The U.S. Holocaust Memorial Museum: Personalizing History

Video Overview

Christina Chavarria, of the U.S. Holocaust Memorial Museum (USHMM)'s Education Division, introduces teachers to the museum. She highlights the importance of using individual stories and specific artifacts to make history live for students.

Video Clip Name
holocausttour1.mov
holocausttour2.mov
holocausttour3.mov
holocausttour4.mov
Video Clip Title
Introducing the Museum
Race and Eugenics
Obstacles to Flight
Teaching with Artifacts
Video Clip Duration
5:25
3:48
2:28
4:03
Transcript Text

Christina Chavarria: So just kind of look around. What feeling is evoked? Is there anything that might remind you of something? Or maybe nothing at all. Visitor 1: We were just taking [about] the stairs. Almost as if you can be kind of spread out, and then as you go up closer you have to bunch together to file in. I've never seen stairs that do that, it's weird. Christina Chavarria: Okay, that's true. And when you mention that I think of also the train tracks and how they're kind of elongated and they fade and they seem to become more narrow the further away they become. Anybody else have any thoughts about the architecture, the building? Visitor 2: I think it's overwhelming. It makes you feel small. Christina Chavarria: That's very true. That's a very good point. Because, like I said, going back to the importance of the individual in this history, one of the things that we do with teachers is that we really encourage that you translate statistics into people, that instead of focusing solely on the millions of victims or the thousands who may have died in one place, you take those individual stories and you pull them out using primary resources. Christina Chavarria: What the purpose of these cards do, especially in a teaching standpoint, is, again, they focus on the individual. How many of you have somebody who is not Jewish? Anybody have somebody who is not Jewish? Okay, who? Visitor 3: I have Lucian Belie Brunell. He's born to Catholic parents, he's a priest. Christina Chavarria: Okay, we have a priest. Anybody else have somebody who is not Jewish, somebody who is Roma? Disabled? Okay, how about does somebody have—how many of you have somebody from Poland? Germany? Austria? Italy? France? Denmark? The Netherlands? Greece? Yugoslavia? Okay, any other place that I did not mention? Visitor 4: Romania. Visitor 5: Lithuania. Visitor 6: Hungary. Visitor 7: Czechoslovakia. Christina Chavarria: So another purpose of these is for us to see the range of geography. That this did not happen solely in Germany, even though it began there. This did not happen only in Poland. That it spread geographically. It spread all the way into Northern Africa and other parts of the world were impacted, even if they were not occupied by Nazi Germany. Christina Chavarria: Look at the monitor. TV Documentary: "—called in by radio, said that we have come across something and we're not sure what it is. It's a big prison of some kind, and there are people running all over—sick, dying, starved people. You can't imagine it, things like that don't happen." Christina Chavarria: So as we go through, as I mentioned downstairs, I'm not going to point out everything to you, but there are certain elements that I want to point out because we will talk about them in the afternoon. This, in particular, I think is very striking for us as teachers, as social studies teachers, as teachers in the United States. You notice at the top it says, "Americans encounter the camp." We don't use the word in this picture—we don't use the word "liberation." Why not? You couldn't just walk out and go home, first of all. And liberation has that connotation of being free, and yet the obstacles that lay ahead for those who did survive will be so vast—the obstacles, the challenges, for the Allied forces and relief workers who come into the camps. So, we chose that word "encounter." And this was not, as we know now, this was not the first that we knew of the camps. It was the first maybe that we had seen of the camps with our own eyes, but we will see that. When you look at this history again we define it the years 1933–1945. Christina Chavarria: Where you all came in, we call that the Eisenhower Plaza. This quote up here that's on the side of the building, of the museum structure. Because if you look at it, I think this is an excellent quote to use with students because it takes us back to that theme of anti-Semitism and that theme today of Holocaust denial.

Christina Chavarria: I think as teachers here in the United States, the issue of race science, which was very popular in the United States, it was not only in Nazi Germany. If you look at your own states—if each individual state looks at its history—you can look and see the laws that were on the books regarding sterilization, regarding who could marry whom. So, again, looking at U.S. history, especially in the latter part of the 19th century and the eugenics movement and how this became so popular. And the whole notion of race, the definition of race, and categorizing people. This is very, very relevant. Christina Chavarria: What are the questions that your students ask when you're teaching this? How many of you have taught about the Holocaust? Visitor 1: They want to know why; they want to know how could this have started? They want to know, you know, why is Hitler so anti-Jewish, anti-Semitic? They want to know the root of it all. Visitor 2: They want to know, too, why they willingly were prisoners. You know, 7th grade, why, I would have not done this— Christina Chavarria: I would have fought back, right? And they did, that's a very good issue to bring up. They did, and we have to teach about resistance. One of the questions related to that is: Why didn’t they just leave? Why didn't they just pack up and go somewhere else? Well, again, the complexities of this history—don't avoid those questions when they ask you. Why didn't, why couldn't they just pack up and leave? We look at the Évian Conference, which is where we look at the failure of other nations to respond to the growing crisis in Europe. And this symbolizes that, this political cartoon. This appeared in the New York Times, July 3, 1938, just before the Évian Conference was to begin. So we can take this image and we can deconstruct this, and what do we see happening here? Visitor 3: The guy's at a stop sign with no place to go. Christina Chavarria: The stop sign is on what? Multiple Visitors: A swastika. Christina Chavarria: Every point, every direction ends with that halt—you can't, you can't go. And who is this person? Visitor 4: Non-Aryan. Christina Chavarria: Non-Aryan, presumably Jewish—the kippah. And what's on the horizon? The Évian Conference invited nations to attend to discuss the growing refugee problem. So 32 countries send representatives to this conference, but, yet, they're also told we're not going to ask you to take any more people in. So the conference was basically a failure before it even began because only one country stepped forward and said, "We're willing to take in more refugees than what we have on our quotas, listed as our quotas." Does anybody know what that country was, what that one country was? It's right down here. The Dominican Republic. This also revealed a lot of anti-Semitic thought from leaders of other nations. Some countries said, "We don't have a Jewish problem and we don't want to import one." Some said, "We're going through our own issues." And that's very true, because we've got to contextualize this from what happened in the 1920s, what happened in 1929, the economic—the Depression as well. But, yet, we also have to factor in anti-Semitic sentiments because who are these refugees? Well, they're mostly Jewish, they might take our jobs, they might take—we don't have money to support them.

Christina Chavarria: Looking at the whole idea of refuge, and the search for refuge, where do you go when nations have closed their doors to you? Where do you go? What kind of documentation do you need to get out of Germany? What documents do you need? What kind of money do you need to emigrate? These are all issues that you have to bring up with your students so that they understand why they were trapped in Europe. Christina Chavarria: This chart that we see here, this is the forced immigration chart that Adolf Eichmann's office produced to show how it was able to expel, within three years, most of Vienna's Jewish population. After the Anschluss, after Kristallnacht, this is when Jews in the occupied territories—Germany, Austria, parts of Czechoslovak—after Kristallnacht, they realized that they can no longer stay. Life is just not bearable any more; in fact it's dangerous now. In many cases, many of them actually bought visas to get out. Some countries made money, some diplomats made money selling fraudulent visas that turned out to be no good. And that is what happened with the voyage of the St. Louis. Out of the 937 passengers who were on the boat, almost—I think all but maybe six to eight of them were Jewish. They needed to get out, and Cuba was the destination of this ship, the St. Louis. It was owned by the Hamburg line, Hamburg America. They had acquired visas to go to Cuba, where they were planning to stay until their numbers came up to come to the United States. But before they reached Cuba, their visas were rescinded; in fact, many of them were fraudulent, only about 28 of them were actually valid. So when they got to Havana, they were not allowed to dock. Only those who had valid visas, which was just a miniscule number out of the over 900 those people were allowed to stay, and the rest could not get off the boat.

Christina Chavarria: Here you see newspapers from some of the major cities across the country reporting on the front page certain events that were taking place in Nazi Germany between 1933 and 1939. Right here, for example, the Dallas Morning News: Kristallnacht, November 1938, front page. This was not a secret. Christina Chavarria: This is called "The Tower of Faces." This is one thing I want to point out to you because—just take a couple minutes to look around at the pictures. This represents one shtetl, one Jewish community, in Lithuania. The little girl right here is Professor Yaffa Eliach, she lives in New York. She went back to this shtetl, Eishyshok, and she gathered the 10,000 photos, many of which you see here, and which we have online. Again, what this does, we look at the individual; we look at the victim not as a "victim," but as a vibrant human being. I think anything we teach, whether it's the Holocaust or any other topic that we're looking at in history, we have to look at the individuals. Christina Chavarria: This milk can is one of three milk cans that was used to bury documents and chronicles of life in the Warsaw Ghetto. And in 1950, two of the milk cans were excavated as well as the other metal boxes. Within them they found a very rich documentation of what life in the ghetto was like. Christina Chavarria: Actual barracks that are on loan to us from Poland, they are not replicas. Right over here we have a large-scale model of the process of going through the selection, going to the gas chambers, because we don't have any photos of the actual gassing, of course. Christina Chavarria: The diary, the quote, and the armband, take a look at that. The diary is the first diary that was donated to us by an American in captivity. Most of the diaries that we see they were written when they were in hiding or before they had to leave, but he was able to keep his diary while he was in the camp. It's also striking because Anthony Acevedo—he's not Jewish, in fact he's the son of Mexican immigrants. He is—we consider him to be a survivor, because of the fact that he went through a sub-camp of Buchenwald. Christina Chavarria: This is one of over a thousand citizenship papers that was found in somebody's attic in Switzerland. In a suitcase were these documents, these citizenship papers, issued by El Salvador that stated that the individuals who were named in the documents, whose pictures appeared on the documents were citizens of El Salvador, when in reality they were not—most of them were Hungarian Jews. This is 1944, Hungary is invaded in the spring of 1944 by Germany, and out of about 500,000 Hungarian Jews, over 430,000 died at Auschwitz in a very short period of time.

The Jewish Americans

Image
women on strike
Annotation

This PBS documentary provides many useful resources for teaching the long and influential history of Jewish Americans. At the heart of this video production is the struggle between identity and assimilation. While Jews in America often faced struggles integrating into new communities, their story is common to other immigrant groups and at the same time a "quintessentially American story."

The site is divided into six main sections. Educators will be particularly interested in the historical background offered in Jewish Life in America (which is divided into eleven subsections), the 30 video segments from the documentary, four lesson plans in For Educators, and links to online resources for teaching Jewish American history.

One noteworthy section of the site is Share Your Story. By allowing Jewish American viewers to submit recipes, immigration stories, or family traditions, this site provides an interactive platform that could enhance any classroom. Students can investigate, research, and conduct interviews with family or friends of Jewish heritage and submit their investigations online. Teachers will also find that the video segments, textual information, and online submission tool can work well together to compliment thematic units on immigration, ethnic identity, and moments in history specific to the Jewish experience.

20th-century Jewish Immigration

Question

How is Jewish immigration generalized by textbooks?

Textbook Excerpt

Some textbook narratives point out large, well-known anti-Semitic groups but fail to examine in detail acts of violence against religious and cultural minorities or the acts those groups took to combat the virulent, unapologetic anti-Semitism.

Source Excerpt

A shared wellspring of religious and cultural traditions helped keep even the most contentious elements of the American Jewish community intertwined in some ways. For example, the 1910 Protocol of Peace was negotiated and signed by Jewish communal leaders and lawyers who represented both Jewish garment manufacturers and factory owners, and Jewish workers and labor activists.

Historian Excerpt

American Jewish history provides a test case for the question of how different the experiences of the “old” and “new” immigrants actually were, with a growing number of historians convinced that the period between 1820 and 1924 should more properly be seen as a continuous century of American Jewish migration that saw more structural similarities than discontinuities.

Abstract

All textbooks cover the great wave of immigration that brought approximately 25 million people to America from 1880–1924. They provide a standard account of chain migration, ethnic urban neighborhoods, the Americanization movement, and the successful campaigns for restrictive immigration legislation. Eastern European Jews are often cited as examples of the new religious groups entering the U.S., as frequent participants in the labor activism that characterized industrial development, and as significant contributors to popular American culture, especially through music and movies. Several other significant elements of the Jewish immigrant experience receive little attention, but a closer look sheds light on the complicated turn-of-the-century immigration to America.

Jewish Immigration to the United States

Kheel Center Labor Photos

Image
Photo, ILGWU Local 318 on strike
Annotation

The International Ladies Garment Workers Union was formed in 1900, and for close to 100 years represented the interests of hundreds of thousands of workers in the women's-clothing industry. This collection of more than 1,000 photographs documents the activities of this union, which was particularly influential in the 1920s and 1930s. It includes scenes of workers in both the U.S. and Puerto Rico: at home and in shops and participating in marches, protests, celebrations, parades, and union actions. The various immigrant groups who have been involved in the industry, such as African Americans, Jewish Americans, Italian Americans, and Puerto Ricans are well represented. While some prominent labor leaders have been identified, most workers remain unidentified. The collection also includes five photographs by famed labor photographer Lewis Hine of New York street scenes from the early 20th century. More of the Kheel Center's larger collection of 33,000 photographs will be added to this website in the future.

NOVA: Einstein's Big Idea

Image
Photo, Einstein and Picasso, NOVA: Einstein's Big Idea
Annotation

This companion website to a PBS NOVA documentary contains information about Einstein and his theory of relativity, as well as several special features. The site offers a timeline of Einstein's life from his birth in 1879 to his death in 1955, a short essay on his life before his great discovery in 1905, and an explanation of the theory behind the equation. Special features include: an essay on the legacy of Einstein's theories of special relativity and general relativity and how they affect our world; a feature exploring time dilation as predicted by Einstein's theory of relativity; and an audio feature in which 10 top physicists briefly describe Einstein's equatio. The site also offers two teacher guides: "Einstein's Big Idea" and "Einstein Revealed," 10 links to related websites, and a bibliography of eight books. Though it contains no primary source material, this site should be useful for science teachers and high school students studying Einstein, physics, and the history of science.

Setting the Tone: Introducing Students to World War II

Image
Photo, American soldier with cattle dog. . . , 1941-1945, Flickr Commons
Question

I teach in the inner city. What's a good opening lesson for teaching World War II?

Answer

Any day 1 lesson—regardless of the topic—should align with and introduce goals, objectives, and essential questions for a larger unit of study. Using a backwards design approach to developing curriculum, creating individual lesson plans comes after you have determined what you want students to know and be able to do throughout the unit. A good day 1, therefore, necessitates a significant amount of planning beyond the opening activities. Some sample objectives and questions for a unit of study on World War II might include: Why, after the costs of World War I, did nations choose to fight another World War? Why were the civilian costs of World War II so much higher than World War I? Why were the allies victorious?

[. . .] creating individual lesson plans comes after you have determined what you want students to know and be able to do throughout the unit [. . .]

In addition to introducing the unit, you might consider using part of the first day to investigate what your students already understand—or misunderstand—about the war, introduce key vocabulary for the unit, or preview a timeline of events that you will be studying.

You could also focus an opening lesson on investigating the origins of the war. Activities for this approach might include a multi-media slide lecture on the long and short term causes of the war, an examination of primary documents such as the Treaty of Versailles, excerpts from newspaper reports on German, Italian, and Japanese aggression, or parts of important speeches made by world leaders in the years prior to the war.

Another approach is to begin by considering the significance of the war. To do so, you could examine some statistics that indicate the enormous human cost of the war, or introduce ways that the war fundamentally changed the United States and the world. On a smaller scale, ask students what their family history is with the war and whether the war holds any significance for their family’s story.

There is no shortage of lesson plans and curriculum materials for World War II online. PBS, for example, includes several lessons to accompany Ken Burns' critically acclaimed documentary, The War. The California Department of Education's Course Models contain background information and activities for each of the state's standards, including materials on the war. And, National Geographic’s Xpedition archive includes several lessons on the war. The quality of lesson plans posted online, however, varies wildly. Consider using our rubric for evaluating lesson plans to help you make your choice.

Explore these resources for inspiration, then make some choices. Good luck!

A Cybrary of the Holocaust

Image
Oil on Canvas, Marching Out to Work, Mieczyslaw Koscielniak
Annotation

Created in 1995, this site presents an impressive body of primary and secondary source materials about the Holocaust. Offers an wide range of contemporary and historical resources, including more than 100 images from concentration camps and the Warsaw ghetto; more than 30 drawings and paintings by Holocaust survivors; interactive maps of two concentration camps; the text of the 1942 Wannsee Protocols; four interviews with historians; lesson plans for teaching about the Holocaust to school children; background essays; survivor narratives, poetry, and literature; letters, speeches, and posters by Nazi perpetrators; and scores of links. A sophisticated search engine guides users through the site's poorly organized and sometimes confusing interface. The site's author is a website marketing consultant. Particularly useful for secondary school teachers seeking to design student projects, this is an extremely rich collection of material.

IWitness

Image
Film still, Ellis Lewin, 4 December 1996, IWitness
Annotation

IWitness is an incredible resource for educators intent on bringing awareness and analysis of the Holocaust to their classroom. The site offers more than 1,000 video testimony clips from Holocaust survivors, liberators, and others. These videos can be browsed by topic (from "Anti-Jewish Laws" to "Warsaw Ghetto Uprising") or searched by name or topic. Searching provides a few benefits for lesson planning. For one, video search results will play the portion of a clip containing information related to your search, making it easy to decide if the result is actually relevant to your classroom plans. In addition, searches may reveal related materials such as photographs of artifacts in the U.S. Holocaust Memorial Museum collection or encyclopedia articles providing additional information and context.

You can also register as an educator or a student. Educators can assign activities and view student work (only viewable by the specific student and the teacher). Students can watch videos on items such as understanding testimony and archives or editing video interviews in an ethical manner. Activities that call for video editing allow students to save clips into a library for future use in their projects and prepare their own videos using video-editing tools which are part of the website—no download needed.

For a quick introduction to the site, consider watching the six-minute demonstration video linked at the top of the About Us page.

Interested in learning more about IWitness? Read teacher Brandon Haas's Tech for Teachers article.