A modestly-sized exhibition of visual materials from a variety of labor-related organizations that focuses on ways in which artists and others have celebrated working people and labor unions in 20th-century America. Includes 44 photographs, 19 images of leaflets and pamphlets, 13 buttons, badges, and ribbons, 25 examples of cartoon art, eight songbook and sheet music covers, six images from murals, and nine covers from the journal Labor Defender. Covers themes of workers at work, strikes, parades, demonstrations, and the civil rights movement. Provides exhibits on original art depicting labor, the New York City "culture of solidarity," and the early struggles of the Hotel and Motel Trades Council. Materials are identified with short descriptions of up to 100 words. Offers links to 61 related sites. Useful for those studying political uses of visual culture in 20th-century America.

Joe Hill was created as a companion to PBS channel KUED's documentary on the c. 1900 labor movement figure of the same name. Born in Sweden, Joe Hill's life is largely an enigma. Over time, he became involved in the Industrial Workers of the World, and was known as a writer of labor movement songs. Eventually, Hill was tried for murder, resulting in an outcry from sources as varied as the Swedish ambassador to the American Federation of Labor.

This website provides a brief biography of Joe Hill (also known as Joel Hagglund), introductions to major protestors against his sentence, an overview of the impact of his songwriting, audio recordings and lyrics of several of Hill's songs, lengthy sections of the formal appeal against Hill's sentence, and an interview with a lawyer and professor concerning the case and its legal and social context. Low-resolution images of Joe Hill, his cartoons, labor propaganda, and correspondence related to his trial and sentence are located throughout the site. In some cases, transcriptions are available of historical documents.

Joe Hill also contains information on various labor professions in the early 20th century. You can read about mining, immigration, the Scofield Mine Disaster, and more. Included are five interviews with professors and authors who contributed to the documentary film.

A final section on labor today offers readers an opportunity to submit their own labor stories, as well as a list of publications related to the life and death of Joe Hill.

Site navigation is not as intuitive as it could be. The best way to peruse the "Story" section, for example, may be to use the timeline, rather than to move through the pages in the order the "next" arrows would have you do. Using the timeline, however, will link you to sections in both the "Story" and "Legal Battle" section of the site. Expect to use your browser's back button frequently.

Kansas City's Local 627, one of several African American musicians' unions affiliated with the American Federation of Musicians, was founded in 1917. This website traces its history over the course of the 20th century. This history is divided into nine chronological sections, including introduction to the roots of Kansas City jazz style, early jazz bands, bigger bands and a new headquarters for the organization, jazz during World War II, the thriving music scene in the 1950s, the merger with Local 34, and the efforts of the Mutual Musicians Foundation to promote jazz in the 1960s and 1970s.

Upon entering each section, visitors are greeted by a video presentation of photographs of prominent Kansas City musicians and newspaper articles documenting their accomplishments, accompanied by a jazz soundtrack. In addition to explanatory text introducing musicians and prominent events in Kansas City history, each section also includes roughly 20 photographs, as well as a few songs of the era, which can be listened to using RealPlayer. Useful for those interested in Kansas City history or in U.S. music culture in the 20th century more generally.

More than 225 music selections from a private collector's 78 rpm recordings produced between 1900 and the 1930s. Music is organized according to type of recording: acoustical (pre-1925) and electrical. Includes music in a variety of styles—ragtime, opera, jazz, classical, marching bands, and swing. Listings for selections provide information on vocalist, band, and soloist, and include annotations of a few sentences each. "Dismuke's Hit of the Week," updated weekly with one to three new audio selections, also offers explanatory material of 100 to 300 words in length. Also includes images of approximately 15 record labels. Of value to those studying American popular culture and music history.

Based on a 1987 Smithsonian exhibition, this site allows visitors to click and drag through sections of text, music, personal accounts, and images that tell stories of the forced—and ultimately determined to be unconstitutional—internment during World War II of 120,000 Japanese Americans living on the West Coast. Also provides searching capabilities to retrieve images of more than 800 artifacts relating to the lives of those interned.

Sections in the narrative cover immigration, removal, internment, loyalty, service, and justice. Provides a 5,000-word audio file of interview excerpts; 6,400-word accompanying text from the 1994 traveling exhibition; annotated timeline; 72-title bibliography; 20 links to related sites; and two classroom activities. Also invites visitors to share their responses and to read those of others. Of value to students of Asian American history, the homefront during World War II, and constitutional issues.

Created by the staff of the Annenberg Rare Book and Manuscript Library at the University of Pennsylvania, this exhibit traces the life and musical career of African American contralto Marian Anderson. Anderson broke the race barrier when she came to prominence in the 1930s and 1940s. The materials are drawn from Anderson's personal papers, which she donated to the University of Pennsylvania in 1993. The exhibit is presented chronologically in 10 sections that explore Anderson's birth in Philadelphia, her education and musical training, and her career and humanitarian efforts toward improving African Americans' opportunities.

The site contains more than 30 audio and six video excerpts from performances and interviews, over 50 images, with approximately 100-word explanatory captions, illustrating Anderson's life and work. This exhibit is ideal for researching African American history and the history of the performing arts in America.

A collection of more than 50 documents--including journal and newspaper articles, speeches, papers, manifestoes, essays, press releases, a minute book, organization statements, songs, and poems—concerning the women's liberation movement, with a focus on U.S. activity in the late 1960s and early 1970s. Organized into eight subject headings—General and Theoretical; Medical and Reproductive Rights; Music; Organizations and Activism; Sexuality and Lesbian Feminism; Socialist Feminism; Women of Color; and Women's Work and Roles—and searchable by keyword. Includes five related links. Selected primarily by Duke University professor Anne Valk, with assistance from Rosalyn Baxandall (SUNY, Old Westbury) and Linda Gordon (University of Wisconsin, Madison). Useful for those studying women's history and late 20th-century radical movements.

This website covers a topic that often goes overlooked—that slavery spread as far north as Canada.

Resources include portions of a slave autobiography; slave narratives; Underground Railroad stories and songs; articles from abolitionist newspapers; short timelines (1600-1699, 1700-1799, 1800-1899, and 1900-present); more than 60 biographies of slaves; 10 images, including maps, photographs, artworks, and newspaper scans; radio and documentary links; and a collection of web links relevant to the topic. The included glossary and chapter quizzes are not currently working.

However, the site could prove useful for locating primary sources which attest to the geographical breadth of slavery in North America.

In 1968, the Black Panther Party for Self Defense established a chapter in Seattle, one of the first outside of California. This website, devoted to portraying the history and collecting the memories of that chapter, is "the most extensive online collection of materials" for any Black Panther Party chapter. It includes 13 oral histories and brief biographies of key Black Panther Party members, 53 photographs documenting Black Panther events in the late 1960s, more than 100 news stories covering Party activities from 1968 to 1981 (four years after the Party was dissolved), testimony and exhibits from the 1970 Congressional Hearings investigating the Party, and all five issues of the Seattle Black Panther Party "Bulletin." A "Slide Show" highlighting some of these materials is a good place to begin for those unfamiliar with Black Panther Party history.

This website is part of the larger Seattle Civil Rights and Labor History Project, which provides extensive materials that can serve as historical context, such as a guide to civil rights groups from the 1910s to the 1970s, 14 2,000-word essays on the ethnic press in Seattle, 13 other "Special Sections" on topics such as segregation in Seattle, and 37 in-depth essays on historical topics such as the Ku Klux Klan in the 1920s. In addition, a "For Teachers" section provides eight lesson plans using the website's material for middle and high school students.

Paul Laurence Dunbar, born in 1872 in Dayton, OH, to a former slave and a veteran of the 55th Massachusetts Volunteers, was a poet and novelist known for his innovative use of dialect and colorful language, and is widely-recognized as the first African American poet to gain widespread international attention. This website makes available more than 200 of his poems, transcribed, listed alphabetically by title, and keyword searchable.

It also presents a fully browseable collection of more than 10 of his books, ranging in date from Oak and Ivy (1893) through Joggin' Erlong (1906,) and also including Lyrics of Lowly Life (1896), which includes the famous "Ode to Ethiopia," for which he gained national recognition. The website also contains the sheet music and transcribed libretto for three songs for which Dunbar wrote the words.

These works are accompanied by a selection of 11 photographs of Dunbar, his friends, and family, as well as 20 images of the covers of his books.