the impact of World War I on the lives of North Carolinians. Drawn from multiple collections at the UNC-Chapel Hill Libraries, the digitized text and images are divided thematically into three sections, the "Home Front," "Propaganda and Posters," and "Soldiers' Experience." Each section includes an introductory essay (2,000- to 13,000-words) to provide historical context. "The Home Front," is divided into five subject categories: African Americans, educational institutions, mobilizing resources, patriotism and politics, and women. It concentrates on how North Carolinians responded to the war. The 11 documents on the contributions of African Americans and women to the war effort are especially informative.

"Propaganda Posters" includes 100 U.S. World War I posters distributed in North Carolina, covering topics such as military service and war work. "The Soldiers' Experience," focuses on the soldiers, sailors, airmen, and nurses, in and out of combat, and includes memoirs, unpublished diaries and letters, regimental histories, published biographies, and 17 photographs with descriptive captions. Students will also find 17 artifacts typical of soldiers' equipment—boots, field rations, and "dog tags"—fascinating.

Teachers will appreciate this thematic collection for its effective blend of descriptive text, primary and secondary documents, and historical photographs.

How Teaching American History Grants Changed My Classroom

Article Body

Before beginning my first Teaching American History (TAH) grant in 2003, I was a struggling new teacher. Then in my third year of teaching at an affluent high school in Northeastern Kansas, I found myself struggling to get my students to become as enthusiastic about history as I was. I worked every day to get them to see a connection between what we were studying and their own lives. It was not until the lead professor of my TAH grant took us to do research at the nearby National Archives facility that I really caught a vision of how using primary sources could engage my history students.

The archivists at NARA Central Plains pulled the records of the Food Administration. I was thrilled to read through detailed accusations and evidence of hoarding during WWI rationing. I was fascinated by the efforts to hide flour and sugar coupled with the suspicious finger-pointing between neighbors. In one document, a man complained to the Food Administration that he knew his neighbor had hidden a large stash of flour and sugar in a closet. He further claimed that the owner concealed the contents by wallpapering over the opening. There were so many of these examples that it was difficult to choose which ones to use. After selecting several documents to include in my WWI unit, I decided to try something different.

And Now for Something Completely Different

After dividing students into groups, I gave each a laptop and a different document. With no background information, their assignment was to use the document to determine what it was referring to. Once they figured that out, they had to write a response from the addressee based on what they had learned from their quest. During that lesson, there were no students that were not fully engaged. I had no discipline problems, no yawns, and no daydreamers. The groups began to compete to see who would find the answer sooner. This gave me the confidence to try more things.

With no background information, their assignment was to use the document to determine what it was referring to.

Before my TAH grants, step two of lesson planning—the first being reading the curriculum standards—was always the textbook. After having success with using primary sources, step two became a search for them. Besides searching the National Archives and Records Administration (NARA) website, I frequented websites such as Digital History and the archives of different state and presidential libraries. The Internet Modern History Sourcebook and the New York Public Library Digital Gallery were also great websites for digital sources. Regardless, my first stop was always the website of the Library of Congress.

When our TAH grant group was introduced to the holdings of the Library of Congress, the possibilities seemed endless. My students got glimpses of factory life in a Westinghouse factory in 1900. They laughed at early motion pictures like Buster Brown and The Great Train Robbery. I also included early radio broadcasting and advertising to spark discussions of life and pop culture during different times in American history. My students came to know exactly what primary sources were and by the end of my time with them they were finding their own resources.

My students came to know exactly what primary sources were and by the end of my time with them they were finding their own resources.

My TAH grants gave me the opportunity to travel to other regional archives where I found even more treasures. At NARA Pacific Alaska regional archives in Seattle, WA, I explored Chinese exclusion. The case files I searched revealed a lot about the issues of the time. I was able to digitize these case files and turn them into a web quest where my students analyzed accusations and made their own judgments of guilt or innocence. This turned out to be another great lesson that would not have happened without TAH. Those documents would have remained hidden in the miles of paper documents housed at that facility.

Challenging the Concept of Teaching

All the success I enjoyed using primary sources did not come without some difficulties. Because this method of teaching goes against the traditional lecture approach to teaching history, it took some time for my students, their parents, and the school administration to really understand that this was the "meat and potatoes" of the content and not the "dessert." By using primary sources, my class became student-centered. Rarely did I lecture. Instead, my students were engaged in inquiry and research. They were seeking to answer their own questions. Because they did not have lecture notes, many of my military dads—who were avid history buffs—questioned my approach. However, I did not back down and soon my school administrators realized that my students were performing better on state tests than their peers.

By using primary sources, my class became student-centered. Rarely did I lecture. Instead, my students were engaged in inquiry and research. They were seeking to answer their own questions.

It is important to keep expectations high in this type of classroom setting. The teacher must have a strong classroom management system in place and provide clear instructions. It is essential that the teacher roam the room and converse with all groups to gauge the level of understanding and involvement of students. This is where differentiation can really happen and problems can be solved.

It will take time to transform a classroom into this model. Begin by introducing primary sources where possible. Often, the textbook will give a short quote or image from a primary source. Use this information to find the entire document to show your students. Furthermore, there are many great books and websites available that are full of primary sources. For images, color copies are best. Save money by putting all of the primary sources for each unit into a classroom set of folders with sheet protectors. This way, fewer color copies are made and they can be reused year after year.

When I was chosen for the first grant, I thought that I would learn more about history content. Although I did learn so much from the visiting historians, nothing can compare to the radical change that occurred in my teaching. I was fortunate to participate in two TAH grants and to serve as a teacher leader in a third. It is so nice to see others catch the vision of how using primary sources can transform the traditional history classroom.