Ballyhoo!: Posters as Portraiture

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Annotation

Ballyhoo! presents a concise history of advertising posters and their use of celebrity in the United States, as well as the export of U.S. celebrity to other countries. The website was initially created as an accompaniment to a National Portrait Gallery exhibit which ran in 2008 through 2009.

The site is broken down into an introduction and eight short explanatory sections, each with a two-paragraph essay and four to eight related posters to view.

Freedom Riders

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Annotation

This website serves as an accompaniment to and location to showcase the PBS American Experience documentary Freedom Riders, which originally aired in May 2011. The Freedom Riders were young white and African American individuals who rode busses and trains in the South during 1961 as a form of peaceful protest against the Jim Crow laws. At the time, they met with threats, violence, and incarceration.

Follow along with an interactive timeline and an interactive map. Each leg of the journey is summarized with a couple of sentences of text, and cities where major events took place can be selected for a quick overview. You can also read brief biographies of key figures—riders, politicians, movement leaders, and more—or information on the issues of the day from Jim Crow laws to Vietnam War protests.

View short film clips or the entire documentary here. The full documentary transcript is also available for download. The Teachers' Domain, although it sounds appealing, contains only the same film clips. The difference is that in this section the video clips are all marked as being for 6th through 12th grade.

Finally, the most "teacher-targeted" material on the site is a downloadable teacher's guide for use when viewing the documentary.

NewsTrust

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What is it?

The modern environment of 24-hour news and rapidly-reported events bombards students with information, but does not teach them to assess the reliability of that information. NewsTrust can help students develop what NewsTrust advisor Howard Rheingold calls 'Crap Detection': the ability to sort, assess, and identify bias.

Getting Started

When first arriving at the NewsTrust website, you will see a variety of news stories and broad current event topics. Registering for an account is not necessary to explore the site and the wealth of rich resources that lie within it. Click on 'Guides' in the top menu on the homepage to gain access to the educational resources. If you would like to register for an account, click the sign up button in the upper-righthand corner of the homepage. Sign up is incredibly easy and quick. Once you have completed registration you can start the process of evaluating news sources inside a collaborative, social network. If you intend to sign up your classes, the students would go through the same procedure for registration. You can use the resources of NewsTrust in layers. The supplemental materials, including a guide to thinking like a journalist, work through a variety of readings and activities to analyze bias, sourcing, and perspective. If you want more than the instructional supplements, you can also set up groups for your students and jump into actually evaluating the news alongside the burgeoning NewsTrust community. Within the community, students can participate in challenges such as News Hunts. A News Hunt is described as

. . .a bit like a scavenger hunt for quality news and information on important public issues. Each News Hunt lasts one to two weeks, during which NewsTrust members collaborate with a variety of partners to review a wide range of news stories on a chosen topic. At the end of the week, we recommend the best (and worst) news coverage on that topic, based on ratings from our community.

Although NewsTrust often sponsors these events, there is nothing stopping a classroom teacher from issuing their own News Hunt to the class. Digging up 'the news,' scavenger-hunt-style, can bring home its relevance to students. Similarly, the NewsTrust Truthsquad actively collaborates with FactCheck.org and the Poynter Institute. Truthsquad members "help fact-check controversial statements from politicians, media pundits, and public figures." I intend to use participation in the Truthsquad in one of my classes to hone my students' skills for fact checking, research, and logic.

Examples

A year ago, I decided to use NewsTrust as a part of my Globalization class in an attempt to address the need for 'Crap Detection' while also engaging students in meaningful conversation around the global news of the day. A typical introduction to NewsTrust for my class looked like this:

  • Day One — Investigate global news sources, using the Newseum website
  • Day Two — Read and discuss 'Crap Detection'
  • Day Three — Review a story together as a class
  • Day Four — Review a story in table groups
  • Day Five — Locate a high-rated and a low-rated story and discuss in table groups the merits of each article and whether the evaluations were relevant and accurate
  • Day Six — Review a story of interest individually
  • Throughout the rest of the semester, I assigned a series of challenges and tasks that required them to not only rate but also add stories to the NewsTrust bank of stories. Pedagogically, I use NewsTrust for a number of reasons: it prompts students to distinguish between 'good' and 'bad' journalism, a skill paramount for an informed citizenry; it provides a community of thinkers for students and teachers to interact with; and it can help teach students to read and react to a number of varied sources and to network their inquiry and learning.
For more information

This guide from FactCheckEd.org can get your students off on the right foot, as they consult news sources.

Remember that historical newspaper articles are as open to analysis as are modern ones! This video shows a student modeling assessment of a 1925 article on the Scopes Trial, while historian Barbara Clark Smith takes a look at an article from the colonies in 1775. For primary sources to work with, try searching our Website Reviews using the keyword 'newspapers' and the time period you're interested in.

YouTube

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What is it?

YouTube is a popular video hosting tool that allows users to create and upload videos as well as browse submissions by other users. At more than 1 billion views per day, it is the most accessed video hosting site on the Web, producing both challenges and rewards for educators.

Getting Started

The YouTube video hosting site, like the Google search engine, has so utterly dominated the market that there are probably few people who haven't heard of it—amazing for a company only six years old! With success, however, comes obstacles for educators. The content on YouTube is diverse and many school system administrators have blocked YouTube for that very reason: just as students can find interesting and educational videos to better understand history, they can also be distracted by non-educational content (some of which might be inappropriate). Regardless of school system filters and restrictions, YouTube can enhance the teaching of history. Here are some tips and considerations to keep in mind. One strategy is to use YouTube for planning purposes at home or at work. Whether you sign up for an account or simply browse, begin by looking through available YouTube channels. YouTube EDU (youtube.com.edu) offers videos aimed at educators from many institutions of higher learning. A quick search for "civil war" within the YouTube EDU portal yields a variety of engaging videos that provide usable content (note: many of the videos in this search are lectures, but others include vodcasts—such as an examination of Winslow Homer by Duke professor Peter Wood).

Examples

Here are a few suggestions on how to best search for educational videos in the classroom:

Teach students how to search online wisely.
  1. Set up your own channel. This approach requires a bit of work up front, but it provides a resource that can be used repeatedly. And once searching for history videos becomes second nature, it becomes easier to teach students how to search for quality content on YouTube. As you find course-appropriate videos, click on the down arrow button next to "Add." Here, you have two choices: either add the video to "favorites" or create your own playlist. "Favorites" automatically displays in your course YouTube channel. In order to display a personalized playlist, however, you must be logged onto your YouTube account and in your specific channel. There, you will find a user menu at the top and be able to select "Videos and Playlists." Check the playlist box, and then check the specific title of your desired playlist. Your channel will refresh and display the specific playlist underneath "favorites." Once you collect a number of videos in the course channel's "Favorites" category, or add them to a specific playlist, students can select from videos approved for the course.
  2. Teach students how to set up their own "History" channels. After setting up a course-specific channel with favorite videos and user-generated playlists teach students how to create their own channels and playlists. This is ideal for long-term projects. Students can also add videos to the course YouTube channel by emailing you the link to a particular video, or if you have created a student-accessible account, students can add videos directly. Specific guidelines and monitoring, though, are highly recommend to avoid unwanted videos on a course channel.
  3. Search for reputable organizations on YouTube. Find channels created by educational organizations such as the Library of Congress, National Archives, TimeLife, or the U.S. Holocaust Memorial Museum.
  4. Use existing channels as a gateway to other sites. For example, TED.com offers videos from TED (Technology, Entertainment, Design) talks around the world. It hosts videos both on its own site and on YouTube. Arrangements like this provide educators some flexibility by using YouTube as a "gateway" to other video sites. For example, a quick exploration of TED videos via the tags page leads users to talks on history that can be used to generate discussion in class.
  5. Teach students how to search online wisely. Teaching students how to become digitally-literate is now part of many social studies teachers' job descriptions. Too often, we expect students to be more savvy than their elders in using new-media technologies . . . and sometimes they are. Social studies teachers, however, can teach students how to maximize the use of online tools for the research, writing, and production of history. Searching for "Civil War" or "Jefferson" is unlikely to yield desired results (unless students want to watch Jefferson Airplane and Guns N' Roses music videos). Encourage students to use specific search terms and broaden from there if necessary. For example, specifying the "American Civil War" will provide better search results than simply searching for "Civil War." "U.S. Civil War battles in western North Carolina," however, may be too specific to generate good results. Search for a particular event ("Battle of Bull Run") will help, as will using first and last names when searching for YouTube videos on famous personalities in history—such as "Thomas Jefferson."

"Wait! YouTube is blocked at my school!"

Here are a few options that might work:

  • If YouTube is blocked at your school, use write-ups like this Tech for Teachers entry (as well as other education articles) to see if school system IT personnel can allow password-protected access to YouTube.
  • Ask the school system's IT personnel to unblock your teacher-generated course (or teacher) channel on YouTube. You may want to add to this list any organizational YouTube channels of importance to your teaching, such as the Library of Congress or the JFK Library. Providing a particular list of URLs for content-specific YouTube channels will increase your chances of accessing valuable videos. This is a much easier request than providing hundreds of URLs for individual video clips.
  • If all else fails, you may be able to download YouTube videos at home for use in the classroom. Many free sites can convert YouTube videos into files that can be played on QuickTime, Real Media Player, or Windows Media Player. Sites like Convert Direct or Media Converter will convert YouTube videos into an .mp3, .wmv, .avi, or .mov file. Pay close attention to copyright restrictions before copying online content.
  • TubeChop is an online tool to cut, or chop, a particular portion of a YouTube video—perfect for showing a specific clip for classroom instruction. Users drag the beginning and end cursors to desired location, chop, and TubeChop provides a URL address via their site and an embed code.

In short, YouTube offers teachers a wide variety of materials to use in the classroom. As with any online tool, careful consideration is necessary before students begin using YouTube for historical research and projects. Videos are not a solution to ineffective lessons, but when used in a specific—and targeted way—they can enhance well-designed lesson plans, engage visual learners, and help make history come alive for students.

For more information
  1. Baker, Richard Beach & Frank W. “Why Core Standards Must Embrace Media Literacy.” Education Week, June 22, 2011. http://www.edweek.org/ew/articles/2011/06/22/36baker.h30.html
  2. Hammond, T. C., & Lee, J. K. (2010). "Editorial: Digital video and social studies." Contemporary Issues in Technology and Teacher Education, 10(1). http://www.citejournal.org/vol10/iss1/socialstudies/article1.cfm
  3. Lesson Plan Idea: Using YouTube in a social studies/geography lesson.
  4. A small but helpful list of links to history-focused YouTube videos.

Bill of Rights

Video Overview

Whitman Ridgway outlines some of the context in which the Bill of Rights was created and arguments surrounding its creation. He goes on to look at the specific language of several of the Amendments, the reasons for their wording and inclusion, and how he believes they should be interpreted.

Video Clip Name
Ridgway1.mov
Ridgway2.mov
Ridgway3.mov
Ridgway4.mov
Video Clip Title
The Bill of Rights in Context
Federalist vs. Anti-Federalists
Looking at the Amendments
Having the Right
Video Clip Duration
3:28
3:47
5:07
4:22
Transcript Text

Well, the Bill of Rights, in my opinion, is a very remarkable document because what it does is to summarize the colonists' concern over their legal rights that they were debating with the English government in the 1760s, but it also is a summary of the rights that are guaranteed in various state documents, the state Declaration of Rights, that were written during the Revolution itself, so it's a very lean and mean, if you will, definition of individual liberties as practiced against the national government.

I see the Bill of Rights as part of a longer tradition. The colonists at the time of the Revolution were very sensitive to the issue of rights and so the first iteration was the adoption of Declarations of Rights when the states wrote their constitutions. One of the biggest criticisms of the federal Constitution when it was released was that it did not include a Bill of Rights, and so what we have is a huge debate during the ratification process from 1787 to 1788 over whether or not the Constitution should be amended to include a Bill of Rights.

And this turned out to be a very, very controversial problem. The anti-Federalists published a pamphlet which criticized the Federalists for what they had done. But more importantly for the absence of a Bill of Rights. There’s a very strong public reaction to this throughout the nation for the need for a Bill of Rights.

And it's not until the Massachusetts Convention in the spring of 1788 that they come up with a solution and the solution is that the Convention recommends to the First Congress that there should be additional amendments.

The Bill of Rights is designed to accomplish several different things. One is to protect against an establishment of a national religion or any kinds of national efforts to have uniform religious observance. So you have in the First Amendment, the statement that there shall not be "an establishment of religion," nor will there be a prohibition on the "free exercise" of religion. So religion is on the minds of the framers.

They're also concerned with protecting against a standing army. So you have the Second and Third Amendment and you have the concern about having a well-regulated militia. One of the major concerns with the framers was to prevent the abuse by government of individuals accused of a crime. And so what we find is that in the Fifth Amendment and the Sixth Amendment, and the Eighth Amendment against cruel and unusual punishments, what we have are a series of prohibitions against governmental abuse of individuals. And the assertion of certain guarantees that individuals should have when they're brought to justice before a court of law.

The Federalists and anti-Federalists are very important to understand. The Federalists are the nationalists who in the 1780s criticized the structure of government under the Articles of Confederation and argued that there had to be a stronger central government. The people who become the anti-Federalists are the states rights advocates who were generally happy with the state sovereignty of the Articles of Confederation.

The Federalists were opposed to the Bill of Rights for several different reasons. Led by Alexander Hamilton, who was an author of the Federalist Papers, and by James Wilson, who was a leading Federalist in Philadelphia, they argued that the Constitution was a document of enumerated specific powers. To enumerate means to write out, to elaborate. Therefore, since in Article I, Section 8 there was no enumerated power for Congress to regulate the press or restrict religion or do anything, there was no danger. Isn't it dangerous to sit down, specify all those rights that are identified with the liberties of the people and then sign the document? What about those that were forgotten?

The Federalists argued that the Bill of Rights was unnecessary because individual liberty was protected by your state Declaration of Rights. And so as a Marylander, I could rely on a very broad definition of individual rights in the Maryland Constitution of 1776 and that was the appropriate place. There was no danger from the national government.

The state Declaration[s] of Rights obviously are different, so Delaware's different from Maryland's. New York doesn't have one, Rhode Island would be different. And so, the idea is that the citizens in each of these states have the right to create whatever government they want and so there is no need for a national Bill of Rights when the Articles of Confederation is formed because it is nothing more than the creation of the states, the sovereign states.

One of the frustrations in studying the Bill of Rights is that you would expect to go to the Annals of Congress and find a full discussion of people defending the freedom of religion or attacking the fact that it's too expansive a guarantee of individual liberties and things like that, but it's not the case. There seems to have been a consensus at the First Congress as to what a Bill of Rights should be, similar to the Declaration of Rights on the states.

So Madison is elected to the Congress and becomes an outspoken advocate of the adoption of the Bill of Rights by Congress.

What he did was to take all of the proposed amendments, something like 200 proposed amendments, and he separated them out. So what he cleverly did was to take all of those that went to the structure of the government and ignored them and he went to the others that guaranteed individual liberty and he incorporated them into his proposals. Madison doggedly insists that this thing be done and ultimately prevails.

I think Congress sent something like 17 amendments to the Senate in the final report and then the Senate—which met in secret session so we have no idea what they said—they stripped off, for instance, those amendments proposed by Madison to limit the states to protect such things as trial by jury, freedom of the press, and freedom of conscience. There were 12 amendments that were proposed by Congress and only 10 of which were immediately ratified in 1791.

What I notice is the first word, "Congress." "Congress shall make no law." And when you compare this to the English Bills of Rights, the English Bills of Rights restrict the power of the King. And the American Bill of Rights, somewhat ironically, restricts the power of Congress. It's ironic because what was done is create a republican form of government where we vest Congress with enormous authority, but we're saying that Congress is the most likely entity to violate our liberties. On the one hand, we have enormous confidence in the power of Congress to represent the will of the people, but on the other, we are looking at Congress as a potential abuser of liberty.

If you look at the verbs and you compare it, say, to the Maryland Constitution, the Maryland Constitution says, "the House of Delegates ought not," "should not." In this, it says, "shall." And if you look at the verb throughout the Bill of Rights or in the Constitution itself, there's an absolute prohibition. It "shall not do this."

There's a tremendous amount of litigation that is represented in the Fifth Amendment—the double jeopardy clause something we are all familiar with, which is if you've been tried and found innocent, you cannot be brought on the same case before another court. Or you cannot be compelled to be a witness against yourself and self-incrimination.

The due process clause directly relates to an English protection. Article IV of the English Petition of Rights, stated that no man should be put out of his land or tenements nor taken nor imprisoned nor disinherited nor put to death without being brought to answer by due process of law. And so the due process clause is a direct descendant of that, as are many other provisions in the Bill of Rights.

Following the Civil War, African American citizens were not given due process rights by the various states which resulted in the 14th Amendment being passed which would protect their rights, their liberties, as citizens of the United States against the abuse of the state.

One of the most confusing things in my mind about the Bill of Rights is who does it limit. A good example of this is the case that would be decided in 1833 called Barron v. Baltimore. The issue here was the fact that the City of Baltimore in its collective wisdom was improving the streets in Fells Point and the owner of a wharf discovered that every time it rained, his wharf was getting silted up more and more. The issue was whether or not the City owed him money for destroying his wharf.

He lost in the state courts and so being very inventive, what he did was to sue in federal court and he argued that this was a "taking without compensation" and violated his Fifth Amendment rights. So it makes it way to the Supreme Court and Justice Marshall says that you don't have a cause of action because the Bill of Rights says, "Congress shall make no law"; it doesn't say that the states shall make no law. So the Barron v. Baltimore stands for the proposition that the federal Bill of Rights only attaches against federal government action and you cannot go against the states.

The Bill of Rights ends with two very important amendments, the Ninth and 10th Amendments, which are designed to protect rights that are not enumerated, or to reserve to the states rights not given or powers not given to the national government. So what this is designed to do is to address what Hamilton feared in Federalist 84—that if you forget to enumerate the rights, that they will be lost. So the Ninth Amendment says that those not enumerated, shall be retained by the people.

The 10th Amendment, on the other hand, is trying to deal with the powers of the state. those powers not given to the national government in Article I, Section 8, or those powers not prohibited to the states in Article I, Section 10. Everything else is reserved to the states respectively.

So, for instance, when Alexander Hamilton wanted to create a bank of the United States in 1791, Thomas Jefferson who opposed this said that this violates Article X because it is not a power enumerated in the Constitution and since it's not enumerated, it would be reserved to the states and the states have the power to create banks. This is the first debate over the meaning of the 10th Amendment and the use of the so-called "Elastic Clause," the necessary and proper clause of the Constitution to enact those things not specifically enumerated in Article I, Section 8.

When we talk about the First Amendment as probation on the establishment of religion, it is very hard for them [students] to accept the fact that there were established churches on the state level and that they would continue in existence until 1833. Why is it there should be an established religion on the state level but not a national established church?

The Church of England was something that they wanted to avoid whereas they accepted the fact that the citizens of Massachusetts could have a state-established church if they wanted.

What does it mean to have the free exercise of religion? The free exercise of religion as defined in the 18th century by Americans, by the founders, was the free exercise of Christian religion. It would be a Protestant religion, it could be evangelical, it could be Catholic. Agnostics were frowned upon. Atheists were not accepted and non-Christian faiths were not accepted. So when you look at the establishment of religion and the free exercise clause, it is far more limited in the 18th century than it would be in the 21st century.

Freedom of speech is another good example where people take it literally, which is to say: I should be allowed to do whatever I want. I think there're several things going on here. One is, in the 18th century, freedom of speech was often identified with the rights of a republican society, that is, it was a political right that would encourage the free expression of ideas having to do with your political responsibility. It has been transformed in the 20th century into flag burning, naked dancing, as an expression of freedom of speech which an 18th-century person would never recognize.

As for yelling fire in a crowded theater, there are restrictions and the Supreme Court has recognized those restrictions. That is, you have certain social responsibilities and you do not have an absolute right, so all of these rights are conditional.

The hardest thing, I think, to get people sensitive to is the flip side of rights, because the flip side of rights, in my view, is obligations. And so I think the assumption of the Bill of Rights is that you will live up to your obligations as a citizen, that you will behave in accordance with the general prohibitions and the general limitations on one's liberty. And that one will in fact perform one's duties as a citizen and to be responsible in doing that.

Doesn't the state have the right to limit your liberty in certain ways for the public good? Why shouldn't you be forced to incriminate yourself? What does it mean to reserve those rights not enumerated? Does it mean that they're fixed in time as Justice White thought in 1791? Or does it mean that the Supreme Court has the power to define this as every generation goes on?

I talk about this in history class. And I talk about it often in terms of why was the 14th Amendment necessary? Why is it that the Congress in 1864 decided it had to protect the rights of its citizens, in this case, former slaves, against the actions of states? And so you can talk about how the states tried to re-impose limitations on the ability of blacks to testify in court against whites; their legal rights etcetera, etcetera. So you can get to the whole idea of what are the rights of citizenship and then why were those rights being ignored in this period. And then how the federal government took a position to guarantee those and then how it failed.

Or I'll talk about various individual court decisions that will highlight the operation of one of these rights, like the Miranda decision. It's not until the 1950s, for instance, that your Miranda Rights have been assured and the reason for that is that police departments were very lax in respecting these rights and ultimately during the 1950s, the courts found it necessary to insist that there're certain standards that have to be adopted.

Google Maps

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What is it?

Google Maps allows users to place markers, upload pictures of specific locales, draw lines and shapes, and provide descriptions—helpful for constructing historical maps or geography-based lessons.

Getting Started

Working with Google Maps is simple enough, but users will (of course) need to establish a Google account in order to create a map. After signing in, the first step is to provide the map with a title and description, as well as establish privacy and share settings; the map is already in edit mode. Text can be entered in plain or rich text—great for inserting links. Users will see three icons in the left corner of the map: a hand (navigation tool), a marker pin (with over 90 icons), and a jagged line (to draw lines and shapes). To create a marker, select the corresponding icon and select style and click on the desired location on the map. After entering a title, users can select the rich text format to not only insert hyperlinks but also add images to the marker by selecting the image's URL address. In addition, you can embed a Google Video or YouTube clip by copying the embed code and pasting it into the description field. To create a line, users can simply click at the beginning point, click at subsequent locales, and double click to finalize the desired route. Creating lines using existing roads may be a useful for tracing travel and trade routes.

Google Maps facilitates collaborative learning and helps teachers extend and refine their lessons through an interactive medium that promotes critical decision making.

Two more tool options are found at the top of the left bar, above the title of the map: "collaborate" and "import." The collaborate function—which allows users to invite others to help create and edit a map—is ideal for group projects. Teachers can also use this function to collaborate with colleagues teaching a similar course. Either way, Google Maps facilitates collaborative learning and helps teachers extend and refine their lessons through an interactive medium that promotes critical decision making. The import option allows users to add map data from a KML, KMZ, or GeoRSS file. This is a very useful tool if teachers are able to find good historical "overlays" for their maps. A brief search for historical KMZ files yielded several good imports, such as battles of the Civil War, significant cities of the Civil Rights Movement, and U.S. presidential elections (using search terms like "historical maps KMZ" or "KMZ historical places" is a good way to start . . . but the development of these types of files is still growing so it may take some searching). Google Maps does have some glitches. Creating routes using the "line drawing" tool is tricky. Starting points do not always appear where you click to select, and editing an existing route is difficult; the pointer on the screen does not always match the marker boxes designed to click and drag to a new point on the map. In creating our own map, we also ran across an interesting problem. We created a map with markers and descriptions, but when we accessed it at a later date, the information appeared but all the markers on the map disappeared. Furthermore, the links in the information panel were no longer active. We would recommend creating a database on an Excel spreadsheet first, using columns such as "latitude, "longitude," "name,", and "icon." Then you can convert the Excel document into a KML file by using an online site such as Earth Point, which does an excellent job of providing a step-by-step process on how to create a "KML-friendly" Excel spreadsheet, lists the various ways to enter longitude and latitude coordinates, provides the numbers for hundeds of different marker icons, and also has a feature where you can make the conversion on the Earth Point site. A new KML file will be downloaded onto your computer, which can then be imported in Google Maps. Voila! All the markers appear, with descriptions in place.

[Note: it is highly recommended to use the decimal format for coordinates. Excel spreadsheets only accept negative values in the decimal-coordinate format. Any location in the Western and Southern hemisphere is a negative coordinate.] Although such a process sounds tedious, we found that this extra step is useful if you want to continue editing a map, or, more importantly, if a glitch causes the information on Google Maps to disappear. You can import the KML file into your Google Map at any time and replace the old one. Consider the KML file a Google Maps "backup" file.

Examples

One good site to examine the potential of map overlays is Dave Rumsey's site. In an 1861 historical overlay, we see an old map of Washington, DC over a Google Map in Satellite View. By clicking on "Washington DC 1861" on the right, users can make the map come and go as they please. Likewise, by clicking on "transparent map", users can add and remove modern street names and locales.

Historypin is another good site to see what users can do with pin markers, photographs, and other information that can make history come alive.

Another good site to examine student-produced Google Maps projects is Google Historical Voyages and Events. By clicking on "historical events" on the left sidebar menu, several student-created projects are available for browsing. One useful starting point is to select "Major Events of the Civil War" and browse various class projects in Google Maps. "Major Events of the Civil War," a 5th-grade class project, also includes detailed for educators to gain ideas of how to use Google Maps in the classroom across grades 5-12.

For more information

Helpful tips and tutorial for users new to Google Maps.
A useful primer on KMZ and KML files.
10 minute video of how Google Apps work for the K-12 classroom.

Voki

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What is it?

Voki allows users to create personalized speaking avatars and use them to re-create historical actors, unique characters, or other figures. By controlling their voices, students can use their avatars for role play or to reenact famous speeches.

Getting Started

Luckily Voki allows users to practice creating an avatar without enrolling or creating a new account. You can choose characters from various categories and several obvious historical personas are available like George Washington, Abraham Lincoln, and modern-day political figures. Each avatar can be customized by head, clothing, accessories, and various voice options. Users can also select background images and resize the avatar in relation to the player window. After selecting the voice option, users can enter text and listen to the voice that is created. Likewise, if users want to record their own voice they can also playback their recording until satisfied.

Once the Voki avatar is created, users can publish their creation. By registering an account with Voki, all Avatar creations are saved under the user's account for continual access. If users forego the registrations, the finalized avatar does contain a unique URL link (which should be copied down for later access.) Users can also use the embed code to immediately post or bookmark the avatar in whichever social network site they prefer.

Whether users want to embed their avatar on their own site, in an email, or a course blog, these creations can liven up any history class.

Examples
By speaking through an avatar, students will not only maintain retain online privacy but will appreciate an innovative and safe platform for classroom presentations.

In a simple avatar that imagines a modern-day George Washington, students could apply Washington's guiding philosophies to modern issues such as health care, immigration, or foreign interventions. By speaking through an avatar, students will not only retain online privacy (great for teachers and parents!) but will appreciate an innovative and safe platform for classroom presentations.

Students can use their avatars to engage in debates and topic discussions—such as Abraham Lincoln and Ronald Reagan engaging in issues of states rights and federalism. Likewise, students could use their avatar creations to address a homework question on a course blog or wiki page. Another good use of Voki avatars is to re-enact famous speeches such as the Gettysburg Address, or to summarize the President's State of the Union Speech in under two minutes by examining word clouds released after the speech.

Finally, a wonderful use for these avatars is to apply gained knowledge of philosophical views of historical figures into fictional scenarios. For example, students can create a fictional character that meets a certain demographic (i.e. middle-aged Hispanic female nurse). Then the entire class, made up of various American citizens, can conduct a town hall debate on the key issues of the past and present. A variation of this format is to conduct a town hall of famous American politicians and personalities—such as Barack Obama, Reagan, Washington, Lincoln, John Kerry, Hillary Clinton, Sarah Palin, and John Stewart.

For more information

Voki for Education has plenty of materials and suggestions that can help teachers gain inspiration for how to make the best use of the available technology. One helpful feature is the Teacher's Corner Message Forum—a quick browse through the posted messages is worth the time spent.

Voki also has a Lesson Plan site that can be searched through grade level and/or subject area. A useful FAQ section can also help users to orient themselves to the tool.

Padlet

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What is it?

In a nutshell, Padlet is an online bulletin board. History teachers, however, can use this tool in myriad ways. For example, Padlet users can pose open-ended questions and elicit multiple student responses—ideal for posing document-based questions using primary sources. Users can also create their own "post-it" notes in response to a directed question. Teachers can also use Padlet as an online posterboard—a natural fit for group projects. Padlet can also function as a "bell-ringer" or "ticket-out-the-door" activity, as well as a homework assignment.

Getting Started

Although registering is not required, it is free and easy to do via Padlet's own registration portal, or using a Google (or Open ID) account. Once users are registered, they can create their first bulletin board and (in the top left corner) edit the title and description of the "wall." Teachers can create a topic, or simply post a question for students to answer. Users can also edit the image associated with the wall, which functions as an identifying logo. (Students looking to create a World War II wall could use, for example, a propaganda poster like Rosie the Riveter as the logo.) Lastly, users can select the design template and set access privileges (which includes a custom URL ID).

After the wall is established, users can add a "post-it" note by double-clicking anywhere on the wall. Text, audio, video, and images can be posted to the wall (videos and images automatically display a Zoom picture when clicked on—a temporary pop-up window for viewing.)

[Note: Do not place any "sticky notes" too close to the wall title and description. If the top of the sticky note is hidden underneath the wall title and description, it can be hard to move the note.]

Examples

An easy way to experiment with Padlet is to give it a try with a simple question. Once users become more accustomed to how Padlet functions, they can construct walls that employ more Web tools. We posted a sample question on a 1960s U.S. advertisement for a non-coffee product so that readers of this Tech for Teachers entry can add their own thoughts. Try it out! Leave a "sticky" note and tell us how you would respond to the coffee question, ad, and TV commercials.

The use of various multimedia sources makes historical questions more complex, engages students, and goes beyond what is possible in a traditional worksheet/whiteboard approach.

Embedding an image for viewing and providing a directed question allow the coffee example to work like a document-based question (DBQ). Additionally, the coffee question can be expanded into other discussions. In this case, a YouTube clip on coffee advertisements opens up questions about gender relationships in 1950s-1960s America. The use of various multimedia sources makes historical questions more complex, engages students, and goes beyond what is possible in a traditional worksheet/whiteboard approach. By modeling specific uses for Padlet, teachers can also empower students to create their own effective walls for classroom use and history-based discussions.

A few technical issues are worth considering. Each sticky note is limited to 150 characters. Also, images heavy on text might not be legible, even in their zoom pop-windows. If this is the case, viewers can find larger images by either right-clicking the image and saving it to their desktop, or enlarging the zoom view on the computer screen. Lastly, and most problematically, the site tends to become tied up and non-responsive. We have encountered many instances when Padlet fails to load properly. However, the value of the tool should encourage users to be patient and hope for a more consistent service in the future. Padlet is a simple tool, but one that can accentuate the best teaching practices teachers employ on a day-to-day basis. For students, carefully posed questions will allow them to respond in many ways—which only helps classroom discussion.

For more information

Check out the Padlet Blog to see some other ideas for using Padlet.

Flickr

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What is it?

Flickr is an online photo management and sharing application. It allows you to upload photos and share, edit, organize, and geotag them, as well as create your own galleries and develop image-based projects. Flickr Commons, a Flickr subgroup, provides access to publicly-held photography collections of museums, archives, and art galleries around the world for public use and comment. Helping students understand the various licenses under Creative Commons is an excellent way to foster discussions on copyright issues—helpful as students progress to college.

Flickr, then, is a valuable resource for educators as they teach subject area content, digital literacy, critical thinking skills, and ideas such as "intellectual property."

Getting Started

Signing in to Flickr is easy. You can use either create a Yahoo account to create a user name and ID, or sign in with a Facebook or Google account. The Flickr Tour offers clear instructions for uploading, editing, organizing, and sharing photos as well as for integrating Flickr with mapping tools and for using it to create projects. Users can also stay up to date with the latest developments via the Flickr blog. Also, for a quick fix on the Flick search function, check out Find Pictures with Flickr on YouTube, a one-and-a-half minute video. Flickr Tutorial Basic Tools, also a YouTube video (it's about seven-and-a-half minutes long), gives more detailed examples of basic Flickr processes you'll need for the classroom: advanced search, Creative Commons, uploading and downloading, how to add notes, and how to create photo sets.

Examples

One of the best uses for Flickr in the history classroom is the gallery feature: a "curator" experience that allows users to comb through Flickr's millions of photos in order to create a photo collection. In addition, users can collect images across the internet, upload them into Flickr, then use those photos in the creation of the gallery. Regardless, curating a photo exhibit is an excellent opportunity to work with students on photo selection. Educators can also pose questions that encourage students to asses their own thinking: Why choose this photo, and not that one? Why settle on 10 pictures and not five, or 15? Did you use images that are in the public domain, or copyrighted? Does it matter if you find out that this photo was staged?

Discussing photo selections can also greatly enhance the teaching and learning of history by forcing students to pay attention to the details of an image...

Raising questions about intellectual property and copyright with students—particularly the history and court cases related to these topics—is a very useful discussion as they prepare to enter careers or further their education on a college campus. Discussing photo selections can also greatly enhance the teaching and learning of history by forcing students to pay attention to the details of an image, and perhaps to investigate its origin in order to contextualize it. In this quickly constructed gallery of U.S. Presidents, a simple question asks "What do these official, and unofficial, portraits of 10 U.S. Presidents reveal to us about American society?" Here, teachers can construct a gallery and model for students two concepts: photo selection and inquiry-based learning through visuals. Attached to some pictures are some leading comments or directions that can further students' own thoughts as they tackle the main question at hand. In the comments section at the end of the gallery, students can post their response to the question (Note: To post comments, students would have to login ti Flickr using their Google or Yahoo account.) Teachers would probably be wise to think about ways to avoid repetitive answers, such as allowing students to pick a few of the pictures, creating two smaller galleries to split among students, or simply by creating alternate questions for student groups. After modeling and discussing a particular gallery, teachers can then assign each student to curate their own gallery, provide information per image, and ask students to leave comments on each other's products. The "student-as-a-museum-tour guide" approach is an excellent exercise that stimulates higher-order thinking, creates dialogue, and can deepen historical understanding.

For more information

Another good collection of sites for visual literacy is found at JakesOnline.

More information on Visual Teaching Strategies can be found here

Explore more on the Flickr Educators Discussion Page

There are also plenty of other ideas that can be incorporated into the history classroom from other disciplines. And for more on copyright and photographs, try our blog entry and Ask a Digital Historian on the subject.

The Object of History

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Annotation

The Center for History and New Media and the Smithsonian National Museum of American History created this website to model both historical thinking about artifacts as primary sources and possible best practices for sharing museum collections online. With the site, students can curate their own virtual history exhibits, using documents and expert interviews related to six core artifacts from different time periods. The "Guide" section introduces users to how and why artifacts are important to historians. Seven 300- to 600-word essays argue that artifacts tell stories, create connections between people, hold many different meanings, capture moments, and reflect changes. After learning how historians relate to artifacts, users can tour model exhibits in "Objects," focusing on six Smithsonian-held artifacts: Thomas Jefferson's lapdesk, the gold nugget that started the California Gold Rush, a dress that belonged to Mary Todd Lincoln, an 1898 voting machine, the Woolworth counter where a sit-in took place in 1960, and a short-handled hoe used by farmworkers in the 1960s and 1970s.

Using the more than 220 expert interviews and primary sources from the "Object" model exhibits, students can create their own six-item exhibit.

An "Introduction" for each artifact includes a short introductory video placing it in its historical context and a virtual version of the artifact. Users can zoom in and out on the virtual artifact, rotate it, or click to discover interactive hot spots. Clicking "Explore" in each exhibit provides further information on the object, its place in history, and its history as a museum artifact. Interviews with Smithsonian experts and related primary sources enrich "Explore" sections. "Tour" demonstrates how the interviews and sources in "Explore" can be pulled together into exhibits: either a short 4- to 5-piece "Brief Tour" or a 5- to 13-piece "Extended Tour." "Resources" rounds up annotated links to websites with more information on topics related to each artifact. "Activity" is the heart of the site. Using the more than 220 expert interviews and primary sources from the "Object" model exhibits, students can create their own six-item exhibit. After selecting the objects that reveal the perspective or tell the story they wish to convey and labeling the objects with interpretative text, students can email their finished exhibits to their teacher (or to themselves). For even more information on the six core artifacts, users can listen to experts' recorded answers to questions about the artifacts in "Forums." The 16 recordings run from 13 minutes to an hour. The site may take time to learn to navigate and use, and sorting through the many interviews and primary sources to curate an exhibit can be frustrating (interviews and sources can be displayed by collection, but not searched). However, the site can still provide an introduction to what makes artifacts unique as primary sources, and the skills historians use to interpret artifacts and create museum exhibits.