Organizing History Through Images

Teaser

In this lesson, students will organize photographs both chronologically and conceptually in order to construct a narrative of the Holocaust.

lesson_image
Description

Students organize photographs from the U.S. Holocaust Museum both chronologically and conceptually in order to construct a narrative of the Holocaust.

Article Body

In this lesson, students organize photographs in order to tell the story of the Holocaust and construct an evidentiary narrative that makes sense to them. The lesson does not include any “correct” ordering or organization of the photographs and instead encourages students to experiment with organizing them both chronologically and thematically.

This lesson also guides students through the process of revising conclusions based on the discovery of additional historical evidence. Students are given a definition of the Holocaust and asked to consider or revise the definition with each new photograph in order to illustrate how historical narratives change depending on the available evidence.

Reading and analyzing primary texts can often be a daunting task for students who struggle with basic literacy skills. However, because this lesson presents historical data in the form of photographs, it is an excellent way to provide all students with access to the historical process, and to support historical thinking with struggling readers or English language learners.

For more advanced or older students, the supplementary activity asks students to read and incorporate brief testimonies of survivors into their definition of the Holocaust.

Topic
The Holocaust
Time Estimate
2 Class Sessions
flexibility_scale
4
Rubric_Content_Accurate_Scholarship

Yes

Rubric_Content_Historical_Background

Yes
The lesson requires students to “read” photographs and write a detailed “definition” of the Holocaust.

Rubric_Content_Read_Write

Yes
Captions and dates for each photograph are included in the lesson. There are additional background materials available.

Rubric_Analytical_Construct_Interpretations

Yes
Students construct an interpretation of the Holocaust using photographs.

Rubric_Analytical_Close_Reading_Sourcing

Yes
Students closely “read” photographs and accompanying source information.

Rubric_Scaffolding_Appropriate

Yes
Some of the photographs are disturbing (as is to be expected given the lesson’s topic).

Rubric_Scaffolding_Supports_Historical_Thinking

Yes
A student worksheet guides students through the process of analyzing each photograph and helps them focus on relevant details.

Rubric_Structure_Assessment

Yes
Some general strategies for assessment are provided. Teachers will want to determine and communicate their criteria for assessment.

Rubric_Structure_Realistic

Yes

Rubric_Structure_Learning_Goals

Yes

Letters from the Philippines

Bibliography
Image Credits

Video 1:

  • Photo. Downtown Beatrice, Nebraska. 1887.
  • Image. Wadhams, William H. "U.S.S. Maine." c.1898. New York Public Library Digital Gallery, Image ID: 1648984.
  • Photo. "U.S.S. Maine." NHHC Collection. Photo No. 61236.
  • Photo. "Details of the wreck of the U.S.S. Maine." 1898. New York Public Library Digital Gallery, Image ID: 114482.
  • Photo. "Beatrice Military Band." 1898. Gage County Historical Society.
  • Painting. "Off For the War." J.W. Buell. Behind the Guns with American Heroes. Chicago: International Publishing Co.. 1899.
  • "Troops for Manila, Last Man." 1899. Calisphere/Keystone-Mast Collection, UCR/California Museum of Photography, University of California at Riverside.
  • Photo. "George Dewey." William McKinley. Exciting Experiences in Our Wars with Spain and the Filipinos. Chicago: Book Publishers Union, 1899.
  • Image. "Admiral Dewey at the Battle of Manila." NHHC Collection, Photo No. NH 84510-KN.
  • Image. "Battle of Manila Bay." NHHC Collection, Photo No. NH91881-KN.
  • "Map of Manila Bay." J.W. Buell. Behind the Guns with American Heroes. Chicago: International Publishing Co.. 1899, 496.
  • Image. "In the Court of Ayuntamiento, After the Surrender." Scribner's Magazine, 24:6 (December 1898): 684.
  • Photo. Rau Studios. "Emilio Aguinaldo." New York Public Library Digital Galley, Image ID: 437565.
  • Photo. Rau Studios. "Aguinaldo and his Advisors." New York Public Library Digital Galley, Image ID: 437566.
  • Photo. "Church in the Plaza Calderon de Barca." Scribner's Magazine, 24:6. (December 1898): 683.
  • Illustration. "Puzzle Picture." William McKinley. Exciting Experiences in Our Wars with Spain and the Filipinos. Chicago: Book Publishers Union, 1899.
  • Illustration. "The Eyes of the World Are Upon Him." William McKinley. Exciting Experiences in Our Wars with Spain and the Filipinos. Chicago: Book Publishers Union, 1899.
  • Photo. "Guard at the causeway connecting Cavite and San Rogue. Cavite, P.I." Calisphere/Keystone-Mast Collection, UCR/California Museum of Photography, University of California at Riverside.
  • Photo. "Types of Spanish Soldiers in the Southern Philippines." 1899–1900. New York Public Library Digital Galley, Image ID: 831254.

Video 2:

  • Photo. "Group of American Soldiers, San Roque (Cavite), Philippines." c.1899. Library of Congress, Prints and Photographs Division, #LC-USZ6-1511. http://www.loc.gov/pictures/item/2002724002/#
  • Photo. "A Filipino Restaurant, Manila, Philippine Islands." Calisphere/Keystone-Mast Collection, UCR/California Museum of Photography, University of California at Riverside.
  • Photo. "View of a Suburb of Manila." J.W. Buell. Behind the Guns with American Heroes. Chicago: International Publishing Co., 1899.
  • Photo. "Filipino Bamboo Band, Philippines." Calisphere/Keystone-Mast Collection, UCR/California Museum of Photography, University of California at Riverside.
  • Cartoon. "Pinned." William McKinley. Exciting Experiences in Our Wars with Spain and the Filipinos. Chicago: Book Publishers Union, 1899.
  • Print. Kurtz & Allison. "Spanish-American Treaty of Paris." December 10, 1898. Library of Congress Prints and Photographs Division, No. LC-DIG-pgs-01948.
  • Illustration. "Peace." William McKinley. Exciting Experiences in Our Wars with Spain and the Filipinos. Chicago: Book Publishers Union, 1899.
  • Cartoon. "Uncle Sam." Milwaukee Journal, August 10, 1898.
  • Cartoon. Berryman, Clifford. Untitled cartoon. Washington Post, February 4, 1899. National Archives, Archival Research Catalogue, Identifier No. 6010306.
  • Cartoon. Berryman, Clifford. "A Burden That Cannot Be Honorably Disposed of at Present." Washington Post, September 25, 1899. National Archives, Archival Research Catalogue, Identifier No. 6010332.

Video 3:

  • Photo. "The 14th Infantry Entrenched at Pasig, P.I." Calisphere/Keystone-Mast Collection, UCR/California Museum of Photography, University of California at Riverside.
  • Photo. "William McKinley." c.1900. Library of Congress, Prints and Photographs Division, No. LC-USZ62-13025.
  • Cartoon. "How Some Apprehensive People Picture Uncle Sam After the War." Milwaukee Journal, May 16, 1898.
  • Photo. "Aguinaldo, A Prisoner on the U.S.S. Vicksburg." March, 1901. New York Public Library Digial Gallery, Image ID: 114144.
  • Image. William McKinley. William McKinley. Exciting Experiences in Our Wars with Spain and the Filipinos. Chicago: Book Publishers Union, 1899.
  • Cartoon. "Not Laughing at Uncle Sam Now." Denver Evening Post, July 5, 1898.
  • Cartoon. Berryman, Clifford. "Not in a Position to Give Up the Chase." Washington Post, May 1, 1899. National Archives, Archival Research Catalogue, Identifier No. 6010319.
  • Cartoon. "Uncle Sam's Schoolhouse of Democracy." Denver Evening Post, December 28, 1898.
  • Cartoon. "Uncle Sam Finds the Philippines to be Stubborn." Denver Evening Post, February 16, 1899.

Video 4:

Video Overview

Primary sources reveal many different perspectives on historical events. At home, the U.S. government painted the Philippine-American War as an act of liberation, freeing the Philippines from oppression. Paul A. Kramer analyzes letters from American soldiers in the Philippines that show a very different view of the war.

Video Clip Name
Kramer1.mov
Kramer2.mov
Kramer3.mov
Kramer4.mov
Video Clip Title
The U.S. in the Philippines
Changing Views
The Language of Liberation
Letting Sources Speak
Video Clip Duration
4:49
5:08
3:32
1:25
Transcript Text

I'm going to be talking about letters from the Philippines written by a soldier named Andrew Wadsworth from Nebraska between the years 1898 and 1900.

Andrew Wadsworth is born in New Lebanon, NY, in 1869; he moves out to Beatrice, NE, to live with his uncle in 1887. He works in his uncle's jewelry shop. In the meantime, he enlists in Company C of the Nebraska National Guard. In 1897, tensions are heating up between the U.S. and Spain over the status of Cuba. At that point, the United States had long standing interests in Cuba in terms of sugar, in terms of the U.S.'s larger strategic objectives. When a humanitarian crisis erupts over Spain's attempt to suppress a Cuban rebellion, this inflames a humanitarian crusade in the United States to do something. The American public begins to be prepared for some sort of intervention. As is well known, the U.S.S Maine is sent to the Havana harbor in the spring of 1898 to protect American options and also to protect Americans in Cuba, and it's blown up. This inflames the American public for war.

Wadsworth in Nebraska is learning about what's happening. He sees that his company is about to be mobilized. He is not sent to Cuba to fight in the Spanish-Cuban-American War, but in fact he's sent west. He's sent west because the first campaign of the war against Spain is in fact—the decision to send Commodore Dewey and the Pacific Squadron to Manila, which was in Spain's last and largest colony in Asia at that time. This was very much part of a larger strategic plan to extend U.S. power into Asia; to get U.S. bases and naval power close to China. So Wadsworth is sent along with his company first to San Francisco—where he's mustered out—and then he's sent to Honolulu, and then they end up in Manila, after Dewey has defeated the Spanish navy. He's part of an initial group of about 13,000 U.S. soldiers that are sent after the Spanish fleet is destroyed. He finds himself in Cavite, near Manila, and spends several months kind of wondering what his forces are in fact doing there: the Spanish have been defeated in terms of naval power.

At that time a Filipino revolution has—which had initially been defeated by Spain in 1897—has been renewed, has successfully overthrown Spanish power on the mainland of Luzon. The U.S.'s relationship to that revolution is unclear. Wadsworth is able to see the revolution's battles against Spain at a distance, but he's not really sure exactly what U.S. forces are doing there. He says this in his letters. He says, "It's strange that we're here because, as far as we're concerned, the battle against the Spanish has been won at sea."

In August, the United States basically coordinates with Spain to have the Spanish surrender the capitol city of Manila. There's a battle—it's very brief—U.S. forces occupy the city, and importantly they make sure that the revolution stays out of the capitol. Again, there's this very ambiguous relationship between U.S. and Filipino forces. On the one hand, there's a kind of tacit understanding that the U.S. is there to liberate the Philippines from Spain, but it's not clear whether that's to liberate it for the United State's purposes or Filipino purposes. Then it becomes very clear—when U.S. forces basically take the capitol and occupy it, protecting Spaniards from Filipino insurgents—that they’re there to occupy the isles.

Wadsworth and his unit end up in Manila—which is a highly armed area—and he says we can walk around here without weapons it's so locked-down, against both internal disruption and also in terms of outside Filipino forces.

You can see Wadsworth's perceptions of Filipinos changing over the time period that he's in the Philippines. From the mid-1898 period when he arrives—when he has kind of this ambiguous relationship to the campaign in the Philippines—to the early part of 1899, when the war against the Filipinos starts.

In the pre-war period, when he's in Manila, he and other soldiers have a set of very complex interactions with the Filipinos on the ground. Filipinos run a lot of the shops in the area—there's casual commercial contact in terms of bars, in terms of buying fruit, buying food. Wadsworth in his letters reflects a certain ambivalence about Filipinos and about Filipino society. He reflects on the fact that Manila is not as highly hygienic as he'd like it to be. When it comes to Filipinos, he has a lot of nice things to say actually. For example, Filipino bands will come to the military bases in order to play to entertain these troops that aren't fighting. Wadsworth writes about these very lively evenings in which Filipino bands will play, soldiers will sing, it will be this lively several hours, and then he'll say Filipinos are natural-born musicians and artists, for example. At one point, even before he lands in Manila, he reflects casually upon his first real encounter with Filipinos. He says Filipinos are "as bright and intelligent as the average run of people." So it's this kind of offhanded, yeah, they're sort of like us, they're kind of like everyday people that I know.

During that window in late 1898, Wadsworth and his comrades are basically just hanging out in Manila. There's a lot of description of touring, seeing the sights, he's feasting; by the end of 1898 he's starting to get a little bored, they really are beginning to wonder what the heck they're doing there. Wadsworth says, "We came here to fight, and it doesn't look like we're going to get to fight anybody here." That reality changes towards the end of 1898.

U.S. diplomats settle the status of the Philippines at the Treaty of Paris, that begins to meet in the fall of 1898. No Filipino delegates or diplomats are allowed to participate. So this is basically the United States and Spain sitting down to negotiate the fate of the islands—not reflecting the fact that much of the islands are, in fact, not occupied by the U.S. or Spain, but in fact a Philippine government that's declared itself independent. When word gets back that the U.S. has basically pushed Spain to surrender sovereignty over the islands for a payment of $20 million, it becomes clear to the Filipinos on the ground that the U.S.'s formal statements that it is engaging in what was called "benevolent assimilation," were in fact not so benevolent—that in fact the U.S. is preparing a military occupation. So tensions on the ground begin to rise.

In February 1899, just on the brink of the Senate's ratification of the Treaty of Paris, fighting breaks out on the outskirts of Manila between U.S. and Filipino forces when U.S. sentries fire on some Filipino sentries. So suddenly there's war in the Philippines. It's not clear exactly what this conflict is going to be called. To call it a "war" would be to acknowledge that this is a [conflict] with an independent state. So, the official language that's used in the U.S. is that this is an "insurrection," this is in a sense a kind of internal problem of law and order against our legitimate authority.

Wadsworth finds himself fighting on the outskirts of Manila during the early months of the campaign. As I was tracking his letters in the archive from this period where he's hanging out in Manila, socializing, having a good time, into the war period, very quickly his language changes in terms of describing Filipinos. Within the span of a few months we've seen him basically talking about Filipinos as sort of bright and intelligent as other people, to using the most hostile and violent racial language to describe them. When I saw this, I was really struck by it, because it really went against the conventional wisdom which was that the soldiers on the ground were immediately going to apply racial vocabularies from the domestic context to the Philippines. It told me a lot about the way that context really mattered for these soldiers, that something about the setting itself and the kind of situation in which they found themselves was fundamentally shaping the way they understood their presence in the Philippines.

There's a whole series of efforts to minimize the conflict even when it's happening. There's this initial decision to call it the "Philippine Insurrection." But then one of the things that we see—which I think is very striking—is a whole series of declarations that the war is over. In any case, the war bogs down in 1900. In November 1900, there's a presidential election [and] McKinley is reelected. [It was] an election that had as one of its major themes the question of imperialism. This is seen as a referendum on imperialism by the advocates of the war; they say, "Well, the Filipinos can't possibly sustain any more resistance now that the American people have spoken, so the war is over yet again." Of course, the resistance continues. Then, in March 1901, Aguinaldo is captured; the declaration is, "Well, now the revolution can't proceed without its main leader." Resistance continues yet again. Then in basically May of 1902, Theodore Roosevelt makes a public announcement that the war is over.

I think one of the interesting things about U.S. colonialism at the turn of the century is that it's waged and promoted in the language of liberation, at least initially. This in some ways begins in the Cuban context, with the question of liberating Cuba from the oppressive Spanish. So [there's] this language of where the U.S. intervenes it's going to liberate. That really becomes quite powerful in the American public sphere. And I think this gets transferred to some extent to the Philippine context, because when the U.S. intervenes initially in the Philippines it imagines that it's going to be liberating Filipinos from oppressive Spanish rule. There's a sense that this liberation is going to be freeing, it's going to be benevolent, it's going to reflect positively on the kind of world power that the U.S. is going to be.

One of the important audiences for this kind of language is the European powers. Up until 1898, the U.S. has a kind of inferiority complex vis-à-vis the European powers. Here it is, it's this growing industrial giant that has conquered and consolidated its hold on the North American continent in the 19th century, but it doesn't have overseas colonies at a time when that is the measure of what it is to be a European power. 1898 is an important moment in terms of sending those messages out to the world. The U.S. is now on the world stage. But in doing so, it doesn't want to appear to be identical to the European powers. So, the language of liberation is also about trying to set some distance between the U.S. and the European powers. It says, yes we are going to be an empire-building nation, but in fact we're going to liberate our subjects rather than conquer them.

In some of the soldiers' letters you have that of sense of a kind of perverse sense of ingratitude—we're here to liberate you, and you clearly don't understand our good intentions. The way I see this manifesting itself most, though, is in very sarcastic use of a language of liberation in soldiers' letters. The soldiers are able to get a hold of newspapers from the United States that their families are sending them, so they know that senators who are defending the war are talking about uplift, are taking about civilization and benevolence, and they look at the kind of war they're fighting. For them this is a kind of degraded form of war, so they see this language of uplift and benevolence coming through in terms of justifying this war and their response is one of bitter irony.

I had been studying this war for a while by the time that I got to the archives and the fact that I was surprised by what I saw is something that on the one hand I think many historians experience. You go into the archives with one set of questions, and if you are really paying attention to what's in front of your face, it will inevitably change your opinion. It needs to change your opinion, because if it doesn't alter your preconceptions, then you are imposing them on the sources rather than letting the sources speak to you.

With that said, the fact that I was surprised by what I saw also says that the soldiers' opinions are not really well collected, they are not very available to students or to scholars even. And I think there may be a number of reasons for that. When I think of how an archive gets built, how is it that a soldier's letter goes from a shoebox in somebody's attic in to an excerpted box in a textbook? That happens, I think, in part because someone—usually a family member or a community member—is aware this is historically significant. Then it gets collected, it gets archived, and I think there's something about the way that this war [had] been kind of sidelined that prevented some of that communication from happening.

Memoirs v. Tapes: President Nixon and the December Bombings

Image
Annotation

Memoirs v. Tapes consists primarily of a web-published essay on the Nixon White House Tapes from between October 1972 and February 1973. These tapes were released from the Nixon Library as recently as 2008 through 2010, making them quite new to the public. As a text-heavy resource, and in consideration of the complexity of the questions the content raises, it is likely best used with high school students.

The essay is divided into seven sections and an accompanying appendix. The key issue under discussion is the position of Nixon and Kissinger on the 1972 Christmas bombing of North Vietnam. Nixon's memoirs state that he only reluctantly agreed to Kissinger's eagerness to bomb North Vietnam. In contrast, Kissinger notes that while he was pro-bombing, Nixon generally agreed with him, rather than only coming to the decision at a point of supposed necessity. Most sections of the website are accompanied by audio clips of the actual decision-making conversations; maps; documents such as letters, address drafts, and cables; and video clips.

The Nixon Presidential Library and Museum recognizes that the audio clips can be difficult to understand. As a result, they have prepared a short list of tips to help listeners get the most from the sources. In addition, each audio clip has an accompanying log link. The log lists, in bullet form, the topics of conversation covered in the clip.

The conclusion offers a set of five questions to consider after having perused the site and its resources. The questions, such as "What role did the convening of a new Congress play in December 1972 decisions about ending the war?," are, as noted previously, likely most appropriate for high school classrooms. However, it is possible that they may also be of use in middle school, depending on the engagement and ability levels of students.

Finally, the appendix offers suggested readings, as well as additional documents, audio and video clips, and photographs which may be of interest.

Civilian Public Service Story

Image
Annotation

The Civilian Public Service Story answers the question, "Did individuals conscripted for World War II who were strongly opposed to killing have to fight?" The answer, something rarely discussed, is no. In the words of the site's introductory page, "Civilian Public Service (CPS) was a program developed at the onset of WWII which provided those whose conscience forbade them to kill, the opportunity to do work of national importance under civilian direction rather than go to war. Nearly 12,000 men made this choice, and many women voluntarily joined the cause. They fought forest fires, worked in mental institutions, planted trees, did dairy testing and served as subjects for medical experiments in more than 150 camps scattered throughout the United States."

The section "The Story Begins" consists of a brief summary of the history of conscientious objection in the U.S., beginning with colonial times. You can also find an annotated bibliography, listing approximately 18 works. Note that these works, and this site in its entirety, are intended for adult users. However, this does not preclude the information from being useful for K–12 history education.

"The People" consists of a few statistics on the World War II CPS population as well as a database of the men and women of the CPS, reproduced with permission from the Center of Conscience and War. These records, searchable and alphabetized by last name, may include year of birth, community, religious denomination, CPS entrance and exit dates, spouse, camps and units, higher education, and pre- and post-CPS occupation. These records may be of the most use in a classroom setting, as they could spark local history or oral history projects. "The Camps" provides a similar feature. Consider looking into CPS camps that were in your area using the map application on the site.

The Road to Pearl Harbor

Teaser

Explore the rise of animosity between the U.S. and Japan through primary source documents and related classroom activities.

lesson_image
Description

Explore the rise of animosity between the U.S. and Japan through primary source documents and related classroom activities.

Article Body

Four separate lessons make up this unit on “The Road to Pearl Harbor.” Like most lesson plans from EDSITEment—a project of the National Endowment for the Humanities—this unit is full of rich primary source material and a wide variety of related classroom activities. The unit is guided by four questions, designed to help students understand the long run-up to military conflict between the U.S. and Japan. Reflecting those questions, the unit is divided into four lessons: exploring the growth of U.S./Japanese hostility during World War I and after, looking at American foreign policy during the Sino-Japanese Conflict in the 1930s, examining the Japanese “Southern Advance” of 1940 and 1941, and finally, highlighting the failures of diplomacy that ultimately led to war. The unit does an excellent job of representing historical contingency—revealing how the bombing of Pearl Harbor was actually the product of decades of history. Further, it will help students understand the multiple causes of Japanese aggression—from Japanese imperial ambition to U.S. foreign policies. Each lesson comes with a brief but complete historical background essay embedded with hyperlinks to primary sources, clear and concise suggestions for student activities, worksheets, and ideas for formal and informal assessment. And the interactive timeline tool is an excellent resource that pairs nicely with other aspects of the lessons. There are some things to watch out for, though. Many of the primary sources are long and will need to be carefully selected or vigorously edited, depending on your students’ reading level and persistence. The assessments are only roughly outlined, meaning that teachers will need to fill in the details and establish their own grading criteria. Additionally, while lessons range in length from 1–2 class periods to 3–4 class periods, they collectively require fairly extensive class time—roughly two weeks; consequently, they will most likely need to be used selectively. However, this unit is still an excellent resource. By picking and choosing from among the activities, carefully selecting documents, and further developing one or two assessments, teachers can adapt the lesson to their particular needs.

Topic
The Road to Pearl Harbor: The United States and East Asia, 1915-1941
Time Estimate
Variable
flexibility_scale
1
Rubric_Content_Accurate_Scholarship

Yes

Rubric_Content_Historical_Background

Yes
Significant historical background is provided for each of the four individual lessons that constitute the larger lesson plan.

Rubric_Content_Read_Write

Yes
Students read primary documents and there are multiple opportunities for writing.

Rubric_Analytical_Construct_Interpretations

Yes

Rubric_Analytical_Close_Reading_Sourcing

Yes
Students are asked to read source information carefully enough to be able to put it to use in assignments.

Rubric_Scaffolding_Appropriate

Yes

Rubric_Scaffolding_Supports_Historical_Thinking

Yes

Rubric_Structure_Assessment

Yes

Rubric_Structure_Realistic

Yes

Rubric_Structure_Learning_Goals

Yes
Directions are brief and clear. Teachers must design necessary supports.

Japanese American Internment: Executive Order 9066

Bibliography
Image Credits

Video 1: Unless otherwise noted, images in this video are from the following sources: The Densho Project. National Archives and Records Administration. Franklin D. Roosevelt Presidential Library and Museum Collection. National Archives and Records Administration. Archival Research Catalog. Library of Congress, Prints and Photographs Online Catalog. Smithsonian Institution. A More Perfect Union: Japanese Americans and the U.S. Constitution. Video 2: National Archives and Records Administration. Archival Research Catalog. National Archives and Records Administration. Franklin D. Roosevelt Presidential Library and Museum Collection. Video 3: National Archives and Records Administration. Archival Research Catalog. Video 4: National Archives and Records Administration. Archival Research Catalog.

Video Overview

Do important historical documents look important at first glance? Frank Wu examines Executive Order 9066, which gave the military power to intern Japanese Americans during World War II. What does its legalese mean? What effect did this dry, bureaucratic-sounding document have? Sometimes a document's significance can only be discerned after careful reading, and only if you understand the document's context.

Video Clip Name
Wu5.mov
Wu6.mov
Wu7.mov
Wu8.mov
Video Clip Title
A Mistake from the Beginning
Putting the Words in Context
Reading the Order
History in the Details
Video Clip Duration
6:18
5:14
3:52
2:59
Transcript Text

After Pearl Harbor, there was just a tremendous sense of shock. The United States had never been attacked in this way, it had sought to remain neutral. The U.S. government and the Japanese government were still negotiating up to the very eve of that devastating December 7, 1941, morning.

Congress investigated and they heard from military leaders who had told them, among other things, that Japanese Americans might be dangerous. That there was a risk facing them from the possibility that all of these people—never mind that many of them had never been to Japan, they had been born in the United States, they didn’t know Japanese, didn’t know Japanese culture, that they were as thoroughly assimilated as anyone else. Nonetheless, there was a sense that—well, now that there’s war, perhaps we can’t trust these folks.

Now some of that was just the product of racial prejudice that had been there all throughout. If you go back and look at the politics of the 1910s, '20s, and '30s in the U.S. West—especially in California—there were efforts all along to say that we don’t want any more Japanese, we want to keep those who are here from acquiring land, we don’t want them to naturalize as citizens, and so on. Directed not just against people of Japanese descent, not just against people of Asian background more generally, but all throughout the 1910s and '20s there was an effort to restrict migration, to close the door. People said there were too many white ethnics coming; too many people who were European in background, they were from Southern Europe or Eastern Europe. They were Catholics, they were Jews, they weren’t old-stock “real” Americans—or wouldn’t become real Americans.

There is all of this background, and what happened is that the leaders, in Congress and the White House, decided they that would authorize the United States Army to take those measures that they deemed appropriate. Franklin Delano Roosevelt signed Executive Order 9066, and that allowed Lieutenant General John L. Dewitt—who was in charge of the western defense—to start issuing orders. Those began with curfews, freezing bank accounts, having people fired from jobs if they worked for the civil service or if they worked with defense contractors. Then ultimately, signs started to go up on telephone poles with instructions to all people of Japanese ancestry. It said that in two days—with just 48 hours notice in some instances—you had to report to an assembly center. You could only bring what you could carry, and that’s ultimately what led to the camps.

What’s interesting is there’s this rich archival history, all of these documents now that we can access. What those documents show is something truly astonishing. They show that other than General Dewitt and a few others, that the FBI, that other military leaders—including in Hawaii—they all had assessed this. They had investigated, they had looked at this—and not with our judgment now looking back—but with their judgment then at the time, with war raging, with a sense of panic. They had concluded that the Japanese Americans did not present a risk. They had actually counseled, they had written memos internally saying this is a silly thing to do, this is foolish, we will come to regret this.

The very first civilian head of the War Relocation Authority was someone named Milton Eisenhower. He was the general’s brother, he was a bureaucrat in Washington DC, he was asked to run the camps. He did it for only a few months, and he quit. He said—he said, “I predict that these camps will be regarded as a mistake.” And indeed, history has born it out.

What’s truly astonishing is if you go back and look at the record that was complied at the time—what’s so important about that is it shows not later judgment. It’s not with hindsight, it’s not with the benefit that we have of everything that’s emerged since then, of our sense of multiculturalism and diversity, it’s not about politics, and it’s not in peacetime when things are more comfortable. It’s easy for us to condemn what people decided in the past. What’s so important about these documents is that you can go back and look at them from that time period and see that already wiser heads in Washington, California, and elsewhere were saying, “This was a crazy thing to do. Why would you round up all these people?”

This is an example of how the United States, with its democratic system, can correct itself. Because even though a mistake was made, in the 1980s—what happened is Congress saw that this was a problem and in 1988 based on all of these findings they passed a different law: the Civil Liberties Act. What that law did was it said, “We were wrong, we’re sorry.” It went further, it said to the people who were interned, whose property was taken, whose liberty was lost, who were stripped of equality and dignity—it said that if you are now still alive we will pay you reparations, 20,000 dollars per person. Now most people [who] have calculated this have figured out that it is not enough to compensate for the actual loss, but that’s not what’s important. What’s important is the symbolic aspect of this. That our government as a democracy can correct itself, can look back and say, “We made mistakes then, we can do better.”

What’s interesting about Executive Order 9066 is when you read it, it seems neutral; it seems innocuous, it looks like it’s just another bureaucratic order. You would have difficulty understanding what it was all about. And indeed, that’s true of many important historical documents. Many of them look like nothing, you might pass them by, you might shrug—your eyes might glaze over because you think, “What is this boring document?!”

But what’s crucial here is that Franklin Delano Roosevelt, using the power invested in him under the Constitution within our system, gave authority to the military. What he did was he delegated. He said that the U.S. military would have the authority to do what it believed was necessary to protect the nation, and specifically to protect the nation on the west coast. So even though the language is very neutral, you would look at this and say well this doesn’t deal with race or ethnicity, I can’t even tell who this concerns. You might look at this and say I don’t even know what threat he’s talking about. So you always have to look at the context and you always have to look at what happened afterward.

Right after Pearl Harbor there was a roundup. It took place almost immediately. What happened was people of Japanese descent—along with some Italians and some Germans, almost all of whom were foreign nationals, meaning they were citizens of a different nation. For the people of Japanese descent, the Issei—that’s first generation—they couldn’t naturalize because there was a rule, there had been a Supreme Court case that said if you were not a free white person, you can’t become a citizen. It doesn’t matter how assimilated you are, doesn’t matter how long you’ve been in this country, you’ll forever be what they called “an alien ineligible to citizenship.” There’s another phrase, it’s just a lawyers’ phrase, it sounds innocuous, it doesn’t tell you anything about what’s going on, but it’s actually about race.

There was an initial roundup of many hundred people; but then, as Congress held hearings, as there was panic and concern and anger that was built on top of the racial prejudice that was already there, FDR signed 9066. And then what happened is that Lieutenant General John L. Dewitt decided that he would use the authority given to him—because even though FDR’s language is very general, very vague, very bureaucratic, what it did was transfer power. It gave the military this authority. When you go and look at what General John Dewitt ordered—the signs that were put up—they’re very stark. They say “instructions to all persons of Japanese ancestry,” so it’s clear who he has in mind. If you go back and you look at what he wrote, there’s a famous document called the “Final Report” where he explains what his plans are. Then he went and testified and he told members of Congress, “Oh, you don’t have to worry about the Italians, you don’t have to worry about the Germans, but you must worry about the Japanese until he is wiped off the face of the map.” He said, and I’m paraphrasing here, in the war, in which we are now engaged, racial affinities are not severed by migration; he said it was a “racial war,” not just a normal war, but a racial war.

You don’t see any of that reflected in Executive Order 9066. In part, that’s because when the president speaks through an official order, it almost always sounds like this, bureaucratic and legal, because that’s what it is. It’s been drafted for him by bureaucrats and lawyers. It’s meant to have a certain dignity, a certain majesty that’s accorded to official actions.

A part of the challenge for a historian is to take just the text, as neutral and innocuous as it is, and go and look in the real world and ask, what did this piece of paper—and that’s all it is, just a piece of paper, just a few hundred words—what did it actually do? What did it enable? Because words are powerful, words bring about changes in the world around us. This isn’t just a set of words, why? Because these are the words that came from Franklin Delano Roosevelt, or at least the words that he signed. So these aren’t anybody’s words, these aren’t just the words of a crank on a street corner giving a speech. These are words that have and are invested with a sense of meaning through law, through the Constitution. So as we read it—it’s important to read this and see that it’s necessary to always go back to the primary sources. But that’s not sufficient. We start there as a beginning, we don’t just end there. We ask, what did these words allow, what did they lead to?

This document is written during a time of active military hostility, and it clearly indicates—right at the very beginning—that what’s most important is “the successful prosecution of the war.” And then, let’s look at the verb there, “requires.” So this is being presented as if there’s no choice. This is one way that you justify the actions that you take, by making it seem as if it’s inevitable. It’s not actually a decision. This isn’t something where Franklin Delano Roosevelt decided he would do this, he’s required to do it. There are rhetorical tricks built into even the most innocuous, most bureaucratic, most official-looking document.

“Whereas the successful prosecution of the war requires every possible precaution.” Every. The idea here is that no possibility is going to be left out. We want to be comprehensive; we want to make the best possible effort “against espionage and against sabotage,” this tells us what the fear is. What is the risk? Espionage and sabotage. There’s a concern, not about enemies overseas, not about soldiers in uniforms who will attack us, not about the pilots who were flying the Japanese planes that bombed Pearl Harbor—the concern here is about people inside. Members of the body politic who will commit espionage and sabotage. What does this say?

“Now therefore, by virtue of the authority vested in me as the President of the United States, and Commander in Chief of the Army and Navy.” Now, what’s not said here is "vested in me under the Constitution," so this is an invocation of legal authority. What does Franklin Delano Roosevelt do with that authority? He’s saying I have this authority. Why does he have it? Because he’s President and Commander in Chief. But look at what he does in that sentence. “I hereby authorize and direct the Secretary of War, and the Military Commanders whom he may from time to time designate.” So, FDR is giving up his power. He’s saying, "Okay, I have this power, but I’m not going to actually use it, I’m going to give it to other people to use." To do what? “Whatever he or any designated Commander deems such action necessary or desirable, to prescribe military areas in such places and of such extent as he or the appropriate Military Commander may determine from which any or all persons may be excluded.” That’s the crucial language. So what he’s saying is: now the military has my authority, and what they have the authority to do is “prescribe military areas”—that just means designate, name, choose, select, he’s picked a word that’s more formal and more neutral—“from which any or all persons maybe excluded.” Now it's interesting is that they don’t exclude all persons, they actually don’t exclude any, they exclude a specific group selected by ancestry, blood, by immutable characteristics; not who they are, not what they decided for themselves, not their politics, but skin color, the texture of hair, the shape of eyes, the color of skin. That’s what ultimately was decided.

In some way, we can and we can’t blame Franklin Delano Roosevelt. He did and he didn’t make the decision. All he did was delegate this authority. Now at the time he did that he and his advisers knew what the plans were, they didn’t know the full scope and extent, but they knew the general tenor; that idea was—what the military would then do was round up specifically people of Japanese descent. That’s what was being talked about, that was the primary plan.

There were some discussions, by the way, they initially said, “Well, shouldn’t we round up people of German background, Italian background?” They concluded quickly, no. They concluded no for many reasons, not the least of which it would be impossible, there were too many, it was only a minority you could round up—a discrete, insular, smaller minority. People of German descent, then and now, make up the single largest ethnic group in the United States. More people claim German ancestry than claim the ancestry of any other single nation. Not only that, these were important voting blocks: if you tried to round up everyone of German ancestry and Italian ancestry, you can bet you wouldn’t be reelected.

So what Franklin Delano Roosevelt did was delegate this authority. If we continue reading, it’s not just this authority. The next paragraph, he says “I hereby further authorize and direct the Secretary of War and the said Military Commanders to take such other steps as he or the appropriate Military Commander may deem advisable to enforce compliance.” They don’t just get to set up internment camps, they now have the authority to compel people, to force them into those camps.

As you start to interpret documents like this, it becomes apparent how hidden away in what looks—if you just glance at this casually you have no idea what it meant—how hidden away in documents that look like just so much bureaucratic legalese, is power, is authority, is policy. It’s not just this document; I would suggest that’s generally true. When people go looking for history, sometimes they think wrongly that history is going to be big, bold, dramatic, that you’re going to see it and you’re going to know that is history! Well, sometimes—often—history consists of things that if you passed it by, if you just saw this document, you’d have no idea how momentous it is. It’s not until it’s put into action. So sometimes history is in these details.