An experimental presentation of 450 items in the Smithsonian Institution's American History collections, many of which are not on public display. Visitors to this virtual tour will find a map divided into regions representing broad subject categories that contain smaller rectangles standing for individual objects. Moving a mouse to a particular square results in the appearance of the name of the object, a thumbnail image, a date projected onto a timeline, and lines emanating out to relevant subject areas. Users can then click to learn more, finding a 100-200 word description, an option to zoom in closer, and often links to further information in other Smithsonian sites. Also searchable by keyword and category. Objects selected by curators "include famous, unusual, and everyday items with interesting stories to tell. They are not intended to be representative of the Museum's entire collection."

Categories reflect the wide range of the Institution's holdings, including clothing, arts/entertainment, business, science/medicine, photography, home, print/communications, transportation, military, computers, and sports. Includes audio and video items. Users can submit ratings for each object that will affect the future relative size of each square. Although innovative in design, the site may be disappointing to those searching for in-depth information about American history and culture; this is history-lite, with bells and whistles given more prominence than context and meaning.

This companion site to a National Museum of American History exhibit explores the most famous work of English photographer Eadweard Muybridge. Muybridge's photographic studies of motion have been interpreted as scientific models, but the proofs included in the five exhibit sections suggest a more complex blending of art and science. "Capturing the Moment" tells the story of the commission by California Governor Leland Stanford to study the hooves on a galloping horse and Muybridge's resulting fame. "Muybridge in Motion" traces the University of Pennsylvania study of animal and human locomotion. "From Proof to Print" outlines the process and artistic nature of motion photography. "Sequences and Structures" describes the scientific principles of motion and sequential structure. "Epilogue" discusses Muybridge's influence on late-19th century visual culture and invites visitor comments.

Each section offers a 750-word introductory essay and 10-12 images illustrating the scientific and artistic elements in Muybridge's work. The site also offers five links to related sites and a five-work bibliography. A disclaimer notifies parents and teachers that many subjects were photographed nude or semi-nude. This is an interesting site for those researching the place of photography in American science and culture.

This site, based on a National Archives exhibition of historically significant photographs, commemorates 20th-century events and everyday life. The gallery features 70 photographs grouped into six chronological headings: A New Century, The Great War and the New Era, The Great Depression and the New Deal, A World in Flames (World War II), Postwar America, and Century's End. Images contained in the gallery depict events such as the first Wright brothers flight at Kitty Hawk, immigrants arriving at Ellis Island, Lyndon Johnson meeting Martin Luther King, Jr., a war protestor placing daisies into the rifle of a U.S. soldier, and Nixon's post-resignation departure from the White House, as well as images of everyday life across the nation and throughout the century. Each chronological section opens with a brief (75-100 word) introduction. A 30-50 word caption contextualizes each image and provides information on the photographer, if known.

A portfolio section contains another 48 images taken from the works of Walter Lubken, Lewis Hine, George Ackerman, Dorothea Lange, Ansel Adams, Charles Fenno Jacobs, and Danny Lyon. Each image in the portfolio is accompanied by a 5-10 word title, notes on the photographer, and the date and place the photograph was taken. All photographs are printable. This site is ideal for students and teachers of American culture, society, and historical events in the 20th century.

This project provides a collection of more than 280 digitized materials documenting the history of Florida from pre-contact to the present. It includes materials relating to Florida history, culture, arts, literature, and social sciences in a number of major thematic areas, including Native American and minority populations, exploration and development, tourism, natural environment, and regional interests. These materials are drawn from the archives, special collections, and libraries of the 10 state universities in the Florida system.

Items include family papers, local history books and booklets, diaries, advertising materials, and Civil War letters, business records, maps, and photographs. Many of the materials are regional or local in scope.

The site also includes an extensive (5000-word) Florida history narrative timeline from pre-contact (before 1492) to the present. A user guide and tutorial are provided, and the documents are searchable by county name, keyword, subject, author, or title. The search engine has an option for listing either electronic holdings only or all collection holdings under a particular subject. Entries in the electronic catalog include the archive in which the original is located as well as a 20-word description of the item and its contents.

Note that a few links are still under construction with no completion date indicated. The site is ideal for researching Florida's state and local history.

This is a collection of 107 transcribed interviews with "distinguished men and women from all over the world," about a wide range of topics. Harry Kreisler has been moderating this interview series since 1982 at the University of California at Berkeley. An additional 104 interviews are not available online.

Interviews are unedited and can be searched by interviewee, profession, topic, chronology, Berkeley faculty, and Berkeley alumni. The interviews may also be searched by keyword. Interviews are from three to 10 pages and address topics such as Africa, civil rights, Communism, ethics, free trade, human rights, and women's roles. Professions include education, diplomacy, law, journalism, psychiatry, history, policy making, and economics. Howard Zinn, Kofi Annan, and Robert MacNamara, among others, talk about everything from their own childhoods to global politics.

The "Research Galleries" present interview excerpts in text and video grouped around topics such as "China and the World," "Truth and Power," and "Women Role Models for the New Millenium." In some cases, the galleries include email conversations between interviewees, such as Alan Cranston, and high-school students. The site will be particularly useful for research in international relations.

A companion site to the four-part PBS series that began airing in October 2001 "to explore the roots of American music . . . Blues, Country, Bluegrass, Gospel, Cajun, Zydeco, Tejano, and Native American." Includes excerpts (from 1,500 to 6,000 words) from eight oral histories with important artists, including James Cotton, Bela Fleck, Arlo Guthrie, Buddy Guy, Flaco Jimenez, B. B. King, Alan Lomax, and Willie Nelson. Also provides profiles of up to 1,000 words each of 96 artists, 15 songs, and 5 instruments.

A Teacher's Guide includes four lessons geared to middle and high school social studies and history courses on "Finding the Story in the Song," "Desegregating the Airwaves: Blues on the Radio," "Gospel Music Meets a Wide Audience," and "The Strength of Native American Music."

This guide offers photos of some of the artists (but no audio files), a 120-title bibliography, and links to 28 related sites, but in its 2,000-word introduction fails to explain the reason that these particular types of music—and not other musical styles—have been defined as comprising the "roots of American music." Despite this vagueness of definition, the site will be valuable to students of American music and 20th-century cultural history for what it does include.

Provides more than 300 musical selections and sheet music covers, in addition to essays on ragtime music and related subjects. Music available as MIDI files, performed by site creator Bill Edwards, a professional musician and collector. Selections include descriptive annotations from 200 to 600 words, and many include lyrics. Biographical essays of 100-800 words each on 26 composers, including Scott Joplin, James Scott, Joseph Lamb, Artie Matthews, and Eubie Blake. Longer essays (2,000-6,000 words) on the histories of ragtime music, player pianos, sheet music cover art, and technique tips for playing ragtime. A section on ragtime nostalgia provides information on people, inventions, events, advertising, city life, and rural life during the ragtime era. Provides annotated links to approximately 80 related sites and a bibliography of 17 titles. Valuable to those studying music history and turn-of-the-century American culture.

This site, designed as a companion to the PBS film, is quite useful in its own right. Among other themes, the site explores the role of photography in American history, beginning with the role of photography as a relative newcomer to art.

In addition, the site examines the ways in which photography has impacted warfare, politics, and advertising. Moreover, the site raises important questions about whether photographs portray a subjective reality and whether photographers influence viewers' perceptions through cropping or digital manipulation. An Image Lab allows visitors to explore the ways that camera perspective and cropping can change the meaning of a photograph. Visitors can use the tool to manipulate stock photographs and view the results.

A Teacher's Guide provides five lesson plans, asking students to decide whether censorship is a worthwhile practice and to consider ethical issues related to altering photographs.

Not a particularly deep collection of images, this site's strength is the way it teaches how to evaluate and understand photographs, especially historical photographs.

This site is a collaborative effort between the Connecticut Historical Society, the Thomas H. Dodd Research Center at the University of Connecticut, and the Mystic Seaport Museum, funded by a National Leadership Grant from the Institute of Museum and Library Services. It offers approximately 14,000 images depicting Connecticut's history from the beginning of the 19th century to the middle of the 20th century.

The images are divided into categories: "Artifacts," "Manuscripts and Documents," Maps, Charts, and Bird's-eye Views," "Newspapers and Magazines," "Photographs, Prints, and Drawings," "Posters/Broadsides," and "Sound Recordings and Transcripts." Each image includes notes on the creator, date, and place created, medium, repository information, and a brief (40-word) description of the subject. Visitors can search the site by keyword, subject, creator, title, and date.

The site also includes four sample lesson plans for middle school classes comparing and contrasting two Connecticut families and the roles of men and women through exercises interpreting the site's images, a list of ideas for future topics, and themes for secondary-level classrooms. This site is ideal for teachers and students interested in the history of Connecticut and its communities.

Photographs from 1839 to the late 20th century are on view in 12 exhibits that offer 100- to 600-word introductory essays and a diverse range of images.

"The Face of Slavery" presents 10 photographs of African Americans from 1855 to 1905.

The work of Southworth and Hawes, a photography team active between 1843 and 1862, is represented by eight daguerreotypes of women.

In "Do You Believe?" visitors may consider evidence of ghostly existence offered by 22 "spirit photographs" taken between 1875 and 1932.

In "Photography as a Fine Arf!," 16 photos from the 1850s to the 1950s "explore the complex relationships of people and dogs."

In "At Ease," nine photographs from around 1850 refute the popular notion that early portraiture was stiff.

An exhibit of the trick photography of William H. "Dad" Martin presents eight photos produced between 1894 and 1912 that show exaggerated ordinary objects.

In "Of Bricks and Light," the museum exhibits 33 architectural photographs.

Business executive and photographer Shotaro Shimomura took pictures of his trip around the world in 1934-35; nine of these are exhibited in "An Eye for the World."

An interactive exhibit of nine cartes de visite allows visitors to investigate details such as the hats worn by men in Abraham Lincoln's funeral procession.

"Scott Mutter: A More Perfect World" presents 11 "hyper-realistic" photomontages by the acclaimed image maker.

"Masterworks of Photography" includes 25 images produced from 1840 to 1975, including English inventor William Henry Fox Talbot's "The Footman," of 1840, considered the earliest photograph on paper of a human being.

In addition, the museum showcases 42 of its favorite pieces.

The site also provides a 1,700-word explanatory essay on photographic processes and links to 25 other resources concerning the history and art of photography. This site cannot be searched by subject, however, which limits its usefulness for research.