National Constitution Center: Explore the Constitution

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Annotation

Understanding the significance of the U.S. Constitution requires more than simply reading its text. This website provides context and tools designed to historically contextualize the U.S. Constitution and help users assess its lasting impact. An interactive Constitution lies at the heart of the website, providing line-by-line commentary by current scholars alongside excerpts from contemporary primary sources. Users can also search the Constitution in connection with specific court cases, topics, and keywords.

An interactive timeline in the exhibit "Centuries of Citizenship" provides useful background information. Additional contextual information is available in the form of a set of "fast facts"; descriptions of "basic governing principles," such as the rule of law, Federalism, and judicial review; detailed biographical information on all delegates to the Constitutional Convention; and audio discussions with scholars and pundits on topics ranging from voting to prominent court cases to women in the Early Republic. Three scholarly essays provide different "perspectives on the Constitution," reminding users that the success of the Constitution in uniting a group of diverse territories was far from assured in the late 1700s. Related primary sources in the "Founding Documents" section allow users to trace the relationship between the U.S. Constitution and the Magna Carta, the Mayflower Compact, and the Virginia Declaration of Rights.

New editions include the interactive experience "Lincoln's Crossroads," in which students face some of the choices Lincoln faced during his presidency; "A More Perfect Union," an exhibit on Barack Obama's 2008 speech on race at the Constitution Center; " and "Seize the Vote," a 4-player game testing voting rights' knowledge.

What Really Happened? Comparing Stories of the First Thanksgiving

Teaser

Take a variety of perspectives into account before moving past the first Thanksgiving.

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Description

Students read several versions of the story of the first Thanksgiving. They analyze the source and perspective of each version, and discuss the reasons that the story of the first Thanksgiving might generate so much controversy.

Article Body

This lesson does a good job of positioning students to understand and evaluate the perspectives of secondary sources on the First Thanksgiving. Students begin by establishing a common understanding of the "mainstream narrative" of the First Thanksgiving, either from their own experience, books on Thanksgiving written for young children, or a website like this one from National Geographic Kids. (Other, similar sites are also linked near the bottom of the lesson).

In groups, students then read accounts of the first Thanksgiving from one of four points of view: mainstream accounts, Native American educators and public school leaders, conservative and Tea Party activists, and Native Americans critical of the holiday. Multiple articles are provided for each category so teachers may choose the articles most appropriate for their students. After analyzing each category of sources in small groups, students come together as a class to discuss the various perspectives of the accounts they read. This is an ideal opportunity for teachers to highlight the importance of paying attention to source information and reading historical accounts with a critical eye.

Some modifications may be necessary depending on your students' ages, abilities, and background knowledge. Students may need additional background information on the sources depending on their familiarity with the different point-of-view groups. You may also need to modify some of the texts depending on students' reading levels. Also, see the rubric below for more background information and historically accurate information about the first Thanksgiving.

The lesson concludes with a series of discussion questions that do a good job of helping students to think more carefully about the social and political impact of accepted historical narratives. For example, "What's at stake in interpreting the story [of the First Thanksgiving]?" These questions help students start digging into why we remember the past in particular ways and compare stories about the past generated by collective memory with evidence-based accounts of the past.

Topic
Colonial history
Time Estimate
One-two class sessions
flexibility_scale
4
Rubric_Content_Accurate_Scholarship

Yes. One of the highlights of this lesson is that it requires students to compare accounts and judge the quality of evidence used in those accounts.

Rubric_Content_Historical_Background

No. Teachers may want to explore the sites listed here. Among the sites listed, some of the most useful and easily accessed background information can be found here and here.

Rubric_Content_Read_Write

Yes. The lesson requires only minimal writing, but does include some discussion questions that could be used as writing prompts.

Rubric_Analytical_Construct_Interpretations

Yes.

Rubric_Analytical_Close_Reading_Sourcing

Yes. Teachers will want to provide some background information on the various sources of the story, as understanding the perspective of each source is crucial to this lesson.

Rubric_Scaffolding_Appropriate

Yes. Teachers may want to adapt some of the text for younger students or for English Language Learners.

Rubric_Scaffolding_Supports_Historical_Thinking

Yes. The Thanksgiving Interpretations Handout will help students organize and analyze source information for the accounts they read.

Rubric_Structure_Assessment

No, but the discussion questions could be used as writing prompts and an assessment. This approach would provide a way for teachers to assess how well students have grasped the varying perspectives and supporting reasons discussed in the lesson.

Rubric_Structure_Realistic

Yes.

Rubric_Structure_Learning_Goals

Yes.

Freedom Riders

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Annotation

This website serves as an accompaniment to and location to showcase the PBS American Experience documentary Freedom Riders, which originally aired in May 2011. The Freedom Riders were young white and African American individuals who rode busses and trains in the South during 1961 as a form of peaceful protest against the Jim Crow laws. At the time, they met with threats, violence, and incarceration.

Follow along with an interactive timeline and an interactive map. Each leg of the journey is summarized with a couple of sentences of text, and cities where major events took place can be selected for a quick overview. You can also read brief biographies of key figures—riders, politicians, movement leaders, and more—or information on the issues of the day from Jim Crow laws to Vietnam War protests.

View short film clips or the entire documentary here. The full documentary transcript is also available for download. The Teachers' Domain, although it sounds appealing, contains only the same film clips. The difference is that in this section the video clips are all marked as being for 6th through 12th grade.

Finally, the most "teacher-targeted" material on the site is a downloadable teacher's guide for use when viewing the documentary.

Do I Have a Right?

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What is it?

Supreme Court Justice O'Connor conceived of the iCivics digital initiative to provide higher quality materials for civics education. The core of iCivics is a set of free-to-play web-based games. One of these, Do I Have a Right?, according to the designers, "teaches kids the constitutional amendments." Dissecting this a bit, the game essentially has three learning goals:

Students will be able to:

  1. Identify and summarize 12 of the amendments of the U.S. Constitution (1-6, 8, 13-15, 19, and 26).
  2. Judge whether a variety of individuals in hypothetical situations have had their constitutional rights violated.
  3. Apply the relevant amendments to cases where people's rights have been violated.

The game is aimed at a middle school audience but may be useful anywhere from 5th grade to high school, depending on the goals of the teacher and the role envisioned for the game in the unit (more on this later).

Getting Started

Do I Have a Right?, Screencap of client's claim In DIHR? the player manages a legal firm specializing in constitutional law. The player first selects whether to do the "Full Edition" of rights throughout the Constitution or "Bill of Rights" which focuses on rights within the first 10 Amendments. He or she then customizes their lawyer and chooses a partner lawyer who specializes on a right. The game takes place over seven rounds, each representing a day. In each round the player tries to earn as many prestige points as possible for the firm by taking on clients and winning their cases. This involves a three-step cycle.

First the player greets a new client. The client then presents their story and the player must determine whether the client's constitutional rights have been violated. Clients whose rights have not been violated must be told so and sent away. Clients whose rights have been violated, on the other hand, must be introduced to a lawyer specializing in the relevant amendment that protects those rights. As the player successfully completes rounds, each lawyer in the firm has the chance to level up. Doing so unlocks a specialization in one new right protected by a constitutional amendment. Each lawyer can learn three additional areas of expertise. Do I Have a Right?, Screencap of skill upgradeGeorge Sayit, for example, begins with freedom of expression. The player can, through successful gameplay, unlock George's ability to plead cases on the freedom of religion, right to vote regardless of race, and, finally, right to vote regardless of gender. The player can ultimately hire six lawyers, each of whom can have four areas of expertise. As a result increasing numbers of different constitutional scenarios can be brought up in each successive round of gameplay.

Appropriately for a game promoting learning, the player needs more than luck to succeed. Failure to send away clients with illegitimate complaints and failure to match legitimate clients with the right lawyers will subtract from the player's prestige score; success adds to the score. The stories of clients whose rights have not been violated tend more to the absurd. Some such as "Do I have a right not to learn to read and write?," however, may challenge schoolyard folk wisdom. The legitimate claims are often straightforward, though posed in a variety of ways. A player who is shaky on the exact rights guaranteed by the constitution, however, will need to think about each client's story carefully. Further, even those with a stronger recollection of the amendments can be misled by some claims if inattentive. A good example: "I want to be on a jury. Yesterday, my state governor announced that Asians can no longer serve on a jury. I am a U.S. citizen and I am 18 years old. Do I have a right to be on a jury?" References to age and ethnicity could trigger a player's associations with the incorrect amendments. Even if the client has a legitimate claim, matching his case to the wrong amendment will deduct from the player's prestige.

 

Do I Have a Right?, Screenshot of round summaryAt the end of each round, the player gets a summary of his or her performance. This takes the form of a newspaper that includes descriptions of the cases and relevant constitutional issues from the round. After the summary, the player can spend any earned prestige points to improve the firm—an important motivator since success at matching clients and lawyers leads to tangible gameplay bonuses. New lawyers can be hired, allowing the player to handle a greater variety of cases and win more prestige. In addition, each lawyer's desk can be enhanced with bonus items. These increase that lawyer's speed in handling cases, likelihood of learning a new area of constitutional law, or the prestige gained for a successful case. Finally, improvements can be made to the waiting area to increase the number of clients it can hold and the amount of time they will wait before storming off in rage—a feature that becomes especially important in later rounds as the number of clients increases.

At the end of the game the player is given a score report with a breakdown of play. This will help teachers identify areas of the amendments that the player needs to review more. Do I Have a Right?, Screenshot of hint system The ease of the control system and the core gameplay are important features of the game, adding to its suitability as a classroom tool. At the start of the game, onscreen hints helpfully label important areas of the firm and the screen—these hints can be left on or turned off at the player's discretion. All decisions are made through clicking on the relevant button or area in the game with the mouse. For those who still would like more guidance, there is even a teacher's guide that provides a detailed description of the game written for those less familiar with game motifs.

At its heart, DIHR? is a drill game. Unlike many other drill games, however, the focus on application as well as identification promotes a higher level of learning than many of its peers. Ultimately, DIHR? is well designed to achieve the goals of its designers. The playful and attractive graphics, core gameplay, and upbeat soundtrack make the game inherently engaging. The end-of-round system for leveling up lawyers and buying improvements will motivate players to continue playing, trying to improve their scores. Since maximizing one's score is best achieved by knowing the amendments well, DIHR provides an engaging and effective tool to learn basic constitutional rights.

Examples

Most teachers, of course, will want to go beyond the basic identification and application of constitutional rights. Happily, iCivics has provided some outstanding materials to help teachers foster students' analytical skills concerning constitutional rights. The site has an excellent pre-game lesson plan titled "Bill of Rights: You Mean I’ve Got Rights?" complete with flashcards, worksheets, and instructions for crafting a "Pamphlet of Protections." A post-game PowerPoint provides structure and questions for a debriefing discussion based on the many stories from the game. The PowerPoint can effectively spark conversation about the more complex issues involving free expression, unreasonable search and seizure, cruel and unusual punishment, etc.

These lessons, like the game itself, are targeted at a middle school audience. The game, however, can be effectively assigned as a lighthearted but worthwhile classroom warm up for high school students—after all, it can only help for students to be motivated to remember and apply the amendments. Teachers of high school civics can effectively use this game as a supplement to a more advanced discussion of constitutional rights crafted by the teacher—it all depends on the comfort the teacher and students have with the playful art, tone, and music of the game.

Upbeat and engaging, with core gameplay that encourages learning these 12 amendments well, Do I Have a Right? is well worth considering by any teacher interested in finding more engaging methods for learning constitutional amendments.

For more information

Do you use iPads in class? iCivics also offers Do I Have a Right? as a free app, Pocket Law Firm.

When Copyright Meets the Classroom

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Question

If I create a PowerPoint for use in my classroom, can I protect myself from copyright infringement by simply adding the URL of the site in which I found the document at the bottom of the page?

Answer

The very short answer is that copyright is complicated. For educators, though, there are some basic things to know and guidelines to follow that make it less scary. Citing your sources is always a good idea. Beyond crediting your source, you are modeling a key skill for students: always pay attention to the source of information, primary and secondary.

Fair Use

Fair use is an educator's best friend. Start with the official policy on fair use to learn more about copyright and classroom use. Materials in the public domain, or no longer covered by copyright restrictions, are also valuable to teaching. Learn more at Beyond Google Searching on copyright and searching for resources in the public domain.

Generally speaking, if you are using a copyrighted item for educational purposes with no financial gain, you're off to a good start.

Generally speaking, if you are using a copyrighted item for educational purposes with no financial gain, you're off to a good start for fair use. That said, if you plan to make the PowerPoint available in any other way (such as online for students to download), it is more complicated. One of our blog entries, "Copyright: Finding Images to Tell the Story of History," offers links to a wide variety of resources for examining copyright, as well as for introducing your students to the concept. Don't be deterred by the fact that this post focuses on image copyright. There's still a wealth of relevant information!

Tools

Let's cut to the chase. Maybe you really just need to know about one document or image. The best way to get started is to check if the work is in the public domain, using a copyright term chart. Was the document published? If so and if publication took place prior to 1923, copyright has expired, and the work is public domain. Use the chart to look up the document in question. If the document is not public domain, you can also try the University of Minnesota Libraries' tool, Thinking Through Fair Use. It provides a handy list of check boxes to help you determine if your purpose and item of choice can be considered fair use. The "Get summary" link is not currently working, but the end result should still give you a decent idea of whether or not you would be acting under fair use or, alternatively, violating copyright.

Things to Consider

When looking into copyright, there are a number of issues to consider. Some of the most pertinent include:

  • Type of material under consideration, such as recorded music, documents, song lyrics, and images. The rules vary for different media.
  • How the material is being used. Will you be making any form of commercial profit? Is the intent purely educational? Will there be one copy or more? Will those copies stay in the classroom, or be available digitally?
  • What copyright is and isn't. A good go-to place for that issue is the United States' Copyright Office's Copyright Basics. The short version is that copyright protects products of artistic merit. Note the example that dance choreography can't be copyrighted unless it is in some way notated—thus, requiring a physical product. Similarly, songs can be under copyright if they have sheet music, written lyrics, or recordings.

The best thing to do is to take the time to individually assess your sources and your use of them. Luckily for educators, the concept of fair use is a great asset in bringing unique sources to the classroom.

Black-Robed Regiment

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Question

Did a black-robed regiment really exist during the American Revolution, or was it just a myth?

Answer

The term “Black Robe Regiment” referred not to a literal regiment of soldiers that wore black robes into battle but rather to the influential clergymen who promoted American independence and supported the military struggle against Britain. By encouraging the Patriot cause, those ministers helped muster critical support among members of their congregation—support the British begrudgingly acknowledged as vital to maintaining the colonists' frustrating resistance to British attempts to restore Parliamentary rule. In its implicit comparison of symbolic support to a specific body of troops, the term “Black Robe Regiment” is somewhat similar to the “fifth column” identified by the Spanish general Emilio Mola. During that country’s Civil War in 1936, Mola boasted that he had four columns of soldiers marching upon Madrid and a “fifth column” of sympathizers already living in the city who would support the army once it arrived. The term “fifth column” has since come to refer generally to civilian supporters living within a populace, even though that group usually lacks formal organization. Likewise, the Black Robe Regiment was not an actual detachment in the Continental Army but rather a British epithet for the influence preachers exerted in support of the Patriot cause. Advocates of the British crown found preachers’ support of the Patriot cause particularly detrimental to their efforts to maintain loyalty among the colonists. Such clergymen provided sanction for the cause of independence as well as formal support for the military effort. In the 1770s, most colonists still considered themselves aligned with England; many parishioners questioned the fundamental legitimacy of revolution, and of separating from Britain and consequently the Church of England. From their pulpits, these members of the Black Robe Regiment reassured their audiences that their revolution was justified in the eyes of God. Winning and maintaining the support of the population was critical in the American War for Independence, which relied heavily on the support of volunteers and the general population.

The origin of the British label “Black Robe Regiment,” was the rhetorical support for independence.

Peter Muhlenberg is perhaps the most iconic figure associated with the Black Robe Regiment. A Virginia minister, Muhlenberg accepted a commission to lead a regiment of the Continental army. An anecdote—likely apocryphal—from an 18th-century biography depicted Muhlenberg preaching to his congregation in his clerical robes, only to strip them off and reveal his military uniform underneath, a dramatic appeal for men to join the Patriot struggle. Muhlenberg served as an officer in the Continental Army throughout the war and commanded a brigade at the Battle of Yorktown. But Muhlenberg’s literal participation in the war’s fighting was highly unusual for clergymen. Far more common, and the origin of the British label “Black Robe Regiment,” was the rhetorical support for independence those ministers offered regularly from their pulpits. Nor should the undeniable importance of support from this influential group of Protestant clergymen suggest that the American Revolution was mainly a religious revolution, or that its supporters were monolithic in their faith. Colonial religious life was heterogeneous and reflected a diverse set of beliefs. Some Patriot supporters, like the Black Robe Regiment and their congregations, subscribed to Protestant faiths and read in the events of the war evidence that God favored their cause. Many other members of the founding generation—products of the Enlightenment, which emphasized reason and rational explanation over revealed truth—characterized themselves as Deists, believing that a divine God had created the universe and set it in motion, but took no active role in shaping or guiding human affairs. A few influential Patriots seemingly defied any sort of religious affiliation: Thomas Paine, whose pamphlets "Common Sense" and "The American Crisis" were credited with boosting support for the Patriot cause during critical junctures in the revolutionary movement, famously rejected organized religion and the creeds professed by various faiths. Asserting that “My own mind is my own church,” Paine suggested that the various religions appeared to him as “no other than human inventions, set up to terrify and enslave mankind, and monopolize power and profit.” Success in the War of Independence drew on Americans of diverse backgrounds, beliefs, and faiths, who unified effectively enough to defeat the world’s strongest military power in a bloody and protracted conflict.

For more information

For more primary sources on religion in the colonies and early U.S., check out the Library of Congress exhibit Religion and the Founding of the American Republic

Bibliography

Muhlenburg, Henry A. The life of Major-General Peter Muhlenburg of the Revolutionary Army. Philadelphia: Carey and Hart, 1849.

Paine, Thomas. Common Sense. Philadelphia, 1776.

The American Crisis. London: R. Carlisle, Fleet Street, 1819.

Black Confederates

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Question

To what extent did African Americans, slave or free, fight for the Confederacy?

Answer

While there are isolated instances of African Americans serving in the Confederate ranks, there is overwhelming evidence that this small number represents rare and exceptional cases: historian David Blight estimates that the number of black soldiers in the Confederate ranks was fewer than 200. That small number represents some partial companies of slaves training as soldiers discovered by Union forces after the fall of Richmond. One reason that only a handful of blacks fought for the Confederacy is that until the last weeks of the war, the Confederate Congress expressly forbade arming enslaved African Americans, who made up the vast majority of the black population in the South. Given white southerners' longstanding fears of a slave uprising (fears intensified by a few abortive attempts in the first half of the 19th century and exacerbated to the point of hysteria by John Brown's raid on Harper's Ferry in 1859), the acute resistance of Confederates to arming blacks is understandable. Putting muskets in the hands of enslaved African Americans presented more than simply a concrete threat—embracing the notion that blacks could serve as soldiers in the same fashion as whites threatened deeply-held Southern ideas of race-based honor and masculinity. As Confederate Secretary of State Robert Toombs put it, "The day the army of Virginia allows a negro regiment to enter their lines as soldiers, they will be degraded, ruined, and disgraced."

Opposition to African American soldiers was passionate on both sides. The notion of fighting alongside blacks violated many deeply-held beliefs of white Northerners and Southerners alike.

Northerners were scarcely more enthusiastic about arming African Americans than their Southern counterparts. For the first year and a half of the war, Abraham Lincoln's administration eschewed the enlistment of black troops, fearful of a public backlash. Not until Lincoln signed the Emancipation Proclamation on January 1, 1863, did the Union Army begin to enroll African Americans in its ranks; even then, the decision proved deeply controversial, particularly among Northern Democrats. The Confederacy did not seriously entertain the idea of arming enslaved African Americans until a full year later, when the war situation in the South had grown much more desperate. In January 1864, months after the defeats at Gettysburg and Vicksburg, Patrick Cleburne (one of the most successful combat commanders in the Confederate Army) circulated a proposal to arm the slaves. Northern successes on the battlefield, Cleburne argued, threatened the South with "the loss of all we now hold most sacred—slaves and all other personal property, lands, homesteads, liberty, justice, safety, pride, manhood." Sacrificing the first, Cleburne held, could save the rest; the Confederacy could check Union advances by recruiting an army of slaves and guaranteeing freedom "within a reasonable time to every slave in the South who shall remain true to the Confederacy." A dozen of Cleburne's subordinates backed his proposal.

Lee wrote a letter to a Confederate congressman characterizing the plan as "not only expedient but necessary."

To most Southerners, however, Cleburne's plan was appalling. The prospect of arming the slaves struck one division commander as "revolting to Southern sentiment, Southern pride, and Southern honor." A brigade commander suggested that accepting enslaved African Americans as soldiers would "contravene the principles upon which we fight." Sensing the potential for the debate to cause dangerous dissension within the ranks, Confederate President Jefferson Davis ordered the generals to cease the discussion. Debate over the decision to arm enslaved African Americans resurfaced many months later, as the Confederacy's situation grew progressively more dire both on and off the battlefield. When another similar proposal reemerged it carried the imprimatur of Robert E. Lee, commander of the Army of Northern Virginia and perhaps the most revered figure in the South. In February 1865, Lee wrote a letter to a Confederate congressman characterizing the plan as "not only expedient but necessary." Even with Lee's support, though, the bill proved deeply divisive. It was not until March 13, 1865, just weeks before Lee's surrender, that the Confederate Congress passed legislation allowing for the enlistment of black soldiers. The two companies discovered by Union troops after the fall of Richmond never went into battle. Opposition to African American soldiers was passionate on both sides. The notion of fighting alongside blacks violated many deeply-held beliefs of white Northerners and Southerners alike. In the Union army, African Americans served in segregated regiments under white officers; many were used for menial tasks rather than fighting, and those that went into combat suffered abuse from their white comrades and were often singled out as targets by their Confederate foes. Nevertheless, the vast majority of African American troops fought bravely and with distinction, and by the end of the war, their actions in combat had begun to change the assumptions of at least some of their comrades regarding the fitness of blacks for battle. Despite their demonstrated fighting ability, it was nearly another full century before the United States Army finally desegregated individual units.

Bibliography

Blight, David. A Slave No More. United States: Harcourt Books, 2007. Freedmen & Southern Society Project. "Confederate Law Authorizing the Enlistment of Black Soldiers, as Promulgated in a Military Order." The Making of America."The War of the Rebellion: a Compilation of the Official Records of the Union and Confederate Armies." Washington, 1880-1901. Series 4. Vol. 3. Levine, Bruce. Confederate Emancipation: Southern Plans to Free and Arm Slaves during the Civil War. Oxford: Oxford University Press, 2007.

Divining America: Religion in American History

Teaser

Use this essay on Jewish immigration to flesh out a unit on the Civil War or immigration.

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Description

In this essay, authors Jonathan D. Sarna and Jonathan Golden of Brandeis University explore the impact Jewish immigration had on American history and culture.

Article Body

While the story of Jewish immigration to America often begins in the late 1800s, this rich story dates back to the beginning of the nation. We have included this essay in the lesson plan review section because it clearly identifies lesson topics, briefly presents teachers and students with a rich and nuanced overview of Jewish history, and provides resources to further explore the topic. The authors of this essay, Jonathan D. Sarna and Jonathan Golden of Brandeis University, explore how the evolution of Jewish customs and practices in America can be examined under the broad lens of assimilation. One scholarly debate summarized in this essay concerns the role of Old World and New World influences in shaping the distinct Jewish tradition that evolved in America. For teachers wishing to develop a historical inquiry lesson around the topic, this is a useful and flexible framework. In addition to viewing the Jewish experience in America through the broad lens of immigration, this resource also connects the Jewish experience with specific events across American history. One of the additional resources for instance, provides primary documents discussing the roles of Jews during the Civil War. Rather than a ready-to-go lesson, this resource is a great collection of the pieces needed for building lessons: background information, potential topics, inquiry questions, and links to primary sources. While the site links to many promising primary document collections, teachers will need to spend time identifying, selecting and modifying these documents. For additional information on adapting documents look to this guide. Use this essay to organize your thinking about Jewish Immigration or more specifically as the basis for a lecture or overview. For those teachers looking to teach this topic through documents, the essay includes key questions for students to explore using primary sources and links that make great starting points to find documents. And be sure to explore the other essays in this “Divining America: Religion in American History” series that offers more than thirty of these rich essays on key topics.

Topic
Jewish Immigration
Time Estimate
Varies
flexibility_scale
1
Rubric_Content_Accurate_Scholarship

Yes
Extensive bibliography provided.

Rubric_Content_Historical_Background

Yes
Centerpiece is rich background essay.

Rubric_Content_Read_Write

No

Rubric_Analytical_Construct_Interpretations

Yes
Includes questions that require interpretation.

Rubric_Analytical_Close_Reading_Sourcing

Yes
However, only yes if students read documents in the “additional resources” section.

Rubric_Scaffolding_Appropriate

Yes
Complex history succinctly explained for busy teachers.

Rubric_Scaffolding_Supports_Historical_Thinking

No

Rubric_Structure_Assessment

No

Rubric_Structure_Realistic

Yes
Provides several entry points into a curriculum (e.g. this lesson could be part of a unit on immigration or the Civil War).

Rubric_Structure_Learning_Goals

No

Examining the Korean War

Teaser

Allow students to explore historical events through multiple perspectives with this lesson.

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Description

Students compare two conflicting textbook accounts of the start of the Korean war, and formulate hypotheses for the source of each textbook.

Article Body

This is a simple, straightforward lesson that not only provides students with the opportunity to analyze causes of the Korean War, but also supplies an excellent opportunity to teach some fundamental principles of historical thinking—namely, that textbooks are historical sources written from a specific point of view, and that differing perspectives produce contrasting narratives of historical events. The lesson begins with a brief discussion of reasons that textbooks—especially textbooks from different countries—might offer differing accounts of the same event. After a brief background lecture on the Korean War [supplemented by slides available here (under lesson 4)], students read two conflicting textbook accounts of the start of the war, and answer a set of guiding questions. The guiding questions are especially helpful at directing students beyond the superficial differences between the documents, encouraging them to pay attention to specific language that might make one document more or less trustworthy than the other. Finally, students are asked to hypothesize which passage came from a North Korean textbook, and which came from a South Korean textbook, again citing specific passages of text to support their hypothesis. One of the greatest strengths of this lesson is the degree to which it is anchored in the documents, and keeps bringing students back to the text itself. Often, students can state an overall sense or impression left by a document, but have difficulty articulating exactly what about the document created that impression. This lesson requires students to zero in on specific language within the text that achieves the authors’ purpose and ultimately reveals something about the source of the document.

Topic
Korean War
Time Estimate
1 to 2 class sessions
flexibility_scale
5
Rubric_Content_Accurate_Scholarship

Yes

Rubric_Content_Historical_Background

Yes

A brief “mini-lecture” at the beginning of the lesson provides some context for the Korean war, including a map provided here (Click on the Powerpoint for Lesson 4).

Rubric_Content_Read_Write

Yes

The lesson requires a close reading of the text; writing requirements are minimal, but could easily be expanded.

Rubric_Analytical_Construct_Interpretations

Yes

The two documents included provide varying perspectives on the start of the Korean War. The primary objective of the lesson is for students to analyze these interpretations in order to indentify each document’s source.

Rubric_Analytical_Close_Reading_Sourcing

Yes

This is perhaps the lessons strongest point, as it requires close reading in order to make a hypothesis about source information for two conflicting documents.

Rubric_Scaffolding_Appropriate

Yes

Rubric_Scaffolding_Supports_Historical_Thinking

Yes

A graphic organizer precedes the guiding questions to help students organize information from each document.

Rubric_Structure_Assessment

No

Rubric_Structure_Realistic

Yes

Rubric_Structure_Learning_Goals

Yes

Civilization is All Relative

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Question

Why were Indians in South America able to create great civilization, and those in present USA and Canada weren't?

Answer

I’m not sure how this question defines “great civilization,” but it seems that, like most other people educated in the United States, the questioner is unaware of the highly stratified, centralized, and elaborate societies that did exist north of the Rio Grande prior to the arrival of Europeans. We are taught that Indian societies in North America had no governments, class structures, religions, intellectual traditions, or other elements of what Western European philosophy calls “civilization.” But to contrast that view, I'll offer a few examples. I think we can fairly say that all societies, regardless of how elaborate their social and political structures may be, are “civilized.” The largest city in North America prior to 1492 was called Cahokia, located on what is today the Missouri River across from St. Louis. As a city-state, the population of 15,000 people was comparable to London or Paris at that time. Cahokia was the center of an elaborate trade network that stretched across the entire continent from 950 to 1250 AD. City residents, along with laborers from far away, traveled to Cahokia over the course of several hundred years to build enormous earthen mounds. The largest one is 15 acres around and is the largest earthen structure in the Western Hemisphere. These mounds—not unlike European cathedrals in spiritual or architectural significance—served as symbols of power for elite religious and political leaders. These leaders often lived atop the mounds to be closer to the sun, their spiritual source of power. The influence these leaders possessed was enormous. Not only could they command the construction of mounds, but they held the reins of the city's economic and military fortunes as well. Because of the extent of Cahokia's trade networks, the consequences of their decisions were felt all over the continent.

The largest one is 15 acres around and the largest earthen structure in the Western Hemisphere.

Another immense center of trade and spiritual power was located in Chaco Canyon in what is now New Mexico. Inhabitants and visitors to the canyon built 12 structures between 900 and 1150 AD, which had 200 or more contiguous, multistoried rooms and numerous “kivas,” or round, windowless areas that today the Hopi and Pubelo Indians (descendants of the people who built Chaco) use for worship. Like Cahokia, the labor required to build such structures must have been enormous and well-coordinated, evincing a sophisticated political, economic, scientific, and social organization. Surrounding these 12 structures were between 200 and 350 villages in the canyon. An estimated 15,000 people inhabited the area. Among archaeologists, two theories are popular about why Chaco was built. The first centers on trade and exchange. Archaeologists have found items from Mexico and Central America in towns and villages up to 60 miles away from the central part of the canyon, along with a system of roads. This evidence leads them to speculate that the Chaco structures were the center of trade, where people bought and sold goods. The second theory involves the scientific and spiritual dimensions of the buildings. The structures are built in line with astronomical movements of the sun, moon, planets, and stars, leading some to believe that it was in fact a kind of three-dimensional calendar, a much more elaborate version of Stonehenge in England. Settlers in the canyon would have gone there to worship at certain times of the year to be reminded of the order of the universe and their place in it. Ultimately, both these scenarios could exist. Certainly by anyone’s standards, a society that so fully integrated spiritual, scientific, and material aspects of life would qualify as a “great civilization.” If, however, by comparing North and South America you mean to ask why did North America not develop the exact same kind of societies that Central and South America did, then one answer to that may be population density. Central Mexico alone had 25.2 million people in 1491, making it the most densely populated place on earth. The whole continent of North America, by contrast, had 12–20 million people. As we see throughout human history and all over the world, higher numbers of people tend to lead to more highly stratified societies.

For more information

Cahokia Mounds State Historic Site. Last modified 2008. "Chaco Culture." National Parks Service, U.S. Department of the Interior. Institute for Advanced Technology in the Humanities and the Department of Anthropology, University of Virginia. Chaco Research Archive. Last modified 2010. Seppa, Nathan. "Metropolitan Life on the Mississippi." Washington Post, 12 March 1997, Page H01. "Traditions of the Sun." NASA. Last modified 2008. "World Heritage Site." National Parks Service, U.S. Department of the Interior. Last modified 8 December 2009.