American Treasures of the Library of Congress

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Photo, The Library of Congress
Annotation

This site considers which "of the more than 110 million items in the Library of Congress" are considered "treasures." The items in the exhibit are organized into the categories of Memory (History), Reason (Philosophy), and Imagination (Fine Arts), as was the personal library of Thomas Jefferson, which became the core of the Library of Congress.

The exhibit, which offers images of original documents as well as explanatory essays, contains such items as Jefferson's "original rough draft" of the Declaration of Independence, Jedediah Hotchkiss's Civil War maps, Edison's Kinetoscopic record of a sneeze, and Earl Warren's handwritten notes concerning the Miranda decision.

Unified Vision: The Architecture and Design of the Prairie School

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Hallway, Temple Art Glass. . . , Frank Lloyd Wright, c. 1915, Unified. . . site
Annotation

This beautifully designed site showcases the Prairie School architecture and design collection at the Minneapolis Institute of Art, demonstrating the work of architects such as Frank Lloyd Wright, Louis H. Sullivan, William Gray Purcell, George Grant Elmslie, and George Washington Maher. The site features photographs of 43 artifacts, 37 houses and other buildings, and 12 examples of architectural detail from the Prairie School; thirteen floor plans architectural drawings, and six suggested tours; and biographical information. Users can zoom in on many images and some feature a 360-degree view. These materials provide a good sense of visual architecture and design for time period from the 1884-1921. Limited to area around Minneapolis.

Telfair Museum of Art and Owen-Thomas House [GA]

Description

The Telfair Museum of Art preserves and presents artwork in all forms. The Museum also operates the 1819 Owen-Thomas House, furnished with a collection of decorative arts objects.

The museum offers exhibits, self-guided and guided tours for school groups, a teacher resource library, professional development for educators, and classes and other recreational and educational events; the Owen-Thomas House offers guided tours.

Roanoke Island Festival Park [NC]

Description

Roanoke Island Festival Park is a 27-acre state historic site and cultural center celebrating history, education, and the arts. Visitors can step aboard the Elizabeth II, a representative 16th-century sailing vessel; visit with Elizabethan explorers and soldiers in the Settlement Site; tour the Roanoke Adventure Museum, which explores 400 years of Outer Banks history; and view the docudrama, "The Legend of Two-Path."

The park offers exhibits, tours, demonstrations, performances, educational programs, research library access, and recreational and educational events (including living history events).

Edge of the Cedars State Park Museum [UT]

Description

The Museum houses the largest collection of Ancestral Puebloan (Anasazi) pottery on display in the Four Corners Region and allows visitors to explore an authentic Puebloan village behind the museum. In addition to permanent collections, Edge of the Cedars offers special exhibits, festivals, and events throughout the year. Dynamic exhibits at Edge of the Cedars State Park Museum feature outstanding photography, fine art, current topics in archaeology, and contemporary Native American crafts. Festivals, programs, and special events promote traditional values through storytelling, craft workshops, and an Indian art exhibit.

The site offers exhibits, workshops and classes, and occasional recreational and educational events.

C.M. Russell Museum [MT]

Description

The C.M. Russell Museum is dedicated to the art of C.M. Russell, an artist who painted landscapes of the American West during the late 19th and early 20th centuries. The museum offers five permanent exhibits of Russell's work spanning his entire lifetime as well as galleries devoted to other artists who also portrayed the West. Visiting exhibits include information on Native Americans, bison, and the culture of the West.

The Museum offers field trips free of charge to school groups and homeschoolers. Themes for school tours include C.M. Russell, Montana history, Native American life, current exhibits, and a special 5th grade tour. Special school tours and activities are available during Native American Awareness Day (the 4th Friday in September). All field trips include a hand-on activity.

Bennington Museum [VT]

Description

The Bennington Museum presents southern Vermont history through vernacular artifacts, fine arts, artifacts from the 1777 Battle of Bennington, and the decorative arts. Collection highlights include 19th-century glass, portraits by Ammi Phillips (1788-1865), and the largest number of publicly accessible paintings by Grandma Moses (1860-1961).

The museum offers exhibits, summer history camps, 90-minute curriculum-based thematic tours, one-hour curriculum-based outreach programs, traveling trunks, nature trails, and research library access.

Modern and Contemporary American Poetry

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Photo, Jack Kerouac
Annotation

This site consists of hundreds of poems by major and minor figures--from Emily Dickinson to William Carlos Williams and Allen Ginsberg to contemporary artists and writers--hundreds of links to poetry resources, and a "readings schedule" for a course in American poetry. Also offers materials as diverse as audio clips, newspaper articles, and television spots. Although the organization is haphazard, this is a rewarding and eclectic site packed with primary documents and leads for further work.

Harlem: Mecca of the New Negro

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Image for Harlem: Mecca of the New Negro
Annotation

The complete facsimile and transcript versions of the March 1925 Survey Graphic special "Harlem Number," edited by Alain Locke, is presented here. Locke later republished and expanded the contents as the famous New Negro anthology. The effort constituted "the first of several attempts to formulate a political and cultural representation of the New Negro and the Harlem community" of the 1920s.

The journal is divided into three sections: "The Greatest Negro Community in the World," "The Negro Expresses Himself," and "Black and White—Studies in Race Contacts." The site also includes essays by Locke, W.E.B. DuBois, and James Weldon Johnson; poems by Countee Cullen, Anne Spencer, Angelina Grimke, Claude McKay, Jean Toomer, and Langston Hughes; and quotations from reviews of the issue.

Using Visual Fine Arts to Enrich Understanding

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Poster print, 1867, L'art Nouveau S. Bing, Tiffany, art glass, Meunier bronzes
Question

What resources or techniques would you recommend for teaching using art and its analysis in the social studies/U.S. history classroom? I have already read "Historical Evidence in the Material World: Art History, Material Culture, and Historical Thinking" on your site. In this instance, we are concentrating on the visual fine arts – painting and photography.

Answer

Things have changed since teachers had to go through their private and local libraries to create slideshows using art to teach history. Now with a click of a mouse and a projector, we can show students provocative works of art. And while including art in your teaching will, no doubt, engage some of your reluctant students and add variety and aesthetic appeal to your curriculum, deliberate methods are required when teaching students to analyze the visual fine arts as a means to learn about the past. And those methods require slowing down when we observe and discuss a piece of art.

It may be useful to think about three things as critical to teaching students how to analyze art as historical artifacts:

  • Close reading (and we use the term “reading” broadly here, referring to observing the item closely);
  • Feeling and considering the emotional impact of the piece;
  • Considering the historical context of the piece.
  • You’ve started with a good entry that introduces some key aspects of using art. Author Carolyn Halpin-Healy, talking about how to use material culture, explains that analyzing these kinds of sources should “begin by describing the object--to analyze its structure, to consider the circumstance of its creation--and only then to propose an interpretation of the meaning of the piece.” She goes on to identify specific steps in this process that include the key aspects above.

    Deliberate methods are required when teaching students to analyze the visual fine arts as a means to learn about the past. Those methods require slowing down when we observe and discuss a piece of art.

    EDSITEMENT
    We have other resources at teachinghistory.org that address art analysis. Visit this review of a lesson plan that uses art and documents to investigate Paul Revere’s ride. The lesson comes from Edsitement, a site created by the National Endowment for the Humanities [NEH] that includes lesson plans using a variety of material culture for both World and American history. These plans can serve as inspiration, models, and resource banks for analyzing art in the history/social studies classroom.

    And don’t miss the NEH’s Picturing America program. It was designed to encourage and support teachers in using art to teach history and social studies. This tremendous resource includes a set of artistic works to use in the classroom, information about the works and artists, links to other sites with resources for teaching with art, and a teacher’s resource book.

    See this entry to listen to two educators talk about how they use Picturing America in their Teaching American history grant. The third video in this series may be most helpful to you since it concerns the ideas of slowing down with a piece and closely observing it while considering one’s emotional response to it.

    There are also many resources designed for teaching photo analysis in the history/social studies classroom.

    PHOTOGRAPHS
    At teachinghistory.org, see our “Using Primary Sources” feature for links to worksheets that can be used to analyze varied kinds of sources, including photos and art. See both our entry about the National Archive’s worksheets and the Library of Congress’ worksheets. In the Library’s excellent Prints and Photograph collection, you can also find help in preparing to teach students and teachers about analyzing photos as historical sources rather than as truth-telling images. Check out their resources on Dorothea Lange’s iconic migrant mother photo here and here to help you use this photo to illustrate the choices and selection that the photographer makes.

    See “Using documentary photography” for a comprehensive guide that uses the photos of Jacob Riis to illustrate the process of photo analysis. Especially helpful may be the guide’s list of questions.

    Good luck! And we’d love to hear what was most helpful to you.

For more information

For other helpful resources see:

  • Check out the Fall 2010 newsletter that focuses on the use of images in the History classroom;
  • A guide to using K-W-L charts for helping students analyze photos;
  • This question for a guide to online photo archives;
  • The “What is Historical Thinking” video on our home page. It can help make clear some of the key facets of analyzing any historical source; and
  • Search “website reviews” in the History Content section to locate websites that have art and teacher resources for using that art in the classroom.