This ongoing project was designed to present materials on the historical experiences of those with disabilities. The website currently presents nearly 800 documents and more than 930 still images dating from the late 18th century to the present.

Subjects are organized according to categories of advocacy, types of disability, government, institutions, medicine, organizations, private life, public life, and personal names. Documents include articles, poems, pamphlets, speeches, letters, book excerpts, and editorials.

Of special interest are documents from the Roosevelt Warm Springs Institute for Rehabilitation Archives, including the Polio Chronicle, a journal published by patients at Warm Springs, Georgia, from 1931 to 1934. Images include photographs, paintings, postcards, lithographs, children's book illustrations, and 19th-century family photographs, as well as postcard views of institutions, beggars, charity events, and types of wheelchairs.

This website provides free access to a variety of visual materials and "seeks to illustrate the unique role of visual images in American history." Clio is an educational organization developing American history projects with appeal to a wide audience, including students, educators, and researchers. This site aims to not only provide access to a variety of visual historical materials, such as photographs, illustrations, and material objects (namely quilts), but also "to promote visual literacy by exploring the variety of ways that images enhance our understanding of the past and challenge us to hone our interpretive skills."

The website is organized into three main sections. The first, "Visualizing America," includes two collections of modules, titled "Picturing the Past: Illustrated Histories and the American Imagination, 1840–1900," and "Quilts as Visual History." A second section, ”Photography Exhibits," includes three photography collections: one focusing on the work of Frances Benjamin Johnston, another on the work of the Allen Sisters (Mary and Frances Allen), and the Peter Palmquist Gallery. A third section, "Creating History," examines the figure of Lowell Thomas, who became one of America's best known journalists, as well as the media version and reality of Lawrence of Arabia.

An additional section concerning women's history and lives in the 21st century and second half of the 20th century is planned for 2013.

A valuable website to students and researchers alike, it suffers only slightly from a lack of search capabilities.

The 190 works presented on this site—approximately 40,000 written pages and more than 3,000 illustrations—provide eyewitness accounts covering California history from the Gold Rush through the end of the 19th century. Most authors represented are white, educated, male Americans, including reporters detailing Gold Rush incidents and visitors from the 1880s attracted to a highly-publicized romantic vision of California life.

The narratives, in the form of diaries, descriptions, guidebooks, and subsequent reminiscences, portray encounters with those living in California as well as the impact of mining, ranching, and agriculture. Additional topics include urban development, the growth of cities, and California's unique place in American culture. A special presentation recounts early California history, and a discussion of the collection's strengths and weaknesses provides useful context for the first-person accounts.

Born Phoebe Ann Moses in 1860 in rural Ohio, Annie Oakley became one of the most famous female entertainers of her day, performing for many years with Buffalo Bill's Wild West Show. Her life spanned a time of dramatic cultural change in the United States, and some of the most important years of the women's movement. This website accompanies a film on Oakley's life and work. While offering only a few primary sources, the website is rich with secondary source documentation. Users unfamiliar with Oakley's story may want to begin with the extensive timeline of her life, which traces her early years on a poor farm in Ohio, her involvement with the Wild West Show in the 1880s, 1890s, and early 1900s, the libel lawsuits she filed against 55 newspapers in the early 1900s, and her later years teaching women to shoot and raising funds for World War I.

The website includes profiles of 10 major people and events in Oakley's life, illustrated with thumbnail-sized photographs, as well as more extensive information on the Wild West Show's stints in New York City in the mid-1880s, including transcriptions from New York newspapers describing the shows. A gallery of six posters from the Wild West Show showcases Oakley's fame as one of the greatest marksmen of her time. The website also includes a transcript of the film, with extensive commentary by scholars of Oakley's life.

A work in progress, this site presents the southern Arizona school newspaper, Little Cowpuncher. Created by Anglo and Mexican American ranch children, from kindergarten through 8th grade, between 1932 and 1943 at five neighboring Arizona schools (Redington, Baboquivari, Sasco, San Fernando, and Sopori), the newspapers present the original and unedited stories, poems, and illustrations of students about their community and school life. The site includes a map that identifies the location of the five schools and users may select which newspaper they wish to examine by school and by year.

The newspapers include many stories about holiday celebrations, especially Halloween and Christmas. Also frequently featured are tales of rodeo activities and issues dedicated to graduating classmates. Other local events, such as an outbreak of chicken pox and droughts offer a unique perspective on the students' isolated rural lives.

Although the site is simply designed, middle and high school students and teachers will find that the newspapers present an opportunity to study pioneer Mexican and American ranch families and understand the bilingual and bicultural communities they created in Southern Arizona.

This learning center focuses on the devastating 1779 Continental Army campaign into Iroquois Country that set out to destroy the Seneca, Cayuga, and Onondaga nations who had allied themselves with the British. It features maps, images, audio/visual presentations, and lesson plans. Three maps show the places affected by the campaign and its aftermath, including an interactive map explaining the background and course of the campaign, as well as an actual campaign map from 1779. The site has more than 300 images in 11 different thematic galleries including Iroquoia, the events of the campaign's 25th anniversary, traditional images, and alternative viewpoints. There are 10 audio/visual presentations directly inspired by the campaign and its aftermath or "devoted to a world freed from its legacy."

The educator's guide to the campaign offers an introduction that includes an overview, background to the campaign and goals, and 13 lesson plans. The site also provides a section for posting commentary and discussion about the campaign and provides 13 links to related websites. A useful site for teaching the Revolutionary War and for anyone with an interest in the 1779 Sullivan-Clinton Campaign and its legacy.

Using images, maps, timelines, and essays this "web-based documentary" relates the story of John Horse and the Black Seminoles, a community of free blacks and fugitive slaves allied with the Seminoles of Florida in the 19th century. Taking the position that academic historians have overlooked and misinterpreted the history of the Black Seminoles, it presents their role in the outbreak of the Second Seminole War (1835-1842) as the "largest slave rebellion in U.S. history." "Overview" provides an introduction to the features of the site and its interpretive themes as well as a "story synopsis" with a summary of the origins of the Black Seminoles, their role as rebels against slavery, their movement to Indian Territory after 1838, and a biography of John Horse. "Trail narrative" explains the history of the Black Seminoles "from their origins as a community to the death of their great leader John Horse in 1882" through 450 story panels with text and images. There are 360 "images," a picture tour with 32 images summarizing the site author's interpretation, and 23 "key images."

Other features include a key events summary, a guide to six central characters, a timeline, four interactive maps, and a listing of 17 related journal articles and nine newspaper articles available on the web. In addition to those interested in its interpretations of the history of the Black Seminoles and the Seminole War, this site offers useful material for those interested in Native Americans or the history of slavery in America.

Presenting full-text letters and diaries, this website focuses on the lives and careers of Kate and Sue McBeth, missionaries and teachers among the Nez Perce Indians during the last quarter of the 19th century. Government documents and images pertaining to the tribe's history accompany these materials. Sue McBeth established a successful theological seminary for Nez Perce men, collected and organized a Nez Perce/English dictionary, and wrote journal articles. Kate McBeth provided literacy education for Nez Perce women, taught Euro-American domestic skills, and directed a Sabbath school and mission society.

Divided into five sections, materials include more than 150 letters, a diary, a journal, five treaties, more than 70 commission and agency reports and legislative actions, excerpts from a history of the Nez Perce, and 19 biographies. Six maps and approximately 100 images, including 13 illustrations depicting the 1855 Walla Walla Treaty negotiations, are also available.

These 685 items represent 27 current and former American Indian tribes of the Northern Great Plains and cover a period from 1870 to 1954. Most of the materials are photographs with identifying text. The collection also includes stereographs, ledger drawings, and other sketches.

Users can view three unique collections. The Barstow Ledger Drawing Collection offers 66 Crow and Gros Ventre drawings from the late 19th century. A portfolio entitled Blackfeet Indian Tipis, Design and Legend includes 26 works and an introductory essay. Another collection offers treaties with the Assiniboine, Blackfeet, and North Piegan tribes from 1874 and 1875.

Searching is available by subject, date, location, name, tribe, collection, and artist or photographer. This valuable site documents folkways, material culture, and the history of American Indians from the Northern Great Plains region.

This collection of materials (more than 80 items) comes from rare books, pamphlets, journals, pulp magazines, newspapers, and original photographs. The illustrations reflect European interpretations of Native Americans, images of popular culture, literary and political observations, and artistic representations. The three main sections are "Portrayals of Native Americans," "The Nine Millionth Volume," and a timeline.

"Portrayals" is divided into four online galleries: Color Plate Books, Foreign Views, Mass Market Appeal, and Early Ethnography. The galleries incorporate the renowned works of George Catlin and Edward S. Curtis, and the lesser-known works of early 19th-century Russian artist-explorer Louis Choris. "Mass market" features 32 illustrations, including colorful images of western novel covers and portraits of southwestern Indians. "Early ethnography" contains a newspaper article about a Native American family, five photographs, and 15 illustrations of Indians at play and at war. "The Nine Millionth Volume" is devoted to James Otto Lewis's historic volume, The Aboriginal Port Folio, a series of hand-colored lithographic portraits of American Indian chiefs.