The Civil Rights Movement

Description

This seminar explores how an economically and politically powerless racial minority wrested dramatic change from a determined and entrenched white majority in the American South. It will examine the changing nature of protest from the 1940s to the 1950s; the roles of Martin Luther King, Jr., local movements, and women; and the relative importance of violence and nonviolence. Participants will discuss how they can use the experiences of schoolchildren, teachers, and students in the crises of the 1950s and 1960s to bring home the realities of the Civil Rights Movement in the classroom. Topics include the Little Rock Nine and their teachers in 1957, students and sit-ins, and the use of schoolchildren in the 1963 Birmingham demonstrations.

Registration Deadline
Sponsoring Organization
Gilder Lehrman Institute of American History
Phone number
646-366-9666
Target Audience
Middle and high school
Start Date
Cost
Free; $400 stipend granted
Course Credit
Pittsburg State University (PSU) is pleased to offer graduate credit to workshop participants at a tuition fee of $199 per credit hour. Participants can receive three graduate credit hours for the duration of the week.
Duration
One week
End Date

War of Invasion, War of Liberation: Occupied Nashville and the Civil War and Emancipation in the Upper South

Description

No details available.

Contact name
Hunt, Robert
Contact email
Registration Deadline
Sponsoring Organization
Middle Tennessee State University
Phone number
615-898-5519
Target Audience
K-12
Start Date
Cost
Free; $750 stipend
Duration
Six days
End Date

"Stony the Road We Trod": Alabama's Role in the Modern Civil Rights Movement

Description

From Bombingham to Selma, Montgomery to Tuskegee, Alabama's people and places left an indelible mark on the world in the 1950s and 1960s. From Booker T. Washington and George Washington Carver to the Rev. Fred L. Shuttlesworth, Alabama citizens have been at the forefront of the crusade to improve African Americans' lot in life in the United States. Selma's citizens began a march in 1965 to protest the killing of one man. This day became known as Bloody Sunday. Now the citizens of Selma have created a people's museum so the world will not forget those tumultuous days and will remember the people's stories. Teachers in this workshop work with noted scholars, converse with living legends, participate in discussion groups, meet foot soldiers of the movement, and travel to key sites of memory dedicated to the preservation of the history of the modern Civil Rights Movement.

Contact email
Registration Deadline
Sponsoring Organization
Birmingham Civil Rights Institute
Phone number
205-328-9696
Target Audience
K-12
Start Date
Cost
Free; $750 stipend
Contact Title
Cooper, Priscilla Hancock
Duration
One week
End Date

The Most Southern Place on Earth: Music, Culture, and History in the Mississippi Delta

Description

Participants in this workshop will travel throughout the Delta as they visit sites where significant events occurred. They will discuss and learn about issues involving civil rights and political leadership, immigrants' experiences in the Delta, the Blues, the great migration, agriculture, and the Mississippi River, among other things. They will sample Delta foods, visit local museums, and listen to the Blues. Field trips will roam as far as Greenville, Greenwood, and Memphis, with stops in between.

Contact name
Brown, Luther
Contact email
Registration Deadline
Sponsoring Organization
Delta Center for Culture and Learning
Phone number
662-846-4311
Target Audience
K-12
Start Date
Cost
Free; $750 stipend
Duration
Six days
End Date

Race and Place

Image
Annotation

This archive addresses Jim Crow, or racial segregation, laws from the late 1880s until the mid-20th century, focusing on the town of Charlottesville, VA. The theme is the connection of race with place by understanding the lives of African Americans in the segregated South. Political materials includes seven political broadsides and a timeline of African American political activity in Charlottesville and Virginia. Census data includes searchable databases containing information about individual African Americans taken from the 1870 and 1910 Charlottesville census records. City records includes information on individual African Americans and African American businesses. Oral histories includes audio files from over 37 interviews. Personal papers contains indexes to the Benjamin F. Yancey family papers and the letters of Catherine Flanagan Coles. Newspapers, still in progress, includes more than 1,000 transcribed articles from or about Charlottesville or Albemarle from two major African American newspapers—the Charlottesville Recorder and the Richmond Planet. Images has links to two extensive image collections, the Holsinger Studio Collection and the Jackson Davis Collection of African American Educational Photographs, and three smaller collections.

The John and Ruby Lomax 1939 Southern States Recording Trip Anonymous (not verified) Fri, 01/25/2008 - 22:21
Image
Annotation

In 1939, John Lomax, Curator of the Library of Congress Archive of American Folk Song, and his wife Ruby Terrill Lomax, embarked on a 6,500-mile journey through the South. During their travels, they recorded more than 700 folk tunes that now are available as audio files on this website. Genres include ballads, blues, children's songs, cowboy songs, fiddle tunes, field hollers, lullabies, play-party songs, spirituals, and work songs.

The site also presents field notes containing personal information on some of the more than 300 performers the Lomaxes recorded, notes on geography and culture, and excerpts from correspondence. More than 50 letters to and from the Lomaxes, 380 photographs, a bibliography of 22 works, and a map are also offered. The site is keyword searchable and can be browsed by subject as well as title, song text, and performer.

Selected Civil War Photographs

Image
Annotation

More than 1,000 photographs depict Civil War military personnel, preparations for battle, and the aftermath of battles in the main eastern theater and in the west in this collection. Photographs also include Federal Navy and Atlantic seaborne expeditions against the Confederacy, Confederate and Union officers and enlisted soldiers, and Washington, DC during the war. Most images were created under the supervision of photographer Mathew B. Brady. Additional photographs were taken by Alexander Gardner after leaving Brady's employment to start his own business.

The presentation "Timeline of the Civil War" places images in historical context. "Does the Camera Ever Lie" demonstrates the constructed nature of images, showing that photographers sometimes rearranged elements of their images to achieve a particular effect. This website is useful for studying 19th-century American photography and Civil War history.