This attractive exhibit utilizes essays and more than 140 images to explore the 400-year history of slavery in the Americas. The site reminds us that together "the slave trade and slavery represented one of the longest, most sustained assaults on the dignity and self-worth of human beings in the history of humankind." The site's home page offers an introductory essay that presents the central themes of the exhibit. The site is centered around nine thematic presentations on the forging of common identities in slavery; the enslavement process in Africa; the transatlantic slave trade; slave labor and slave systems; the struggle against slavery and the abolition of slavery; family life and social development; religion; language, literacy, and education; and culture. Each image is accompanied by an explanatory caption. There is no search feature available on the site. An informative overview of slavery in the Americas, the site is also of interest to those studying African-American culture.

This site consists of nearly 300 images of Afro-Virginians dating from the 1880s to the early 20th century. Images are scanned from prints taken by father and son, George S. Cook and Huestes P. Cook, principally in the Richmond and Central Virginia area. Users can search the digital collection by keyword or browse images, including agriculture, education, recreation, religion, tobacco, and urban life. Documentation of labor is the most extensive, while the images of children ad education are fascinating. This site is valuable to those studying African-American life at the turn of the century or Virginia history.

This collection of essays, documents, and bibliographies addresses Atlantic slavery, resistance, and abolition. Source Documents includes about 200 speeches, letters, cartoons, graphics, and articles (visitors may browse by author, date, subject, or document type—no searching), that document slavery in the Americas. Bibliographies contains about 12 detailed bibliographies by scholars of slavery and abolition that can be used in teaching or studying in this area, as well as links to book reviews on the internet. A Scholars Forum posts a 4,500-word featured essay by a noted scholar, and visitors can read past essays as well. Teachers may find useful a Curriculum section, where lesson plans are available, including one for the Amistad affair. It includes a timeline of abolition, a narrative of the incident and the subsequent trials, and an essay. Tangled Roots uses a 1,000-word essay to examine the history shared by Irish Americans and African Americans in America. Neither the most complete digital archive nor the greatest collection of essays, this site is nonetheless a valuable resource for the most recent scholarship of American slavery and abolition.

Transcriptions and images of more than 4,000 newspaper advertisements for runaway slaves and indentured servants between 1736 and 1803 can be browsed or search on this website. The runaways are primarily from Virginia, but also come from states along the Eastern seaboard and locations abroad. Materials include ads placed by owners and overseers as well as those placed by sheriffs and other governmental officials for captured or suspected runaway slaves. Additional advertisements announce runaway servants, sailors, and military deserters.

"Exploring Advertisements" offers browse, search, and full-text search functions, as well as maps and timelines for viewing the geographic locations of slaves. The site also provides documents on runaways—including letters, other newspaper materials, literature and narratives, and several dozen official records, such as laws, county records, and House of Burgess journals. Information on the currency and clothing of the time, a gazetteer with seven maps of the region, and a 13-title bibliography are also available.

The art of Dox Thrash (1893-1965) is exhibited in more than 60 images—mostly reproductions of his prints, but also including drawings and photographs of the artist at work. Born in Griffin, GA, Thrash spent most of his life in Philadelphia, which he expressively documented in his artworks. The exhibit proceeds along a timeline from birth to death that allows visitors to read a biographical narrative placing his life in appropriate historical context and to view images relevant to each period. Texts and images also can be downloaded in PDF format. Thrash's prints illuminated aspects of African American community life in Philadelphia with scenes of street life, workers, domestic scenes, and leisure activities. Thrash also portrayed scenes drawn from his experience as a soldier in World War I, life on the road, and the lynching of blacks.

In addition to his artistic creations, Thrash invented a new and influential printmaking technique—the carborundum process—in the 1930s as he worked in the WPA Graphic Arts Workshop. The exhibit provides descriptions and images of nine techniques Thrash used, and also includes four audio files of the curator discussing the process of putting the exhibit together. Valuable for students of the history of art and for those interested in expressive depictions of African American life and culture in Philadelphia.