Mormons and Westward Expansion: A Guide for Pre-Service Teachers

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Article Body

What is it?

The founding of the Church of Jesus Christ of Latter-day Saints (whose followers are often referred to as Mormons) is a significant event in U.S. history. The publication of the Book of Mormon in 1830 led to the formation of what became the Church of Jesus Christ of Latter-day Saints and the eventual creation of a Mormon settlement in the American West. It represents both the founding of a religion that as of 2020 counted over 16 million adherents worldwide and an important episode in the westward expansion of the country. By looking closer at this history, students can better understand the religious movements that grew out of the Second Great Awakening as well. One crucial dimension of the birth of the Mormon Church is the role of place. Early Mormons moved multiple times to find a favorable location to grow the church before establishing a community far from any other white settlement. This settlement of the west would eventually lead to the creation of the state of Utah in 1896 only after the church formally abandoned the practice of polygamy. In the activity below, students will build a digital story map that incorporates primary sources from the Library of Congress related to the history of Mormonism. Note: Tutorials for teachers on how to use digital mapping platforms are linked below.

Key Points:

  • This activity will take one 90-minute period or two 45-minute periods. It is appropriate for a high school U.S. history classroom, but can be modified for a variety of learners.
  • Students will analyze, interpret, and evaluate primary sources. 
  • Students will learn about the origins of Mormonism, an important religious movement in antebellum America. 
  • Students will learn about the westward migration of Mormons to present-day Utah, a key event in the westward expansion of Americans.  

  

Approaching the Topic

In this activity, students will engage with a variety of primary sources to create an interactive digital map. Students should pay particular attention to the time and place in which each source represents in order to place it on their map. It will be useful for students to have some background information on the Second Great Awakening. Resources on this topic can be found in this exhibit from the Library of Congress.  Teachers may also decide to place this activity in the context of westward expansion. Resources here from the Library of Congress are helpful for providing this context. Also a review of these topics in a standard history textbook would also be sufficient for this activity. The guide will also contain tips for teaching about religion generally to help teachers engage students with what can be a challenging topic to teach. 

 

Description

This activity facilitates students’ engagement with primary sources as they explore the early history of the Mormon church in the United States. Students will examine sources carefully, note details, particularly the time and place associated with the source. Note that several of the sources were created several decades after the event they depict. Students should take this into account as they interpret the source. Students work together to create an interactive digital map using three or four of the sources to communicate how movement and place shaped the history of this religion.

 

Teacher Preparation

Make the primary sources below available to students either through links, if using electronic devices, or by printing them out. According to your students’ needs, for text sources you may need to guide students to the relevant excerpts or share the excerpts separately. These excerpts are included below. 

The story map students create in this activity can be done on a variety of platforms including StoryMapJS or Google My Maps. An overview of StoryMapJS can be found here. An overview of Google My Maps can be found here. A helpful tutorial for using StoryMapsJS with students created by the Gilder Lerhman Institute can be found here: https://www.gilderlehrman.org/sites/default/files/inline-pdfs/storymapjs_tutorial.pdf. A tutorial for Google My Maps can be found here: https://jessicaotis.com/tutorials/google-maps/

Teachers will want to familiarize themselves with whatever platform they choose to use. In creating a digital map, students will learn how place and location affect history and how to communicate that history succinctly but accurately in an interactive digital presentation.  

Differentiation note: Depending on students reading abilities, teachers may want to consider accommodations for engaging with the primary sources below. Excerpts from text sources have been included along with annotations to highlight the most relevant passages. Teachers may also elect to read excerpts out loud to students or to assign smaller chunks of texts for students to examine in small groups. 

 

Primary sources

The Book of Mormon 

https://www.loc.gov/item/77352721/

Annotation: The Book of Mormon was published by Joseph Smith in March of 1830 in Palmyra, New York and is a central religious text of the Latter Day Saint movement. Palmyra is in western New York, an area known in the early 1800s as the “Burned-over district” due to the intensity of religious revivals in the region which were a major part of the Second Great Awakening. In addition to the establishment of the Mormon Church by Smith, religious groups such as the Millerites and the Oneida Colony were founded in this region and other groups like the Shakers and the Ebenezer Society were active as well. 

For Latter-Day Saints, the Book of Mormon represents a new revelation something the text itself makes the case for new holy texts and new revelations:
“Thou fool, that shall say: A Bible, we have got a Bible, and we need no more Bible. Have ye obtained a Bible save it were by the Jews? Know ye not that there are more nations than one? Know ye not that I, the Lord your God, have created all men, and that I remember those who are upon the isles of the sea; and that I rule in the heavens above and in the earth beneath; and I bring forth my dword unto the children of men, yea, even upon all the nations of the earth?”

Book of Mormon 2 Nephi 29:6-7

O my father

https://www.loc.gov/item/jukebox-67865/

An important hymn for the Latter-Day Saints, “O my father” was written by Eliza Snow in 1845. The hymn introduces some innovative elements of Mormon theology, such as the notion of a "Mother in Heaven" and the belief in an individual’s spiritual pre-existence prior to being born as seen in the following lyrics:

O my Father, thou that dwellest

In the high and glorious place,

When shall I regain thy presence

And again behold thy face?

In thy holy habitation,

Did my spirit once reside?

In my first primeval childhood

Was I nurtured near thy side?

Snow was also one of Joseph Smith’s plural wives. Smith’s advocacy of men having more than one wife, a practice known as polygamy, was controversial at the time within the church. The church’s practice of polygamy also made the church more controversial to many non-Mormons.

The Mormon Temple at Kirtland, Ohio - (59 x 79 feet), cost $70,000, dedicated March 27, 1836. | Library of Congress

https://www.loc.gov/item/2018651591/

Annotation:
In 1831, Joseph Smith moved the church headquarters to Kirtland, Ohio and there decreed that a temple should be built. The structure was large for its time, one of the larger buildings in northern Ohio. Smith received a revelation to, in his words, "Establish a house, even a house of prayer, a house of fasting, a house of faith, a house of learning, a house of glory, a house of order, a house of God." The architecture of the Kirtland Temple is a mixture of Federal and Gothic style. 

Joseph Smith's original temple, Nauvoo, Ills. - digital file from original print | Library of Congress

https://www.loc.gov/resource/pga.03332/

AnnotationAfter the church in Ohio collapsed due to a financial crisis and dissensions, in 1838, Smith and the body of the church moved to Missouri. However, they were persecuted and the Latter Day Saints fled to Illinois. In Nauvoo, Illinois another temple was constructed this one larger than the previous temple in Kirtland. At 128 feet long by 88 feet wide and a total height of 165 feet the second temple 60 percent larger than the first reflecting both the growing membership and power of the Morman Church. Note that the Nauvoo Temple was considerably more ornate than the Kirtland Temple and the architecture is a departure as well being in the Greek Revival style. 

Martyrdom of Joseph and Hiram Smith in Carthage jail, June 27th, 1844 / G.W. Fasel pinxit ; on stone by C.G. Crehen ; print. by Nagel & Weingaertner, N.Y. | Library of Congress

https://www.loc.gov/item/96508302/

Annotation: In Nauvoo, more conflicts arose between members of the Mormon Church and non-members in the community. The one issue that caused the most controversy was the Mormon practice of polygamy — a practice where one man could have more than one wife. The practice was allowed by Smith while viewed as immoral under most other Protestant religions. Members of Smith's own church broke with him over this issue as well. In Nauvoo in 1844, a local newspaper denounced Mormons and Smith for polygamy and in response the Nauvoo City Council, controlled by Mormons loyal to Smith, ordered the newspapers printing press to be destroyed. Smith in turn was charged with inciting a riot. Smith and his brother Hyram surrendered and were taken to the jail in Carthage, Illinois, but the jail was attacked by an  anti-Mormon mob and Smith and his brother were killed. The death made Smith into a martyr as far as the Mormon Church was concerned — a person within a religious faith who was killed because of their faith. The violence also convinced many Mormons that they needed a new home far away from settlements that might object to their religious practices. 

Bird's eye view of Salt Lake City, Utah Territory 1870. | Library of Congress

https://www.loc.gov/item/75696611/

Annotation: The Mormon Church split into factions after the death of Joseph Smith, but one group under the leadership of Brigham Young left Nauvoo to journey across the continent and settle in what the Mormons called Deseret, in present day Salt Lake City, Utah. Here is a birds eye view map of Salt Lake City in 1870, 22 years after the settler arrived. The Mormon Temple built here was larger and more ornate than the one in Nauvoo and it’s very prominent on the map. Even though the Mormon Movement under Young had gone to great lengths to put distance between themselves and settlements of non-Mormons, the controversy surrounding the practice of polygamy still resulted in conflict. The state of Utah would not be granted statehood until 1896 - over 50 years after the arrival of Mormons in the territory and only after the Mormon Church officially renounced the practice of polygamy.  

 

In the Classroom

Warm up (5 minutes)

When teaching the history of religion it is important to communicate to students that they are learning about religion to better understand people who lived in the past. Thus the goal is not to judge the validity of those beliefs or to accept or reject them.

To warm up, introduce the following source for the class: Route of the Mormon pioneers from Nauvoo to Great Salt Lake, Feb'y 1846-July 1847. https://www.loc.gov/item/gm69002272. If students have their own tablets or laptops encourage them to explore the map, zoom in, and ask what details they notice. Prompt questions might include:

  • What does this map depict? 
  • Where does the journey begin and end? 
  • What details are given about the journey?
  • Why do you think these settlers moved west? For the same reasons as other settlers or does this move seem different? 
  • Why might it have been important for this map maker to note where the pioneers stopped each day and how long each day’s journey was?

The purpose of this warm-up is two-fold. First to model primary source analysis for students by working through the source as a class. Students should be encouraged to slow down their thinking, notice details, and reflect on what those details might mean. Second, to get students thinking about how the migration of Mormons to Salt Lake City is central to the history of the religion as evidenced by the fact that this map documents every stop and every mile of every day of the journey.  

Step One: (30 minutes)

Introduce the sources to students. The annotations included with the links above can be used to help frame the sources for students. Each source relates to the early history of the Mormon Church beginning with the founding of the Church and publication of the Book of Mormon by Joseph Smith in upstate New York, then to the Mormon relocation to Nauvoo, Illinois, and finally to the migration to present day Salt Lake City, Utah. 

After introducing the sources, inform students that their goal will be to create a digital interactive map using these sources to explore the history of the early Mormon Church. Examples of these kinds of maps can be found here:
https://storymap.knightlab.com/#examples

Pass out the sources (or provide students with links) giving each student one of the sources to start. They can either jot these down as notes or if more scaffolding is needed, you may have them complete a primary source analysis sheet for their source. Have students read/examine 3 sources total. 

Step Two (40 minutes)

Note: If done over two periods this step can be started on day one and completed on day 2. 

To create their digital maps, students may work in small groups or individually. To create the map they should choose 3-4 sources and place them on the map using the search feature of the platform. For each slide or pin in the map, students should attach the source and write a 1-2 sentence description based on their analysis of the source. The goal of the digital interactive map is to communicate the history of the Mormon Church and how movement and place shaped that history. 

Step Three (20 minutes)

Virtual gallery walk. Create a google doc for students to post their links and share it with the class. Have students take the time to examine their classmates’ maps. Alternatively, teachers could set up technology stations in the classroom with different student maps on each and have students do a physical gallery walk. 

 

General Tips for Teaching Controversial Subjects

Teaching history inevitably means teaching about topics that generate strong reactions from a wide range of people. While not every reaction can be anticipated, the following tips can provide a strong basis for a rationale for your learning activities:
 

  • Center activities on primary sources. Primary sources are tangible evidence that allow students to engage directly with history. These primary sources in particular were preserved and digitized by the Library of Congress because they were deemed important to the history of the United States. 
  • Discussion and analysis of these sources can be wide ranging, but within each class those discussions can always be turned back to the source itself. 
  • The sources are also, by definition, only pieces of a puzzle. They bring us closer to understanding the past but there is always room for doubt and uncertainty.  
  • Questions, Observations, and Reflections should come from students. These are primarily student-directed learning activities. It is the instructor's role to create a space for inquiry and empower students to drive the inquiry. 
  • Linking to state or national standards can provide support and justification for classroom activities such as these. Westward expansion is explicitly mentioned in many state standards for example. The activities in this guide also link to NCSS Themes including Theme 1: Culture ("How do various aspects of culture such as belief systems, religious faith, or political ideals, influence other parts of a culture such as its institutions or literature, music, and art?")  and Theme 3: People, Places, and Environments ("study the causes, patterns and effects of human settlement and migration") 








 

Smithsonian American Art Museum: "Westward the Course of Empire"

Video Overview

Suzannah Niepold guides TAH teachers through analyzing the differences between Emanuel Gottlieb Leutze's original study for Westward the Course of Empire Takes Its Way and his final mural in the U.S. Capitol.

Video Clip Name
AmArt5.mov
AmArt6.mov
Video Clip Title
Study for "Westward the Course of Empire Takes Its Way"
Comparing the Study and the Completed Mural
Transcript Text

Suzannah Niepold: Here's what I'm going to do, I'm going to split you right down the middle here, and I want this group just to look at the land—and just look at the land, ignore the border that goes all the way around the side, but just the land in the main part of the painting. Try to figure out what story it's telling and how it's telling it. We talked a lot about light and dark and that's really key here. This half, I want you to look at the people. Again, ignore the border, but just the people in the main part of the painting. Who are they? What are they doing? How do they help tell the story? [Teachers commence group discussions] [Group 1:] Teacher 1: You see men chopping with their axes. Teacher 2: Clearing their way. [Group 2:] Teacher 1: It looks like the Sierra Nevada, doesn't it? Teacher 2: Yeah, it's still the Sierra Nevadas, I agree with you on that. Teacher 3: Coming here, and there's the promised land. Teacher 2: The promised land is out there on the other side of the mountains. [Group 3:] Teacher 1: Yep, they're all trying to cut a path through. Teacher 2: I mean that's what they're doing. They're all looking towards the sunlight. Actually it's probably California because they're coming out of the mountains. Teacher 3: The Rockies. Teacher 1: But yeah, they're forging ahead. That's what they're doing. Teacher 2: So this is along [indecipherable]. Teacher 4: I like the two guys who have reached the top of the mountain. Teacher 2: "We're here!" [Suzannah Niepold transitions to large group discussion] Suzannah Niepold: Let's start with the land groups. What can you tell us about the land in this picture? Teacher 1: Going from the darkness over here on the right, to the valley, it's very dark, cold colors—the blues and the purples right there. And it's coming in, it's getting golden, then it transitions over into the yellow and it gets brighter as it goes over. It's inverting, you've got a triangle with a peak at the top on the right, and then a peak at the bottom, [so] the landscape balances. And you have that division with the landscape . . . it reminds us of Moses parting the Red Sea, taking my people to the promised land. Teacher 2: You've got the mountains, too, the hardship of coming over mountains; and then the valley below on the left. So that the promised land, the easy land, is on the left, and the hardships are almost behind them. Suzannah Niepold: Now this group you got up to go check this, right, was it hard to see? There's a burial scene—there's a cross that someone has erected right here, and if you follow the cross down there's a burial going on. It's one of the harder things to see. What else? Teacher 3: You've got the guys on the left with the axes clearing the way for the people to go through. Suzannah Niepold: Okay, so, they're sort of the head of the party, right? They're the one's clearing the way. What else? Teacher 3: We kind of thought it was interesting that the gentleman that seems to be holding the woman and the two children, she's got her hands like in prayer. He's the only one with that hat; he's the only one that's clean-shaven, that's an older-looking man, because the other ones are really young. So we almost said that maybe that he wasn't really there, maybe he's more like a guardian angel, since behind it's the burial scene. That he's pointing their way—she's in prayer, which is kind of symbolic of that. And he seems very calm, he's like the only one that's calm and just like, "This way!" Suzannah Niepold: So his role is important because he's pointing out the way. How does the artist make sure that you see this group? This is kind of an important group. Teacher 4: The woman's got a white shirt on. Suzannah Niepold: So you've got that bright contrast there. How else? Teacher 5: There's really nothing behind them other than the bright light. Suzannah Niepold: Yeah, that's another real key—you notice that his head and his hand, there's nothing really busy going on behind it so it really stands out.

Suzannah Niepold: The next thing that we're going to do is basically look at the same painting all over again, but here's the difference. This is actually just the study for a mural—this is like a sketch. And it was completed in 1861. The same artist painted the same scene; but instead of it being a painting, about yea big, it was a huge mural, wall-sized big. And it's in the Capitol Building; it's in the House of Representatives. So what I want you to do in your groups is compare the two and find the differences, because there are some pretty major differences between the two. [Visitors commence group discussions] [Group 1:] Teacher 1: Look at the head wound though. The head wound is barely a speck of blood in the first one, but then look, it's almost like— Teacher 2: They all look younger; even this man looks younger. Every one of them look younger. [Group 2:] Teacher 1: It's like there's . . . there's like smoke coming out right here. Teacher 2: Like in the distance there? But look at the difference in the mountains. Does that mean their struggles are less maybe? In this image the struggles being less. And are there more people? Teacher 1: It's spread out more. Teacher 2: Also notice what happened to the horses. Because historically they didn't use horses, pretty much they used oxen. So I guess he corrected it historically. [Group 3:] Teacher 1: I noticed the pose . . . the posture is different. It's almost more—his back is flatter, rather than more of a relaxed pose in the previous one. Here he looks like he's riding faster, or he's tired. Teacher 2: To me it looks like he's shocked, he's like, "Oh my god, is that really it?" And in this one it's like "I can't see it." [Suzannah Niepold transitions to large group discussion] Suzannah Niepold: Why did he take the burial scene out, do you think? Teacher 1: I think he lessened the harshness of the trip in lots of different places. The mountains are lower, so less of a hassle; there's greenery on the right side that he didn't have in the first one. So I think he's lessened the hardship of the journey. And that would be one way to do it. Teacher 2: And they've lowered their guns. In the first one the guns are up more, in this one they're down more. Teacher 3: What's the significance of the smoke in the [back]ground? Is it to show that there are more people moving west? Suzannah Niepold: Possibly. What else could smoke in the distance be? Teacher 4: Industry. Teacher 5: Indians. Suzannah Niepold: Indians. Why would he add American flags? [Unintelligible response] Teacher 3: So he's in the middle of the Civil War. Teacher 6: He's also got more historically correct because he's got oxen rather than horses. Suzannah Niepold: Ahhh, yes! Teacher 3: Everyone looks younger, and it seems like— Suzannah Niepold: Yes, I've noticed that as well. Why would he make everyone younger? What does that do? Teacher 7: To try to encourage the current age group to go that way? Suzannah Niepold: So it's encouraging people to go out West. Remember this is— Teacher 6: It's for the same reason he took the burial scene out; you don't want to scare them. You want to make sure that you can go, but everybody will live. Teacher 3: I think their dogs are interesting too. They have dogs in the painting. I guess it’s a "you can take your pet with you!" kind of mentality. Teachers: Bring your animals! Pets allowed! Suzannah Niepold: Sure. Sometimes in things like this I wonder . . . I mean if we're looking at this in real life it is now huge; and I wonder if translating it from this—which is isn't too much bigger than this reproduction—to the huge size if he's like, "Wow, there's a lot of space to full. What do I put in there?" There is a great video; an art historian who used to work in the museum—who actually used to be the director of the Birmingham Museum of Art—did a great little 10-minute video on this piece where he explains everything. So incentive for you to contact me and keep up with it, I can send you links to all this great stuff.

Jefferson National Expansion Memorial [MO]

Description

The Jefferson National Expansion Memorial is comprised of the Saint Louis Gateway Arch and its associated visitor center. Visitors to the arch can take elevators to the top where they have an expansive view of the city and the Mississippi River, along with a visitor center, the "Museum of Westward Expansion" which chronicles the history of westward expansion in the United States.

The site offers visitor information, in depth historical information about the location and westward expansion, and an online store. In order to contact the memorial via email, use the "contact us" link located on the left side of the webpage.

Manifest Destiny: Creating an American Identity

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photographic print, Tony and Peter, from Diary in photos Vol. II 1936-1937, 1936
Question

What was "Manifest Destiny"?

Answer

The term "manifest destiny" was first used by journalist John O'Sullivan in the New York Democratic Review in 1845. O'Sullivan wrote in favor of the U.S. annexing Texas, a region that the U.S. recognized as independent of any other nation. (Mexico maintained that the region was Mexican territory.) For more than 20 years, Anglo-Americans had migrated into the region, bringing ever-increasing numbers of enslaved men and women with them, tying the region to the economics and politics of the U.S. Sentiment for and against annexation reached fever pitch in 1845 and became a major feature of the presidential election campaigns of Henry Clay and James Polk. It was in this climate that O'Sullivan wrote his column for the July-August edition of the Review. Opponents to annexation, he argued, were trying to stop "the fulfillment of our manifest destiny to overspread the continent allotted by Providence for the free development of our yearly multiplying millions" (1).

In simple terms, Manifest Destiny was the idea that Americans were destined, by God, to govern the North American continent.

In simple terms, Manifest Destiny was the idea that Americans were destined, by God, to govern the North American continent. This idea, with all the accompanying transformations of landscape, culture, and religious belief it implied, had deep roots in American culture. In 1630, John Winthrop, writing decades before the 13 original colonies declared independence, said that the English men and women who hoped to settle New England "shall be as a Citty upon a Hill, the eies of all people are uppon us; soe that if wee shall deale falsely with our god in this worke wee have undertaken and soe cause him to withdrawe his present help from us, wee shall be made a story and a byword through the world" (2). [Editor's note: Learn more about colonial spelling here.]

The rhetoric of the American Revolution built upon this vision—"the sun never shined on a cause of greater worth," wrote Thomas Paine in Common Sense. The Revolution was not, he continued, "the affair of a city, a country, a province, or a kingdom, but of a continent" (3). In 1776, a writer who self-identified as Salus Populi wrote in the New York Packet that, "God has formed America to form the last and best plan that can possibly exist." Jefferson, looking back on the Revolution during his later years, opined that "this country remains to preserve light and liberty," in a world marred by political upheaval (4).

By the 19th century, these ideas found additional expression in fictionalized accounts of explorers such as Daniel Boone and Kit Carson, entering the wilderness to triumph over it, while James Fenimore Cooper's similarly framed "Leatherstocking" tales gained a wide and enthusiastic audience. Even O'Sullivan himself talked about Manifest Destiny in broad terms before he coined that particular phrase: "The expansive future is our arena," he wrote in 1839. "We are entering on its untrodden space, with the truths of God in our minds. . . . We are the nation of human progress, and who will, what can, set limits to our onward march? Providence is with us, and no earthly power can" (5).

It is important to remember that, as originally conceived, Manifest Destiny was an unabashedly prejudiced idea.

It is important to remember that, as originally conceived, Manifest Destiny was an unabashedly prejudiced idea. It rested upon the sidelining or eradication (both real-world and fictional) of American Indian peoples; there was little place for African Americans (free or enslaved) within the trope; Asian and Hispanic immigrants did not figure in the ideal America it conjured. Catholics were generally ignored; women were deemed unimportant. The peoples who were meant to conquer the continent were white, Protestant, and overwhelmingly male, with an unquenchable thirst for free enterprise. These are important ideas to keep in mind considering the lingering importance of Manifest Destiny as a concept in American culture. Like Americans before 1845, we may not use the specific words “Manifest Destiny” to describe the belief that America has a unique destiny in the world, but the concept is still at the heart of much U.S. foreign policy, American pop culture, and contemporary political debate.

For more information

Smith, Henry Nash. Virgin Land: The American West as Symbol and Myth. 1950; reprint, Cambridge: Harvard University Press, 2005.

Turner, Frederick Jackson. The Significance of the Frontier in American History. 1893. E-text at http://xroads.virginia.edu/~Hyper/TURNER/.

Bibliography

1 John O'Sullivan, "Annexation," The United States Democratic Review, 17(85) (July-August 1845): 5, accessed March 9, 2012.

2 John Winthrop, A Model of Christian Charity, 1630, accessed March 9, 2012.

3 Thomas Paine, Common Sense, 1776; reprint (New York: Penguin Books, 2005), 25.

4 Quoted in Leon Dion, "Natural Law and Manifest Destiny in the Era of the American Revolution," The Canadian Journal of Economics and Political Science 23(2) (May 1957): 240.

5 John O'Sullivan, "The Great Nation of Futurity," The United States Democratic Review, 6(23) (November 1839): 427.

Envisaging the West: Thomas Jefferson and the Roots of Lewis and Clark

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Image for Envisaging the West: Thomas Jefferson and the Roots of Lewis and Clark
Annotation

By the time Thomas Jefferson became the third President of the United States in 1801, interest in exploring the West had begun to shape U.S. policy. This chronological narrative traces Jefferson's life, participation in politics, and accumulation of scientific geographical knowledge from 1735 to 1804. There are four main sections: "The Jeffersons and Their Frontier Virginia Neighborhood," "From Colony to Commonwealth," "Science and Statecraft at Home and Abroad," and "Public Servant to the Early Republic."

This narrative is accompanied by an archive of 169 letters, statues, books, treaties, maps, and journals providing primary source insight into Jefferson's thoughts about the West and the Lewis and Clark expedition in particular. Three interactive maps from the 1700s, overlaid with historical data about cities, private dwellings, natural features, courthouses, and waterways, provide important insight into the geographic and social environment at the time.

Mille Lacs Indian Museum [MN]

Description

The Mille Lacs Indian Musuem is dedicated to showcasing the history and heritage of the Millie Lacs Band of the Ojibwe American Indians. The museum houses numerous exhibits tracing the Band's journey to settle in Northern Minnesota, telling the story of their existence during American westward expansion, and showcasing the lives and culture of the Band today. The museum also hosts a spacious crafts room which serves as a demonstration area for traditional cooking, basketry, and beadwork.

The site offers visitor information, an events calendar, and several photographs of the museum and museum "trading post."

Making of America

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Image for Making of America
Annotation

Also see the Cornell University branch of the project here.

Together, these two websites provide more than 1.5 million pages of text in a collaborative effort to digitize more than 11,000 volumes and 100,000 journal articles from the 19th century. The websites present full-text access to 32 journals, including literary and political magazines such as Atlantic Monthly and Harper's New Monthly Magazine. The list includes specialized journals as well, such as Scientific American, Manufacturer and Builder, Ladies Repository, and the American Missionary. The websites also offer an abundance of novels and monographs.

A recent addition provides 249 volumes on New York City, some from the early 20th century. At present, the two collections remain separate and must be searched individually. The institutions plan to integrate their sites, however, and to include material from other major research libraries. Access to many "Making of America" texts is also available through the Library of Congress American Memory site, "The Nineteenth Century in Print".

Century of Lawmaking: Congressional Documents and Debates, 1774-1873

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Image Century of Lawmaking for..: Congressional Documents and Debates, 1774-1873
Annotation

This comprehensive set of Congressional documents covers the nation's founding through early Reconstruction. Materials are organized into four categories: Continental Congress and the Constitutional Convention; Statutes and Documents; Journals of Congress; and Debates of Congress. The site provides descriptions of 16 types of documents, including bills and resolutions, American State Papers, the U.S. Serial Set, Journals of the Continental Congress, the Congressional Globe, and the Congressional Record.

A presentation addresses the making of the Constitution that introduced an 1834 compilation of Congressional debates and proceedings and a timeline presents American history as seen in Congressional documents. Special attention is directed to Revolutionary diplomatic correspondence, Indian land cessions, the Louisiana Purchase, the Journal of the Congress of the Confederate States of America, 1861–1865, the impeachment of Andrew Johnson, and the electoral college.

Park City Historical Society and Museum [UT]

Description

The Park City Historic Society & Museum is dedicated to preserving and presenting the history of Park City, UT. Today, Park City is most widely known for its unparalleled winter sports attractions; but Park City also has a deep and intriguing history, represented in exhibits, from early silver mining and western-bound stagecoaches to hosting a territorial jail.

The museum offers exhibits. The site offers an events calendar, historical features, visitor information, and in-depth information regarding current exhibits.

The museum is currently closed for restoration.

Go West, Young Woman!

Quiz Webform ID
22415
date_published
Teaser

Men and women both settled the West. Answer these questions on women’s records of the experience.

quiz_instructions

It’s Women’s History Month, a good time to remember that women, as well as men, settled the West—and recorded their experiences. Answer the following questions on excerpts from the records of 19th-century (and one early 20th-century) women.

Quiz Answer

1. It was after dark when we came in sight of the camp and a dismal looking it is the tents are all huddled in together and the wagons are interspersed some are singing and laughing some are praying children crying &c. every sound may be heard from one tent to another . . .

This entry comes from a diary recording one woman's experience on:
c. The Mormon Trail

In her diary, 18-year-old Emmeline B. Wells describes her experiences on the trail from Nauvoo, IL, to Garden Grove, IA. In 1846, Mormons, followers of the Church of Latter-day Saints, began to migrate west from their settlement in Nauvoo due to persecution, following a trail that, for much of its length, closely followed the Oregon Trail. Wells's diary describes the first half of this journey; as 1846 ended, the Mormons would winter in Iowa and then continue on to the territory that would become Utah. Wells relates experiences both general to all trailgoers and specific to women—the diary ends with her husband unexpectedly abandoning her, and her grief at the event.

2. There were no battlefields, but over every mile of the long trail stalked the shadow of death. And what was waiting to greet us in [. . .]? A wilderness marked by faint trails of wild Indian feet (wilder than wild animals that would tear with bloody claws) and slow, agonizing death caused by the poison fangs of rattlesnakes who were in countless numbers.

This paragraph from a memoir by a female pioneer describes which state?
b. California

Lee Summers Whipple-Haslam, near the end of her life, wrote a memoir of her experiences as a child traveling to and living in California during the Gold Rush. Whipple-Haslam's parents brought her to California in 1850, where her mother ran a boarding house and her father prospected. Critics accused the memoir, published in 1925, of being more nostalgic fantasy than precise memory, but it still provides one woman's latter-life interpretation of the Gold Rush and California settlement.

3. We all take names - Wajapa names me, Ma-she-ha-the. It means, The motion of eagle as he sweeps high in the air. He gives me the name of his family and band. He belongs to the eagle family. Ma-she means high, ha-the means eagle.

In this diary extract, a woman is describing an encounter with which Native American group?
a. The Dakota Sioux

In this excerpt from her September 23, 1881 diary entry, ethnologist Alice Fletcher describes her assumption of a Sioux Dakota name before spending a month and a half studying the lives of Native Americans in the Dakota Territory. Fletcher, a woman from a well-off family, had developed a vocational interest in ethnology that led her to undertake this study. Like many other male and female reformers of the day, she would go on to attempt to "civilize" Native American culture through education and political action.

4.



In this image, a female photographer captures a scene in what city?
b. San Francisco

Words aren't the only medium in which women could capture their life experiences in the West. Here, photographer Laura Adams Armer records a street scene from San Francisco, c. 1910. Armer worked as a portrait photographer in San Francisco in the early 1900s, taking time to preserve not only portraits of native San Franciscans but also photographs of the life of the city—and, later in her career, of the lives of southwestern Native Americans, particularly Navajo communities.

For more information

diaries-ctlm.jpg Read the full text of Emmeline B. Wells's diary at the Library of Congress's American Memory collection Trails to Utah and the Pacific: Diaries and Letters, 1846-1849. The collection includes diaries written by three other women traveling the westward trails; refer to the author index and introductory essay for more information.

The first few sections of Lee Summers Whipple-Haslam's memoir, Early Days in California; Scenes and Events of the '50s as I Remember Them, can be read online in the American Memory collection "California as I Saw It:" First-Person Narratives of California's Early Years, 1849-1900. Try the subject heading "Women" in the "Browse" menu for more primary sources written by women.

Alice Fletcher's diary of her time with the Dakota Sioux can be read in full at the National Anthropological Archives' exhibit Camping With the Sioux: Fieldwork Diary of Alice Cunningham Fletcher. Kate and Sue McBeth, Missionary Teachers to the Nez Perce Indians offers the diaries of two other women who took up the cause of Native American assimilation in the late 19th century.

Yale University's Women Artists of the American West features photographs by Laura Adams Armer and other female photographers of the American West, as well as essays on the women and their work.

For suggestions on analyzing diaries and other personal narratives, try Making Sense of Letters and Diaries by professor, author, and historian Steven Stowe.

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