A Washington Sketchbook: Drawings by Robert L. Dickinson, 1917-18

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In this installment of The Library of Congress Webcasts series, author Gail Dickersin Spilsbury discusses her new book A Washington Sketchbook: Drawings by Robert L. Dickinson, 1917-18. As the webcast describes, Robert L. Dickinson was New York physician "stationed in Washington during World War I and in his free time was a prolific artist. An avid nature lover, he explored both sides of the Potomac River, sketching the woodsy and idyllic scenery that captured a now-vanished way of life."

Material Culture: More Than Just Artifacts

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Coca-Cola ads used to say “Can’t beat the real thing.” At the Jewish Historical Society of Greater Washington, the real thing is our historic synagogue, and indeed, nothing can beat it for educating students about immigrant and neighborhood history in the nation’s capital city.

Originally built by Adas Israel Congregation in 1876, the 25-foot by 60-foot synagogue was a simple house of worship that served German and Eastern European Jewish immigrants in downtown Washington. President Ulysses S. Grant attended its dedication. Because of the building’s significance, the Society moved it three blocks in 1969 to save it from the wrecker’s ball. Today we run the Lillian & Albert Small Museum there.

Among our primary visitors are school groups, mainly from Jewish congregational schools and day schools, but private and public schools visit as well. The building is the focal point of all youth programs.

. . . 3rd–7th graders look for clues about the building's function in its architecture.

In Synagogue Story, K–2nd graders compare the restored 19th-century sanctuary with the 21st-century sanctuaries (or even theaters!) they know—and then make a model of the building to take home with them. In Building Detective, 3rd–7th graders look for clues about the building's function in its architecture. A separate balcony for women teaches them about gender roles in 19th-century American Judaism. A cobalt blue window and a photo of a crucifix in the sanctuary offer a glimpse into the synagogue's later life as a Greek Orthodox Church. Walking by the front façade, then seeing a photo of it with a pork barbecue sign, conveys the story of a continually changing urban neighborhood.

While we could just lecture about late 19th- and early 20th-century Jewish life in Washington, having students physically present in the space, sitting on wooden pews similar to those used over a century ago, seeing photos of how the same space once looked, walking on the old, creaking floors, and studying artifacts used in the space—nothing can top that experience, those sensations, that visceral connection to the past, and the power of the authentic. One teacher said her students will "remember the pews and the bench for President Grant and that he stayed for the entire three-hour service and wore a hat the entire time."

Using material culture—whether a building, a historic artifact, or even a photograph—engages the senses and thus enhances learning.

On walking tours, middle and high school students travel the same streets where Jewish, Italian, German, and Chinese immigrants lived, worked, and worshiped. They traverse blocks of modern office buildings and courthouses, then react with surprise to photos of brick row houses, the four surviving former synagogues, and other physical remnants of the past. Out-of-town students connect with Washington as a city, beyond the monuments and museums on the National Mall.

This is the educational theory of constructivism at work. Using material culture—whether a building, a historic artifact, or even a photograph—engages the senses and thus enhances learning. As we've seen by watching students beholding the synagogue's original ark and simple woodwork, they gain an emotional connection to the history. Another teacher told us that his students, spurred by the experience, asked "great follow-up questions" on the ride home.

So for teachers, we strongly recommend bringing students to historic sites—particularly those off the beaten path—and taking them on walking tours. We know that's not always possible, with school budgets being what they are. Alternatively, many teachers make effective use of "treasure boxes" sent out by museums. These include replica artifacts and photos, which still accomplish the most important goal: helping students connect to the past in a tangible way.

Teaser

Using material culture—whether a building, a historic artifact, or even a photograph—engages the senses and enhances learning.

Resources for the Titanic's Centennial

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Photo, Mrs. Lister Hill [Titanic Memorial, Washington, D.C., c.1940, LoC
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April 15, 2012, marks the centennial of the sinking of the RMS Titanic, a disaster that still looms large in popular imagination. Why is the Titanic so well remembered? What sets it apart from the hundreds of disasters at sea that have happened before and after?

Use the centennial as a chance to ask your students how they know what they know about history. Do they know about the ship? Where did they learn about it? From a book or a movie? Your students can bring together the skills of historians and scientists to uncover their own answers about the disaster—from who was on the ship to why it sank to how the story of the Titanic fits into history and the present day.

Where to begin? We've gathered some ideas for places to start your search for resources:

  • Research the Titanic with the Library of Congress's guide to Library resources. The Library's blog for teachers also rounds up useful primary sources and links to lesson plans.
  • Discover primary sources buried in the collections of the National Archives and Records Administration (NARA). NARA blog entries look at letters sent to President Taft about the sinking, one survivor's luggage ticket and coupon, and compensation claims from the widows of postal clerks. (NARA also holds a 1912 list of some of the survivors of the disaster.)
  • Interested in learning more about the Titanic's postal clerks? Get to know them with the National Postal Museum's exhibit Posted Aboard RMS Titanic. All of the clerks died at sea, determined to rescue the ship's mail.
  • View artifacts related to the voyage and disaster from the Smithsonian Institution.
  • Read articles related to the disaster and share teaching ideas on the New York Times Learning Network feature.
  • Get a UK perspective on the ship courtesy of the BBC, including survivor interviews and an interactive look at the wreck site.
  • Learn about the science and history behind the story of the Titanic with resources from National Geographic Education. A lesson plan from National Geographic Xpeditions connects geography and history, and "Unseen Titanic," an interactive web feature includes zoomable images of the wreck.
  • Navigate the creation and sinking of the Titanic with HISTORY.com's interactives, videos, and photos.
For more information

James Cameron's film Titanic has helped keep the disaster in public memory. But does the film say more about 1997 than it does about 1912? Historian Steven Biel shares a critical look at Titanic in a film review reprinted from the Journal of American History.

A Perilous Leap for Life

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In this interview from the BBC series entitled "Survivors of the Titanic," Major Prentis describes his flight from the RMS Titanic following her fatal collision with an iceberg. Albeit short, Prentis' story is not lacking in suspense. Listen as he describes his flight for freedom, which was facilitated by a hidden life jacket and an impressive 100 foot plunge from the stern of the ship. The interview was originally conducted April 15, 1966.

I was There: Commander Lightoller Tells his Story

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In this interview from the BBC series entitled "Survivors of the Titanic," Commander Lightoller—second officer on board the RMS Titanic—gives his version of events on the fateful night in April 1912. According to Lightoller, this tragic event could have potentially been avoided if the bridge had received a very important warning message. The interview was originally conducted on November 1, 1936.