Pulitzer Prize-winning political cartoonist Ann Telnaes recently donated 81 of her cartoons to the Library of Congress. Those cartoons make up the entire collection of this site, which is searchable by keyword. Each cartoon is displayed with the size, format, medium, and publication date. The cartoons were published between 1996 and 2001, and each addresses a political or cultural issue from a domestic or international perspective. Although limited in holdings and scope, the site could be quite useful for those researching late 20th-century topics in political culture.

The USS Constitution Museum developed All Hands on Deck as a means of introducing K–12 educational elements across subjects (math, art, and more) using the history of one of the United States' most renowned military vessels, the USS Constitution.

The website itself is somewhat disorganized. However, there are a plethora of lesson plans embedded within it for students of any grade level.

The available lessons are divided into five sections—preview activities (to determine pre-existing knowledge), the building of early U.S. military frigates, the War of 1812 and the Barbary Wars, 1800s life aboard a warship, and the lasting legacy of the USS Constitution. These sections have subsections, within which you can find individual lessons intended for grades K–4, 5–8, and 9–12. Alternatively, visiting "How to Use This Online Curriculum" includes a linked list of states. Clicking on any of the available states—IL, MD, WA, SC, TN, MO, TX, NM, CO, MT, and VA—offers a list of the activities available on the website which correlate with state standards. The individual subsections also include recommended field trip sites, films, books, games, music, and more; as well as anecdotes, literature, and other "grab bag" additional items of interest.

The Image Gallery offers a smattering of paintings, illustrations, and photographs of the vessel and its officers. The gallery also contains a single newspaper recruitment ad dating to 1798.

Educators who would prefer a tangible copy of the curriculum can send an electronic request.

Alternatively, you may want to brush up on your USS Constitution history yourself. In that case, the website offers a 19-minute video in which a young girl meets a variety of figures aboard the ship—a captain's wife, a powder monkey, and an African American sailor among them.

Exactly one decade from the events of September 11, 2001, a new memorial is slated to open at Ground Zero. The memorial website offers the expected information on visiting the memorial, as well as a wealth of information which can be of use well outside of the state of New York.

Plan Your Visit is the place to go if you are considering visiting the memorial yourself or taking a class to the site. Note that there are restrictions on items and bag sizes permitted, that the site contains no public restrooms, and reservations are required with the number of group visits per day limited. Prior to the official opening, visitors can view a preview museum, which includes a StoryCorps recording booth for sharing your own 9/11 story. However, there is still a hefty amount of information here for "digital only" visitors. For example, you can read about how names will be grouped on the memorial—by location at the time of the incident, by company affiliation, and by relationships requested by next-of-kin. What does this system say about how we define ourselves today with and against other people and organizations?

In the same section, you can also find a link to a free iPhone 9/11 history application. This app provides images, a timeline, and a tour of the World Trade Center area. The tour can be used to guide an actual walk, or it can be accessed from elsewhere to explore digitally.

About the Memorial provides an overview of the memorial's design and the reasoning behind these artistic and practical choices. This can be used to get your students to question the purpose of memorials and/or how environmental designs can codify collective experience and relate to the values of their time. One simple example is the use of natural elements—trees and water—in this memorial. How do these choices relate to concepts of healing, Romanticism, sustainability, etc.

Collections includes a variety of potentially useful subpages which present a smattering of 9/11 stories with artifact images and links to oral histories, as well as a small list of international tribute projects. The subsection "Contribute" also allows you or your students to upload reaction artwork, photos, videos, or stories.

Finally, there's "Teach + Learn," a section specifically dedicated to 9/11 and contextual education. Read through the key questions for a list of a number of the big issues brought up when discussing 9/11, such as how crisis and fellowship work in tandem and how to avoid the idea of the "Other," as fundamentally unlike oneself. There are also two teaching guides, one on artistic response and another on volunteerism. Another feature is a PDF on talking to children about 9/11. One suggestion listed is that 9/11 be addressed through the stories of individuals rather than themes of good or evil. Finally, this section includes webcasts on Middle Eastern culture, memory and memorials, the aftermath of 9/11, and the building of the 9/11 memorial; an interactive timeline; an interactive version of Lady Liberty, a statue bedecked in 9/11 artifacts and ephemera; and information on domestic and international attacks.

This collection features images of dams, hydroelectric power plants, and water supply facilities built in Washington State from the late 1890s to the 1950s. The archive contains 695 items, primarily photographs but also some maps, diagrams, and other documents. A book excerpt on Washington's public water projects from Building Washington: A History of Washington State Public Works (Seattle, WA: Tartu Publications, 1998) by historians Paul Dorpat and Genevieve McCoy provides perspective on the photographs. The collection is notable because "many of these dams, power plants and reservoirs were built in some of Washington's most rugged terrain and had features that represented significant engineering feats of their time." Each image is accompanied by full descriptive and bibliographic data.

The site offers three ways to search the archive of photographs: keyword search, search by collection, or an advanced search option by selected fields and subjects. Or the visitor can browse all the items by selecting "view all items" in the search drop-down menu. This website is a useful resource for those interested in the history of Western hydroelectric dams and other water projects in the first half of the 20th century.

Shaping the Constitution revolves around the role of Virginia in early American military and political history.

The first section, Becoming Free and Independent States, offers an overview of the perspectives of early Virginians on the Revolutionary War. The page includes biographies of figures of note, ranging from George Washington to Billy, a slave impressed by the British Navy. Each biography offers titles and/or web links for further reading. The main draw of the section, though, is a collection of 32 primary sources—broadsides, portraits, maps, warrants, petitions, a cartoon, and more. Each primary source can be selected for additional information, a transcript, related sources, and/or a high-resolution copy of the source. One surprise worth noting is that selecting the high-res copy of the source sometimes provides a PDF file with multiple related sources, rather than just the one you may have thought you were downloading.

Each of the following sections follow a similar structure—biographies, primary sources, and a short text overview. Topics include Virginia and the Constitutional debate; Bill of Rights; and 13th, 14th, 15th, and 19th Amendments.

An additional feature, located within the majority of the individual sections is a "For Educators" button. This button opens a list of lesson plans and their respective Virginia standards. Only the 15th and 19th Amendment portions of the site lack this option.

A laudable fact about this website is that it provides unpleasant sources (such as a photo of an Alexandria slave pen) as well as copies of major government documents. These sources are useful for showing precisely what facts of historical life various political decisions and amendments were created to change.

The Yale Digital Commons provides access to sources from the Yale Center for British Art, Yale Peabody Museum of Natural History, Yale University Art Gallery, Yale University Library, and Yale University on iTunes U.

Getting acquainted with the commons can be somewhat daunting. Arrival on the homepage simply offers a keyword search with only a slight indication of the extent or content types of the collections you can search. The description states the contents include "art, natural history, books, and maps, as well as photos, audio, and video documenting people, places, and events that form part of Yale's institutional identity and contribution to scholarship."

The best way to proceed is to select Advanced Search. From here, you can limit a search to items available online. You can also pick one or more of the aforementioned institutions to search within, or choose specific collections which range from African Art or American Decorative Arts to Vertebrate Zoology or Yale University.

Sources you can find using this system include apparel; architectural elements; arms and armor; books, coins, and medals; calligraphy; containers; drawings and watercolors; flatware; fossils; furniture; hardware; inscriptions; lighting devices; jewelry; manuscripts and documents; masks; minerals; miniatures; models; mosaics; musical instruments; packaging; paintings; photographs; plant and animal remains; print templates; scientific instruments; stained glass; textiles; tools and equipment; timepieces; toys and games; sculpture; and wallpaper.

Designed to promote Monticello as a historical site, this exhibit offers a variety of educational and practical information. Materials allow viewers to explore Jefferson's life at Monticello. Particularly interesting are the Day in the Life of Thomas Jefferson, where visitors can learn about a typical day's activities for the 3rd president, and the Ask Thomas Jefferson features, where schoolchildren may submit questions to Mr. Jefferson. Researchers respond to questions in Jefferson's voice, using his writings. By browsing the Day in the Life section, viewers can investigate 11 activities that Jefferson participated in nearly every day, from writing letters to farming. In addition, links within each activity provide further background on Jefferson's family, his personality, and Monticello.

Visitors may also take a virtual tour of Monticello, "visiting" up to 12 rooms in the mansion. The dimensions of the rooms are provided, as well as architectural information, color and design explanations, and a Quicktime panoramic movie. An image gallery contains 65 images, ranging from portraits of Jefferson to photographs of the mansion and grounds at Monticello to depictions of his inventions. Listen to the audio review:

These more than 5,500 transcribed newspaper articles related to the Mexican-American War represent five newspapers from the U.S. and England. They span the period from 1845, when the U.S. annexed Texas, through 1848, when Mexico surrendered and the Treaty of Guadalupe Hidalgo was signed.

The contrast between coverage of the war in the U.S. and England is particularly striking. The Times of London fulminated against the immorality of slavery and of the southern scheme to annex Texas as a slave state, while exposing America's imperialist ambitions as, among other things, an attempt to shore up the nation's fragile stability through the escape valve of western migration. By contrast, newspapers from Maryland and West Virginia did not examine the issue of slavery in the articles included here.

Some images and links to watercolor and print collections are also available. The website provides a comprehensive bibliography on the war, but offers little historical background or contextualization beyond links to related materials and an expanded timeline.

The Civil War in Art website offers a pictorial entry point to the Civil War. The site consists of a set of web exhibits, with text by specialists at DePaul University, as well as photographs, images of statuary, paintings, and more. The artworks and their descriptions have been contributed by a variety of Chicago-area institutions—the Art Institute of Chicago, Chicago History Museum, Chicago Park District, Chicago Public Library, DuSable Museum of African Art, Newberry Library, and the Terra Foundation for American Art.

Two features are worth noting. One, the broad definition of artwork adopted by the site includes documentary practices such as portrait photography and journalistic sketches. Two, the site states that the majority of the works are from Northern states. Educators should keep artists' perspectives and intended audiences in mind as they analyze images and guide students in analyzing them.

Each exhibit offers a few short pages of text, alongside selected works of art. Hover over bold names and selected words to reveal a definition or short biography. In addition, all of the artworks referenced can be accessed together on the final page of each exhibit or, for the more than 120 artworks located throughout the website, as a list under "Image Gallery." Clicking on a piece enlarges the image and presents details about the artwork's content and context, as well as a list of suggested classroom questions and further reading. Exhibits available at the time of writing cover causes of the Civil War, life in the military, emancipation and freedom, the Northern homefront, Lincoln, and remembering the Civil War.

There are three additional smaller sections. "Glossary," lists all of the vocabulary terms and short biographies available as "mouse-over" text in the exhibits. The page also offers downloadable PDFs of the vocabulary and the biographies. "Classroom Projects" offers three middle-to-high-school-level lessons, each of which has been implemented in Chicago area classrooms. Here, you can also access a file on teaching with art. Finally, "Additional Resources" provides external links for further enrichment.