The 190 works presented on this site—approximately 40,000 written pages and more than 3,000 illustrations—provide eyewitness accounts covering California history from the Gold Rush through the end of the 19th century. Most authors represented are white, educated, male Americans, including reporters detailing Gold Rush incidents and visitors from the 1880s attracted to a highly-publicized romantic vision of California life.

The narratives, in the form of diaries, descriptions, guidebooks, and subsequent reminiscences, portray encounters with those living in California as well as the impact of mining, ranching, and agriculture. Additional topics include urban development, the growth of cities, and California's unique place in American culture. A special presentation recounts early California history, and a discussion of the collection's strengths and weaknesses provides useful context for the first-person accounts.

Born Phoebe Ann Moses in 1860 in rural Ohio, Annie Oakley became one of the most famous female entertainers of her day, performing for many years with Buffalo Bill's Wild West Show. Her life spanned a time of dramatic cultural change in the United States, and some of the most important years of the women's movement. This website accompanies a film on Oakley's life and work. While offering only a few primary sources, the website is rich with secondary source documentation. Users unfamiliar with Oakley's story may want to begin with the extensive timeline of her life, which traces her early years on a poor farm in Ohio, her involvement with the Wild West Show in the 1880s, 1890s, and early 1900s, the libel lawsuits she filed against 55 newspapers in the early 1900s, and her later years teaching women to shoot and raising funds for World War I.

The website includes profiles of 10 major people and events in Oakley's life, illustrated with thumbnail-sized photographs, as well as more extensive information on the Wild West Show's stints in New York City in the mid-1880s, including transcriptions from New York newspapers describing the shows. A gallery of six posters from the Wild West Show showcases Oakley's fame as one of the greatest marksmen of her time. The website also includes a transcript of the film, with extensive commentary by scholars of Oakley's life.

This collection of commercially produced Mexican American vernacular music is the largest of its kind, with more than 100,000 recordings. The music, originally published between 1905 and the 1990s, is primarily in Spanish. This website presents digitized versions of roughly 30,000 recordings. The music ranges widely in style and includes lyric songs, canciones, boleros, rancheras, sones, instrumental music, and the first recordings of norte and conjunto music, as well as politically motivated speeches and comedy skits.

A browseable list of subjects shows that love (unrequited love, adultery, regrets), war (Korean War, Mexican Revolution, World War I and II), and praise (of country, guitar, mother) are common themes in the collection. Unfortunately, the songs are available to the general public only in 50-second sound clips. Users interested in gaining full access to a select group of songs for research are encouraged to contact the website's administrators.

This website presents full-text versions of 500 codes, constitutions, treaties, land titles, and Supreme Court decisions relating to the more than 500 Native American tribes in the U.S. The bulk of the material lies in the "IRA (Indian Reorganization Act) Era Constitutions and Charters" section, which offers close to 300 documents. These are primarily corporate charters, constitutions, and bylaws from the 1930s and 1940s. The website also includes the 1936 Composite Indian Reorganization Act for Alaska and twentieth-century constitutions from selected tribes, such as the Choctaw Nation of Oklahoma.

For material before the twentieth century, the "Treaties" section includes scans of the original Six Nations Treaty of 1794 and the Senekas Treaties of 1797 and 1823. In addition, a digitized version of Felix Cohen's 1941 Handbook of Federal Indian Law, and the Opinions of the Solicitor of the Department of the Interior Relating to Indian Affairs 1917-1974 are both available.

This exhibit features more than 65 objects from Native American cultures in North and South America. Beautifully displayed in 10 showcases, these objects address many aspects of American Indian life, such as identity, recreation, communication, dress, adornment, music, and dance. All images can be zoomed for detailed viewing and are accompanied by a brief description, information about Native cultures, and other facts. Some images are accompanied by related photographs. The "Containing Culture" case, for example, includes a Paviotso (Northern Paiute) carrying basket, c. 1900, make from willow shoots and leather and used by women to carry seed-foods or personal possessions on their backs. An accompanying undated photograph shows Kaibab Paiute women in Arizona using the baskets. Each case also includes a map locating the objects throughout the Americas, as well as an interactive activity that allows users to manipulate the objects onscreen—by placing instruments in "wind," "percussion," or "string" categories, for example.

This exhibition presents photographs taken by Father Augustine Schwarz (1887–1946) while he served as a Catholic missionary to American Indians in Arizona. The images, donated by the Schwartz family, depict missionary scenes and workers, church buildings, and other landmarks.

The site focuses on three American Indian groups—Pima, Papago, and Apache Indians—and serves as an accessible portal to Catholic missionary activities among those three groups. Many of the photographs are accompanied with brief descriptions and annotations by Father Schwarz. A brief biography of Father Schwarz is included.

Along with images of Whiteriver Apaches of northern Arizona taken by Father Schwarz's brother, Arnold Schwarz, the entire collection consists of 179 images.

More than 400 ceremonial and everyday objects representing 11 Native communities along the North Pacific Coast-from the Tlingit and Haida in the North to the Coast Salish and Makah in the South-form the core of this virtual exhibit. Each community's objects are presented in separate virtual galleries curated by community members. In this way, each group presents its own culture and history in a way meaningful to that group. The Coast Salish curators, for example, chose only objects used in daily life, such as baskets and mats, canoes and fishing implements, household items, and weaving materials, as the community values keeping ceremonial and religious practices private. The Gitxan curators, on the other hand, focus on spirits and spiritual healers, and have included doll figures, masks, amulets, and headdresses in their collection.

Objects from other communities include art implements, such as paintbrushes, musical instruments, body adornment worn during dances, and wooden carvings. The photographs of all objects are high-quality, and a zoom function enables detailed viewing.

These 685 items represent 27 current and former American Indian tribes of the Northern Great Plains and cover a period from 1870 to 1954. Most of the materials are photographs with identifying text. The collection also includes stereographs, ledger drawings, and other sketches.

Users can view three unique collections. The Barstow Ledger Drawing Collection offers 66 Crow and Gros Ventre drawings from the late 19th century. A portfolio entitled Blackfeet Indian Tipis, Design and Legend includes 26 works and an introductory essay. Another collection offers treaties with the Assiniboine, Blackfeet, and North Piegan tribes from 1874 and 1875.

Searching is available by subject, date, location, name, tribe, collection, and artist or photographer. This valuable site documents folkways, material culture, and the history of American Indians from the Northern Great Plains region.

Indian Affairs: Laws and Treaties is the digitized version of Indian Affairs, a highly regarded, seven-volume compendium of treaties, laws, and executive orders relating to U.S.-Indian affairs. Charles J. Kappler originally compiled the volume in 1904 and updated afterward through 1970.

Volume II presents treaties signed between 1778 and 1882. Volumes I and III-VII cover laws, executive and departmental orders, and important court decisions involving Native Americans from 1871 to 1970. Some volumes also provide tribal fund information. This version includes the editor's margin notations and detailed index entries, and allows searches across volumes. It provides a comprehensive resource for legal documents on U.S. relations with Native Americans.

This collection of materials (more than 80 items) comes from rare books, pamphlets, journals, pulp magazines, newspapers, and original photographs. The illustrations reflect European interpretations of Native Americans, images of popular culture, literary and political observations, and artistic representations. The three main sections are "Portrayals of Native Americans," "The Nine Millionth Volume," and a timeline.

"Portrayals" is divided into four online galleries: Color Plate Books, Foreign Views, Mass Market Appeal, and Early Ethnography. The galleries incorporate the renowned works of George Catlin and Edward S. Curtis, and the lesser-known works of early 19th-century Russian artist-explorer Louis Choris. "Mass market" features 32 illustrations, including colorful images of western novel covers and portraits of southwestern Indians. "Early ethnography" contains a newspaper article about a Native American family, five photographs, and 15 illustrations of Indians at play and at war. "The Nine Millionth Volume" is devoted to James Otto Lewis's historic volume, The Aboriginal Port Folio, a series of hand-colored lithographic portraits of American Indian chiefs.