Ansel Adams's Photographs of Japanese-American Internment at Manzanar

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Photo, Tsutomu Fuhunago, Ansel Adams
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During World War II, the U.S. Government forced more than 100,000 Japanese Americans to leave their homes and businesses, relocating them to internment camps from California to Arkansas. Well-known photographer Ansel Adams documented the lives of Japanese Americans at the Manzanar War Relocation Center in California—from portraits to daily life, including agriculture and leisure.

This site presents 242 original negatives and 209 photographic prints, often displayed together to show Adams's developing and cropping techniques. His 1944 book on Manzanar, Born Free and Equal is also reproduced. Adams donated the collection to the Library of Congress in 1965, writing, "The purpose of my work was to show how these people, suffering under a great injustice . . . had overcome the sense of defeat and dispair [sic] by building for themselves a vital community in an arid (but magnificent) environment."

Mighty Eighth Air Force Museum [GA]

Description

On January 28, 1942, 53 days after the infamous attack on Pearl Harbor, the Eighth Air Force was officially activated in the National Guard Armory on Bull Street in Savannah, GA. Today, the Museum honors the men and women who helped defeat Nazi aggression by serving in or supporting the greatest air armada the world had ever seen—the Eighth Air Force.

The museum offers exhibits, tours, educational programs, and research library access.

The Memphis Belle

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Nose art of the Memphis Belle, U. S. Air Force photo
Question

I'm doing research on the movie Memphis Belle and how historically accurate it is. Can you tell me what the Memphis Belle’s last mission was, because I keep finding conflicting information about it.

Answer

The Memphis Belle was the nickname of a U.S. Army Air Force Boeing B-17F that flew strategic bombing missions from England into continental Europe. As part of the 324th Bomb Squadron of the 91st Bomb Group, the plane flew 25 operational missions between November 1942 and May 1943, returning from all missions with its crew intact.

Most of the plane’s missions were flown by the same crew, but a few were not. Conversely, the plane’s usual crew, headed by Captain Robert K. Morgan, flew several missions in other B-17s. According to the 324th Bomber Squadron mission reports, the plane’s usual crew flew their 25th mission on May 17th, 1943, piloting the Memphis Belle to the Keroman submarine base, located in the Breton city of Lorient. There they bombed a platform used to pull U-boats out of the water. However, the aircraft itself did not complete its 25th mission until its next flight. That flight, manned by a different crew than its usual one, occurred on May 19th and sent the Memphis Belle to the Kilian submarine pen and bunker at Kiel, Germany. Its mission was to bomb an engineering and turbine engine workshop.

So, the 25th mission of the crew occurred two days before the 25th mission of the aircraft, which may account for some of the confusion about the “last mission.”

So, the 25th mission of the crew occurred two days before the 25th mission of the aircraft, which may account for some of the confusion about the “last mission.” After both crew and plane completed their respective 25th mission, the crew received the Air Medal with three Oak Leaf Clusters and the Distinguished Flying Cross. They were then ordered in June to fly the Memphis Belle back to the United States for a cross-country tour, the aim of which was to increase morale back home and to sell War Bonds.

The commanders who directed the bombing raids on Europe had decided to limit a crew’s tour of duty to 25 missions in order to increase morale among the crews: Casualty rates at the beginning of the missions approached 80% and when the Memphis Belle completed its tour (the first heavy bomber to do so), it was a joyful event, not only for the crew, but also for the entire air command and the American public.

To mark the event, American filmmaker William Wyler (then a Major in the U.S. Army Air Force) filmed and produced a 1944 documentary for the War Department entitled Memphis Belle: A Story of a Flying Fortress. In 1990, Wyler’s daughter Catherine produced a fictionalized movie of the plane’s 25th operational mission, entitled Memphis Belle.

For more information

Life. "WWII: Allied bombers and Crews." 2011. Slideshow featuring photos from World War II.

Wyler, William. "Memphis Belle: A Story of a Flying Fortress". First Motion Picture Unit of the U.S. Army Air Corps. Paramount Pictures, Inc. 1944. Found in the right-hand navigation bar of WWII Reels.

U.S Air Force. "B-17 Flying Fortress." 2004.

Bibliography

91st Bomb Group. "Dailies of the 323rd Squadron." Accessed August 2011.

Richard G. Davis, Bombing the European Axis Powers. A Historical Digest of the Combined Bomber Offensive 1939–1945. Maxwell Air Force Base, AL: Air University Press, 2006.

Animating the Home Front

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1942 ad for the American Gas Association
Question

I am looking for an electronic copy of a cartoon which shows most of the different aspects of the home front effort in America during World War II.

Answer

America’s home front effort included recruiting for the military, participating in scrap drives, paying income taxes, buying war bonds, using rationing coupons, planting Victory gardens, encouraging sanitation, volunteering for civil defense work, increasing public morale, and participating in industrial retooling and production. The Hollywood studios that were making cartoons at the beginning of the war were quickly drafted into turning their art to the war effort, to mobilize the American public. Cartoons were just one part of a propaganda effort, which also included the production and distribution of feature films, posters, war-themed commercial radio, newspaper and magazine advertising, the organization of celebrity tours and war bond drives, the establishment of censorship offices, and the formulation and distribution of a barrage of information and directives from various government officials and agencies.

Leon Schlesinger Productions produced popular cartoons featuring Daffy Duck and Bugs Bunny for Warner Brothers Studios, many of which had war themes, such as “The Ducktators” (1942), “Confusions of a Nutzy Spy” (1943), “The Fifth Column Mouse” (1943), “Tokio Jokio” (1943), “Daffy—The Commando” (1943), “Falling Hare” (1943), and “Draftee Daffy” (1945).

At least two of these Warner Brothers’ cartoons focused on home front activities and might be the cartoon you’re thinking of: “Scrap Happy Daffy” (1943), and ”Wacky Blackout” (1942).

Walt Disney also produced many war-themed cartoons with Mickey, Donald, Goofy and the rest of the gang, some of which were focused on the home front, such as “Out of the Frying Pan into The Firing Line” (1942), and ”Food Will Win the War” (1942).

A collection of short cartoons and movies from the Disney Studio during World War II, which includes many intended for the home front, was released (for purchase) in 2004 as a 2-disc DVD, “On the Front Lines,” in the series “Walt Disney Treasures.” This collection includes such titles as “Donald Gets Drafted” (1942), “Private Pluto” (1943), “Home Defense” (1943), “All Together” (1942), “Defense Against Invasion” (1943), and “Cleanliness Brings Health” (1945), as well as many others. The collection also includes Disney’s 1943 animated film, “Victory Through Air Power,” as well as a few of the hundreds of training films that the Disney studio made for the War Department or the National Film Board of Canada, such as “Four Methods of Flush Riveting” (1942).

For more information

Clayton R. Koppes and Gregory D. Black, Hollywood Goes to War: How Politics, Profits and Propaganda Shaped World War II Movies. Berkeley: University of California Press, 1990.

Thomas Doherty, Projections of War: Hollywood, American Culture, and World War II. New York: Columbia University Press, 1999.

Bibliography

James J. Kimble, Mobilizing the Home Front. College Station: Texas A&M University Press, 2006.

Steven Watts, The Magic Kingdom: Walt Disney and the American Way of Life. Boston: Houghton Mifflin, 1997.

Cass Warner-Sperling, Cork Millner, and Jack Warner. Hollywood Be Thy Name: The Warner Brothers Story. Lexington: University Press of Kentucky, 1999.

Historic Government Publications from World War II: A Digital Library

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Image, A Pocket Guide to Hawaii, R. Bach, 1945, Historic Government Publications
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More than 300 U.S. government publications from World War II have been digitized for this site, an ongoing project that plans to add another 200 documents.

Materials include pamphlets and books emphasizing home front issues, such as air raids, preservation, child labor, and victory farms. All materials are searchable by title, author, subject, and keyword. Browsing is also available.

A companion collection of photographs, the "Melvin C. Shaffer Collection," depicts the home front situation in Germany, North Africa, Italy, and Southern France from 1943 to 1945. Shaffer was a U.S. Army medical photographer assigned to document the medical history of the war through major campaigns. Shafer took the photographs on this site—totaling approximately 340—unofficially with the goal of recording the war's impact on civilians.

Northwestern European Military Situation Maps from World War II

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Image, HQ Twelfth Army Group situation map, June 8, 1944, Library of Congress.
Annotation

Created by the First United States Army Group and the Twelfth Army Group, this collection consists of 416 situation maps from World War II. The maps show the daily positions of Allied army units during the campaigns in Western Europe, from the D-Day invasion on June 6, 1944, through Allied occupation in July 26, 1945. There are also more than 100 reports from the campaigns.

Maps offer insight into daily activities, but also a broad view of movement over time. In addition, they highlight the incomplete nature of information available to commanders in the field during war time. Visitors can search the collection or browse the maps and reports by title, creator, subject, place, or date. The site also includes an interactive essay on the Battle of the Bulge. Visitors can select the desired zoom level and window size for viewing maps.

Alternative Outcomes of World War II

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Winston Churchill, drawing by Lynn Ott, 1942
Question

How was the Second World War likely to end if the U.S. hadn't intervened? Who seemed to be winning the war before the U.S. joined after the Pearl Harbor attack? Would the Allies have been able to prevail without U.S. help?

Answer

During the months preceding the attack on Pearl Harbor, the war in Europe had essentially boiled down to a contest between the Axis Powers of Germany and Italy, and against them, the Soviet Union and Great Britain.

Six months before Pearl Harbor, Germany had launched an invasion of the Soviet Union, its erstwhile ally. By December 5, two days before the Japanese attack on Pearl Harbor, German armies had advanced to within 5 miles of Moscow.

Hitler had decided to postpone a cross-channel invasion of Britain itself until his armies were able to defeat the Soviet Union, but Germany was still fighting Britain through aerial and missile bombing, and was engaged against Britain on the seas, as well as elsewhere in the British Empire, as in North Africa. In South Asia, Britain was also defending its colonies and commonwealth against Japan. On the face of it, especially in the long term and even with Lend-Lease aid from the United States, it is difficult to see how Britain could have continued the war without the entry of the United States into the conflict on its side. Presumably, Winston Churchill would have had to sue for peace, or endure a German invasion of the British Isles once the Nazis had consolidated their military strength in Europe.

That did not happen, of course. After Churchill heard that America had been attacked at Pearl Harbor, he rushed to a secure telephone to call Franklin Roosevelt. His Memoirs of the Second World War relate the following:

In two or three minutes Mr. Roosevelt came through. "Mr. President, what's this about Japan? "It's quite true," he replied. "They have attacked us at Pearl Harbor. We are all in the same boat now."

No American will think it wrong of me if I proclaim that to have the United States at our side was to me the greatest joy. I could not foretell the course of events. I do not pretend to have measured accurately the martial might of Japan, but now at this very moment I knew the United States was in the war, up to the neck and in to the death. So we had won after all!

Yes, after Dunkirk; after the fall of France; after the horrible episode of Oran; after the threat of invasion, when, apart from the Air and the Navy, we were an almost unarmed people; after the deadly struggle of the U-boat war—the first Battle of the Atlantic, gained by a hand's-breath; after seventeen months of lonely fighting and nineteen months of my responsibility in dire stress. We had won the war. England would live; Britain would live; the Commonwealth of Nations and the Empire would live.

How long the war would last or in what fashion it would end no man could tell, nor did I at this moment care. Once again in our long Island history we should emerge, however mauled or mutilated, safe and victorious. We should not be wiped out. We should not be wiped out. Our history would not come to an end. We might not even have to die as individuals. Hitler's fate was sealed. Mussolini's fate was sealed. As for the Japanese, they would be ground to powder.

United States forces played a direct role in defeating Germany, but also forced Hitler to keep huge military forces in Western Europe rather than sending them to reinforce his armies fighting against the Soviet Union, where they would likely have been a decisive factor against the Soviets. Instead, the German invasion of Russia failed after the effort that culminated at Stalingrad, and the German forces in Western Europe were eventually pushed back anyway, beginning with the landings at Normandy.

One of the delights of the alternate history genre of fiction is that its authors generally expend some considerable effort on the notion of history itself.

Your questions are hypothetical. They invite speculation. One of the delights of the alternate history genre of fiction is that its authors generally expend some considerable effort on the notion of history itself, especially the way in which history unwinds out of a skein of causes both large and small. In these novels, large and familiar causes and conditions and forces roll out across the world, but small human details, such as a missed appointment at the Reichs Ministry, an overlooked telegram, Hitler's mistress Eva Braun's choice of perfume on a fateful day, or a random batch of sunspots that interferes with a particular radio transmission, sometimes cascade into a vastly different history than the one with which we are familiar.

For more information

Philip K. Dick, The Man in the High Castle (1962), in which Nazi Germany and Imperial Japan win World War II. The East Coast and Midwest of the United States are occupied by Germany and the West Coast by Japan.

Harry Turtledove, In the Presence of Mine Enemies (2003), in which the U.S. does not enter the war, and the Axis Powers win. Germany then bombs the U.S. in the 1970s with nuclear weapons and defeats it.

Robert Harris, Fatherland (1992), another one in which Germany wins the war, although the U.S. defeats Japan.

Norman Spinrad, The Iron Dream (1972), which is presented as a science fiction novel written by pulp-fiction artist Adolf Hitler after he flees Germany to live in the United States after the end of the First World War.

Jo Walton’s "Small Change" series [Farthing (2006), Ha’penny (2007), and Half a Crown (2008)], in which the U.S. fails to provide aid to the UK to resist Germany and Britain makes peace with the Nazi Reich. Germany continues a drawn-out war with the Soviet Union, and Britain turns into a fascist state.

Newt Gingrich and William R. Forstchen, 1945 (1995), in which the U.S. defeats Japan but not Germany, and a subsequent "cold war" ensues between the U.S. and Germany.

Bibliography