Working at Play

Description

From the BackStory website:

"Historian Cindy Aron discusses the origins of the modern American vacation. She explains why traveling to the beach didn't used to be appealing, and why Americans have often preferred 'self improvement' vacations to lazing around in a hammock."

The Modern Civil Rights Movement: A River of Purposeful Anger

Question

Did individual African American activists spark the Civil Rights Movement?

Textbook Excerpt

Textbooks are silent about defining race and racism, even though the modern Civil Rights Movement and its antecedent movements were efforts to challenge and eliminate racism. Rather than addressing the outrage of systematically being denied basic human rights by the U.S. Supreme Court, while citizens in a democracy, textbooks suggest that individual African Americans were merely sad or angry because individual white people did not want to fight wars, play baseball, learn, ride public transportation or eat lunch with them.

Source Excerpt

The most important lessons of the modern Civil Rights Movement will not be gained from passively reading textbooks. Examining primary sources will place students closer to the scenes of the modern Civil Rights Movement and its antecedent movements. Too often Dr. King is represented in textbooks as the person who was sent to save African Americans from racism, or the most powerful leader of the modern Civil Rights Movement, or as a political moderate. Instead, he was one of many powerful leaders.

Historian Excerpt

Textbooks define segregation benignly with little reference to the ways in which northern and southern state governments and businesses systematically – and over the course of several decades -- reinforced an ideology of white supremacy through violence. Other groups of people affected by these same laws and practices – including American Indians, Mexican Americans, Asian Americans and Pacific Islanders, Native Hawaiians, Native Alaskans, Jews and Arabs – are seldom included in textbook discussions of racism. These absences strip away the underlying motivation for collective anger and social action.

Abstract

Textbooks present the modern Civil Rights Movement in the same way as other U.S. social movements -- a spontaneous, emotional eruption of saintly activists led by two or three inspired orators in response to momentary aberrations in the exercise of democracy. In particular, textbooks imply that, until World War II, African Americans had been relatively content with social, economic, and political conditions in the U.S. Then, suddenly, African Americans were angered that they could not fight on battlefields, play baseball, attend schools, or sit on buses with whites. Further, African Americans were the only people to observe and protest these conditions. Finally, to act on their discontent, African Americans required instructions from a benevolent federal government, or a single charismatic or sympathetic leader. A more accurate telling of the story of the modern Civil Rights Movement indicates that the “river of purposeful anger” has been long, wide and well populated.

The modern Civil Rights Movement is often marked as beginning with the 1954 U.S. Supreme Court decision banning school segregation or the day in 1955 when Rosa Parks refused to move from a bus seat in Montgomery, AL and ends with the passage of the 1965 Voting Rights Act or with the assassination of Dr. Martin Luther King, Jr. in 1968 (Or, more recently, with the election of President Barack Obama). In some textbooks, the context for this movement are the years following the 1896 U.S. Supreme Court case of Plessy V.

Unforgivable Blackness: The Rise and Fall of Jack Johnson

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Cigarette cards, Jack Johnson, New York Public Library Digital Gallery
Annotation

A companion to Ken Burns's film of the same name, Unforgivable Blackness provides an extensive look into issues surrounding race relations, sports, and definitions of freedom during the Progressive Era. In the documentary, Burns delves into the life of Jack Johnson, the first African American Heavy Weight Champion of the World. Johnson is explored as a man unapologetic for his strength, dominance, and defiance of society’s "rules."

This well-designed website has appeal for those teaching a variety of subject matter and content at the high school level. Background information is plentiful for those unfamiliar with early 20th-century boxing history, and sections are written at an appropriate Lexile level for high school use. Fight of the Century includes an interactive link filled with photographs, music, newspaper excerpts, political cartoons, and six audio clips (Flash Player required). Discussions of political cartoons and the depictions of African Americans during the early 1900s may be necessary before viewing Fight of the Century with students. Primary sources are plentiful throughout, including full text of the Mann Act, as well as Johnson’s FBI files.

Ghost in the House and Sparring provide information concerning four of Johnson’s contemporaries, including boxers Joe Louis and Sam Langford. Knockout also details Johnson's dalliances with a number of white women, which led to his conviction under the Mann Act. While important to the overall discussion of race relations, this section and coinciding discussions should only occur with more mature high school groups. An additional section, For Teachers, includes 10 lesson plans that may be used in a range of classroom settings—from math and civics, to history and sociology. Lesson plans are well thought out and descriptive, yet still leave room for open dialogue and connections with relatable current events. The website was last updated in 2005, which has resulted in a lost connection with three of the eight website links listed under the Resources section.

Overall, this website provides an in-depth and user-friendly overview for those interested in connecting issues of race relations and the Progressive Era into their classrooms.

The Malcolm X Project

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Photo, Introductory graphic, The Malcolm X Project
Annotation

This site is dedicated to the study of the life and legacy of Malcolm X. Only one of three "initiatives" is publicly available (Columbia faculty, staff, and students may also access the site's "multi-media study environment" section). "Oral histories," "outreach," and "Malcolm X biography project" are under construction. A chronology traces Malcolm's life from his birth in May 1925 to his assassination in February 1965, with short entries on major events. "Government Documents" offers FBI files on Malcolm X—4,000 pages of surveillance reports—covering the period 1954 to 1964. A brief summary accompanies each report and the files can be searched by keyword. The site's project journal, focusing on particular themes and issues, has seven articles on Malcolm X and eight weblog postings. Additionally, the site offers an e-seminar "Life after Death: Malcolm X and American Culture" by Columbia professor Dr. Manning Marble for a fee (available free to Columbia faculty, staff, and students). When this site is completed, it will be a good starting point for researching the ideas and life of Malcolm X.

Seattle Black Panther Party History and Memory Project

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Photo, Seattle Black Panther Party History and Memory Project
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In 1968, the Black Panther Party for Self Defense established a chapter in Seattle, one of the first outside of California. This website, devoted to portraying the history and collecting the memories of that chapter, is "the most extensive online collection of materials" for any Black Panther Party chapter. It includes 13 oral histories and brief biographies of key Black Panther Party members, 53 photographs documenting Black Panther events in the late 1960s, more than 100 news stories covering Party activities from 1968 to 1981 (four years after the Party was dissolved), testimony and exhibits from the 1970 Congressional Hearings investigating the Party, and all five issues of the Seattle Black Panther Party "Bulletin." A "Slide Show" highlighting some of these materials is a good place to begin for those unfamiliar with Black Panther Party history.

This website is part of the larger Seattle Civil Rights and Labor History Project, which provides extensive materials that can serve as historical context, such as a guide to civil rights groups from the 1910s to the 1970s, 14 2,000-word essays on the ethnic press in Seattle, 13 other "Special Sections" on topics such as segregation in Seattle, and 37 in-depth essays on historical topics such as the Ku Klux Klan in the 1920s. In addition, a "For Teachers" section provides eight lesson plans using the website's material for middle and high school students.

Oxford African American Studies Center

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Lithograph c. 1850
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(Note: This website is now subscription-only.)

Designed for students, scholars, and librarians, this site provides access to thousands of primary source documents, maps, images, bibliographic entries, and subject entries drawn from reference resources in African American studies. Six published volumes furnish the majority of the resources: the Encyclopedia of African American History 1619-1895; Black Women in America, Second Edition; Africana, a five-volume history of the African and African American experience; the African American National Biography project, edited by Henry Louis Gates, Jr.; the Encyclopedia of African American Art and Architecture; and the Concise Oxford Companion to African American Literature.

These sources present a wealth of primary source documents, more than 1,000 images, and close to 100 maps, which illustrate events from 1500s South America through the Clinton Presidency. The site also includes more than 5,000 biographies and 3,000 subject entries on events and people, such as 19th-century African American midwives in the Western United States, prominent abolitionists, and charts on African American professional baseball. Useful for research, reference, and class projects on all aspects of African American history.

Now What a Time : Blues, Gospel, and the Fort Valley Music Festivals, 1938-1943

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Logo, Now What a Time: Blues, Gospel, and the Fort Valley Music Festivals
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A collection of 104 sound recordings from annual folk festivals held at Fort Valley State College (now Fort Valley State University), an African-American teaching college in central Georgia. Also provides 63 items of written documentation about the festival and the recording project, including recording logs, program notes, a student newsletter about the festival, and correspondence between the festival's co-founders, educators John Wesley Work III, Lewis Wade Jones, and Willis Laurence James, and noted folklorists Benjamin A. Bodkin and Alan Lomax, who represented the Library of Congress's Archive of American Folk Song. Includes biographies of approximately 500 words each on Work, Jones, and James; a 6,000-word "Special Presentation" entitled "Noncommercial Recordings" by Bruce Bastin, excerpted from his book Red River Blues; and a 30-title bibliography. The collection is searchable by performer, title, and keyword, but lyrics are not available, which makes this collection difficult to use, since the performers speak and sing in thick dialects, made even more opaque by Web delivery. The collection is an extraordinary record of non-commercial American music and musical styles, of particular use to music specialists, but also of interest to those studying broader cultural trends. For example, 16 recordings reflect wartime opinions and concerns.

Fats Waller Forever Digital Exhibit

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Cover, "Swing Magazine," December 1939
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In a well-organized and enjoyable format, this site introduces Thomas Wright (Fats) Waller, one of jazz music's most renowned pianists. This exhibit features recordings and photographs of Fats Waller at the pinnacle of his career. The introduction to this exhibit "Life and Time of Fats Waller" includes a 1,000-word essay about Waller's legendary piano style. Visitors will also want to read the 500-word essay about his recording legacy and a 1,200-word essay that describes the continued influence of Waller's music today. Many of the more than 50 photographs, displayed in a slide-show format, have appeared in other publications, but others are shown for the first time. They include pictures of theater marquees and billboards, scenes aboard a ship bound for Europe, and pictures of Waller backstage as well as on-stage in performance. Other kinds of documents in the collection include seven record covers, several handwritten drafts of music, and a letter penned by Waller. As users navigate the sections, recordings from some of Waller's most memorable compositions play, including "Spreading the Rhythm Around" and "Honeysuckle Rose." For those seeking to learn more about the life and musical achievements of Fats Waller, the site includes 20 references to relevant books and articles.

Famous American Trials: "The Scottsboro Boys" Trials 1931-1937

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Photo, Scottboro Boys with attornery Leibowitz
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Part of the "Famous Trials" site created by Law Professor Douglas O. Linder, this collection provides documents, photographs, essays, and information about the controversial trials of nine African American youths for allegedly raping two white women on a train in the Depression South. Contemporary materials include 20 excerpts from the trials; 22 contemporary news articles; 10 appellate court decisions; eight letters; 28 photographs; 16 quotes from participants and others commenting on the trials; a political cartoon; and a postcard.

Also offers two essays by Linder of 6,000 and 18,000 words each; 20 biographies ranging from 100 to 1,000 words each on participants in the trials, political figures, and historians who have chronicled it; and a bibliography of 30 entries, including five links to related sites. Of value to those studying American race and gender history, the South, legal history, and Depression America.