Exactly one decade from the events of September 11, 2001, a new memorial is slated to open at Ground Zero. The memorial website offers the expected information on visiting the memorial, as well as a wealth of information which can be of use well outside of the state of New York.

Plan Your Visit is the place to go if you are considering visiting the memorial yourself or taking a class to the site. Note that there are restrictions on items and bag sizes permitted, that the site contains no public restrooms, and reservations are required with the number of group visits per day limited. Prior to the official opening, visitors can view a preview museum, which includes a StoryCorps recording booth for sharing your own 9/11 story. However, there is still a hefty amount of information here for "digital only" visitors. For example, you can read about how names will be grouped on the memorial—by location at the time of the incident, by company affiliation, and by relationships requested by next-of-kin. What does this system say about how we define ourselves today with and against other people and organizations?

In the same section, you can also find a link to a free iPhone 9/11 history application. This app provides images, a timeline, and a tour of the World Trade Center area. The tour can be used to guide an actual walk, or it can be accessed from elsewhere to explore digitally.

About the Memorial provides an overview of the memorial's design and the reasoning behind these artistic and practical choices. This can be used to get your students to question the purpose of memorials and/or how environmental designs can codify collective experience and relate to the values of their time. One simple example is the use of natural elements—trees and water—in this memorial. How do these choices relate to concepts of healing, Romanticism, sustainability, etc.

Collections includes a variety of potentially useful subpages which present a smattering of 9/11 stories with artifact images and links to oral histories, as well as a small list of international tribute projects. The subsection "Contribute" also allows you or your students to upload reaction artwork, photos, videos, or stories.

Finally, there's "Teach + Learn," a section specifically dedicated to 9/11 and contextual education. Read through the key questions for a list of a number of the big issues brought up when discussing 9/11, such as how crisis and fellowship work in tandem and how to avoid the idea of the "Other," as fundamentally unlike oneself. There are also two teaching guides, one on artistic response and another on volunteerism. Another feature is a PDF on talking to children about 9/11. One suggestion listed is that 9/11 be addressed through the stories of individuals rather than themes of good or evil. Finally, this section includes webcasts on Middle Eastern culture, memory and memorials, the aftermath of 9/11, and the building of the 9/11 memorial; an interactive timeline; an interactive version of Lady Liberty, a statue bedecked in 9/11 artifacts and ephemera; and information on domestic and international attacks.

Wilshire Boulevard runs for 16 miles in Los Angeles, from Ocean Avenue in Santa Monica to Grand Avenue in Downtown. This website offers an interactive journey down the length of this historic street, with more than 100 stops at parks, buildings, and historic landmarks in Westwood/Brentwood, Beverley Hills, Miracle Mile/Carthay Circle, Windsor Square/Hancock Park, Wilshire Center, and the Parks District.

Virtual visitors to Palisades Park in Santa Monica, for example, can see 14 photographs and drawings of the park, spanning from the early 1900s, through the 1940s, and to contemporary photographs, and read a brief description of the park's history. Those interested in the history of architecture will find useful a website feature that allows users to filter all monuments by architect, style, and function. The website also includes a "Memory Book," allowing users to contribute their stories about Wilshire Boulevard and read the stories of others, as they talk about their favorite pizza restaurant in Westwood or their childhood in Beverly Hills in the early 1960s.

In the words of the exhibit website, "The World Trade Center: Rescue, Recovery, Response details the history of the World Trade Center, the September 11 attacks, the rescue efforts, the evidence recovery operation at the Fresh Kills facility, and the public response to the September 11th events."

The website is divided into five sections—The World Trade Center, Rescue, Recovery, Response, and Voices.

The World Trade Center provides a brief overview of the design process, a construction and habitation chronology, statistics on the towers (did you know 17 babies were born at the WTC and that more than 3,500 people worked on the construction site?), a small amount of information on the response to the 1993 bombing, and photographs of several damaged artifacts removed from the WTC towers. The very mundane nature of these objects— for example, floor number signs and a fire extinguisher—may make them more emotionally distressing to students. Proceed with care, but recognize that the inclusion of these artifacts can provide powerful commentary on 9/11.

Rescue shares the story of the first 24 hours following the attacks. The primary focus is on the sacrifice of responders, including 343 NYC Fire Department employees. A timeline breaks the day down into small portions—in some cases minutes—with a an image and sentence describing events. Additional subsections introduce the Engine 6 Company, provide brief remembrances of the members of the company on duty at the time of the tragedy (two of whom survived), interactive schematics and images of the Engine 6 Pumper before and after damage, a description of why the WTC towers' engineering failed, and a selection of artifacts used by rescue workers. This section includes videos in which the two Engine 6 survivors discuss their experiences. These are very emotional, clearly depict pain, and also discuss the men and women that fell from the towers. As a result, educators should take care in their decisions to share these film clips.

Recovery details efforts to recover objects, the deceased, and criminal evidence from the remains of the towers after their transportation to the Fresh Kills site. Here, visitors can find information on and images of the cleanup of Ground Zero; a brief overview of the Fresh Kills site; a to-the-point listing of the sorting process complete with images; images of airplane pieces; photographic panoramas of Fresh Kills; images of items and signs used at the Fresh Kills site; and statistics concerning the site, personnel involved, and objects found. If visitors are concerned, they should be aware there are no images of human remains.

Response addresses the myriad ways in which people responded to the events. The section contains images of newspaper front pages and images of and short introductions to the Union Square scrolls and St. Paul's Chapel memorials, St. Paul's Chapel and Nino's restaurant as places of refuge for recovery workers, and the Fulton Street viewing platform from which the recovery efforts could be watched, as well as photographs of objects and messages of support from around the world.

The final section, Voices, contains lengthy audio interview clips with Patty Clark who worked on the 65th floor of the North Tower; Lee Ielpi who sought his firefighter son; and Jim and Marilyn Geiger, who offer a married couple's perspective on the situation from both within and outside the building. These interviews include individual coping strategies and descriptions of events.

While this is a strong addition to the web content concerning 9/11, it is important to note that it may be a very difficult site for many as it brings human stories of emotional pain to the forefront.

Dedicated to recording the maritime history of Wisconsin (especially Lake Michigan and Lake Superior), this site features more than 7,000 documents, advertisements, and photographs of ships associated with Wisconsin waters since 1679. Geared toward the specialist as well as the beginner, the site contains a list of the more than 400 ships registered in Wisconsin over the years, as well as useful descriptions of the types of ships.

The collection is searchable by keyword and browsable. The quality of the photographs varies; some are small files, while others are quite large. The site recommends six related outside resources. This site would be very useful to anyone interested in the history of Wisconsin maritime shipping, passenger cruises, or naval history.

This collection of 20 essays on African American history and literature, commissioned from leading scholars and written for secondary teachers, is part of the larger TeacherServe site. The essays are designed to deepen content knowledge and provide new ideas for teaching. These 3,000-7,000-word essays cover three time periods: 1609-1865, 1865-1917, and 1917 and Beyond.

Essays begin with an overview of the topic. A “Guiding Discussion” section offers suggestions on introducing the subject to students, and “Historians Debate” notes secondary sources with varied views on the topic. Notes and additional resources complete each essay. Each essay includes links to primary source texts in the National Humanities Center’s Toolbox Library.

Essays in "1609-1865" focus on topics related to slavery, including families under the slavery system, slave resistance, types of slave labor, the end of slavery, analyzing slave narratives, and the work of Frederick Douglass and Harriet Jacobs. Essays also look at African American arts and crafts and African influence on African American culture.

Essays in "1865-1917" focus on topics that fall between the eras of slavery and the Civil Rights Movement, including Reconstruction, segregation, trickster figures in African American literature, and issues of class and social division.

Essays in "1917 and Beyond" focus on literature and the Civil Rights Movement, including protest poetry, the Harlem Renaissance, and jazz in literature.