Jennifer Orr on Primary Sources in Primary Classrooms

Date Published
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Photo, Participants...marching...from Selma to Montgomery, 1965, Peter Pettus
Photo, Participants...marching...from Selma to Montgomery, 1965, Peter Pettus
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Using primary sources in a primary classroom is a challenge. Many of the most wonderful sources are text-based. For students who cannot read and who are still developing their vocabulary these sources are very difficult. Simply understanding the Pledge of Allegiance, words students recite every day, can be frustrating for young children.

As a result images are often a better way to offer primary grade students a window into the past. They are accustomed to looking carefully at pictures in books and they notice things that adults frequently miss. Allowing them the opportunity to do the same with historical images is a powerful way to teach.
Many schools across the nation have a collection of posters from the National Endowment for the Humanities, Picturing America. This collection includes 40 large reproductions of artwork, including paintings, sculpture, architecture, photography, and crafts. There are images of Native American pottery and a Catholic mission in Texas. Portraits of George Washington and Paul Revere as well as photographs of statues of Ben Franklin and Robert Gould Shaw and the 54th Regiment are also included. There is a painting of Allies Day in 1917 and a photograph of quilts from the 18th and 19th centuries.

Photo, Participants...marching...from Selma to Montgomery, 1965, Peter Pettus Around a specific holiday or as we begin to study a person or period I post one or two of these pieces up in my classroom. For several days the art hangs there for students to enjoy and think about. Before Martin Luther King, Jr. Day, I use a photograph of the Selma to Montgomery march in 1965. Some students will notice the photograph immediately and begin asking questions. Typically I'll answer them briefly, just enough to keep them interested. After a couple of days we'll bring the photograph over to the carpet and talk about it. The questions the students ask frame our eventual discussion of King and the Civil Rights Movement. I'll keep the photograph up for a while as we continue to study the issue so that we can refer to it or simply soak in the image.
Other pieces I use are the Stuart portrait of George Washington and the Leutze painting of the Crossing of the Delaware. These offer the opportunity to analyze our first president and the many roles he played in his life and in the formation of our country.

The collection comes with a resource book full of information about the artwork and the artists and lesson ideas. In addition, the website has more resources. Even without the collection of artwork the website can guide teachers in the use of art as primary sources. Any of these images can be shown from the internet with a projector for students to study. Art teachers often have reproductions of art available as well.

Young children are highly visual and images allow them to see the past. Simply hanging historical art and images in your classroom will spark questions and discussions. Not only will students begin learning about a person or period though their own observations, but the image is something they can hold onto throughout the study and in the future.

For more information

Check out the Picturing America website to view all of the images Orr describes—and more.

With field trips often harder to find time and money for these days, you and your students can take a virtual trip to an art museum with Google's Art Project. More than 100 websites we've reviewed also include art in their primary source collections.

Depending on your students' level, you may want to guide them through the steps in analyzing composition when introducing them to artwork as primary sources.

Want to learn more about teaching with art? Daisy Martin provides some ideas and Carolyn Halpin-Healy offers hers.

American Treasures of the Library of Congress

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Photo, The Library of Congress
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This site considers which "of the more than 110 million items in the Library of Congress" are considered "treasures." The items in the exhibit are organized into the categories of Memory (History), Reason (Philosophy), and Imagination (Fine Arts), as was the personal library of Thomas Jefferson, which became the core of the Library of Congress.

The exhibit, which offers images of original documents as well as explanatory essays, contains such items as Jefferson's "original rough draft" of the Declaration of Independence, Jedediah Hotchkiss's Civil War maps, Edison's Kinetoscopic record of a sneeze, and Earl Warren's handwritten notes concerning the Miranda decision.

Unified Vision: The Architecture and Design of the Prairie School

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Hallway, Temple Art Glass. . . , Frank Lloyd Wright, c. 1915, Unified. . . site
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This beautifully designed site showcases the Prairie School architecture and design collection at the Minneapolis Institute of Art, demonstrating the work of architects such as Frank Lloyd Wright, Louis H. Sullivan, William Gray Purcell, George Grant Elmslie, and George Washington Maher. The site features photographs of 43 artifacts, 37 houses and other buildings, and 12 examples of architectural detail from the Prairie School; thirteen floor plans architectural drawings, and six suggested tours; and biographical information. Users can zoom in on many images and some feature a 360-degree view. These materials provide a good sense of visual architecture and design for time period from the 1884-1921. Limited to area around Minneapolis.

Telfair Museum of Art and Owen-Thomas House [GA]

Description

The Telfair Museum of Art preserves and presents artwork in all forms. The Museum also operates the 1819 Owen-Thomas House, furnished with a collection of decorative arts objects.

The museum offers exhibits, self-guided and guided tours for school groups, a teacher resource library, professional development for educators, and classes and other recreational and educational events; the Owen-Thomas House offers guided tours.

Roanoke Island Festival Park [NC]

Description

Roanoke Island Festival Park is a 27-acre state historic site and cultural center celebrating history, education, and the arts. Visitors can step aboard the Elizabeth II, a representative 16th-century sailing vessel; visit with Elizabethan explorers and soldiers in the Settlement Site; tour the Roanoke Adventure Museum, which explores 400 years of Outer Banks history; and view the docudrama, "The Legend of Two-Path."

The park offers exhibits, tours, demonstrations, performances, educational programs, research library access, and recreational and educational events (including living history events).

Edge of the Cedars State Park Museum [UT]

Description

The Museum houses the largest collection of Ancestral Puebloan (Anasazi) pottery on display in the Four Corners Region and allows visitors to explore an authentic Puebloan village behind the museum. In addition to permanent collections, Edge of the Cedars offers special exhibits, festivals, and events throughout the year. Dynamic exhibits at Edge of the Cedars State Park Museum feature outstanding photography, fine art, current topics in archaeology, and contemporary Native American crafts. Festivals, programs, and special events promote traditional values through storytelling, craft workshops, and an Indian art exhibit.

The site offers exhibits, workshops and classes, and occasional recreational and educational events.

C.M. Russell Museum [MT]

Description

The C.M. Russell Museum is dedicated to the art of C.M. Russell, an artist who painted landscapes of the American West during the late 19th and early 20th centuries. The museum offers five permanent exhibits of Russell's work spanning his entire lifetime as well as galleries devoted to other artists who also portrayed the West. Visiting exhibits include information on Native Americans, bison, and the culture of the West.

The Museum offers field trips free of charge to school groups and homeschoolers. Themes for school tours include C.M. Russell, Montana history, Native American life, current exhibits, and a special 5th grade tour. Special school tours and activities are available during Native American Awareness Day (the 4th Friday in September). All field trips include a hand-on activity.

Bennington Museum [VT]

Description

The Bennington Museum presents southern Vermont history through vernacular artifacts, fine arts, artifacts from the 1777 Battle of Bennington, and the decorative arts. Collection highlights include 19th-century glass, portraits by Ammi Phillips (1788-1865), and the largest number of publicly accessible paintings by Grandma Moses (1860-1961).

The museum offers exhibits, summer history camps, 90-minute curriculum-based thematic tours, one-hour curriculum-based outreach programs, traveling trunks, nature trails, and research library access.

Modern and Contemporary American Poetry

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Photo, Jack Kerouac
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This site consists of hundreds of poems by major and minor figures--from Emily Dickinson to William Carlos Williams and Allen Ginsberg to contemporary artists and writers--hundreds of links to poetry resources, and a "readings schedule" for a course in American poetry. Also offers materials as diverse as audio clips, newspaper articles, and television spots. Although the organization is haphazard, this is a rewarding and eclectic site packed with primary documents and leads for further work.

Harlem: Mecca of the New Negro

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Image for Harlem: Mecca of the New Negro
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The complete facsimile and transcript versions of the March 1925 Survey Graphic special "Harlem Number," edited by Alain Locke, is presented here. Locke later republished and expanded the contents as the famous New Negro anthology. The effort constituted "the first of several attempts to formulate a political and cultural representation of the New Negro and the Harlem community" of the 1920s.

The journal is divided into three sections: "The Greatest Negro Community in the World," "The Negro Expresses Himself," and "Black and White—Studies in Race Contacts." The site also includes essays by Locke, W.E.B. DuBois, and James Weldon Johnson; poems by Countee Cullen, Anne Spencer, Angelina Grimke, Claude McKay, Jean Toomer, and Langston Hughes; and quotations from reviews of the issue.