Alcohol, Temperance, and Prohibition

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Image, "Who will pay the beer bill?,", American Issue Publishing Company
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This small, but useful, website offers a wide range of primary source material for researching the history of the prohibition movement, temperance, and alcoholism. The more than 1,800 items include broadsides, sheet music, pamphlets, and government publications related to the temperance movement and prohibition.

Materials come from the period leading up to prohibition, such as an 1830s broadside on the "Absent Father" as well as the prohibition era itself, such as a 1920 pamphlet entitled, "Alcohol Sides with Germ Enemies." They end with the passage of the 21st Amendment in 1933.

All digitized items are in the public domain. An essay, "Temperance and Prohibition Era Propaganda: A Study in Rhetoric" by Leah Rae Berk provides an overview of the topic and historical context.

Silverites, Populists, and the Movement for Free Silver

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photomechanical print, Anything to oblige, July 11 1906, Udo J. Keppler, LOC
Question

Why were the people living in rural areas more likely to support "free silver" in 1896 than urban dwellers?

Answer
Gold bugs v. Silverites

Political battles over currency issues became intensely divisive during the last quarter of the 19th century as industrialization accelerated in the Northeast, while the South and newly settled areas of the Midwest remained dependent on farming. From 1873 through the late 1890s, the U.S. suffered through two major economic depressions that heightened sectional and class conflict. By the 1896 election, designated by historian Walter Dean Burnham as “the first confrontation . . . among organized political forces over industrial capitalism,” positions on currency had solidified into a “battle of the standards.” “Gold bugs” believed that a “sound” national economy must be based on the gold standard to ensure the dollar’s stability, guarantee unrestricted competition in the marketplace, and promote economic liberty. “Silverites” believed that currency should be redeemable in silver as well as gold. They agitated for “free silver,” or unlimited coinage of silver, a metal that could be mined in abundance in the West, to produce an increased and more flexible money supply that they hoped would lead to a more equitable economy and foster social reforms.

Farmers for Free Silver

Congress had discontinued the minting of silver coins in 1873 in an act that came to be known as the “Crime of ’73.” Professor of government Elizabeth Sanders includes the demonetization of silver as one of a few significant policies of the period that led many working people, especially farmers, to believe that a “fraud against the people” was being “perpetrated by the national state on behalf of a financial elite.” With silver coins delegitimized, the amount of money in circulation decreased. A tightened money supply benefited creditors, like banks and merchants, at the expense of debtors, especially farmers who had to borrow annually from banks and merchants in order to plant cash crops that could bring in money for the repayment of their debts only at harvest time. Farmers sought inflation of the money supply so that more money would be available to them for credit, prices for their crops would rise, and debts would become easier to repay.

Advocates for inflating the money supply ranged from those who proposed that the federal government print paper money not backed by either gold or silver to those who called for the remonetization of silver. Free silver proponents came to believe in the 1890s that unlimited coinage of silver, a reform less extreme than others that agrarian radicals earlier had supported, could unite divergent groups into a national coalition to challenge politicians who supported monied interests.

The People’s Party, also known as the Populists, formed as a political party in 1891. As Sanders emphasizes, “Its philosophy was anti-corporate, though not anti-capitalist.” The Populist platform during the 1892 election campaign advocated free silver and other reforms with the intent, Sanders writes, “not to turn the clock back on industrial development but to harness the new technological power for social good, to use the state to check exploitative excesses, to uphold the rights and opportunities of labor (farm and factory), and to maintain a healthy and creative business competition.”

Election of 1896

Populists hoped to win the 1896 election and supplant the Democrats as one of the nation’s two major national parties. Their strategy relied on convincing silverites from the Democratic Party to vote with the Populists rather than for the expected Democratic nominee, President Grover Cleveland, who supported the gold standard, as did the Republican nominee, Ohio governor William McKinley. The Democrats, however, selected as their candidate William Jennings Bryan, a strong advocate for free silver. McKinley forces, mounting a well-funded campaign supported by the Northern intelligentsia, church and business interests, and the urban press, tarnished Bryan as a radical with an economic program that would lead to disastrous consequences for the nation. McKinley soundly won the election, and although Bryan triumphed in 22 states to McKinley’s 23, McKinley captured nearly 100 more electoral votes and prevailed in every city of more than 100,000, with the exception of Denver, where the silver mining interest was strong.

Some historians believe that many urban workers voted for McKinley because they had become convinced that Bryan’s policies would destroy the economy and result in reduced wages and increased unemployment. Some argue that Bryan’s “revivalist” style of campaigning and the Prohibitionist views of some of his supporters were distasteful to Catholics, especially Germans, in the urban labor force. Sanders contends that reporters’ coverage of Bryan’s campaign provides strong evidence that his message, in fact, did resonate with urban workers. She suggests, however, that “the powerful economic warnings of the core establishment” and the claim that a program to benefit farmers would wreck havoc upon the Northern industrial economy “were ultimately persuasive on election day.”

Sanders and others emphasize that labor organizations of the time did not want to rely on government to resolve its disputes with management. Unions sought to effect change through exerting leverage at the work site itself. Burnham writes, “From the perspective of the urban voter committed to the network of urban-industrial social and economic relationships that now existed, currency inflation could only be regarded as irrelevant at best and disruptive at worst.”

Bibliography

Burnham, Walter Dean. “The System of 1896: An Analysis.” In The Evolution of American Electoral Systems, by Paul Kleppner, et. al. Westport, CT: Greenwood Press, 1981.

Kazin, Michael. A Godly Hero: The Life of William Jennings Bryan. New York: Alfred A. Knopf, 2006.

Postel, Charles. The Populist Vision. New York: Oxford University Press, 2007.

Ritter, Gretchen. Goldbugs and Greenbacks: The Antimonopoly Tradition and the Politics of Finance in America. New York: Cambridge University Press, 1997.

Sanders, Elizabeth. Roots of Reform: Farmers, Workers, and the American State, 1877-1917. Chicago: University of Chicago Press, 1999.

Weinstein, Allen. Prelude to Populism: Origins of the Silver Issue, 1867-1878. New Haven: Yale University Press, 1970.

San Luis Obispo County Historical Society, Museum, and the Dallidet Adobe [CA]

Description

The San Luis Obispo County Historical Society seeks to preserve and share the history of San Luis Obispo County, California. To this end, the society operates the Historical Museum and the Dallidet Adobe. The museum, housed within the circa 1905 Carnegie Library building, offers exhibits of local historical interest. The Dallidet Adobe is decorated with furnishings which once belonged to the Dallidet family. The grounds include an arbor and Mediterranean garden.

The museum offers exhibits, a children's activity room, student tours, research rooms, and research assistance. The Dallidet Adobe offers gardens and school tours. Reservations are required for school tours.

Research & Reference Gateway: History - North America

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Logo, Rutger's University Libraries
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This site furnishes hundreds of links to primary and secondary sources on North American history. An eclectic collection, it includes links to library catalogs throughout the world, archival collections, texts, journals, discussion lists, bibliographies, encyclopedias, maps, statistics, book reviews, biographies, curricula, and syllabi. Materials are arranged by subject, period, and document type. Try "History-North America" for the widest variety of vetted sources. Special resource collections include "America in the 1950s," "New Americans: American Immigration History," "The Newark Experience," "U.S. Business History," "U.S. Labor and Working Class History," and "Videos on the U.S. and American Studies."

Emile Berliner & the Birth of the Recording Industry

Description

Video background from The Library of Congress Webcasts site:

"Emile Berliner (1851-1929) was a German-born immigrant whose inventions contributed to the birth of the recording industry. A largely self-educated man, Berliner was responsible for the development of the microphone, the flat recording disc and the gramophone player. Often overlooked by today's historians, Berliner's creative genius rivaled that of his better-known contemporaries Thomas Alva Edison and Alexander Graham Bell. Like the works of these two inventors, Berliner's innovations helped shape the modern American way of life. Berliner's life, work and connection to Washington, D.C., where he lived for many years, is the subject of a talk by Samuel Brylawski and Karen Lund."

The Breakers [RI]

Description

The Breakers is the grandest of Newport's summer "cottages" and a symbol of the Vanderbilt family's social and financial preeminence in turn-of-the-century America. Commodore Cornelius Vanderbilt (1794–1877) established the family fortune in steamships and later in the New York Central Railroad, which was a pivotal development in the industrial growth of the nation during the late 19th century. The Commodore's grandson, Cornelius Vanderbilt II, became Chairman and President of the New York Central Railroad system in 1885, and purchased a wooden house called The Breakers in Newport during that same year. In 1893, he commissioned architect Richard Morris Hunt to design a villa to replace the earlier wood-framed house which was destroyed by fire the previous year. Hunt directed an international team of craftsmen and artisans to create a 70-room Italian Renaissance- style palazzo inspired by the 16th-century palaces of Genoa and Turin. Allard and Sons of Paris assisted Hunt with furnishings and fixtures, Austro-American sculptor Karl Bitter designed relief sculpture, and Boston architect Ogden Codman decorated the family quarters.

The mansion offers tours.

Marble House [RI]

Description

Marble House was built between 1888 and 1892 for Mr. and Mrs. William K. Vanderbilt, a summer house, or "cottage," as Newporters called them in remembrance of the modest houses of the early 19th century. But Marble House was much more; it was a social and architectural landmark that set the pace for Newport's subsequent transformation from a quiet summer colony of wooden houses to the legendary resort of opulent stone palaces.

The house offers tours.

The Elms [RI]

Description

The Elms was the summer residence of Mr. and Mrs. Edward Julius Berwind of Philadelphia and New York. Mr. Berwind made his fortune in the Pennsylvania coal industry. In 1898, the Berwinds engaged Philadelphia architect Horace Trumbauer to design a house modeled after the mid-18th-century French chateau d'Asnieres (circa 1750) outside Paris. Construction of The Elms was completed in 1901 at a cost reported at approximately $1.4 million. The interiors and furnishings were designed by Allard and Sons of Paris and were the setting for the Berwinds' collection of Renaissance ceramics, 18th-century French and Venetian paintings, and Oriental jades. The elaborate Classical Revival gardens on the grounds were developed between 1907 and 1914. They include terraces displaying marble and bronze sculpture; a park of fine specimen trees; and a lavish lower garden featuring marble pavilions, fountains, a sunken garden, and carriage house and garage.

The mansion offers tours.

Center for the Study of Upper Midwestern Culture

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Detail, home page
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This website is the virtual home of the Center for the Study of Upper Midwestern Culture, devoted to preserving the languages and cultural traditions of this region, roughly defined as Minnesota, Wisconsin, and Michigan's Upper Peninsula. While originally home to Woodland and Plains American Indians, and then a varied population of European American populations, this region more recently has welcomed increasing numbers of African, Asian, and Hispanic immigrants.

A glimpse at some of the materials the Center has gathered is available through six virtual exhibits accessible through the website. These exhibits include one devoted to Heikki Lunta, a folk legend born during the reawakening of Finnish ethnic consciousness on Michigan's Upper Peninsula in the 1970s; another on bread-making traditions in Wisconsin, including several images from German American cookbooks; and another including images depicting European American ethnic life on the South Shore of Lake Superior; other exhibits feature German American folk music in Wisconsin, some of which dates to the 1930s.

The website also features 20 video podcasts on aspects of community life in southwestern Wisconsin, as well as extensive guides to archival collections on Upper Midwestern life at physical archives at the University of Wisconsin and throughout the region.

Making Sense of American Popular Songs

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Tunes, lyrics, recordings, sheet music—all are components of popular songs, and all can serve as evidence of peoples, places, and attitudes of the past. Written by Ronald J. Walters and John Spitzer, the guide "Making Sense of American Popular Song" provides a place for students and teachers to begin working with songs as a way of understanding the past.