A selection of more than 16,000 items relating to the performing arts of the late 19th and early 20th centuries is offered on this website. Materials include books, clippings, photographs, drawings, music, manuscripts, moving images, posters and lobby cards, programs, and recorded sound.

Diverse types of material on specific performers—such as Ruth St. Denis, Loie Fuller, and Isadora Duncan—have been selected to allow focused study. More than 2,400 entries are available for photographs (entries often contain multiple images) as well as 21 large format clippings scrapbooks, each with more than 100 pages. The website also presents 16 full-text books and video clips from nine early motion pictures, including a nine-minute clip featuring renowned dancer Anna Pavlowa in Lois Weber's The Dumb Girl of Portici (1914).

These scanned images come from more than 2,700 pieces of sheet music published between 1852 and 1900 in California. The website also includes more than 800 illustrated covers, 48 audio selections, eight video clips of singers, and a handful of programs, posters, playbills, periodicals, catalogs, broadsheets, books on music, and maps. More than 350 items contain advertising.

Explanatory essays of 1,000 to 2,000 words in length provide general information on music from more than a dozen ethnic cultures, and with reference to specific topics, including buildings, composers, dance, disasters, gender, mining, performers, politics, product ads, railroads, and sports. Provides 14 links to additional sheet music collections and reference sources. These resources are valuable to those studying popular culture, California history, music history, advertising, and depictions of ethnicity, gender, and race in 19th-century America.

This bilingual website (English and French) explores the history of the French presence in North America from the early 16th century to the end of the 19th century through more than 360 manuscripts, books, maps, and other documents. Each thematic presentation—"Exploration and Knowledge," "The Colonies," "Franco-Indian Alliances," "Imperial Struggles," and "The French and North America after the Treaty of Paris"—includes a title exhibit and additional exhibits that highlight particular items in the collection. Materials can also be browsed in the collections section.

A timeline (1515–1804) organizes events in French America by explorations, colonization and development, and conflicts and diplomacy, and places them in the context of events in France. Additionally, there are eight descriptive maps that show various Indian groups in contact with the French and the changes in political boundaries in North America from before 1763 to the era of the Louisiana Purchase.

A 1981 reference to an unusual pneumonia in Los Angeles, California, by the Centers for Disease Control and Prevention marked the beginning of public discussion of the Acquired Immunodeficiency Syndrome, known as AIDS. More than 350 selected New York Times articles from 1981 to 2001 related to the AIDS epidemic are available on this website. Materials also include nine articles specifically related to the course of the epidemic's devastation in Africa.

There are nine videos, six multimedia presentations, five fact sheets, and four in-depth reports on such subjects as HIV medications, AIDS in New York City, HIV and teens, women and AIDS, the Federal response to the crisis, and the history of AIDS. The in-depth reports cover a diverse range of people affected by AIDS, including those of different ethnic backgrounds, and cover a wide range of locations within the U.S., including rural and urban areas.

This collection of 150 motion pictures produced between 1894 and 1915 deals with work, school, and leisure activities in the U.S. The films include footage of the U.S. Postal Service in 1903, cattle breeding, firefighters, ice manufacturing, logging, physical education classes, amusement parks, sporting events, and local festivals and parades. Each film is accompanied by a brief summary.

A special presentation furnishes additional information on three categories: America at school, work, and leisure. Essays of roughly 1,000-words provide context and general descriptions of films in each category, display 15 illustrative photographs, and link to related films. A 31-work bibliography provides suggestions for further reading and websites on American labor, education, and leisure.

This collection documents the development of vaudeville and other popular entertainment forms from the 1870s to the 1920s. Materials include 334 English and Yiddish playscripts and 146 theater programs and playbills. Sixty-one motion pictures range from animal acts to dance to dramatic sketches. Ten sound recordings feature comic skits, popular music, and a dramatic monologue.

The website also features 143 photos and 29 memorabilia items documenting the life and career of magician Harry Houdini and an essay with links to specific items entitled "Houdini: A Biographical Chronology." Search by keyword or browse the subject and author indexes. The site is linked to the Library of Congress Exhibition Bob Hope and American Variety", that charts the persistence of a vaudeville tradition in later entertainment forms.

More than 40 million pages from more than seven million tobacco industry documents are presented on this website. Documents were made public as a stipulation of the 1998 Master Settlement Agreement to settle multiple lawsuits. Index records, prepared by tobacco companies, can be searched by full-text.

Documents range from the 1930s to 2002, though most were created since the 1950s, and deal with industry concerns such as marketing, sales, advertising, research and development, manufacturing, and expansion of business to developing countries. There are 80 links to related sites and promises to include more documents in the future. This project offers an abundance of material for studying the history of smoking, advertising, and 20th-century American business practices.

Highlights of Coca-Cola television advertisements from the Library of Congress Motion Picture archives are exhibited on this site, with 50 commercials, broadcast outtakes, and experimental footage.

There are five examples of stop-motion advertisements from the mid-1950s, 18 experiments with color and lighting for television ads from 1964, and well-known commercials, such as the "Hilltop" commercial featuring the song "I'd Like to Buy the World a Coke" (1971). Additional resources include the "Mean Joe Greene" commercial (1979); the first "Polar Bear" commercial (1993); the "Snowflake" commercial (1999); and "First Experience," an international commercial filmed in Morocco (1999).

The site also includes a bibliography and links to finding aids for other television commercials at the Library of Congress. While this site is relatively small, it provides a good resource for studying the history of post-World War II consumer culture in terms of content and technique.

These materials—early motion pictures from 1891 to 1918, 81 sound recordings from 1913 to 1920, and related materials, such as photographs and original magazine articles—document Thomas Edison's impact on the history of American entertainment. Edison's inventions included the phonograph, the kinetograph motion picture camera, and the kinetoscope motion picture viewer.

Sound recordings are accessible by title and according to six genres: instrumental selections, popular vocals, spoken word, spoken comedy, foreign language and ethnic recordings, and opera and concert recordings. Films are organized by title, chronologically, and according to genres, including actualities (nonfiction films), advertising, animation, drama and adventure, experimental, humorous, trick, and reenactments. Actuality subjects include disasters, expositions, famous people, foreign places, the navy, police and fire departments, railroads, scenic America, sports and leisure, the variety stage, and war. Special pages focus on the life of the inventor and his contribution to motion picture and sound recording technologies.

P. T. Barnum's American Museum burned down under mysterious circumstances in 1865 after nearly a quarter century of patronage. The original museum tried both to entertain and educate with exhibits on natural history, American history, and reform efforts along with attractions of a sensational nature. With the exception of African Americans, who were barred from entry until the Civil War, New Yorkers of diverse ethnic, gender, and class identities mingled in the museum's shared cultural space.

Visitors to this website can explore an interactive 3D recreation of the museum or an archive of images, documents, accounts, and essays on 16 original Barnum exhibits, including the Fejee mermaid; Joice Heth, a former slave advertised as George Washington's nursemaid; "Swedish Nightingale" Jenny Lind; John Brown; Jefferson Davis; the Lincoln assassination; the Civil War in New York; and phrenology. The website allows visitors to immerse themselves in the popular culture of Barnum's era.