A companion to Ken Burns's film of the same name, Unforgivable Blackness provides an extensive look into issues surrounding race relations, sports, and definitions of freedom during the Progressive Era. In the documentary, Burns delves into the life of Jack Johnson, the first African American Heavy Weight Champion of the World. Johnson is explored as a man unapologetic for his strength, dominance, and defiance of society’s "rules."

This well-designed website has appeal for those teaching a variety of subject matter and content at the high school level. Background information is plentiful for those unfamiliar with early 20th-century boxing history, and sections are written at an appropriate Lexile level for high school use. Fight of the Century includes an interactive link filled with photographs, music, newspaper excerpts, political cartoons, and six audio clips (Flash Player required). Discussions of political cartoons and the depictions of African Americans during the early 1900s may be necessary before viewing Fight of the Century with students. Primary sources are plentiful throughout, including full text of the Mann Act, as well as Johnson’s FBI files.

Ghost in the House and Sparring provide information concerning four of Johnson’s contemporaries, including boxers Joe Louis and Sam Langford. Knockout also details Johnson's dalliances with a number of white women, which led to his conviction under the Mann Act. While important to the overall discussion of race relations, this section and coinciding discussions should only occur with more mature high school groups. An additional section, For Teachers, includes 10 lesson plans that may be used in a range of classroom settings—from math and civics, to history and sociology. Lesson plans are well thought out and descriptive, yet still leave room for open dialogue and connections with relatable current events. The website was last updated in 2005, which has resulted in a lost connection with three of the eight website links listed under the Resources section.

Overall, this website provides an in-depth and user-friendly overview for those interested in connecting issues of race relations and the Progressive Era into their classrooms.

In the early 20th century, Macon, Georgia's Douglass Theater was one of Georgia's primary entertainment venues for blacks outside of Atlanta. Over the course of its more than 60-year history, the theater featured famous vaudeville acts, singers such as Ma Rainey and Bessie Smith, boxing matches, as well as both silent and talking films. This website features 100 documents from the files of the theater's owner, Charles Henry Douglass, a prominent black businessman in Macon. Letters, financial statements, contracts, theater newsletters, and advertisements shed light not only on events and business transactions at the Douglass Theater, but on the wider business community supporting African American theaters in the South. A good place to begin is the "Introduction to the Douglass Theater in Macon," a detailed background essay with links to a variety of documents from the collection, including account book pages detailing one week's profits in 1923, and a series of letters exchanged between the theater's temporary manager in the late 1920s and his brother documenting the challenges of the theater business. The materials are transcribed and annotated, and browseable by author, date, type, subject, and title.

A collection of 104 sound recordings from annual folk festivals held at Fort Valley State College (now Fort Valley State University), an African-American teaching college in central Georgia. Also provides 63 items of written documentation about the festival and the recording project, including recording logs, program notes, a student newsletter about the festival, and correspondence between the festival's co-founders, educators John Wesley Work III, Lewis Wade Jones, and Willis Laurence James, and noted folklorists Benjamin A. Bodkin and Alan Lomax, who represented the Library of Congress's Archive of American Folk Song. Includes biographies of approximately 500 words each on Work, Jones, and James; a 6,000-word "Special Presentation" entitled "Noncommercial Recordings" by Bruce Bastin, excerpted from his book Red River Blues; and a 30-title bibliography. The collection is searchable by performer, title, and keyword, but lyrics are not available, which makes this collection difficult to use, since the performers speak and sing in thick dialects, made even more opaque by Web delivery. The collection is an extraordinary record of non-commercial American music and musical styles, of particular use to music specialists, but also of interest to those studying broader cultural trends. For example, 16 recordings reflect wartime opinions and concerns.

This site consists of nearly 300 images of Afro-Virginians dating from the 1880s to the early 20th century. Images are scanned from prints taken by father and son, George S. Cook and Huestes P. Cook, principally in the Richmond and Central Virginia area. Users can search the digital collection by keyword or browse images, including agriculture, education, recreation, religion, tobacco, and urban life. Documentation of labor is the most extensive, while the images of children ad education are fascinating. This site is valuable to those studying African-American life at the turn of the century or Virginia history.

In a well-organized and enjoyable format, this site introduces Thomas Wright (Fats) Waller, one of jazz music's most renowned pianists. This exhibit features recordings and photographs of Fats Waller at the pinnacle of his career. The introduction to this exhibit "Life and Time of Fats Waller" includes a 1,000-word essay about Waller's legendary piano style. Visitors will also want to read the 500-word essay about his recording legacy and a 1,200-word essay that describes the continued influence of Waller's music today. Many of the more than 50 photographs, displayed in a slide-show format, have appeared in other publications, but others are shown for the first time. They include pictures of theater marquees and billboards, scenes aboard a ship bound for Europe, and pictures of Waller backstage as well as on-stage in performance. Other kinds of documents in the collection include seven record covers, several handwritten drafts of music, and a letter penned by Waller. As users navigate the sections, recordings from some of Waller's most memorable compositions play, including "Spreading the Rhythm Around" and "Honeysuckle Rose." For those seeking to learn more about the life and musical achievements of Fats Waller, the site includes 20 references to relevant books and articles.

The art of Dox Thrash (1893-1965) is exhibited in more than 60 images—mostly reproductions of his prints, but also including drawings and photographs of the artist at work. Born in Griffin, GA, Thrash spent most of his life in Philadelphia, which he expressively documented in his artworks. The exhibit proceeds along a timeline from birth to death that allows visitors to read a biographical narrative placing his life in appropriate historical context and to view images relevant to each period. Texts and images also can be downloaded in PDF format. Thrash's prints illuminated aspects of African American community life in Philadelphia with scenes of street life, workers, domestic scenes, and leisure activities. Thrash also portrayed scenes drawn from his experience as a soldier in World War I, life on the road, and the lynching of blacks.

In addition to his artistic creations, Thrash invented a new and influential printmaking technique—the carborundum process—in the 1930s as he worked in the WPA Graphic Arts Workshop. The exhibit provides descriptions and images of nine techniques Thrash used, and also includes four audio files of the curator discussing the process of putting the exhibit together. Valuable for students of the history of art and for those interested in expressive depictions of African American life and culture in Philadelphia.

This site introduces the Archives of African American Music and Culture (AAAMC) at Indiana University. It provides information on holdings, exhibitions, and events sponsored by the AAAMC, which focuses on the post-World War II era. The site features listings of more than 70 links to sites featuring classical, religious, and popular music, including rock, blues, rhythm and blues, hip hop, jazz, and gospel, as well as topics dealing with African-American history and culture, organizations, and magazines. The site does not feature any audio presentations, and is useful mainly for its links.