Building a Class on Native American History aharmon Wed, 04/28/2010 - 13:22
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Photo, "2005 Powwow," Kristine Brumley, Smithsonian Institution, Flickr Commons
Question

I would like to develop an elective for teaching Native American history. I am looking for a class on teaching Native American history. If you could let me know of any classes, books, or other ancillary materials I would appreciate it very much.

Answer

The National Museum of the American Indian in Washington, DC offers a variety of resources about American Indian history including workshops for teachers.

For resources you can use with students, see our response to a teacher who asked about classroom resources for teaching a Native American history course.

We also recommend contacting local tribes and organizations directly to see what resources they recommend that you use to learn about their history. Below are some organizations you might consider:

We also recommend contacting local tribes and organizations directly to see what resources they recommend that you use to learn about their history.

In Connecticut, the Mashantucket Pequot Museum & Research Center provides a wealth of resources. They offer professional development to teachers as well. The center also offers workshops on how to evaluate books and other materials about Native Americans and have several educational programs for students based on the Connecticut Curriculum framework. The center designs workshops based on teacher interest as well. The Mashantucket Pequot Museum & Research Center provides a recommended reading list and a research library.

If you will be in Minnesota for the summer you may want to check out the American Indian Policy Center in St. Paul and The Minnesota Indian Affairs Council. These organizations offer resources, and can most likely direct you to additional educational resources.

You can search the NHEC site for relevant local museums, websites, and professional development opportunities. If you have not done so already, remember to also check the course offerings at your local colleges.

All Hands on Deck

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Oil on canvas, 1884, USS Constitution. . . , Davidson, USS Constitution Museum
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The USS Constitution Museum developed All Hands on Deck as a means of introducing K–12 educational elements across subjects (math, art, and more) using the history of one of the United States' most renowned military vessels, the USS Constitution.

The website itself is somewhat disorganized. However, there are a plethora of lesson plans embedded within it for students of any grade level.

The available lessons are divided into five sections—preview activities (to determine pre-existing knowledge), the building of early U.S. military frigates, the War of 1812 and the Barbary Wars, 1800s life aboard a warship, and the lasting legacy of the USS Constitution. These sections have subsections, within which you can find individual lessons intended for grades K–4, 5–8, and 9–12. Alternatively, visiting "How to Use This Online Curriculum" includes a linked list of states. Clicking on any of the available states—IL, MD, WA, SC, TN, MO, TX, NM, CO, MT, and VA—offers a list of the activities available on the website which correlate with state standards. The individual subsections also include recommended field trip sites, films, books, games, music, and more; as well as anecdotes, literature, and other "grab bag" additional items of interest.

The Image Gallery offers a smattering of paintings, illustrations, and photographs of the vessel and its officers. The gallery also contains a single newspaper recruitment ad dating to 1798.

Educators who would prefer a tangible copy of the curriculum can send an electronic request.

Alternatively, you may want to brush up on your USS Constitution history yourself. In that case, the website offers a 19-minute video in which a young girl meets a variety of figures aboard the ship—a captain's wife, a powder monkey, and an African American sailor among them.

Vitamins in Chocolate Cake: Why Use Historical Fiction in the Classroom?

Date Published
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Photography, Child Reading with Teddy Bear, 18 December 2010, Jennifer Durfey, F
Article Body

One of the great pleasures of my job as a writer for American Girl is getting letters from my young readers. Over the years, I’ve had tens of thousands of letters, every one as unique, sweet, earnest, and quirky as its writer. Very often, my correspondent asks me, “Why do you write about people who lived long ago?” And I write back, “Because I love thinking about what your life or my life would have been like if we had lived in another time, don’t you?” But that answer tells only one reason why I write historical fiction, and why I think it is a good idea to use historical fiction to teach history. There are other reasons, too.

First, I think historical fiction can make history matter—make it irresistible—to young readers. And it is important to make history matter, because reading about the past not only gives children factual information—sort of a mental timeline, for example, so that they know that the Revolutionary War happened before the Civil War—but learning about the past also allows, encourages, and teaches a child to identify with other voices, views, cultures, and times, which is a good life skill. Reading about the past teaches empathy and compassion. It helps a child see the similarities that lie just underneath our differences.

What we’re trying to do through historical fiction is to help our students realize they are what history is.

Ah, but how do we capture the children’s interest? How do we pique their curiosity? How do we engage their imaginations? Well, that’s the magic of historical fiction. And that magic is a second reason why I write historical fiction, and why I think it is good to use it in the classroom. I believe that good historical fiction exercises a child’s imagination through a vicarious experience. It leads children to use themselves and their own lives as comparisons to the characters that lived long ago and often, far away, to reflect on their own experience, to ask their families questions. It awakens awareness, perks up perception, sparks conversations. Reading historical fiction can lead a child to ask, ”What’s my voice? What’s my view? Which side should I be on? Is there a right side?“ So really, what we’re trying to do through historical fiction is to help our students realize they are what history is. What they do matters. They had better pay attention. What we’re trying to do is to sort of tickle a moral intelligence, a mindfulness, a sense of responsibility, into being.

Historical fiction helps us fire up our students and readers because it uses emotion to make the facts matter.

Helping children to be empathetic to others and more aware of themselves are two good and worthy reasons to use historical fiction, but to me, there’s a third reason that’s most important of all. I think the best word to describe it is delight. Teachers and writers want to inspire enthusiasm. We want to say to children, “Oh, look! Isn’t that cool? Can you believe how wacky and wild and fascinating the world is? The universe is abundant and it’s all out there waiting for you.” Historical fiction helps us fire up our students and readers because it uses emotion to make the facts matter. It uses emotion to teach gentle life lessons, and to form a ribbon of connection between the child in the classroom and the characters in the story.

Good historical fiction is funny, challenging, amusing, absorbing, scary, sad, and full of—here’s that word again—delight. Historical fiction is inspired by the child and inspires the child in return. It celebrates the child. It respects the child. Good historical fiction meets readers where they are right now, engaged with school, family, and friends, feeling the drives for love and friendship, and feeling the conflict between being a member of society and yet defining one’s self as a unique and independent being. It grows out of the child’s nature, which is energetic, curious, merry, passionate, exuberant, and earnest. So you might say that my readers themselves are another reason why I write historical fiction. And your students are the reason why historical fiction is a sturdy and effective vehicle for teaching history and a gift—a very good gift—to use in the classroom.

For more information

Say you're already using historical fiction in the classroom—what about asking your students to write some of their own? High school teacher Ron Gorr has some ideas. Just as students should read historical fiction along with primary and secondary sources, so should students write it drawing on primary and secondary sources. Ask students how they think their fiction (and the fiction they read) reflects the writer as well as her or his historical research. What in the story shows modern ways of thinking? What might people living at the time the stories are set in think if they read them?

Shays' Rebellion and the Making of a Nation

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Photography, Shay's Rebellion Monument, 15 Jul 2010, Flickr CC
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This website is the result of a collaboration among Springfield Technical Community College (STCC), the Springfield Armory, and the Pocumtuck Valley Memorial Association (PVMA). The site provides a narrative of Shays’ Rebellion told through images, summaries, and primary sources—a wealth of materials for classroom teachers.

The Shays’ Rebellion website is designed to be navigated through a series of six historic scenes. Framed on either end by a prologue and epilogue, the scenes present the perspectives of key groups involved in the run-up to rebellion, as well as its aftermath. In “A Bloody Encounter,” for instance, the assault by Shays and his men on the Springfield arsenal is represented in pictures. By rolling a cursor over the image, users can learn more about the scene—the great strength of this approach is that information is contextualized and given greater meaning.

One of the most unique features on the site is that each scene is accompanied by the commentary of eyewitnesses and other figures from the time period. With background knowledge acquired from the scene and brief synopses of events, users are well prepared to understand these commentaries—an excellent use of primary sources.

The site can also be navigated by people, by artifacts and documents, or by themes and essays. Exploring it in any of these ways, however, can be a chaotic experience. The site also includes resources for extension activities like songs and music, a timeline, and a series of historic maps.

The Encyclopedia of Arkansas History and Culture

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Government worker helps Cuban refugees who have immigrated to Arkansas
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This website functions as an easy-to-maneuver and reader-friendly website for gathering information about Arkansas and its impact on American history. Entries are divided into two categories: text and media. Both include subdivisions based on alphabetical listings or gallery images (respectively) in addition to category, type, time period, race and ethnicity, and gender. The Media section offers numerous photos, maps, documents, and video and audio resources. Entries include suggested readings, related links, and media galleries, when applicable.

Some of the more useful features of the site includes a calendar describing events in Arkansas’s history on each day, as well as a photo of the day from the Arkansas gallery. An overview entry provides general information about the state for those beginning to conduct research about Arkansas, and a breadcrumb trail at the top of each page helps readers retrace their steps while visiting the site—a feature users will find very helpful.

Educators will also find more than 100 lesson plans marked by The Butler Center—when planning for topics such as the Civil War, Korean War, and who’s who in Arkansas history. Lesson plans are in PDF format.

Teachers and students will enjoy exploring how the Razorback State played a key role in U.S. history. Teachers will also find the lesson plans from the Butler Center a useful resource for classroom instruction.

The Oregon Encyclopedia

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image of an explorer overlooking an Oregon lake
Annotation

This website is a collaboration between Portland State University, the Oregon Council of Teachers of English, and the Oregon Historical Society, and is a key project of the Oregon Sesquicentennial Celebration. Beyond its basic function as a reference tool, The Oregon Encyclopedia provides lesson plans for teachers—primarily for grades 4–12. The site is divided into 17 categories, each one with several subcategories such as "biography," "event," "group," or "place." Entries include a brief history, or synopsis, of the topic with any accompanying media objects and suggested reading. Entries are arranged alphabetically or by topic with a search engine that allows searches based on category, theme, sub-theme, county, era, or region. Each week new entries are added to the hundreds currently online.

In the For Teachers section, users will find several sections. "History Minutes" contains facts about important topics related to the state. The "Oregon IQ Test" offers a short list of Oregon trivia questions. The "Permissions" and "How to Cite" pages outline the educational and fair use policies to help students navigate copyright policies. Under "Research Tools," users will find a list of annotated bibliographies, as well as the ability to conduct a live chat with an online librarian any time of day—even during the weekends.

Oregon and U.S. history teachers and students will find The Oregon Encyclopedia a useful resource for learning more about the nation's 33rd state and its role in U.S. history.

A Larger Global or Interregional Story aharmon Wed, 05/26/2010 - 10:33
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Illustration, None so blind as those. . . , New York Public Library
Question

How do I design a modern world history curriculum that offers students both depth and breadth? This year I have essentially presented a series of case studies shaped by essential questions, but worry that my students have missed out on understanding the context and global patterns that inform those case studies.

Answer

The breadth/depth question is a central one in history education, but may be compounded in world history where there is so much breadth, and the possibilities for depth are seemingly endless. Teaching with cases (as you've been doing) can be an excellent strategy for tackling this dilemma in world history. However, case studies can sometimes seem episodic or isolated to students who do not fully understand what the cases they are studying are "cases of."

It is important, then, to also introduce students to the larger global or interregional patterns in world history. Understanding these patterns will allow students to make more sense of the cases that they encounter. However, classroom resources (such as the textbook) do not always provide a coherent global narrative that explains these patterns. Although there is no one agreed-upon story of the world’s history, there are several resources that can help teachers (and students) understand a big global picture. For example, the book This Fleeting World by David Christian presents a history of the world in 92 pages. Certainly there are things left out, but, in doing so, Christian has written a coherent history on the largest scale—a story that teachers can add to with investigations of events at smaller scales. Similarly the book World History: The Big Eras (a companion to the World History For Us All (WHFUA) website) includes essays focusing on large-scale global patterns that teachers can use to inform course design and assessments.

. . . case studies can sometimes seem episodic or isolated to students who do not fully understand what the cases they are studying are "cases of."

Understanding the big picture in world history is one thing, but how should we represent it to our students while also guiding them to go into more depth?

Start Large

One way is to introduce an historical era, instructional unit, or even a school year by first teaching the larger global or interregional story. The World History For Us All (WHFUA) website has freely available PowerPoint slide shows that portray this type of global overview of a particular era (see here for an example). These slide shows can be modified for one's own classroom, and many teachers find them extremely useful for framing units of study. The patterns or themes that such a presentation sets up can then be used throughout the unit when discussing particular cases. Students can hold each historical case they study up to scrutiny based on the larger global or interregional patterns (e.g., is this a "case of" the larger pattern? Why or why not? How does this case compare to others?). Returning to the global patterns throughout a unit of study is crucial and this can be accomplished by frequently revisiting part or all of the opening presentation. By the end of a unit, students should be able to use the cases they have studied to provide examples and non-examples of the patterns and themes presented at the beginning of the unit.

Make Each of Your Essential Questions Truly Essential

An important aspect of this work is the use of questions. You mention having essential questions for each of the cases you present to your students. Essential questions can be extremely useful, but, perhaps surprisingly, when it comes to developing them, less can truly be more. Having one central question that can hook students and organize a unit, semester, or even a year can often be more effective than using lists of essential questions for each lesson or unit. Moreover, developing a central question that relates to a particular global pattern for a particular era can help students with their analyses of connected cases. For example, for a unit on global industrialization, you might ask, "How was the Industrial Revolution a global process?" As students explore cases of industrialism around the world, they can continually return to the question to see how the cases relate to the global pattern of industrialism (or not). The question also addresses a common misconception that the Industrial Revolution was solely a European and North American event.

Having one central question that can hook students. . . can often be more effective than using lists of essential questions. . .

Of course, you will always ask students additional questions in your lessons and units, but having students focus on one central question will allow them to better focus on making connections between unit content. Last, a well-designed central question can serve as a final assessment of students' understanding of the content of a unit, semester, or year.

Select Cases with Care

There are several web-based resources that can help teachers decide what cases might be particularly rich for an historical era as well as what global or interregional patterns should be highlighted. The WHFUA website includes lessons at different scales: panorama (at a global or interregional scale), landscape, and closeup (often in-depth case studies). As mentioned above, the accompanying WHFUA book provides essays and discussion questions for each of nine eras in the curriculum. Although geared toward AP and college students, The Bridging World History website, can provide ideas for how to structure units for all students using large global patterns and specific case studies (the sample question I mention above is from the site). The site also includes interviews with historians around particular topics and provides primary and secondary source readings and images (click here for an example).

The key component to all of this work is to be able to move back and forth between smaller and larger scales so that students see how local or national events connect to larger interregional or global patterns. This is certainly not easy, but it is made more manageable by setting up global and interregional frameworks and then using carefully chosen case studies that provide examples or non-examples of the larger historical patterns.

Good luck with this important work!

Freedom's Story: Teaching African American Literature and History

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Photo, Frederick Douglass, head-and-shoulders portrait, facing right, LoC
Annotation

This collection of 20 essays on African American history and literature, commissioned from leading scholars and written for secondary teachers, is part of the larger TeacherServe site. The essays are designed to deepen content knowledge and provide new ideas for teaching. These 3,000-7,000-word essays cover three time periods: 1609-1865, 1865-1917, and 1917 and Beyond.

Essays begin with an overview of the topic. A “Guiding Discussion” section offers suggestions on introducing the subject to students, and “Historians Debate” notes secondary sources with varied views on the topic. Notes and additional resources complete each essay. Each essay includes links to primary source texts in the National Humanities Center’s Toolbox Library.

Essays in "1609-1865" focus on topics related to slavery, including families under the slavery system, slave resistance, types of slave labor, the end of slavery, analyzing slave narratives, and the work of Frederick Douglass and Harriet Jacobs. Essays also look at African American arts and crafts and African influence on African American culture.

Essays in "1865-1917" focus on topics that fall between the eras of slavery and the Civil Rights Movement, including Reconstruction, segregation, trickster figures in African American literature, and issues of class and social division.

Essays in "1917 and Beyond" focus on literature and the Civil Rights Movement, including protest poetry, the Harlem Renaissance, and jazz in literature.

Teaching Strategies for Museums: Graphic Organizers

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Photo, O Is For Overprint, May 1, 2009, cliff1066™, Flickr
Article Body

In this four-and-a-half-minute video, 8th-grade teacher Amy Trenkle demonstrates the use of graphic organizers in museum visits. Through pre- and post-visit lessons, she prepares students for a visit to the Postal Museum in Washington, DC, and then prompts her students to summarize and contextualize the information they've collected.

This video provides examples of two promising practices:

  • Preparing students for museum visits by linking what they will see to what they are currently learning in the classroom and by familiarizing them with the organizer they will use to collect information; and
  • Directing students to focus on and collect specific information during museum visits, in order to synthesize answers to questions in a follow-up class.
What's Notable?

Trenkle demonstrates the careful preparation and follow-up required, if students are to take away lasting knowledge from a museum or historical site visit. Trenkle's familiarity with the Postal Museum's artifacts and with the information she wants her students to locate suggests that she visited the site prior to the field trip and decided how its resources related to her curriculum, what she wanted students to learn from the visit, and what she specifically wanted to direct students' attention to.

Using this information, she prepared a pre-visit lesson to relate the visit to what students were currently learning in class. The lesson posed questions on the development of transportation and introduced students to the graphic organizer they would use to gather information on-site in the next class.

Following the visit, she conducted a post-visit lesson, asking students to pull together the information they'd gathered in their organizers to answer the questions the pre-visit lesson had posed. The graphic organizers allowed the students to easily refer back to what they had learned in the museum, and to use the collected information to synthesize answers to Trenkle's questions.

Thoughts to Take Away

When planning field trips, remember that any historical site or museum can be used to answer a wide range of questions—if you want your students to bring away something specific from a site, you may need to direct and focus their attention with a tool like Trenkle's graphic organizer.

Viewing Instructions

To view this example, select the link in the "At a Glance" section to the left. After following the link, click on the video image in the center of the screen to launch the video.

Making the Most of Maps

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Watercolor, Viewing the coasts by the Chart, 1838-1839, William H. Meyers, NYPL
Question

When a group of students has no prior experience or knowledge of using geography and maps in a social studies class, what are some ways that map/geography skills can be incorporated into a lesson?

Answer
Elementary Students

To some extent the answer to this question depends on the age of the children you are teaching. Given the abstract nature of maps, formal introduction to map skills is likely best done after age six. For these young learners, I suggest that you look at the newly redesigned National Geographic Education website that includes a mini-lesson on "What is a Map." This lesson introduces the concept of a map as a simplified model of reality. From there one of the best ways to introduce map reading is to create a map of a familiar area (such as the classroom) together. That and other elementary geography projects can be found on this teacher-created site.

For slightly older students map skills should include learning the vocabulary of maps: words and concepts such as legends, scales, and compass roses. Instruction can also begin to focus on the concept that mapmakers must be selective and can show only a limited number of things on each map. Try this lesson from the United States Geological Survey that gets to this point. In any case, it is important to teach students about maps and how to use them before asking them to read and analyze content-specific maps.

Once students have a basic understanding of maps, teachers can begin to explore the use of maps to highlight important historical concepts. Elementary school is not too early to begin this type of lesson. A video example of using maps to teach history in a 4th-grade classroom can be explored here. The main goal in this lesson is to engage students in actively asking questions of the primary source document (in this case John Smith's map of Tidewater Virginia) and interpreting and understanding what they are seeing.

Finding the Right Map for Your Classroom

The Library of Congress has a large collection of maps that can be used for historical study. The site also has a self-directed professional development module for teachers about how to access and use maps in social studies lessons. This module is useful if you are new to using maps to teach history. To learn even more about what to look for in historical maps I encourage you to read the short demonstration essay "Making Sense of Maps" by David Stephens of Youngstown State University.

Older Students
As with other print media, students must learn to ask why was this document made, for whom, and in what context.

High school students with weaker geography backgrounds may require a review of terms and fundamental spatial concepts. But it is even more important for this age group for you to teach dynamic geographic analysis skills. See this Teaching Guide that includes an easy-to-use 12-step handout to guide questioning about a map. It not only lists what to look for in a map, but also engages students in asking their own questions about what is represented (and what is not) and how that influences our understanding of the map. As with other print media, students must learn to ask why was this document made, for whom, and in what context.

Finally, I am excited by the new uses for older maps that are afforded by the new Geographical Information Systems (GIS) technologies. An example of a high school lesson plan using interactive mapping features can be found here. This is just one of several history lesson plans based on GIS technology that are becoming available.

Creativity is Key

In sum, a myriad of historical maps can now be found on the Internet and their use is just beginning to be fully explored by teachers. There are so many kinds of maps. Let your imagination run free. Become familiar with the types of materials that are out there and the ways in which they might be used and then try them out with your classes. A good starting point for looking for maps can be found online here, here, and here as well as at the Library of Congress. As a geography buff, I love the number and quality of teaching materials that are now available. Kids like to work with maps and geography is fun to teach. Good luck!

For more information

You may also enjoy reading our Tech for Teachers article on using Google Maps in the classroom.