Densho: The Japanese American Legacy Project

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"Densho" means "to pass on to the next generation." In this quest, this website offers an archive of more than 668 oral histories presented in countless hours of video interviews on Japanese American incarceration during World War II. Materials also include approximately 12,000 historical photographs, documents, and newspapers. Visitors to this website should keep in mind that Densho is continually engaged in expanding its resources and adding more interviews, photographs, and documents, so be sure to check back periodically to discover new content!

Access to archival materials requires free registration. Once registered, users may select materials according to 32 topics, including immigration, community, religion and churches, education, race and racism, identity values, resistance, economic losses, redress and reparations, and reflections on the past.

Materials available without registration include lesson plans and information on "Causes of the Incarceration," "Civil Rights and Japanese American Incarceration," "Sites of Shame: Japanese American Detention Facilities," and "In the Shadow of My Country: A Japanese American Artist Remembers." The website also offers 90 multimedia materials providing historical context, a timeline, a glossary, and a list of related sources in print and online.

On American Experience: Victory in the Pacific

Description

Filmmaker Austin Hoyt answers questions on his new documentary, American Experience: Victory in the Pacific, which examines the final year of World War II in the Pacific, including the rationale for using the atomic bomb, and features firsthand recollections of both American and Japanese civilians and soldiers. The presentation includes a collage of audio and visual clips from the film.

Audio and video options are available.

Manzanar: Desert Diamonds Behind Barbed Wire

Description

According to the Apple Learning Interchange site, "The National Baseball Hall of Fame and Museum and the National Park Service present a sobering visit to the Manzanar War Relocation Center. This National Historic Site provides a compelling classroom to relive the experience of Japanese Americans held captive during World War II, as well as the plight of countless nationalities who face discrimination and intolerance still today. This is a tale of the indomitable Issei and Nisei generations. Watchers can learn through the emotional memories of survivors, and the invincible cheers of detainees at baseball games that still echo across the desert valley.

Minidoka Internment National Monument [ID]

Description

The Minidoka Internment National Monument presents the story of the forced relocation of people of Japanese descent within the U.S. following the 1941 bombing of Pearl Harbor. With President Franklin Roosevelt's (in office 1933-1945) signing of Executive Order 9066, over 120,000 men, women, and children were required to move to one of 10 Relocation Centers. Minidoka was one such center, built to contain the Japanese in the U.S. and prevent potential spy communications. Today the site includes the guard house and waiting room.

The site offers interpretive signage. The Jerome County Museum offers a display on the Minidoka Relocation Center, and the Idaho Farm and Ranch Museum offers a restored barracks building.

Ansel Adams's Photographs of Japanese-American Internment at Manzanar

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Photo, Tsutomu Fuhunago, Ansel Adams
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During World War II, the U.S. Government forced more than 100,000 Japanese Americans to leave their homes and businesses, relocating them to internment camps from California to Arkansas. Well-known photographer Ansel Adams documented the lives of Japanese Americans at the Manzanar War Relocation Center in California—from portraits to daily life, including agriculture and leisure.

This site presents 242 original negatives and 209 photographic prints, often displayed together to show Adams's developing and cropping techniques. His 1944 book on Manzanar, Born Free and Equal is also reproduced. Adams donated the collection to the Library of Congress in 1965, writing, "The purpose of my work was to show how these people, suffering under a great injustice . . . had overcome the sense of defeat and dispair [sic] by building for themselves a vital community in an arid (but magnificent) environment."