Organizing History Through Images

Teaser

In this lesson, students will organize photographs both chronologically and conceptually in order to construct a narrative of the Holocaust.

lesson_image
Description

Students organize photographs from the U.S. Holocaust Museum both chronologically and conceptually in order to construct a narrative of the Holocaust.

Article Body

In this lesson, students organize photographs in order to tell the story of the Holocaust and construct an evidentiary narrative that makes sense to them. The lesson does not include any “correct” ordering or organization of the photographs and instead encourages students to experiment with organizing them both chronologically and thematically.

This lesson also guides students through the process of revising conclusions based on the discovery of additional historical evidence. Students are given a definition of the Holocaust and asked to consider or revise the definition with each new photograph in order to illustrate how historical narratives change depending on the available evidence.

Reading and analyzing primary texts can often be a daunting task for students who struggle with basic literacy skills. However, because this lesson presents historical data in the form of photographs, it is an excellent way to provide all students with access to the historical process, and to support historical thinking with struggling readers or English language learners.

For more advanced or older students, the supplementary activity asks students to read and incorporate brief testimonies of survivors into their definition of the Holocaust.

Topic
The Holocaust
Time Estimate
2 Class Sessions
flexibility_scale
4
Rubric_Content_Accurate_Scholarship

Yes

Rubric_Content_Historical_Background

Yes
The lesson requires students to “read” photographs and write a detailed “definition” of the Holocaust.

Rubric_Content_Read_Write

Yes
Captions and dates for each photograph are included in the lesson. There are additional background materials available.

Rubric_Analytical_Construct_Interpretations

Yes
Students construct an interpretation of the Holocaust using photographs.

Rubric_Analytical_Close_Reading_Sourcing

Yes
Students closely “read” photographs and accompanying source information.

Rubric_Scaffolding_Appropriate

Yes
Some of the photographs are disturbing (as is to be expected given the lesson’s topic).

Rubric_Scaffolding_Supports_Historical_Thinking

Yes
A student worksheet guides students through the process of analyzing each photograph and helps them focus on relevant details.

Rubric_Structure_Assessment

Yes
Some general strategies for assessment are provided. Teachers will want to determine and communicate their criteria for assessment.

Rubric_Structure_Realistic

Yes

Rubric_Structure_Learning_Goals

Yes

Sakura: Cherry Blossoms as Living Symbols of Friendship

Image
Annotation

In 1912, Japan presented Washington, DC, with 3,000 cherry trees as a gift. This Library of Congress exhibit uses primary sources to explore the history of the trees, the National Cherry Blossom Festival that grew up around them, and Japan/U.S. relations.

Primary sources are divided up by four themes. "Art and Documentation" includes three sources: a letter from Tokyo mayor Yei Theodora Ozaki to First Lady Helen Taft on the gift of the trees, a memo on artwork acquired by botanist Walter Tennyson Swingle in Japan, and a photograph of Swingle and Seisaku Funatsu, one of the group of Japanese experts who cultivated the trees gifted to the U.S.

In "A Special Gift to Washington from the City of Tokyo," visitors can view Swingle's collection of 11 Japanese watercolors depicting different types of cherry trees.

"Cherry Blossoms in Japanese Cultural History" collects 15 pieces of Japanese artwork depicting traditional hanami (flower viewing), as well as two pieces of Western artwork showing Japanese influence. Also included in this section are 12 stereographs of Japan during cherry blossom time, created between 1904 and 1908 for Western audiences.

"Enduring Symbols of Friendship" includes nine sources exploring the place of the cherry trees in Japan/U.S. relations. A 1938 Japanese magazine cover, notes for a 1934 speech by Japanese ambassador Hiroshi Satou, and a photo of children from the Japanese Embassy at the Tidal Basin show pre-World War II peace. Two political cartoons show how quickly the trees became a symbol of DC, and a photograph shows U.S. cherry blossom viewers during World War II. The section also features three photographs from a 2011 photography contest associated with the National Cherry Blossom Festival.

Visitors can also click on "Exhibition Items" to view all 55 primary sources, sortable alphabetically or by theme.

Some sources lack annotations, and existing annotations are sparse. However, this is a unique collection of sources that could be used as jumping-off points for exploring cultural exchange, international relations over time, and DC history.

Letters from the Philippines

Bibliography
Image Credits

Video 1:

  • Photo. Downtown Beatrice, Nebraska. 1887.
  • Image. Wadhams, William H. "U.S.S. Maine." c.1898. New York Public Library Digital Gallery, Image ID: 1648984.
  • Photo. "U.S.S. Maine." NHHC Collection. Photo No. 61236.
  • Photo. "Details of the wreck of the U.S.S. Maine." 1898. New York Public Library Digital Gallery, Image ID: 114482.
  • Photo. "Beatrice Military Band." 1898. Gage County Historical Society.
  • Painting. "Off For the War." J.W. Buell. Behind the Guns with American Heroes. Chicago: International Publishing Co.. 1899.
  • "Troops for Manila, Last Man." 1899. Calisphere/Keystone-Mast Collection, UCR/California Museum of Photography, University of California at Riverside.
  • Photo. "George Dewey." William McKinley. Exciting Experiences in Our Wars with Spain and the Filipinos. Chicago: Book Publishers Union, 1899.
  • Image. "Admiral Dewey at the Battle of Manila." NHHC Collection, Photo No. NH 84510-KN.
  • Image. "Battle of Manila Bay." NHHC Collection, Photo No. NH91881-KN.
  • "Map of Manila Bay." J.W. Buell. Behind the Guns with American Heroes. Chicago: International Publishing Co.. 1899, 496.
  • Image. "In the Court of Ayuntamiento, After the Surrender." Scribner's Magazine, 24:6 (December 1898): 684.
  • Photo. Rau Studios. "Emilio Aguinaldo." New York Public Library Digital Galley, Image ID: 437565.
  • Photo. Rau Studios. "Aguinaldo and his Advisors." New York Public Library Digital Galley, Image ID: 437566.
  • Photo. "Church in the Plaza Calderon de Barca." Scribner's Magazine, 24:6. (December 1898): 683.
  • Illustration. "Puzzle Picture." William McKinley. Exciting Experiences in Our Wars with Spain and the Filipinos. Chicago: Book Publishers Union, 1899.
  • Illustration. "The Eyes of the World Are Upon Him." William McKinley. Exciting Experiences in Our Wars with Spain and the Filipinos. Chicago: Book Publishers Union, 1899.
  • Photo. "Guard at the causeway connecting Cavite and San Rogue. Cavite, P.I." Calisphere/Keystone-Mast Collection, UCR/California Museum of Photography, University of California at Riverside.
  • Photo. "Types of Spanish Soldiers in the Southern Philippines." 1899–1900. New York Public Library Digital Galley, Image ID: 831254.

Video 2:

  • Photo. "Group of American Soldiers, San Roque (Cavite), Philippines." c.1899. Library of Congress, Prints and Photographs Division, #LC-USZ6-1511. http://www.loc.gov/pictures/item/2002724002/#
  • Photo. "A Filipino Restaurant, Manila, Philippine Islands." Calisphere/Keystone-Mast Collection, UCR/California Museum of Photography, University of California at Riverside.
  • Photo. "View of a Suburb of Manila." J.W. Buell. Behind the Guns with American Heroes. Chicago: International Publishing Co., 1899.
  • Photo. "Filipino Bamboo Band, Philippines." Calisphere/Keystone-Mast Collection, UCR/California Museum of Photography, University of California at Riverside.
  • Cartoon. "Pinned." William McKinley. Exciting Experiences in Our Wars with Spain and the Filipinos. Chicago: Book Publishers Union, 1899.
  • Print. Kurtz & Allison. "Spanish-American Treaty of Paris." December 10, 1898. Library of Congress Prints and Photographs Division, No. LC-DIG-pgs-01948.
  • Illustration. "Peace." William McKinley. Exciting Experiences in Our Wars with Spain and the Filipinos. Chicago: Book Publishers Union, 1899.
  • Cartoon. "Uncle Sam." Milwaukee Journal, August 10, 1898.
  • Cartoon. Berryman, Clifford. Untitled cartoon. Washington Post, February 4, 1899. National Archives, Archival Research Catalogue, Identifier No. 6010306.
  • Cartoon. Berryman, Clifford. "A Burden That Cannot Be Honorably Disposed of at Present." Washington Post, September 25, 1899. National Archives, Archival Research Catalogue, Identifier No. 6010332.

Video 3:

  • Photo. "The 14th Infantry Entrenched at Pasig, P.I." Calisphere/Keystone-Mast Collection, UCR/California Museum of Photography, University of California at Riverside.
  • Photo. "William McKinley." c.1900. Library of Congress, Prints and Photographs Division, No. LC-USZ62-13025.
  • Cartoon. "How Some Apprehensive People Picture Uncle Sam After the War." Milwaukee Journal, May 16, 1898.
  • Photo. "Aguinaldo, A Prisoner on the U.S.S. Vicksburg." March, 1901. New York Public Library Digial Gallery, Image ID: 114144.
  • Image. William McKinley. William McKinley. Exciting Experiences in Our Wars with Spain and the Filipinos. Chicago: Book Publishers Union, 1899.
  • Cartoon. "Not Laughing at Uncle Sam Now." Denver Evening Post, July 5, 1898.
  • Cartoon. Berryman, Clifford. "Not in a Position to Give Up the Chase." Washington Post, May 1, 1899. National Archives, Archival Research Catalogue, Identifier No. 6010319.
  • Cartoon. "Uncle Sam's Schoolhouse of Democracy." Denver Evening Post, December 28, 1898.
  • Cartoon. "Uncle Sam Finds the Philippines to be Stubborn." Denver Evening Post, February 16, 1899.

Video 4:

Video Overview

Primary sources reveal many different perspectives on historical events. At home, the U.S. government painted the Philippine-American War as an act of liberation, freeing the Philippines from oppression. Paul A. Kramer analyzes letters from American soldiers in the Philippines that show a very different view of the war.

Video Clip Name
Kramer1.mov
Kramer2.mov
Kramer3.mov
Kramer4.mov
Video Clip Title
The U.S. in the Philippines
Changing Views
The Language of Liberation
Letting Sources Speak
Video Clip Duration
4:49
5:08
3:32
1:25
Transcript Text

I'm going to be talking about letters from the Philippines written by a soldier named Andrew Wadsworth from Nebraska between the years 1898 and 1900.

Andrew Wadsworth is born in New Lebanon, NY, in 1869; he moves out to Beatrice, NE, to live with his uncle in 1887. He works in his uncle's jewelry shop. In the meantime, he enlists in Company C of the Nebraska National Guard. In 1897, tensions are heating up between the U.S. and Spain over the status of Cuba. At that point, the United States had long standing interests in Cuba in terms of sugar, in terms of the U.S.'s larger strategic objectives. When a humanitarian crisis erupts over Spain's attempt to suppress a Cuban rebellion, this inflames a humanitarian crusade in the United States to do something. The American public begins to be prepared for some sort of intervention. As is well known, the U.S.S Maine is sent to the Havana harbor in the spring of 1898 to protect American options and also to protect Americans in Cuba, and it's blown up. This inflames the American public for war.

Wadsworth in Nebraska is learning about what's happening. He sees that his company is about to be mobilized. He is not sent to Cuba to fight in the Spanish-Cuban-American War, but in fact he's sent west. He's sent west because the first campaign of the war against Spain is in fact—the decision to send Commodore Dewey and the Pacific Squadron to Manila, which was in Spain's last and largest colony in Asia at that time. This was very much part of a larger strategic plan to extend U.S. power into Asia; to get U.S. bases and naval power close to China. So Wadsworth is sent along with his company first to San Francisco—where he's mustered out—and then he's sent to Honolulu, and then they end up in Manila, after Dewey has defeated the Spanish navy. He's part of an initial group of about 13,000 U.S. soldiers that are sent after the Spanish fleet is destroyed. He finds himself in Cavite, near Manila, and spends several months kind of wondering what his forces are in fact doing there: the Spanish have been defeated in terms of naval power.

At that time a Filipino revolution has—which had initially been defeated by Spain in 1897—has been renewed, has successfully overthrown Spanish power on the mainland of Luzon. The U.S.'s relationship to that revolution is unclear. Wadsworth is able to see the revolution's battles against Spain at a distance, but he's not really sure exactly what U.S. forces are doing there. He says this in his letters. He says, "It's strange that we're here because, as far as we're concerned, the battle against the Spanish has been won at sea."

In August, the United States basically coordinates with Spain to have the Spanish surrender the capitol city of Manila. There's a battle—it's very brief—U.S. forces occupy the city, and importantly they make sure that the revolution stays out of the capitol. Again, there's this very ambiguous relationship between U.S. and Filipino forces. On the one hand, there's a kind of tacit understanding that the U.S. is there to liberate the Philippines from Spain, but it's not clear whether that's to liberate it for the United State's purposes or Filipino purposes. Then it becomes very clear—when U.S. forces basically take the capitol and occupy it, protecting Spaniards from Filipino insurgents—that they’re there to occupy the isles.

Wadsworth and his unit end up in Manila—which is a highly armed area—and he says we can walk around here without weapons it's so locked-down, against both internal disruption and also in terms of outside Filipino forces.

You can see Wadsworth's perceptions of Filipinos changing over the time period that he's in the Philippines. From the mid-1898 period when he arrives—when he has kind of this ambiguous relationship to the campaign in the Philippines—to the early part of 1899, when the war against the Filipinos starts.

In the pre-war period, when he's in Manila, he and other soldiers have a set of very complex interactions with the Filipinos on the ground. Filipinos run a lot of the shops in the area—there's casual commercial contact in terms of bars, in terms of buying fruit, buying food. Wadsworth in his letters reflects a certain ambivalence about Filipinos and about Filipino society. He reflects on the fact that Manila is not as highly hygienic as he'd like it to be. When it comes to Filipinos, he has a lot of nice things to say actually. For example, Filipino bands will come to the military bases in order to play to entertain these troops that aren't fighting. Wadsworth writes about these very lively evenings in which Filipino bands will play, soldiers will sing, it will be this lively several hours, and then he'll say Filipinos are natural-born musicians and artists, for example. At one point, even before he lands in Manila, he reflects casually upon his first real encounter with Filipinos. He says Filipinos are "as bright and intelligent as the average run of people." So it's this kind of offhanded, yeah, they're sort of like us, they're kind of like everyday people that I know.

During that window in late 1898, Wadsworth and his comrades are basically just hanging out in Manila. There's a lot of description of touring, seeing the sights, he's feasting; by the end of 1898 he's starting to get a little bored, they really are beginning to wonder what the heck they're doing there. Wadsworth says, "We came here to fight, and it doesn't look like we're going to get to fight anybody here." That reality changes towards the end of 1898.

U.S. diplomats settle the status of the Philippines at the Treaty of Paris, that begins to meet in the fall of 1898. No Filipino delegates or diplomats are allowed to participate. So this is basically the United States and Spain sitting down to negotiate the fate of the islands—not reflecting the fact that much of the islands are, in fact, not occupied by the U.S. or Spain, but in fact a Philippine government that's declared itself independent. When word gets back that the U.S. has basically pushed Spain to surrender sovereignty over the islands for a payment of $20 million, it becomes clear to the Filipinos on the ground that the U.S.'s formal statements that it is engaging in what was called "benevolent assimilation," were in fact not so benevolent—that in fact the U.S. is preparing a military occupation. So tensions on the ground begin to rise.

In February 1899, just on the brink of the Senate's ratification of the Treaty of Paris, fighting breaks out on the outskirts of Manila between U.S. and Filipino forces when U.S. sentries fire on some Filipino sentries. So suddenly there's war in the Philippines. It's not clear exactly what this conflict is going to be called. To call it a "war" would be to acknowledge that this is a [conflict] with an independent state. So, the official language that's used in the U.S. is that this is an "insurrection," this is in a sense a kind of internal problem of law and order against our legitimate authority.

Wadsworth finds himself fighting on the outskirts of Manila during the early months of the campaign. As I was tracking his letters in the archive from this period where he's hanging out in Manila, socializing, having a good time, into the war period, very quickly his language changes in terms of describing Filipinos. Within the span of a few months we've seen him basically talking about Filipinos as sort of bright and intelligent as other people, to using the most hostile and violent racial language to describe them. When I saw this, I was really struck by it, because it really went against the conventional wisdom which was that the soldiers on the ground were immediately going to apply racial vocabularies from the domestic context to the Philippines. It told me a lot about the way that context really mattered for these soldiers, that something about the setting itself and the kind of situation in which they found themselves was fundamentally shaping the way they understood their presence in the Philippines.

There's a whole series of efforts to minimize the conflict even when it's happening. There's this initial decision to call it the "Philippine Insurrection." But then one of the things that we see—which I think is very striking—is a whole series of declarations that the war is over. In any case, the war bogs down in 1900. In November 1900, there's a presidential election [and] McKinley is reelected. [It was] an election that had as one of its major themes the question of imperialism. This is seen as a referendum on imperialism by the advocates of the war; they say, "Well, the Filipinos can't possibly sustain any more resistance now that the American people have spoken, so the war is over yet again." Of course, the resistance continues. Then, in March 1901, Aguinaldo is captured; the declaration is, "Well, now the revolution can't proceed without its main leader." Resistance continues yet again. Then in basically May of 1902, Theodore Roosevelt makes a public announcement that the war is over.

I think one of the interesting things about U.S. colonialism at the turn of the century is that it's waged and promoted in the language of liberation, at least initially. This in some ways begins in the Cuban context, with the question of liberating Cuba from the oppressive Spanish. So [there's] this language of where the U.S. intervenes it's going to liberate. That really becomes quite powerful in the American public sphere. And I think this gets transferred to some extent to the Philippine context, because when the U.S. intervenes initially in the Philippines it imagines that it's going to be liberating Filipinos from oppressive Spanish rule. There's a sense that this liberation is going to be freeing, it's going to be benevolent, it's going to reflect positively on the kind of world power that the U.S. is going to be.

One of the important audiences for this kind of language is the European powers. Up until 1898, the U.S. has a kind of inferiority complex vis-à-vis the European powers. Here it is, it's this growing industrial giant that has conquered and consolidated its hold on the North American continent in the 19th century, but it doesn't have overseas colonies at a time when that is the measure of what it is to be a European power. 1898 is an important moment in terms of sending those messages out to the world. The U.S. is now on the world stage. But in doing so, it doesn't want to appear to be identical to the European powers. So, the language of liberation is also about trying to set some distance between the U.S. and the European powers. It says, yes we are going to be an empire-building nation, but in fact we're going to liberate our subjects rather than conquer them.

In some of the soldiers' letters you have that of sense of a kind of perverse sense of ingratitude—we're here to liberate you, and you clearly don't understand our good intentions. The way I see this manifesting itself most, though, is in very sarcastic use of a language of liberation in soldiers' letters. The soldiers are able to get a hold of newspapers from the United States that their families are sending them, so they know that senators who are defending the war are talking about uplift, are taking about civilization and benevolence, and they look at the kind of war they're fighting. For them this is a kind of degraded form of war, so they see this language of uplift and benevolence coming through in terms of justifying this war and their response is one of bitter irony.

I had been studying this war for a while by the time that I got to the archives and the fact that I was surprised by what I saw is something that on the one hand I think many historians experience. You go into the archives with one set of questions, and if you are really paying attention to what's in front of your face, it will inevitably change your opinion. It needs to change your opinion, because if it doesn't alter your preconceptions, then you are imposing them on the sources rather than letting the sources speak to you.

With that said, the fact that I was surprised by what I saw also says that the soldiers' opinions are not really well collected, they are not very available to students or to scholars even. And I think there may be a number of reasons for that. When I think of how an archive gets built, how is it that a soldier's letter goes from a shoebox in somebody's attic in to an excerpted box in a textbook? That happens, I think, in part because someone—usually a family member or a community member—is aware this is historically significant. Then it gets collected, it gets archived, and I think there's something about the way that this war [had] been kind of sidelined that prevented some of that communication from happening.

Memoirs v. Tapes: President Nixon and the December Bombings

Image
Annotation

Memoirs v. Tapes consists primarily of a web-published essay on the Nixon White House Tapes from between October 1972 and February 1973. These tapes were released from the Nixon Library as recently as 2008 through 2010, making them quite new to the public. As a text-heavy resource, and in consideration of the complexity of the questions the content raises, it is likely best used with high school students.

The essay is divided into seven sections and an accompanying appendix. The key issue under discussion is the position of Nixon and Kissinger on the 1972 Christmas bombing of North Vietnam. Nixon's memoirs state that he only reluctantly agreed to Kissinger's eagerness to bomb North Vietnam. In contrast, Kissinger notes that while he was pro-bombing, Nixon generally agreed with him, rather than only coming to the decision at a point of supposed necessity. Most sections of the website are accompanied by audio clips of the actual decision-making conversations; maps; documents such as letters, address drafts, and cables; and video clips.

The Nixon Presidential Library and Museum recognizes that the audio clips can be difficult to understand. As a result, they have prepared a short list of tips to help listeners get the most from the sources. In addition, each audio clip has an accompanying log link. The log lists, in bullet form, the topics of conversation covered in the clip.

The conclusion offers a set of five questions to consider after having perused the site and its resources. The questions, such as "What role did the convening of a new Congress play in December 1972 decisions about ending the war?," are, as noted previously, likely most appropriate for high school classrooms. However, it is possible that they may also be of use in middle school, depending on the engagement and ability levels of students.

Finally, the appendix offers suggested readings, as well as additional documents, audio and video clips, and photographs which may be of interest.

The Iran Hostage Crisis: Diary of Robert Ode

Bibliography
Image Credits
Video Overview

Diaries and other personal accounts give an individual view of historical events, but they can only be understood in context. Peter Hahn describes the events of the Iran Hostage Crisis, and compares and contrasts them with the experiences in the diary of Robert Ode, a retired Foreign Service Officer taken hostage while on temporary service in Iran.

Video Clip Name
Hahn1.mov
Hahn2.mov
Hahn3.mov
Hahn4.mov
Video Clip Title
Day-to-day Experience
The Context of the Diary
The Context of the Hostage Crisis
The Impact of the Crisis
Video Clip Duration
4:18
10:40
5:33
6:40
Transcript Text

The source is a diary that was kept by a Foreign Service officer named Robert Ode. Mr. Ode was a combat veteran of World War II, and after the war joined the Foreign Service as a clerk. He worked his way up through the ranks to become a Foreign Service Officer. He was forced to retire by a mandatory retirement law at age 60 in 1975. Thereafter, he took occasional work as a contractor for the U.S. government. He happened to take a job for the State Department that involved traveling to the embassy in Tehran, supposed to be for only 45 days. He arrived in the fall of 1979. In a perfect case of being in the wrong place at the wrong time, he was in the embassy in Tehran when it was overrun by the student militants on November 4th. Thus his 45-day assignment became a prolonged assignment because he remained in captivity—as the other 51 hostages did—for 444 days until they were released on January 20, 1981.

During his captivity he eventually got permission to begin recording his thoughts. He didn’t start writing immediately, he was eventually given permission, and he retrospectively wrote back to the onset of the hostage crisis on November 4, 1979. Then he wrote on an occasional basis, not quite a daily basis, for the duration of his captivity. The final product is a diary of 115 pages, it's available at the Jimmy Carter Library in Atlanta, GA, and a substantial excerpt of it is posted on the website of the Carter Library; so it’s readily accessible by electronic means in any classroom in the country.

115 pages is perhaps a daunting length for a primary source for high school instruction, but I think that teachers can effectively and rather easily find the “meaty excerpts” to which they can guide their students for a greater understanding of what the document reveals.

What I like about this document is it’s a first-person narrative by a participant who was involved in one of the most sensational events in U.S. diplomatic history. It’s not a study of the making of official American foreign policy by the Oval Office or by the subfloor of the State Department, by the Secretary of State; but rather it’s a record of the day to day experiences—of the real life impact of an international event on an individual Foreign Service Officer who experienced that event in a very personal, first hand, and day in and day out way.

What I like about the document is that it reveals the human side of international relations. It does not reveal why policy was made or how policy was made, but it shows how policy was experienced by a key official who was caught in the wrong place at the wrong time. Nothing much will be learned from this diary about the origins of the hostage crisis, about why it erupted, about how it was settled, about what kind of negotiations ensued between Carter and Khomeini. But what is learned is how the hostage ordeal affected the 52 individual American government employees who experienced it on a day-to-day basis.

In that sense, it’s kind of like studying the New Deal not by looking at the policy made by Franklin Roosevelt, but rather by reading the account of the Okies. Or it's about learning about World War II not by studying the decisions of the generals, but by looking at the lived experiences of the soldiers who swarmed up onto the beaches in the face of enemy gunfire. So it does have to be supplemented with studies or explanations of what’s happening at the top level, what’s happening between the Carter government and the Khomeini government, but this document does bring to life the actual, real experience of what took place in the lives of the Iran Embassy employees.

1979 had been a very tumultuous year. The Khomeini regime had taken over in the early months of 1979 and the U.S. embassy had remained in business throughout the duration of the year. Although—because of historic tensions between the Iranian people and the U.S. government—there were frequently demonstrations in the neighborhood, in the street in front of the embassy, with mobs of students and others walking by and chanting nasty slogans about the U.S. By the end of 1979 the embassy staff had almost gotten accustomed to it, it was like the background noise. Of course they were concerned about it, but they had sort of settled into a relatively comfortable routine.

The events of November 4th, when they first started, there was initially an assumption that just business as usual in a heightened state of tensions. But then obviously as these dramatic events unfolded the officials realized that, no, this is actually something new and different.

The first excerpt that is worth seeing is right on page 1 and page 2 and that is Mr. Ode’s firsthand testimonial about being taken captive. He reports that he was engaged in routine business at the embassy in what seemed like a routine day. On this day in particular, though, suddenly the embassy was aglow with activity. There were some indicators that some students had breached behind the security wall and were causing some worry and consternation. A Marine Corps guard came in and advised that he and his colleagues move from one part of the embassy to another. Still nothing apparent that a major ordeal was about to ensue. Mr. Ode was asked to escort an elderly gentleman from the chancery building, so he walked outside with this elderly man, who got in a car and drove away. Then he and some of his colleagues decided that maybe what was happening in the embassy was unsettling enough that they should walk up the street to another U.S. government facility. They begin to walk away and are quickly surrounded by a group of students who were armed, who demanded that they go back to the embassy. They tried to protest that as diplomats they had immunity and should be free to go. Someone fired a shot over their heads which got their attention, [so] back to the embassy they went. And before long they were bound and blindfolded with the other hostages, paraded before the cameras, and maltreated as many realized was the case.

It’s interesting how Mr. Ode records in his diary an explanation or a narration of what’s happening to him and his colleagues around him. He does so in a very professional and detached way, he’s not panicking. Now some of that might be because he was recording these events some time after they happened, some of it might be that as a career Foreign Service Officer he had been trained and professionalized to remain professional and rational and not emotional even in times of great duress. The man was a combat veteran of World War II, he had been involved in a couple of amphibious assaults on Pacific islands with enemy soldiers firing at him, so he’d been through difficult places before in life. He probably also anticipated that the trouble was not going to last for long—maybe a day or two, or a week at the most—and then the government at home, the U.S. government, would do something to liberate or rescue him; or the Iranian government would intervene and force the captors to relinquish their prey and so forth. So he probably figured it was a temporary inconvenience and that he would be going home right on schedule at the end of his 45 days.

No one knew at the time—in fact, from what we can tell even from Iranian records, not even the Iranians realized at this point in time that the Hostage Crisis was going to last so long. Those who took the Americans captive figured it would be a couple of days or a week at the longest, some of them thought that the Iranian government would intervene within hours to relinquish the captives. To their surprise Ayatollah Khomeini gave his blessing to the deed. That actually then created a political “perfect storm” in which the Hostage Crisis endured simply because of the political context in Tehran and no one forcing it to end and the U.S. government’s hands seemingly tied by the difficult circumstances against it.

So the bottom line is that Ode might not have realized at the time it was going to become a major sort of life-changing and very demoralizing ordeal, as it eventually became. Some of the other striking features of diary include the way that Ode interpreted events that we knew at that time and we certainly know in retrospect were happening on the international stage, but were unknown to him—at least unknown to him in great detail. Two examples. There was an attempt by the Carter administration to rescue the hostages by military means in late April 1980. It’s a famous and very tragic story in American history, in which the Defense Department sent a fleet of soldiers on helicopters into Iran with the mission of flying into Tehran under the cover of darkness, landing at the grounds where the hostages were being held captive, chasing away or killing the captors, liberating the hostages, loading them onto helicopters, and flying them to freedom.

Unfortunately the operation experienced technical difficulties at the outset, some of the helicopters were disabled by a sand storm; a decision was made early in the procedure to abort the operation. Then in the haste to abort, a couple of aircraft collided and there was an explosion and several U.S. GIs were killed. At that point in time the Iranians did not yet know there were American rescuers on their soil, en route to Tehran to liberate. They would only learn of the operation after it had failed and after the hasty departure of the American forces.

We can see the impact of that event in Ode’s diary, even though he is not cognizant of the details of the operation. He does not understand that there was a rescue operation; but if you cross check the dates you can discern the impact of the failed rescue mission on the status of the hostages, even though the hostages themselves had no idea what had happened. They wouldn’t learn for a couple of months that a rescue had been attempted.

The diary that reveals the impact of the failed rescue mission appears on page 23, and it’s the entry for April 25, 1980. Mr. Ode writes:

“Big demonstration outside the Embassy again today with much shouting of slogans, everything amplified to the highest degree as usual, also much horn tooting… About 4:45pm we were told to pack everything up as we were being moved to a ‘much, much better room’ and that we should be ready in 10 minutes. Bruce and I got our things together, which meant gathering up the accumulation of the past two months that I have been in this particular room and we then proceeded to wait.

“No one came for us in 10 minutes and after a couple of hours Hamid came in and told us to take only one blanket and just the essentials for the night—also to take just two books and that everything else would be brought to us within a day or two. This meant going through everything again as we had taken all the loose items such as toothbrush, razor, shaving cream, our letters, photographs, etc. as well as our clothing.

"Hamid told us to leave most of our clothing behind that it too would be brought to us later. However, since I don’t trust anything he told me I packed it anyway and also the electronic mosquito destroyer and other miscellaneous items as, of course, we were not give any idea where we were going except that it was to be a ‘much, much better room’ and from the activity going on in our building we felt that it would definitely be off the compound although at first we were under the impression we were just moving upstairs. Then our supper was brought in and we still weren’t being moved.

"Finally, seven hours later approximately 1:00am,”—this would be April 26—“I was told that I was to sleep in our room and that only Bruce was to be moved. I was so angry I told everyone off and was reminded that ‘I was not polite!’—also that ‘older men should be more polite!’ So it appears that I will again be punished for ‘being impolite!’"

This passage reveals a feeling of energy and a feeling of panic among the Iranian captors; it also shows the confusion that followed the discovery by the Iranians of the rescue mission. How in a sense of panic they wanted to move the hostages, obviously they realized that had the rescue mission reached Tehran, they could have been in a very difficult position because all the hostages were in the same place. In fact we now know in the aftermath of the [rescue mission], the Iranian captors scattered the hostages in among several different facilities with some distance between them precisely for the purpose of making any future rescue mission virtually impossible to pull off.

I think the sense of confusion among the captors was the reality. The captors tended to be young people—they were not officials of they Iranian government—they were students. They were militants. They had an edge: they had launched and they had pursued the operation against the U.S. Embassy because they wanted to embarrass Uncle Sam, they wanted to embarrass the U.S. government. They bore no particular ill will against the hostages themselves, but they thought that some kind of a political demonstration would help embarrass the United States and otherwise serve the political interests of the Iranian revolution. They were very much ad-libbing, they had no master plan of how to conduct a hostage operation; they simply took some hostages then went day-by-day. No doubt by this point in time they were beginning to feel a certain sense of fatigue and uncertainty and then when they realized the U.S. military had made a foray against them, that probably made them very nervous. They had to ad-lib some more and adjust their own plans accordingly.

There is a long history to the Iran Hostage Crisis that really begins in the middle part of the 20th century. Iran emerged from World War II under the control of a monarch, who was known as the shah—the shah means “king” in Persian. The king of Iran, or the shah of Iran, was a man named Mohammad Reza Pahlavi. He emerged from World War II as the leader of Iran and in a position of partnership and friendliness towards the United States and other Western powers.

Now about five years after World War II, in 1950–51, the Iranian people rallied behind a nationalist politician named Mohammad Mosaddegh, who became Prime Minister of Iran in 1951, and who challenged the shah for power and control of the country. There was a brief period of political turmoil, which ended in 1953 when the U.S. government and the British government sent their intelligence agencies into Iran to overthrow Mohammad Mosaddegh and restore the shah to full power. That was seen at the time by the Eisenhower administration as a great foreign policy success because it restored Iran to a friendly power and stabilized Iran for the foreseeable future. And it did seem to stabilize Iran for the foreseeable future, for 26 years in fact the shah remained in power as a friend and partner and ally of the United States government. He provided certain goods to the U.S. such as access to affordable oil and a sense of military security in the vital region know as the Persian Gulf.

Now the action of 1953 also planted some deep seeds of resentment against the United States in the hearts and minds of the people of Iran. They lived for a generation under the military boot of the shah’s regime, if you will, they were repressed by the shah, kept out of political power. But gradually, especially as the 1970s passed, the Iranian people begin to rally behind revolutionary leaders like Ayatollah Khomeini. Ayatollah Khomeini was a religious figure, who did not live in Iran but actually lived in exile, first in Iraq and eventually in France. From exile he began to organize a revolutionary movement within the country through the network of religious leaders who resided throughout the state. Push came to shove and a revolution erupted in the late 1970s that led to the overthrow of the shah in early 1979 and the heroic return of Ayatollah Khomeini to Tehran a couple of days later.

Ayatollah Khomeini then spent the remainder of 1979 building a religion-based theocratic state, a new government in Iran that would be based on the precepts of a certain brand of the Islamic religion, and one that would be completely purged of any influence of the old royalist government of the shah. That regime had an anti-American flavor to it. Because the Americans had been the “best friends” of the hated enemy the shah, naturally there was going to be tension between the new Iranian government and the U.S. government.

Now, for several months after the revolution—from January 1979 to November 1979—although tense, the relationship was stable. The Embassy in Tehran remained open, the U.S. diplomats continued to engage in day-to-day business with the Iranian government, and in Washington, DC, the Iranian Embassy continued likewise to engage in routine business with the U.S. government.

The militant students were essentially a group of young, nonofficial, everyday students—young people, young adults, workers—who had been so fired up by the Iranian revolution that they spontaneously took to the streets to demonstrate and protest and shout angry slogans against the U.S. government. It appears—and here we have to engage in some guesswork, because this is a mob activity, there’s not a real good document trail, we don’t know exactly what they were thinking—but it appears that they thought they could demonstrate against the embassy and maybe somehow embarrass the U.S. government by crashing through the walls of the U.S. Embassy and taking over the place—maybe riffling through the files, maybe trying to capture some secret documents, maybe embarrassing Uncle Sam. They would do that simply as a way of expressing their anger, venting their frustrations, of ‘bloodying the nose,’ if you will, of the U.S. government.

It does appear that they fully expected that the Khomeini government would honor the principle of diplomatic immunity, and would immediately use police and military forces to end any such demonstration. But what they found was Khomeini reacted to the events of November 4th by giving them his blessing. By saying he was glad that these proud sons of Iran had invaded the den of spies that was represented by the U.S. Embassy and had embarrassed the U.S. government. That surprised them—pleased them and surprised them—but then put them in a position where they felt they had some political power and some political influence and they certainly had the ability then to keep the hostages in captivity for a prolonged period of time.

In addition to the dramatic moments of the takeover of the American Embassy in November of 1979, the failed rescue mission of April 1980, the outbreak of the Iraq-Iran War of September 1980, the election of Ronald Reagan on November 4th, 1980—which was immediately revealed to the captives, to the hostages—and then of course the liberation in January 1981, another striking feature of the diary is how it records the audacity and the resistance that Mr. Ode and his American colleagues displayed. You can find elements of this on almost every page. On a thematic level, the document is heavy with their uncompromising refusal to recognize the validity of their captivity, their repeated demands that they be released or that their immunity be respected, their occasional rebellion against something that their captors were doing. Every once in a while, a captor would blindfold one of them and make them go outside or would insist on blindfolding them while they were walking to the shower facilities. And they would refuse, they would say I’m not going to do that and they would tear the blindfold off. So small inconsequential acts of resistance perhaps, but one can sense that they were no doubt important to the captives to be able to make a stand and to insist that their integrity and their rights be maintained.

The hostage takers had the goal of trying to embarrass the United States on the world stage, and most historians agree that they did achieve that objective. The Jimmy Carter administration had the responsibility of dealing with the hostage crisis. President Carter initially decided that he would use peaceful means to try to liberate the hostages. Again probably calculating that they wouldn’t be there very long. A few days, a few weeks at most, after a few weeks had passed, maybe a month—certainly they’d have to let them go by then. No one in the Carter administration anticipated it would last that long. When President Carter initially decided that he would use peaceful means he rather stubbornly insisted that he would continue to use peaceful means.

About five months after the Crisis began, he decided to shift gears and go to military means. But then we had the failed rescue mission of April 1980 that was deeply embarrassing to the U.S. government. It led to a feeling worldwide that “boy, the United States may be just an empty shell of what it used to be if it can’t even carry out a small-scale rescue operation against a third-world country without ending in disaster and profound embarrassment.” Then President Carter went back to the diplomatic mode, trying to work every angle he could to bring release to the hostages as quickly as possible. He probably calculated that if he could get the hostages released unharmed, that there would be massive celebrations at home and ticker tape parades, and somehow that ticker tape would fill the ballot boxes in the presidential election of 1980—meaning he would coast to an easy reelection against his Republican competitor, Ronald Regan.

What happened instead is that the captors held on to the hostages until after the election. Ronald Regan defeated Jimmy Carter. There were lots of reasons why the voters preferred Ronald Reagan over Jimmy Carter in the presidential election of 1980. The economy, Carter’s sense of leadership, other issues certainly are worth mentioning, but the Iran Hostage Crisis was very near the top of the list—perhaps one of the most significant factors determining the outcome of that election. So the captors were very successful at reaching their goal of embarrassing the U.S. government. In fact, they probably directly caused the downfall of the Carter administration after a single term in office.

At home the Hostage Crisis, for odd political reasons, emerged as a celebrity event. That was in part because President Carter encouraged Americans to think about it every day. He encouraged Americans to light candles, to hang yellow ribbons, to pray for the hostages, to take acts of sacrifice on behalf of the hostages and so forth. Perhaps Carter did that because he was trying to build a certain political context so that when the hostages came home—before the election as he hoped—he would coast to reelection because of the euphoria that would follow. Ironically that backfired on him. Because of the attention being invested in the Hostage Crisis it became a subject of angst and frustration and embarrassment for many people, and that came back to haunt him in the election of 1980.

When I teach the Hostage Crisis to modern-day students—most of whom are too young to remember, or certainly were not born at the time—I have to first spend time emphasizing to them what a big event this was for the people who lived through it. Because when they look at the facts, they don’t understand why it emerged as such an amazing drama at the time that it unfolded. I mean, after all it was only 52 American officials taken hostage, they were maltreated of course, but none of them died, eventually they came home. That doesn’t really compare to something like the Vietnam War, the Korean War, World War II. So their first question is, what’s the big deal? Why are we even talking about this? We’ve had other episodes of hostage taking in Lebanon and other countries around the world and we don’t give them that kind of attention. It takes some background work in explaining the political context of the late 1970s, early 1980s, and the long legacy of the U.S.-Iran relationship, and the connection between the Hostage Crisis and the presidential election of 1980—which put Ronald Reagan in charge of the country. Only then do they begin to understand why it was such an important event and why it seemed to those who had experienced it in real time to have been such an important event.

The Road to Pearl Harbor

Teaser

Explore the rise of animosity between the U.S. and Japan through primary source documents and related classroom activities.

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Description

Explore the rise of animosity between the U.S. and Japan through primary source documents and related classroom activities.

Article Body

Four separate lessons make up this unit on “The Road to Pearl Harbor.” Like most lesson plans from EDSITEment—a project of the National Endowment for the Humanities—this unit is full of rich primary source material and a wide variety of related classroom activities. The unit is guided by four questions, designed to help students understand the long run-up to military conflict between the U.S. and Japan. Reflecting those questions, the unit is divided into four lessons: exploring the growth of U.S./Japanese hostility during World War I and after, looking at American foreign policy during the Sino-Japanese Conflict in the 1930s, examining the Japanese “Southern Advance” of 1940 and 1941, and finally, highlighting the failures of diplomacy that ultimately led to war. The unit does an excellent job of representing historical contingency—revealing how the bombing of Pearl Harbor was actually the product of decades of history. Further, it will help students understand the multiple causes of Japanese aggression—from Japanese imperial ambition to U.S. foreign policies. Each lesson comes with a brief but complete historical background essay embedded with hyperlinks to primary sources, clear and concise suggestions for student activities, worksheets, and ideas for formal and informal assessment. And the interactive timeline tool is an excellent resource that pairs nicely with other aspects of the lessons. There are some things to watch out for, though. Many of the primary sources are long and will need to be carefully selected or vigorously edited, depending on your students’ reading level and persistence. The assessments are only roughly outlined, meaning that teachers will need to fill in the details and establish their own grading criteria. Additionally, while lessons range in length from 1–2 class periods to 3–4 class periods, they collectively require fairly extensive class time—roughly two weeks; consequently, they will most likely need to be used selectively. However, this unit is still an excellent resource. By picking and choosing from among the activities, carefully selecting documents, and further developing one or two assessments, teachers can adapt the lesson to their particular needs.

Topic
The Road to Pearl Harbor: The United States and East Asia, 1915-1941
Time Estimate
Variable
flexibility_scale
1
Rubric_Content_Accurate_Scholarship

Yes

Rubric_Content_Historical_Background

Yes
Significant historical background is provided for each of the four individual lessons that constitute the larger lesson plan.

Rubric_Content_Read_Write

Yes
Students read primary documents and there are multiple opportunities for writing.

Rubric_Analytical_Construct_Interpretations

Yes

Rubric_Analytical_Close_Reading_Sourcing

Yes
Students are asked to read source information carefully enough to be able to put it to use in assignments.

Rubric_Scaffolding_Appropriate

Yes

Rubric_Scaffolding_Supports_Historical_Thinking

Yes

Rubric_Structure_Assessment

Yes

Rubric_Structure_Realistic

Yes

Rubric_Structure_Learning_Goals

Yes
Directions are brief and clear. Teachers must design necessary supports.

Puerto Rico Encyclopedia/Enciclopedia de Puerto Rico

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Visitors to this site will find more than 1,000 images and dozens of videos about the history and culture of Puerto Rico. The work of dozens of scholars and contributors, the Puerto Rico Encyclopedia reflects the diverse nature of the island: a U.S. territory, a key location for trade in the Caribbean, a Spanish-speaking entity with its own distinct culture, and a part of a larger Atlantic world. Funded by an endowment from the National Endowment for the Humanities and the Fundación Angel Ramos, the site is a key product from the Fundación Puertorriqueña de las Humanidades. It provides users with all content in both English and Spanish. Educators will find the site easy to navigate and conveniently categorized by themes; within each topic, appropriate subtopics provide an in-depth examination of Puerto Rican culture and history. Of particular interest to U.S. History teachers are the images and information found under History and Archeology. Here, teachers and students can explore a chronological narrative of the island's history and role at specific moments in U.S. and Atlantic history. Other sections worth exploring are Archeology (for its focus on Native American culture), Puerto Rican Diaspora (for its look at Puerto Ricans in the U.S.), and Government (for a detailed history on Puerto Rico's unique status as a free and associated US territory). Educators in other social science courses will also find valuable information related to music, population, health, education, and local government. In all, 15 sections and 71 subsections provide a thorough examination of Puerto Rico. The Puerto Rico Encyclopedia's bilingual presentation also makes it a good site for integrating Hispanic culture into the U.S. History curriculum, as well as helping to bridge curriculum for English Language Learners (ELLs) in the classroom.

Here is New York

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Annotation

Here is New York started as a pop-up gallery show in SOHO. Any individual who had photographed 9/11 or related topics was given the opportunity to submit their images to the charitable event. Images are no longer for sale, but a sizable collection can be accessed via this website. There is no way to keyword search for content, but the photographs have been sorted into more than 50 categories, ranging from "Animals" to "WTC - Pre 9/11." Be aware that several categories, such as "Victims" or "Medical" may contain graphic content. As a result, the best use of the gallery would likely entail vetting particular images for your individual lesson needs.

The homepage also offers a link to a collection of oral histories. As of August 24, 2011, 110 of the 550 personal accounts taped in 2002 and 2003 are available online. Speakers were permitted to say anything they wished, as long as they wished, in any language; so, again, vetting is highly suggested. Videos can be searched by location of filming—New York City; Shanksville, PA; or the Pentagon.