Freedom's Story: Teaching African American Literature and History

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Photo, Frederick Douglass, head-and-shoulders portrait, facing right, LoC
Annotation

This collection of 20 essays on African American history and literature, commissioned from leading scholars and written for secondary teachers, is part of the larger TeacherServe site. The essays are designed to deepen content knowledge and provide new ideas for teaching. These 3,000-7,000-word essays cover three time periods: 1609-1865, 1865-1917, and 1917 and Beyond.

Essays begin with an overview of the topic. A “Guiding Discussion” section offers suggestions on introducing the subject to students, and “Historians Debate” notes secondary sources with varied views on the topic. Notes and additional resources complete each essay. Each essay includes links to primary source texts in the National Humanities Center’s Toolbox Library.

Essays in "1609-1865" focus on topics related to slavery, including families under the slavery system, slave resistance, types of slave labor, the end of slavery, analyzing slave narratives, and the work of Frederick Douglass and Harriet Jacobs. Essays also look at African American arts and crafts and African influence on African American culture.

Essays in "1865-1917" focus on topics that fall between the eras of slavery and the Civil Rights Movement, including Reconstruction, segregation, trickster figures in African American literature, and issues of class and social division.

Essays in "1917 and Beyond" focus on literature and the Civil Rights Movement, including protest poetry, the Harlem Renaissance, and jazz in literature.

Around the World in the 1890s: Photographs, 1894-1896 Anonymous (not verified) Fri, 01/25/2008 - 22:21
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Photo, North African man on horseback, W H Jackson, 1894, Around the World...
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This photograph archive contains more than 900 images made by American photographer William Henry Jackson (1843–1942) during his tour of North Africa, Asia, Russia, Australia, and Oceania from 1894 to 1896. The World's Transportation Commission, an organization formed to aid American business interests abroad, commissioned Jackson for this trip.

The photographs, originally exhibited in Chicago's Field Columbian Museum, focus on transportation systems, especially railroads, as well as tourist sites, indigenous life, wildlife, and locations of natural beauty. Nearly 687 of the images are from lantern slides, many of which were hand-colored. Many of the photographs appeared in Harper's Weekly. This collection is valuable for those interested in late 19th-century photography, colonialism, and industrialization.

Forming Lesson Plans Around State Mandates

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Watercolor, Otto Dix, 1924, Assault under Gas, Deutsches Historisches Museum
Question

How do you teach California World History Standard 10.6.4?
10.6.4: Discuss the influence of World War I on literature, art, and intellectual life in the West (e.g. Pablo Picasso, the “lost generation” of Gertrude Stein, Ernest Hemingway).

Answer

Like most state standards, the California history-social studies content standards provide an outline of content and skills that all students should “know and be able to do.” The standards purposefully avoid pedagogy, leaving all decisions regarding how to teach the standards to teachers.

Pedagogy, however, is addressed in the Department of Education’s primary curriculum document for history education – the History-Social Science Framework. The latest edition of the Framework, stalled in the adoption process due to a lack of funding but available on-line, is meant to help teachers and administrators implement the standards. Check out the Framework’s new chapters on instruction and differentiated instruction as they provide several suggestions for “teaching the standards.”

Content Knowledge

Have students examine a number of artifacts that address the question from different perspectives and genres

When planning to teach any historical topic a good place to start is to develop your own content knowledge. Go beyond simply reading about the topic in the textbook and establish deeper contextual knowledge of the period. If possible, familiarize yourself with the historiographical debates surrounding the topic. This work can be done largely on-line. A good place to start is the Gilder Lehrman web-site, which includes several, short “guided readings” on World War I and the 1920s that are helpful for developing content knowledge. Similarly, you might also check out Digital History’s short essays on the Jazz Age.

Backward Planning
Before lesson planning, consider how you might embed this material in a larger unit of study - in this case, a unit on the effects of World War 1 or the 1920s. Follow a backwards design process by first establishing the learning goals and objectives for the unit. To do this, think about how post-war literature and art relate to other topics mentioned in standard 10.6 – for example, the “widespread disillusionment with pre-war institutions, authorities, and values” (10.6.3), and the “effects of the war on…population movement, the international economy, and shifts in the geographical and political borders of Europe and the Middle East" (10.6.2).

Lesson Plan: Investigating a Standards-Based Question

Excerpt strategically

One approach for teaching this standard is to investigate it as a historical question: How did World War One influence literature, art, and intellectual life? Or, perhaps, How did artists interpret and depict the consequences of World War One? Begin by providing students some background content on pre-war art movements (e.g., realism and modernism) and information on artists who emerged out of the war. Next, have students examine a number of artifacts that address the question from different perspectives and genres. The standard includes some places to start searching for documents – namely, Picasso, Stein, and Hemingway. You might also take a look at T.S Eliot’s The Wasteland and Otto Dix’s painting, Assault By Gas (1924). Hemingway’s The Sun Also Rises (1926) includes some vividly dark recollections of the war and Wilfred Owens’ Dulce Et Decorum Est (How Sweet It Is) (1921) satirically captures the horrors of trench warfare. It is important here to excerpt strategically - include short passages of written work that speak directly to the lesson’s historical question.

Collaboration
Finally, yet perhaps most importantly, this standard is unique in that it promotes collaboration between history and English classes. If you are teaching a 9th or 10th grade world history course, seek out the members of your English department to see if they teach, or might be willing the teach, any literature of the “lost generation.”

Campaign Atlases

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Image for Campaign Atlases
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These 400 20th-century color maps of military campaigns cover a broad range of conflicts, from American colonial wars to U.S. involvement in Somalia in 1992—1993. Most of the maps represent conflicts in which the U.S. played a role, such as the "Battle of Bunker Hill" or the "Allied Landing in Normandy," although the collection also includes maps of the Napoleonic Wars, the Chinese Civil War, the Falkland Islands War, and Arab-Israeli conflicts.

Maps are indexed by war and may be enlarged, but are not annotated. The site is easy to navigate, although large maps may be slow to download. A bibliography lists eight atlases, published between 1959 and 1987, from which many of the maps were taken. The site is particularly useful for studying cartography and military history.

Columbus and the Age of Discovery jmccartney Thu, 09/10/2009 - 08:02
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Logo, Columbus and the Age of Discovery
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Created to help mark the 500th anniversary of Columbus's 1492 voyage to America, this site is a "text-retrieval system," offering more than 1,110 scholarly and popular articles, drawn from journals, magazines, institutions, speeches, reviews, newspapers, student papers, and "other [secondary] sources relating to various encounter themes."

The search functions are cumbersome—the articles are both indexed by portions of the author's last name and arranged by underdeveloped category designations.

Jamestown Virtual Colony

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Logo, Jamestown Virtual Colony
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Useful resources for teaching the founding and settlement of Jamestown colony in Virginia. This site offers a series of lesson plans around four themes. "Corporate Colonization" covers the establishment of the London Company, colonial charters, and background to English colonization of the New World. "Development of Government" reviews the economic and social conditions in England that motivated many to migrate to America and the rights of Englishmen. "Economic Matters" discusses the economic goals of colonization, hardships and successes settlers experienced, and development of a tobacco and slave economy in Virginia. "Organization of Society" outlines cultural differences between Indians and English settlers, Indian/white relations, and the roles of religion and women in Virginia. The final section, "Broader Themes of Jamestown", provides general information on geography, competition among European powers for colonization of the New World, and the evolution of Virginia society. Each section contains lesson objectives, outlines, plans, and an annotated bibliography of helpful scholarly works. There are links to 13 online exhibits and ten sites for primary documents. For elementary school teachers looking for creative teaching ideas, this is an extremely useful site.

Thinking Historically: The Flat Earth Anonymous (not verified) Fri, 05/09/2008 - 16:08
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Students studying maps in the classroom. NHEC
Article Body

As part of The National Research Council's How People Learn series, Bob Bain (now a professor of History Education at the University of Michigan's School of Education) described a classroom in which legitimate historical questions were at the center. Through this particular investigation, Bain's students learned about 15th-century Europe, Columbus's voyage, and the nature of history and historical accounts.

What Do Students Think They Know?

Rather than presenting a story of Columbus's journey to his students, Bain first elicited student ideas about the voyage and its context. "What do you know about Columbus sailing the ocean blue in 1492? What do you know about the people of Europe on the eve of Columbus's voyages?" After hearing students recall the standard flat-earth story about Columbus, Bain asked them how they knew what they supposedly knew. What evidence did they have for their Columbus stories?

Using Frameworks and Organizers

How do you know what you know was the unifying problem across Bain's entire curriculum and this question forced students to confront the uncertain status of historical accounts. Students initially saw no difference between "history"and "the past" and believed there was a one-to-one correspondence between what happened in the past and the history book sitting on their desks.

Bain explained to his students that the past is never fully retrievable and our histories are accounts of that past rather than its mirrors. To make this distinction concrete for students, Bain used an organizer from the outset of his course, "history-as-event" and "history-as-account," (H(ev) and H(ac)). Columbus's voyage is history-as-event; the story we tell about it is history-as-account. This distinction, which students learned and used as touchstone, introduced the necessity of questioning and comparing different accounts of the past.

At the unit level, examining historical accounts meant posing questions about historical stories. Students believed they knew Columbus's story, but could not summon evidence to support it. Successive sets of documents helped them create a more accurate and complete story about Columbus and his time.

First Bain gave students a set of short accounts consistent with their ideas—in other words he set them up. Then he challenged those ideas with a picture of a classical statue of Atlas holding a round globe and an explanation written by Carl Sagan about how Eratosthenes determined the world's circumference in the 3rd century BCE. Given these sources, students wondered why Columbus got credit for the round earth idea.

The next round of accounts, selections from Daniel Boorstin and Stephen Jay Gould, helped students sharpen the historical problem that subsequently guided their study of 15th-century European exploration. Was there a great interruption in European geographic knowledge? Did people in 1492 generally believe in the flat earth? What historical accounts explain European exploration of the Americas? How have those accounts changed over time?

History-Specific Strategies

Bain used history-specific instructional strategies to support and assist students in analyzing and synthesizing historical accounts. Students confronted questions like, When was this written? What other sources support or contest this source? See this example of small, carefully structured, reading and discussion groups.

Learning History: Content and Skills

Through Bain's instruction, students learned that the "flat-earth" story was disseminated by 19th-century writers. Students learned that historical accounts change over time, and that it is the historian's task to sift through evidence and construct a legitimate story warranted by that evidence. At the same time, they learned important content about Columbus's voyage and the context of 15th-century Europe.

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Atlas Farnese, How Students Learn: History, in the Classroom, eds. M.S.
In the Classroom

Seek out significant historical problems and questions to frame curricular units. Historians and other content experts can be helpful in identifying these.

Make historical reading and thinking strategies explicit. Use frameworks and organizers that allow students repeated practice with these strategies.

Surface student beliefs about what they think they know and challenge these beliefs when incorrect with concrete documentary evidence.

Plan instruction so students can distinguish between history and various accounts of it.

Sample Application

The original article includes several sources that Bain used in this unit.

The first source below represents the popularity of the "flat earth"story in the 19th century. The second shows that knowledge of the round earth preceded Columbus and his voyage. And the third addresses one question generated by these two: Was there a great interruption in European geographic knowledge?

1. Columbus was one of the comparatively few people who at that time believed the earth to be round. The general belief was that it was flat, and that if one should sail too far west on the ocean, he would come to the edge of the world, and fall off. (Eggleston, 1904, p.12)

2. Scholars believe the sculpture, Atlas Farnese (above, left), was made sometime after 150 A.D. Named for the collection of which it is now a part, it was found in Rome in 1575. The globe's representation of the vernal equinox helped scholars date the sculpture.

3. Dramatic to be sure, but entirely fictitious. There never was a period of "flat earth darkness" among scholars (regardless of how many uneducated people may have conceptualized our planet both then and now). Greek knowledge of sphericity never faded, and all major medieval scholars accepted the earth's roundness as an established fact of cosmology . . . Virtually all major medieval scholars affirmed the earth's roundness . . . (Gould, 1995, p. 42)

For more information

M. Suzanne Donovan and John D. Bransford, eds., How Students Learn: History in the Classroom, (Washington, D.C.: The National Academies Press, 2005).

Allan Collins, John Seely Brown, and Ann Holum, "Cognitive Apprenticeship: Making Thinking Visible," American Educator. (Winter 1991).

Bibliography

Robert B. Bain, "'They Thought the World Was Flat?' Applying the Principles of How People Learn in Teaching High School History," In How Students Learn: History, in the Classroom, eds. M.S. Donovan and J.D. Bransford (Washington, D.C.: The National Academies Press, 2005).

On a Mission: Junípero Serra in New Spain

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photomechanical print, Junipero Serra, published 1913, Francisco Palóu, LOC
Question

What was Junípero Serra’s relationship to the San Gabriel Mission and the Native American people in the area?

Answer

Father Junípero Serra was born Miguel Joseph Serra in Spain in 1713. Educated as a friar in the Order of St. Francis, he immigrated to New Spain in 1749, where he worked as both a missionary and a university administrator. In 1769, Serra led a group of Franciscan monks into Alta California, and there oversaw the founding and maintenance of a chain of missions along the Californian coast. Mission San Gabriel was the fourth mission to be built in this chain. While Serra selected the site for the mission (a site that was eventually changed) he did not personally visit the mission station until September 1772, a year after its founding.

Serra oversaw a mission system that rapidly transformed the environment and living situation of California's indigenous communities.

Serra oversaw a mission system that rapidly transformed the environment and living situation of California's indigenous communities. The friars, and the soldiers sent to accompany them, brought European domestic animals—cows, pigs, and sheep—into the region where they quickly reproduced past the point of containment. Non-native species of grasses and weeds were transported via supplies from New Spain and overran the local flora upon which Native communities depended for food. Thousands of indigenous people were pushed by these events to move to the missions in order to secure the means of their subsistence.

The friars forced Native people to work for the missions, often growing the crops upon which the mission community depended. The Franciscans strove to convert Native people to Catholicism, requiring that individuals attend mass, memorize catechisms, confess their sins, and accept harsh physical punishment for behaviors the friars considered sinful. Kinship structures were deeply disrupted by the friars' attempts to remake Native families according to a Christian, Spanish model. This situation was further compounded by mortality rates at the missions, which vastly outpaced those in other areas of the Spanish empire or Europe itself. Infants and children were especially vulnerable. The rampant spread of diseases such as syphilis and gonorrhea among the Native population made it hard for communities to replace the members they lost.

Native people were not passive in the face of such change.

Native people were not passive in the face of such change. Many individuals sought to preserve their traditional spiritual belief systems—some of which, like that of the Luiseño, mapped easily onto the central ideas of Catholicism, and some of which did not—as well as offering political resistance to the authorities of New Spain. The environmental and epidemiological changes brought about by the missions, however, made it difficult for families or communities to survive without some connection to the missions, be it wholesale removal or trade.

Serra died in California in 1784. In 1987 he was beatified by Pope John Paul II, a prerequisite for the attainment of sainthood. Controversy persists as to whether Serra should be sainted, given his administration of a mission system that was so destructive to the lives of California's Native people.

For more information

Hackel, Steven W. Children of Coyote, Missionaries of Saint Francis: Indian-Spanish Relations in Colonial California, 1769-1850. Chapel Hill: University of North Carolina Press, 2005.

Sandos, James A. Coverting California: Indians and Franciscans in the Missions. New Haven: Yale University Press, 2004.

20th-century Jewish Immigration

Question

How is Jewish immigration generalized by textbooks?

Textbook Excerpt

Some textbook narratives point out large, well-known anti-Semitic groups but fail to examine in detail acts of violence against religious and cultural minorities or the acts those groups took to combat the virulent, unapologetic anti-Semitism.

Source Excerpt

A shared wellspring of religious and cultural traditions helped keep even the most contentious elements of the American Jewish community intertwined in some ways. For example, the 1910 Protocol of Peace was negotiated and signed by Jewish communal leaders and lawyers who represented both Jewish garment manufacturers and factory owners, and Jewish workers and labor activists.

Historian Excerpt

American Jewish history provides a test case for the question of how different the experiences of the “old” and “new” immigrants actually were, with a growing number of historians convinced that the period between 1820 and 1924 should more properly be seen as a continuous century of American Jewish migration that saw more structural similarities than discontinuities.

Abstract

All textbooks cover the great wave of immigration that brought approximately 25 million people to America from 1880–1924. They provide a standard account of chain migration, ethnic urban neighborhoods, the Americanization movement, and the successful campaigns for restrictive immigration legislation. Eastern European Jews are often cited as examples of the new religious groups entering the U.S., as frequent participants in the labor activism that characterized industrial development, and as significant contributors to popular American culture, especially through music and movies. Several other significant elements of the Jewish immigrant experience receive little attention, but a closer look sheds light on the complicated turn-of-the-century immigration to America.

Jewish Immigration to the United States
History Detectives: 7.10 Anonymous (not verified) Wed, 10/21/2009 - 12:11
Description

From the PBS Video website:

"What happened to a WWII POW who sketched portraits at the German camp Stalag 17B? What's the story behind photographs of the Seadrome project? Was an old artillery shell involved in an attack on Black Tom Island?"

In each episode of PBS' History Detectives series, a team of professionals examines "mystery" artifacts, attempting to track down the stories behind each object. For more History Detectives episodes, search "History Detectives" in History in Multimedia.