Preservation Trades Network

Description

"The Preservation Trades Network (PTN) is a non-profit membership organization founded as an education, networking, and outreach organization. PTN was established on the principle that conservation of the built environment is fundamentally dependent on the quality, availability, and viability of the skilled trades. We believe that opportunities for education, employment, and compensation of people in the trades are directly reflected in the quality of the built environment, and the effective stewardship of cultural heritage."

Valerie Tripp: Salty Ham: Using the Senses in Historical Research aharmon Sat, 07/02/2011 - 20:42
Date Published
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Photo, Lemon Bars, 1 March 2009, kochtopf, Flickr, creative commons
Article Body

Historical research usually begins with reading. Books and articles open your eyes, and open the door to a period. They engage and entice you, and before you know it, you're immersing yourself in literature written about the period you're studying. It is wonderful to read literature—both fiction and nonfiction—written during the period, as well. Children always get a kick out if it when I tell them that when I was researching Felicity, my character who lived in Williamsburg, Virginia just before the Revolutionary War, I read a journal kept by a tutor who lived with a family that had eight children in it. My 21st-century readers laugh when I tell them that two of the sisters in the family had a fight because one sister borrowed the other sister's hairbrush without asking. The hairbrush owner was so mad that she waited for her sister to fall asleep, and then she cut off her eyebrows! And this was in 1773!

If you can find books and stories written for children or about children from the period your class is studying, those stories will be a great way to engage your students. Books with paintings, photographs, and advertisements for your students to scrutinize are fun, too. Your students will see that though clothes and conveyances, art and architecture, design and concepts of beauty have changed, human nature—especially children's natures—have not!

Noses, Hands, Tongues, and Ears Are Excellent Learning Tools

But reading, that is, using your eyes to research a period, is not the only way to make a period from the past come to life. Your students will enjoy learning by using all of their senses. For example, to help children have a tactile sense of how Felicity felt in her 18th-century clothes, I ask children to take a deep breath and then use their hands to push in on their rib cages as hard as they can. I explain that boys, men, ladies, girls, and even babies wore stays in the 18th century, and stays were sort of like a very tight vest. The children see that their imaginary stays make them stand up very straight. They feel constricted. They can hardly breathe. I explain that just as Felicity's body was held in by the stays, so too her life was held in and constricted by rules that she was expected to follow. The children understand the metaphor—and they sigh with relief when I tell them to let go! They're glad they live in the 21st century, when our bodies and our lives are freer.

Scent makes a direct and powerful connection to memory; when we smell a familiar scent, we are automatically transported back to the time it reminds us of . . . .

Scent is particularly evocative. When I speak to children about Josefina, who lived on a rancho in New Mexico in 1824, I give the children herbs to smell: peppery, flowery, minty, musty, fishy, soapy, and yeasty-smelling herbs. The children can close their eyes, smell the herbs, and be transported back in time to Josefina's rancho. There is a subtlety to the sense of smell, and smells are fun, too! If you can collect soaps, herbs, spices, or flowers connected to the period you're studying, your students will enjoy it. Scent makes a direct and powerful connection to memory; when we smell a familiar scent, we are automatically transported back to the time it reminds us of and we recall the circumstances, emotions, and sensations. Once your students have smelled cod liver oil, commonly dosed to children in the 19th and even early 20th centuries, they'll never forget it!

Taste is equally evocative, and equally revealing about an historical period. That salty ham from Felicity’s period can lead to a discussion about food preservation, lack of refrigeration, transportation, health, nutritional differences between economic strata, celebrations, hygiene—well, you get the idea! I remember a wonderful event for children at which we ate food from the World War II era, as if we were my character, Molly McIntire. Tasting cake made without sugar or butter, bread made with tomato juice, mashed turnips, and Spam sandwiches led to a great discussion about rationing, Victory Gardens, black market shenanigans, vitamins, food advertising, grocery shopping, regional food specialties, and even body consciousness. (It was considered healthy for a child to be rather stout and sturdy, and parents sought ways to encourage their children to eat up. We know better now!)

Seeing, feeling, smelling, tasting, and hearing are varied and vibrant avenues for teaching about historical periods.

Last but not least, your students' sense of hearing can enchant them and educate them about an historical period. Listening to the rousing John Philip Sousa marching music from the turn of the last century—the period my character Samantha lives in—will thrill your students and tell them a great deal about the highly patriotic Zeitgeist of 1904. Listening to the clackety-clack of typewriter keys and the ding! of the carriage return on a 1930s manual typewriter and comparing those sounds to the quiet tap-tap-tap of computer keys will inform them about how our communication tools have evolved from the Depression era to today. Sounds that have NOT changed can be fun and informative, too. I still laugh when I remember that when I was writing about Josefina, I needed to know the sound a piano made when it was dropped. I called all the piano movers in the Washington, DC area yellow pages. You'll be distressed to learn that every single mover could tell me—and imitate!—exactly the sound a dropped piano makes! I tried to describe the sound in words so that my readers could "hear" it, too.

Seeing, feeling, smelling, tasting, and hearing are varied and vibrant avenues for teaching about historical periods. They're fun, and using them is just good sense!

For more information

To read more by Valerie Tripp, try her two earlier blog entries for Teachinghistory.org: "Vitamins in the Chocolate Cake: Why Use Historical Fiction in the Classroom?" and "Looking Backward, Looping Forward: How to Make a Period of History Matter to Your Students." She also contributed to our Roundtable "What Role Should Fiction Have in the U.S. History Classroom?"

Interested in adding taste and sound to your teaching? Take a look at our Website Reviews. More than 80 websites feature music resources—the Library of Congress's National Jukebox is a rich starting point. To whip up some historical recipes, try Michigan State University's Feeding America, which features more than 70 cookbooks published between 1798 and 1922. The University of Wisconsin's Recipe for Victory: Food and Cooking in Wartime can also give students a sense of how foodways reflect changes in the world at large.

Portrait of Medgar Evers

Description

Smithsonian curators examine a photograph of civil rights activist Medgar Evers (1925-1963), looking at what it says about the tension between racial groups at the time and the call for social change an accumulation of such media objects can communicate.

Confronting the "Official Story" of American History

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"Washington Crossing the Deleware". Emanuel Gottlieb Leutze. 1851 oil on canvas
Article Body

Keith Barton of Indiana University and Linda Levstik of the University of Kentucky wanted to understand the "official" story of American history so often presented in classrooms and textbooks. What happens to aspects of history that don’t fit the way we usually teach U.S. history? And how do students respond?

Barton and Levstik interviewed 48 children, grades 5–8, to see how middle-schoolers understand the significance of particular events. Students were asked to choose from a number of historical events in order to determine which eight to include on a timeline of the last 500 years.

Many students alighted on a central theme in U.S. history: steadily expanding rights and opportunities. While stories like this help structure students' thinking about American history, traditional themes (such as perpetual progress or expanding freedoms) left them ill-equipped to deal with issues like racial inequality or political dissent.

While stories . . . help structure students' thinking about American history, traditional themes . . . left them ill-equipped to deal with issues like racial inequality or political dissent.

This study suggests that middle-grade students may need help grasping the complexities of the past or finding a place for stories that don’t fit common narratives. The authors proposed that teachers expose students to more complex and diverse perspectives by identifying what such narratives leave out. How has progress not been achieved? Where have freedoms not been expanded? What are the exceptions, the outliers, the cases that don’t fit? The researchers believe that students can learn traditional thematic narratives, while at the same time exploring the richness and complexity of history.

Thematic Trends

When Barton and Levstik interviewed the students, they found a core group of themes emerged from the events students chose as the most significant. Stories of national origin, American exceptionality, expanding freedoms, and technological progress consistently appeared among the students' choices. Such themes represented an "official version" of American history that all students seemed to recognize.

Alternative Stories

Some students viewed events as important despite the fact that their themes did not easily fit into the more popular narratives. Racism and sexism directly contradict themes of progress and expanding freedoms. Other events like the Great Depression and the Vietnam War fly in the face of American exceptionality. In both cases, however, students found it challenging to explain why they found these events significant. While students were convinced of the importance of such events, they struggled to reconcile them with common themes of U.S. history.

Two Ideas in Their Minds

American history presents a wide variety of events and themes. Some, like our nation’s heritage regarding race, class, and gender, pose particular challenges. Accustomed to justifying the importance of events by referencing a few common themes, many students find themselves at a loss when confronted by events they know are important, but which don’t seem to fit the stories they are used to hearing. Lacking an overarching framework to help make sense of such events, they develop overly simplistic explanations to reconcile jarring events with the official story. As the sample application below shows, their explanations may put events together, but at the expense of historical accuracy.

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Photomechanical print, Progress, Keppler & Schwarzmann, c. 1901, LoC
In the Classroom
  • Have students create a timeline of important events in American history, asking them to explain why they make particular choices.
  • After students create their timeline, discuss the major themes that arise from their picks. Do they seem to represent an "official" history?
  • Once they have identified common historical themes, ask students to pick out events that don’t fit the "official story." What might explain this lack of fit?
Sample Application

When learning about the Great Depression, one group of students demonstrated a characteristic dilemma. As far as they knew, throughout its history the United States had been on a steady march of economic progress. Consequently, students weren't sure how the Great Depression fit into this story:

  • "It wasn't a good part of history."
  • "It was something to learn from."
  • "It was the first time our country had become really poor."
  • "They realized that they weren’t the god of all countries."
  • "It’s not going to be perfect all the time."

As these quotes demonstrate, students had accumulated a wide range of conceptions about the Great Depression. They knew bad things had happened, but thought these occurred uniformly to all Americans. As a result, they concluded that the nation had been punished for being too prosperous or self-satisfied. They entirely missed the fact that the Great Depression occurred for many specific and complex reasons, and affected different Americans in dramatically diverse ways.

Bibliography

Keith C. Barton and Linda S. Levstik, "'It Wasn’t a Good Part of History': National Identity and Students' Explanations of Historical Significance," Teachers College Record 99, no. 3 (Spring 1998): 478–513.

John Hope Franklin: The Historian and the African American Experience

Description

Distinguished historian and lifelong civil rights activist Professor John Hope Franklin joins archivist Allen Weinstein and Dr. Lonnie Bunch, director of the new National Museum of African-American History and Culture, to discuss his careers as educator, scholar, and activist.

To watch this interview, scroll to "John Hope Franklin," and select "Watch the Video."

Close Reading for Vocabulary, Context, and Tone

Article Body

This student think-aloud shows a high school student reading a New York Times article about the Scopes Trial and working to make sense of its meaning. During this 74-second video, she identifies words she is unfamiliar with and draws on outside information in order to analyze the tone of the document. As a result of this close reading, she is able to better understand not only the meaning of the document, but also the viewpoint of its author—a big city reporter visiting a small town in Tennessee. A commentary on the think-aloud is also available and you can find the document the student reads here.

Historical Thinking Matters

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Photo, Scopes Trial, Historical Thinking Matters
Annotation

Four guided investigations designed to teach students how to read primary sources and construct historical narratives lie at the heart of this website. Topics are: the Spanish-American War, the Scopes Trial, Social Security, and Rosa Parks. Each topic includes a short introductory video, a timeline of events, a central question, and extension activities. For example, the Rosa Parks investigation poses the question: "Why did the boycott of Montgomery's buses succeed?"

After completing a simple login, students read annotated documents—including letters written by the boycott organizers, a speech by Martin Luther King, Jr. and an interview with a woman working in Montgomery—and answer guiding questions, and draw on their responses to answer the question. The website also includes a useful introduction to the idea of historical thinking.

Civil Rights Litigation Clearinghouse

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Photo, California Systemic Prison Cases, Civil Rights Litigation Clearinghouse
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Especially since the 1950s, civil rights litigation has done much to influence government institutions. This website presents at least partial information on 2,243 injunctive civil rights cases (those seeking policy change and not money). These cases are divided by category. "Jail Conditions" and "Prison Conditions" contain the most cases, with roughly 550 each. "Immigration" and "Juvenile Institutions" also include more than 150 each. Other categories include: "Mental Health Institutions," "Mental Retardation Institutions," "Child Welfare," "Nursing Home Cases," "Policing Cases," "Public Housing," "Equal Employment," and "School Desegregation," among others.

A good place to begin is the "Featured Cases" section on the website's homepage, which highlights cases from the collection that are being litigated currently and/or that are particularly relevant to current events. Cases are fully searchable by name, type, issue, district, circuit, state, causes of action, attorney organization, and people involved in the case. In addition, links to 141 case studies written by law students, professors, journalists, and policy advocates provide in-depth information on a specific case or issue, such as the Urban Institute's "Baseline Assessment of Public Housing Desegregation Cases." New material is added regularly.

Stories in History: Is Narrative an American Approach?

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An eigth grade teacher reading a childrens book to her class. NHEC
Article Body

In "A Sociocultural Perspective on Children’s Understanding of Historical Change: Comparative Findings From Northern Ireland and the United States," Keith Barton, a professor at Indiana University, looked at how children in different countries learn history, specifically the role played by narrative.

Barton observed that American students learn the "story" of American history, more often than not, as one of perpetual progress. In Northern Ireland, history is seen as relationships among social institutions over time, not a story about progress.

Barton wondered about the effects of such an approach. To that end he interviewed 121 students, ages 6–12, in four schools across Northern Ireland, asking how and why life had changed over time. Along with classroom observations and collecting data from history-related settings like museums, Barton’s interviews demonstrated how students in a non-American cultural context learn about history.

When he compared these to studies done in the United States, Barton found that American students portray historical change as straightforward, linear, and generally beneficial progress, while the Irish students saw history as either random and ambiguous, or cyclical. The American students studied tended to focus on accomplishments of historical figures, whereas students in Northern Ireland often discussed the role of societal and economic forces.

Narrative in American History

The "story" of history taught to American students frequently takes the form of a "quest-for-freedom" narrative in which life slowly but surely gets better for all Americans. This serves to unite a diverse society, such as is found in the U.S. By contrast, in Northern Ireland, where Protestants and Catholics remain divided, the narrative form creates the potential for opposing sides to take aim at each other. Consequently, in Northern Ireland, the primary emphasis in history is on societal relationships—relationships between different groups, as well as between people and institutions.

The "story" of history taught to American students frequently takes the form of a "quest-for-freedom" narrative in which life slowly but surely gets better for all Americans. This serves to unite a diverse society, such as is found in the U.S.
The Individual in American History

History classes in the United States also tend to focus more on the role of exceptional individuals in driving history forward. In this version of history prominent figures initiate a series of events which follow a causal chain to bring about significant change. For example, the American students learned that the civil rights movement was the product of Martin Luther King, Jr.’s genius rather than a broad range of social and institutional forces. In Northern Ireland, the students focused less on individuals and more on issues relating to social and economic structures. Barton suggests this may be because Americans are more comfortable dealing with individuals and their stories than with issues such as social class and prejudice. Conversely, there are few historical figures taught in Northern Ireland classrooms who don't represent a political position of one kind or another. Thus, while the Northern Irish are comfortable discussing social class, for instance, they have less experience examining the influence of particular individuals.

Progress in American History

Barton's study showed that narratives about American history are frequently positive stories about the triumph of progress: as time passes, technology improves, freedoms expand, and life gets better. In Northern Ireland, stories about progress are much less common. Time goes on and life changes, but they do so in unpredictable ways. Barton argues that while a focus on progress may be positive, giving students a feeling of shared identity and inspiring their belief that Americans can learn from their mistakes, relying solely on such a narrative doesn't acquaint students with the effects of societal forces on individual actions or the diversity that exists at any given time in history.

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Poster, Forging Ahead, Harry Herzog, 1936-1941, Library of Congress
In the Classroom

Help students understand that the passage of time doesn't always bring what is commonly viewed as "progress."

  • Begin with contrasting images—a rural village and a large city—and ask students to explain the relationship between the two.
  • Students will likely explain how the village became the city. This is a good jumping-off point to helping them see that the "story of history" is not always simple or straightforward.
  • Next, explain that villages and cities have often existed simultaneously.
  • Spend some time discussing why and how cities first began to emerge. While urban centers may look like signs of "progress," students should be made aware that there is a more complex relationship between villages and cities.
  • Suggest to students that historical development doesn't occur in a simple progressive sequence, and that historical periods can't be boiled down to a single image. While many people in the past lived in villages, there are also cities that date back thousands of years. And even though today many people reside in cities, villages are far from extinct.
Sample Application

In interviewing students in Northern Ireland, Barton gave them a number of exercises. One asked the students to explain why British students were once caned—hit with a reed or branch—by their teachers, and why the practice ceased. In answering, one third of the students attributed the change to inevitable progress:

Because over time they realized that they should be less strict.

They just found out that it’s really, really bad, and they’re thinking of other people’s feelings now.

In explaining how things change, these students didn't mention collective action or how institutional change can bring about social improvements. However, the rest of the students—two-thirds of those interviewed by Barton—pointed to changing social relations, collective action like strikes and protests, and evolving legal and government institutions:

Because if you cane them, you could get sent to jail. . . it’s against the law to hurt somebody that you don’t know.

New people came in. . . and they made new rules like child abuse, like jails, and all that kind of thing.

For these students, caning ended not because of inevitable progress, or even due to a change in attitude; instead, the changing attitudes themselves led to collective action, that in turn produced new laws and regulations.

Bibliography

Keith Barton, "A Sociocultural Perspective on Children’s Understanding of Historical Change: Comparative Findings From Northern Ireland and the United States," American Educational Research Journal 38, no. 4 (Winter 2001), 881-913.

Guampedia

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Illustration, Landing Place at Guam, Jan-July 1863, T. Coghlan, Flickr Commons
Annotation

Don't let Guam be forgotten in your classroom! After all, it is one of only 16 non-self-governing territories worldwide that are recognized by the UN. As such, leaving Guam out of history is to ignore a rather remarkable political exception.

Guampedia offers a range of short articles on everything from architecture to World War II. These pages also feature relevant photographs and further resource listings. Additional sections offer basic facts on Guam (motto, population, etc.) and its major villages. Be sure to check out the history lesson plans to see if there's any ready-made content appropriate for you to introduce to your classroom.

Additional ways to explore include a selection of media collections including photographs, illustrations, soundbites, and video; MARC Publications, including issues of the Guam Recorder, lectures, and additional e-publications on topics such as archaeology and stonework; and traditional recipes.