Professor Charles Postel reviews the lives of lawyers Clarence Darrow (18571938) and William Jennings Bryan (18601925) and their involvement as adversaries in the 1925 legal case Scopes v. State, in which a school teacher was found guilty of violating a Tennessee law prohibiting the teaching of evolution in public schools.
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How did World War I affect politics in the United States? Why did the prestige and power of American business dramatically increase in the 1920s? What explains the remarkable cultural ferment of this period? What place did religious and spiritual values assume in the United States during the 1920s? How did concepts of citizenship and national identity change in the decade after World War I? How did women and African Americans struggle to advance social equality? How did modernizing and traditional forces clash during the decade?
This institute will explore these and other questions through history, literature, and art. Under the direction of leading scholars, participants will examine such issues as immigration, prohibition, radicalism, changing moral standards, and evolution to discover how the forces of modernity and traditionalism made the 1920s both liberating and repressive. Participants will assist National Humanities Center staff in identifying texts and defining lines of inquiry for a new addition to the Center's Toolbox Library, which provides online resources for teacher professional development and classroom instruction.
More than 55,000 photographs taken by staff photographers of the Chicago Daily News during the first decades of the 20th century are available on this website. Roughly 20 percent of the photos were published in the paper. The Chicago Daily News was an afternoon paper, sold at a cost of one cent for many years, with stories that tried to appeal to the city's large working-class audience.
The website provides subject access to the photographs, which include street scenes, buildings, prominent people, labor violence, political campaigns and conventions, criminals, ethnic groups, workers, children, actors, and disasters. Many photographs of athletes and political leaders are also featured. While most of the images were taken in Chicago and nearby areas, some were taken elsewhere, including at presidential inaugurations. The images provide a glimpse into varied aspects of urban life and document the use of photography by the press during early 20th century.
James Allen has assembled a collection of chilling photographs of lynchings throughout America, primarily from the late 19th and early 20th centuries. Many were circulated as souvenir postcards. The site is a companion to Allen's book Without Sanctuary. The exhibit can be experienced through a flash movie with narrative comments by Allen or as a gallery of more than 80 photographs with brief captions. Most images also have links to more extensive descriptions of the circumstances behind each specific act of violence.
While the vast majority of lynching victims were African Americans, white victims are also depicted. Individually and as a group, these images are disturbing and difficult to fathom. They provide, however, an excellent resource for approaching the virulence and impact of racism in late 19th and 20th-century America.