Mass Moments

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Engraving, Filling Cartridges, Brooklyn Museum, Gift of Harvey Isbitts
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On May 15, 1602, English explorer Bartholomew Gosnold dropped anchor off the Massachusetts coast, and due to the abundance of cod fish in the waters surrounding his ship, named the location Cape Cod. This is the first of 365 moments in Massachusetts history presented at this website.

The majority of moments cluster in the 19th and 20th centuries, and include events of relevance to political, economic, social, and cultural history, including the incorporation of the town of Natick in 1781, the opening of Boston's African Meeting House in 1806, and the release of the movie Good Will Hunting in 1997.

Each moment is described in roughly 750 words, and is accompanied by an excerpt from a primary source. The text is also available in audio format. The moments are keyword searchable, as well as browseable through the website's Timeline and Map features.

Elementary, middle, and high school teachers will find the Teachers' Features section especially useful, as it includes several comprehensive lesson plans, on labor, women's rights, the African American experience in Massachusetts, and early contact between settlers and indigenous peoples in Plymouth.

Carnegie Libraries of California

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Library, San Francisco, Richmond Branch, Bliss and Faville, 1914
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Designed to document the many thousands of dollars Andrew Carnegie donated to establish public libraries in California, this site includes modern and contemporary photographs of each of the 144 libraries built between 1889 and 1923. San Diego was the first to receive a Carnegie grant, receiving $60,000 in 1889. Although many of the libraries have been demolished, this site includes photographs and short (250-word) descriptions of each. The date and amount of each grant is documented, as is the style of architecture and the architect. The site also features three essays: a 1,000-word history of the California library building boom; a 3,000-word analysis of the California Carnegie Libraries' different architectural styles; and a 2,000-word biography of Carnegie. Particular emphasis is paid to Carnegie's philanthropy, and the site points out that he donated money to 1,681 public libraries across the United States. The 144 library photographs are the only primary sources included on the site.

Carriers' Addresses

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Image, Introductory graphic, Carrier's Addresses
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Limited in scope, this site provides an introduction to the study of Carriers' Addresses, which were poems or broadsides read by American newsboys to their customers on New Years' Day. The carriers read the poems, which often emphasized the diligence and hard work of the newsboys, expecting to receive a tip from the customer.

The site includes a 2,500-word explanatory essay and a collection of more than 400 digitized addresses from 1772–1912. The site is searchable, and visitors may browse the collection alphabetically by subject, title, or creator. Each address indicates the name of the newspaper, the date, and the name of the newsboy if known.

Hands Of An Artist: Daniel French's Lincoln Memorial

Description

In commemoration of the bicentennial of the 16th president's birth, the National Gallery of Art in Washington, DC, has rolled out a special exhibition called "Designing the Lincoln Memorial: Daniel Chester French and Henry Bacon," which will be on view for the rest of this year. NPR's Susan Stamberg looks at the creation of the monument which has presided over so many public events and gatherings since it was dedicated in 1922.

Alcohol, Temperance, and Prohibition

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Image, "Who will pay the beer bill?,", American Issue Publishing Company
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This small, but useful, website offers a wide range of primary source material for researching the history of the prohibition movement, temperance, and alcoholism. The more than 1,800 items include broadsides, sheet music, pamphlets, and government publications related to the temperance movement and prohibition.

Materials come from the period leading up to prohibition, such as an 1830s broadside on the "Absent Father" as well as the prohibition era itself, such as a 1920 pamphlet entitled, "Alcohol Sides with Germ Enemies." They end with the passage of the 21st Amendment in 1933.

All digitized items are in the public domain. An essay, "Temperance and Prohibition Era Propaganda: A Study in Rhetoric" by Leah Rae Berk provides an overview of the topic and historical context.

Silverites, Populists, and the Movement for Free Silver

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photomechanical print, Anything to oblige, July 11 1906, Udo J. Keppler, LOC
Question

Why were the people living in rural areas more likely to support "free silver" in 1896 than urban dwellers?

Answer
Gold bugs v. Silverites

Political battles over currency issues became intensely divisive during the last quarter of the 19th century as industrialization accelerated in the Northeast, while the South and newly settled areas of the Midwest remained dependent on farming. From 1873 through the late 1890s, the U.S. suffered through two major economic depressions that heightened sectional and class conflict. By the 1896 election, designated by historian Walter Dean Burnham as “the first confrontation . . . among organized political forces over industrial capitalism,” positions on currency had solidified into a “battle of the standards.” “Gold bugs” believed that a “sound” national economy must be based on the gold standard to ensure the dollar’s stability, guarantee unrestricted competition in the marketplace, and promote economic liberty. “Silverites” believed that currency should be redeemable in silver as well as gold. They agitated for “free silver,” or unlimited coinage of silver, a metal that could be mined in abundance in the West, to produce an increased and more flexible money supply that they hoped would lead to a more equitable economy and foster social reforms.

Farmers for Free Silver

Congress had discontinued the minting of silver coins in 1873 in an act that came to be known as the “Crime of ’73.” Professor of government Elizabeth Sanders includes the demonetization of silver as one of a few significant policies of the period that led many working people, especially farmers, to believe that a “fraud against the people” was being “perpetrated by the national state on behalf of a financial elite.” With silver coins delegitimized, the amount of money in circulation decreased. A tightened money supply benefited creditors, like banks and merchants, at the expense of debtors, especially farmers who had to borrow annually from banks and merchants in order to plant cash crops that could bring in money for the repayment of their debts only at harvest time. Farmers sought inflation of the money supply so that more money would be available to them for credit, prices for their crops would rise, and debts would become easier to repay.

Advocates for inflating the money supply ranged from those who proposed that the federal government print paper money not backed by either gold or silver to those who called for the remonetization of silver. Free silver proponents came to believe in the 1890s that unlimited coinage of silver, a reform less extreme than others that agrarian radicals earlier had supported, could unite divergent groups into a national coalition to challenge politicians who supported monied interests.

The People’s Party, also known as the Populists, formed as a political party in 1891. As Sanders emphasizes, “Its philosophy was anti-corporate, though not anti-capitalist.” The Populist platform during the 1892 election campaign advocated free silver and other reforms with the intent, Sanders writes, “not to turn the clock back on industrial development but to harness the new technological power for social good, to use the state to check exploitative excesses, to uphold the rights and opportunities of labor (farm and factory), and to maintain a healthy and creative business competition.”

Election of 1896

Populists hoped to win the 1896 election and supplant the Democrats as one of the nation’s two major national parties. Their strategy relied on convincing silverites from the Democratic Party to vote with the Populists rather than for the expected Democratic nominee, President Grover Cleveland, who supported the gold standard, as did the Republican nominee, Ohio governor William McKinley. The Democrats, however, selected as their candidate William Jennings Bryan, a strong advocate for free silver. McKinley forces, mounting a well-funded campaign supported by the Northern intelligentsia, church and business interests, and the urban press, tarnished Bryan as a radical with an economic program that would lead to disastrous consequences for the nation. McKinley soundly won the election, and although Bryan triumphed in 22 states to McKinley’s 23, McKinley captured nearly 100 more electoral votes and prevailed in every city of more than 100,000, with the exception of Denver, where the silver mining interest was strong.

Some historians believe that many urban workers voted for McKinley because they had become convinced that Bryan’s policies would destroy the economy and result in reduced wages and increased unemployment. Some argue that Bryan’s “revivalist” style of campaigning and the Prohibitionist views of some of his supporters were distasteful to Catholics, especially Germans, in the urban labor force. Sanders contends that reporters’ coverage of Bryan’s campaign provides strong evidence that his message, in fact, did resonate with urban workers. She suggests, however, that “the powerful economic warnings of the core establishment” and the claim that a program to benefit farmers would wreck havoc upon the Northern industrial economy “were ultimately persuasive on election day.”

Sanders and others emphasize that labor organizations of the time did not want to rely on government to resolve its disputes with management. Unions sought to effect change through exerting leverage at the work site itself. Burnham writes, “From the perspective of the urban voter committed to the network of urban-industrial social and economic relationships that now existed, currency inflation could only be regarded as irrelevant at best and disruptive at worst.”

Bibliography

Burnham, Walter Dean. “The System of 1896: An Analysis.” In The Evolution of American Electoral Systems, by Paul Kleppner, et. al. Westport, CT: Greenwood Press, 1981.

Kazin, Michael. A Godly Hero: The Life of William Jennings Bryan. New York: Alfred A. Knopf, 2006.

Postel, Charles. The Populist Vision. New York: Oxford University Press, 2007.

Ritter, Gretchen. Goldbugs and Greenbacks: The Antimonopoly Tradition and the Politics of Finance in America. New York: Cambridge University Press, 1997.

Sanders, Elizabeth. Roots of Reform: Farmers, Workers, and the American State, 1877-1917. Chicago: University of Chicago Press, 1999.

Weinstein, Allen. Prelude to Populism: Origins of the Silver Issue, 1867-1878. New Haven: Yale University Press, 1970.

San Luis Obispo County Historical Society, Museum, and the Dallidet Adobe [CA]

Description

The San Luis Obispo County Historical Society seeks to preserve and share the history of San Luis Obispo County, California. To this end, the society operates the Historical Museum and the Dallidet Adobe. The museum, housed within the circa 1905 Carnegie Library building, offers exhibits of local historical interest. The Dallidet Adobe is decorated with furnishings which once belonged to the Dallidet family. The grounds include an arbor and Mediterranean garden.

The museum offers exhibits, a children's activity room, student tours, research rooms, and research assistance. The Dallidet Adobe offers gardens and school tours. Reservations are required for school tours.

Research & Reference Gateway: History - North America

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Logo, Rutger's University Libraries
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This site furnishes hundreds of links to primary and secondary sources on North American history. An eclectic collection, it includes links to library catalogs throughout the world, archival collections, texts, journals, discussion lists, bibliographies, encyclopedias, maps, statistics, book reviews, biographies, curricula, and syllabi. Materials are arranged by subject, period, and document type. Try "History-North America" for the widest variety of vetted sources. Special resource collections include "America in the 1950s," "New Americans: American Immigration History," "The Newark Experience," "U.S. Business History," "U.S. Labor and Working Class History," and "Videos on the U.S. and American Studies."

Emile Berliner & the Birth of the Recording Industry

Description

Video background from The Library of Congress Webcasts site:

"Emile Berliner (1851-1929) was a German-born immigrant whose inventions contributed to the birth of the recording industry. A largely self-educated man, Berliner was responsible for the development of the microphone, the flat recording disc and the gramophone player. Often overlooked by today's historians, Berliner's creative genius rivaled that of his better-known contemporaries Thomas Alva Edison and Alexander Graham Bell. Like the works of these two inventors, Berliner's innovations helped shape the modern American way of life. Berliner's life, work and connection to Washington, D.C., where he lived for many years, is the subject of a talk by Samuel Brylawski and Karen Lund."

The Breakers [RI]

Description

The Breakers is the grandest of Newport's summer "cottages" and a symbol of the Vanderbilt family's social and financial preeminence in turn-of-the-century America. Commodore Cornelius Vanderbilt (1794–1877) established the family fortune in steamships and later in the New York Central Railroad, which was a pivotal development in the industrial growth of the nation during the late 19th century. The Commodore's grandson, Cornelius Vanderbilt II, became Chairman and President of the New York Central Railroad system in 1885, and purchased a wooden house called The Breakers in Newport during that same year. In 1893, he commissioned architect Richard Morris Hunt to design a villa to replace the earlier wood-framed house which was destroyed by fire the previous year. Hunt directed an international team of craftsmen and artisans to create a 70-room Italian Renaissance- style palazzo inspired by the 16th-century palaces of Genoa and Turin. Allard and Sons of Paris assisted Hunt with furnishings and fixtures, Austro-American sculptor Karl Bitter designed relief sculpture, and Boston architect Ogden Codman decorated the family quarters.

The mansion offers tours.