McVicar/Stein Photo Copy Service Collection

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This diverse collection of some 2,000 photographs, both negatives and prints, consists of pictures taken in Madison, WI, by commercial photographers Angus McVicar and George Stein from the 1920s through the 1960s. The images are of businesses, people, the University of Wisconsin campus and its students, street scenes, the urban environment, and civic and fraternal organizations. Visitors can browse the collection by pre-selected topics under businesses, people, transportation, University of Wisconsin, and workers. Some of the sub-categories include the central business district, restaurants, celebrities and entertainers, politicians, airplanes, railroad cars and employees, student activities, and office workers. Visitors can also use the Wisconsin Historical Society advanced search to view the entire collection. Full bibliographic information accompanies each image. This site is a useful resource for researching the 20th-century social and cultural history of the Midwest or Wisconsin and its people.

Harlem History

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This website offers a collection of oral history interviews, images, videos, and scholarship on various aspects of the history of Harlem. It is divided into three main sections. "Arts and Culture" has six exhibits that include two video interviews focusing on Harlem's artists, writers, and musicians; oral history interviews with A. Phillip Randolph on the Harlem Renaissance and Dorothy Height on Harlem's theatrical scene; and a multimedia presentation on the Harlem Renaissance. "The Neighborhood" provides seven exhibits that include an oral-history interview with the first African American patrolman in New York City, an essay and video on the architecture and development of Harlem, an e-seminar about classic New York ethnic neighborhoods, an essay on the decline of Jewish Harlem, Bayard Rustin's reflections on different ethnic groups with economic interests in Harlem, and civil rights leader Dorothy Height's description of changes in Harlem and her attachment to the neighborhood. "Politics" offers four exhibits: oral history interviews with A. Phillip Randolph on Marcus Garvey's movement in Harlem and Bayard Rustin on Harlem congressman Adam Clayton Powell, Jr., a video lecture on Harlem politicians, and a video interview with David Dinkens on 1950s Harlem. The site also offers a short (eight images) photo essay entitled "The Streets of Harlem" and a multimedia presentation on the 1945 Negro Freedom Rally. This site offers a useful and varied collection of material for those researching or teaching Harlem or 20th-century African American history.

Historic Missouri Newspaper Project

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This website provides a searchable archive of 14 historic Missouri newspapers. The newspapers available are The Columbia Missourian (1929, 1966-1985), Palladium (April 1907), the The Missouri Republican (July 1865), the St. Louis Christian Advicate (1857-1858, 1860, 1866-1870, 1874-1879), the St. Louis Globe Democrat (1875), the Daily Evening Herald (1835), The Far West (1836), the Liberty Weekly Tribune (1846-1848, 1850-1883), The Liberty Banner (March 1844, one issue), The Phelps County New Era (1875-1880), The Rolla Express (1860-1863, 1865, 1868, 1872-1873), The Rolla New era (1880-1897), the M.S.U. Independent (1894-1905), and The Hannibal Courier (October 1935; January and August 1988).

For many of the newspapers only several months of the years indicated are available. The full text of all available newspaper issues is searchable, and a range of keyword search options are offered. The user can search an individual publication or all newspapers in the archive. All content can be searched or the user can limit the search to articles, pictures, or advertisements. Newspapers are displayed by page and a rollover feature highlights individual articles that can then be read in a separate window. This archive is a useful resource for those researching the history of Missouri in the mid-to-late 19th and early 20th centuries.

Travel, Tourism, and Urban Growth in Greater Miami: A Digital Archive

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This site uses essays, a detailed timeline, and an image gallery to examine the growth of Miami and the history of its travel and tourism industry. An essay by Project Director Bachin provides an introduction to the website. The site has seven main thematic sections: advertising, architecture, environment, land use, migration, tourism, and transportation. Each section is introduced by a short three-to-five page essay and features a chronology and an annotated bibliography. There is also a searchable image gallery with more than 590 subjects, many with multiple images. The visitor can browse the gallery by subject, location, resource (such as aerial views, photographs, or postcards), or collection.

The site also offers an overall chronology (1823-2000), divided into sections for 1800s to WWI, WWI to 1930s, WWII to the 1950s, and the 1960s to the 1990s. The chronology can also be viewed by 18 themes such as civil rights, the Great Depression, hurricanes, land use, migration, and tourism. The overall annotated bibliography lists more than 90 books, links to 16 related websites, and 14 related archives. This site offers outstanding resources for those teaching or researching the history of Miami and South Florida and should also be of interest to anyone working on 20th-century urban and business history.

Historical Agency in History Book Sets (HBS)

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What Is It?

A strategy that combines fiction and nonfiction texts to guide students in analyzing historical agency.

Rationale

Authors of historical fiction for children and adolescents often anchor their narratives in powerful stories about individuals. Emphasis on single actors, however, can frustrate students’ attempts to understand how collective and institutional agency affects opportunities to change various historical conditions. History Book Sets (HBS) that focus on experiences of separation or segregation take advantage of the power of narratives of individual agency to motivate inquiry into how collective and institutional agency supported or constrained individuals’ power to act.

Description

History Book Sets combine a central piece of historical fiction with related non-fiction. By framing a historical issue or controversy in a compelling narrative, historical fiction generates discussion regarding the courses of action open not only to book characters, but to real historical actors. Carefully chosen non-fictional narratives contextualize the possibilities and constraints for individual action by calling attention to collective and institutional conditions and actions.

Teacher Preparation
  1. Select a piece of well-crafted historical fiction that focuses on a historical experience of separation or segregation (NCSS Notable Books is a good    place to start). The example focuses on Cynthia Kadohata’s (2006)  Weedflower—a story that contrasts a young Japanese-American internee’s    relocation experience with a young Mohave Indian’s reservation experience.
  2. Select two pieces of related non-fiction that provide context for the historical fiction. Non-fiction should include courses of action taken by    groups and institutions, as well as individuals. This example uses Joanne Oppenheim’s (2007) “Dear Miss Breed”: True Stories of the Japanese    American Incarceration During World War II and a Librarian Who Made a Difference and Herman Viola’s (1990) After Columbus.
  3. Select photographs that visually locate the events in the literature. Duplicate two contrasting sets of photographs.
  4. Reproduce templates for poem (Template A) and recognizing agency chart (Template B). The recognizing agency chart works best if students begin    with an 8½x11 chart and then transfer their work to larger chart paper.
  5. The time you need will depend on whether you assign the historical fiction for students to read or use it as a read-aloud. Reading a book aloud    generates conversation, ensures that everyone has this experience in common, and lessens concerns about readability. If students read the    book independently, plan on three class periods.
In the Classroom
  1. Recognizing Changing Perspectives. In making sense of historical agency, it helps if students recognize that different people experience historical    events differently. For instance, the main fictional characters in the example have quite distinct views of relocation camps. The packets of    photographs help children interpret changing perspectives, and the biographical poem provides a literary structure for expressing their    interpretations.
      • Organize the students in pairs. Give half the pairs Packet A (Japanese Experiences); half Packet B (Indian Experiences). Students write captions for the pictures explaining how the experiences pictured influence characters’ view of the relocation camp.
      • Drawing on their discussion and readings, each pair of students writes a biographical poem (see Template A) representing how their character’s ideas and attitudes change over the course of the story.
      • Display captioned pictures and poems where students can refer to them during the next activity.
  2. Recognizing Agency: What Can be Done?
      • Distribute Recognizing Agency chart (Template B). Work through the chart using a secondary character in the historical fiction as an example.
      • Assign pairs of students to a fictional or historical participant. For example, students might investigate the fictional main character or a family member or friend or students could investigate a historical participant.
      • Display charts. Discuss:
        1. Why do some people, groups and institutions seem to have more power than others?
        2. How can people work most effectively for change?
        3. Can you identify strategies used to alter other historical experiences of separation or segregation?
  3. Agency Today. After considering the kinds of agency expressed by people    during the past, students might write an argument for or against    contemporary issues that surround the topic. For instance in the example,    students investigate efforts to restore the relocation camp.
Common Pitfalls
Example
  1. Book selection presents the most common pitfall in developing and using    an HBS. Historical fiction presents a two-pronged challenge: If the    narrative in the historical fiction does not hold up, good historical    information can’t save it. On the other hand, a powerful narrative can    convince students of the “rightness” of very bad history. Never use books    you have not read! With that in mind:
      • Make sure you check out reviews of historical fiction and non-fiction (i.e.    Hornbook, Booklinks, Notable Books) or more topic-specific reviews such    as those provided by Oyate, an organization interested in accurate    portrayals of American Indian histories.
      • Choose non-fiction emphasizing collective and institutional agency that    contextualizes actions in the novel.
  2. Because students’ identification with literary characters can be quite    powerful, use caution in identifying one historical group or another as    “we.” Implying connections between historical actors and students    positions students to react defensively rather than analytically. None of    your students, for instance, placed people in relocation camps or on    reservations, but referring to past actions by the U.S. government as    something “we” did can confuse the issue. Students are not responsible    for the past, but as its legatees they are responsible for understanding    what happened well enough to engage in informed deliberation about the    consequences of past actions.
  3. Historical Book Sets are designed to work against tendencies to    overgeneralize about group behavior (i.e. assuming all European    Americans supported internment). In response to overgeneralization, ask    for (or point out if necessary) counter-examples from the book set.    Occasional prompting encourages students to test their generalizations    against available evidence and to think about within-group as well as    between-group differences.
  4. Historical Agency: Internment and Reservation at Poston. Background for the teacher: Groups and individuals exercise power differently, depending on the social, cultural, economic, and political forces shaping the world in which they are acting. In the case of the internment and reservation systems, for example, the power of Japanese-Americans to resist internment was quite different from the power of the War Relocation Authority to enforce relocation. Or, consider that the options available to Japanese men were quite different from those available to women or to the Native American residents of the Poston reservation. Introducing the concept of historical agency—what action was possible given the historical moment—can be a powerful tool for making sense of past behaviors. Power is a familiar concept to students who, with relatively little prompting, understand not only that larger forces may limit or expand opportunities for action, but that individuals may not all respond in the same way to those opportunities. Beginning by recognizing different perspectives on an event prepares students to consider why people might take different action, and comparing responses to action prepares students to consider available options for expressing agency. This, in turn, reinforces an important historical understanding: nothing happens in a vacuum. By placing so much attention on individual agency (often some hero or heroine), history instruction too often ignores persistent patterns of collective and institutional agency. This is not to dismiss narratives of individual agency. This HBS begins with Sumiko’s and Frank’s story because individual agency captures students’ interest and engenders a level of care that motivates further investigation of the differential agency expressed by the individuals, groups, and institutions that framed Sumiko’s and Frank’s historical choices. * Agency refers to the power of individuals, groups, and institutions to resist, blunt, or alter historical conditions. Differential agency refers to differences in potential for and expression of power within and between individuals, groups, and institutions.
Bibliography

Bamford, Rosemary A. and Janice V. Kristos, eds. Making Facts Come Alive: Choosing Quality Nonfiction Literature K-8, 2nd ed. City: Christopher-Gordon Publishers, 2003.

Levstik, Linda S. and Keith C. Barton. Doing History: Investigating with Children in Elementary and Middle Schools. London: Routledge (2005).

Prosperity and Thrift: Coolidge Era and the Consumer Economy

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This exhibit assembles a wide assortment of materials from the 1920s, items loosely related to the prosperity of the Coolidge years and the rise of a mass consumer economy. The collection includes more than 400 documents, images, and audio and video clips on subjects ranging from automobiles, consumer goods, department stores, families, Motion Picture News, and the National Negro Business League, to politics.

An introductory essay provides valuable background information on the Coolidge administration with additional insight on the social and cultural context of the era. An alphabetized guide to people, organizations, and topics includes definitions and brief descriptions. This sort of material has not been widely available, and this collection is extremely valuable as a resource on the development of mass consumption.

Samuel J. May Anti-Slavery Collection

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This is one of the richest collections of anti-slavery and Civil War materials in the world. Reverend Samuel J. May, an American abolitionist, donated his collection of anti-slavery materials to the Cornell Library in 1870. Following May's lead, other abolitionists in the U.S. and Great Britain contributed materials. The collection now consists of more than 10,000 pamphlets, leaflets, broadsides, local anti-slavery society newsletters, sermons, essays, and arguments for and against slavery. Materials date from 1704 to 1942 and cover slavery in the United States and the West Indies, the slave trade, and emancipation. More than 300,000 pages are available for full-text searching. Accompanying the documents are eight links to other collections.

Voices from the Dust Bowl: 1940-1941

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These materials examine Depression-era migrant work camps in central California. The Farm Security Administration (FSA) managed the camps that were primarily inhabited by migrants from the rural areas of Oklahoma and nearby states. The collection of materials include 371 audio recordings of songs, interviews, and camp announcements and transcriptions of 113 songs. Print and image materials include 23 photographs, newspaper clippings, and 11 camp newsletters.

Additional materials address the role of the ethnographer, including a Works Progress Administration folk song questionnaire; the field notes and correspondence of Charles L. Todd and Robert Sonkin, the original collectors of the materials; and two published magazine articles by Todd. Topics range from camp court proceedings and personal narratives to square dances and baseball games. The website also includes a bibliography, a background essay, and an essay on the recording expedition. This is a valuable site for the study of Depression-era migrants, their folk traditions, and the documentary impulse of the period.

Slaves and the Courts, 1740-1860

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More than 100 published materials on legal aspects of slavery are available on this website. These include 8,700 pages of court decisions and arguments, reports, proceedings, journals, and a letter. Most of the pamphlets and books pertain to American cases in the 19th century. Additional documents address the slave trade, slave codes, the Fugitive Slave Law, and slave insurrections as well as presenting courtroom proceedings from famous trials such as the 18th-century Somerset v. Stewart case in England, the Amistad case, the Denmark Vesey conspiracy trial, and trials of noted abolitionists John Brown and William Lloyd Garrison. A special presentation discusses the slave code in the District of Columbia. Searchable by keyword, subject, author, and title, this site is valuable for studying legal history, African American history, and 19th-century American history.

The Tax History Project

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Created by a nonprofit group interested in "open debate on federal, state, and international tax policy," this site furnishes an eclectic range of primary and secondary resources on the history of American taxation. "Tax History Museum" currently offers a 23,000-word narrative in eight chronological segments summarizing tax policy and politics from 1660 to 1900, supplemented with 70 images and links to related documents. The 20th-century portion is in development. "The Price of Civilization" makes available 14 posters and more than 6,500 pages of federal documents—primarily Treasury Department reports—on the development of the current tax system during the Great Depression and World War II. "Presidential Tax Returns" includes returns of recent presidents and Vice President Cheney. "Taxing Federalism" features nine Federalist Papers, and "Image Gallery" offers 15 political cartoons from the turn of the century to 1947, many by Washington Star cartoonist Clifford Berryman. The site also offers a bibliography and four sound clips of federal officials discussing tax policy.