An interactive site on the Underground Railroad in Lycoming County, PA. Users go to a map of the environs near Williamsport dotted with 13 relevant locations. Clicking on a location brings up images and streaming audio testimony from oral historian Mamie Sweeting Diggs, who details their significance using stories passed down from her great grandfather, Daniel Hughes, an agent and conductor on the railroad.

A river raftsman, Hughes brought logs down the Susquehanna River to Maryland, and then returned leading slaves on foot through a mountain trail. Slaves hid in warehouses, caves, and Hughes's own home. Helped by Hughes and his cohorts, the slaves headed for nearby Freedom Road, from which they would travel to Canada by foot or train.

More than 50 photographs and prints document the places where the story took place. Diggs relates four additional stories from Hughes. This site succeeds in illuminating the workings of the Underground Railroad.

Maintained by Steven F. Miller of the University of Maryland, this site provides 44 primary documents relating to the emancipation of African American slaves between 1861 and 1865. It includes a letter by General William T. Sherman explaining why he refused to return fugitive slaves to their owners; an 1864 letter from Annie Davis, a Maryland slave, to President Abraham Lincoln asking him to clarify her legal status; a description by a Union general of a bloody battle at Milliken's Bend, LA, where a brigade of black soldiers fought; and documents from the federal and Confederate governments relating to significant events.

The documents—transcribed from originals housed at the National Archives—are accompanied by sentence-long annotations, as well as an authoritative chronology of events leading to legal emancipation.

This site is part of a larger effort underway by the Freedmen and Southern Society Project, "supported by the University of Maryland and by grants from the National Historical Publications and Records Commission and the National Endowment for the Humanities" to publish the multivolume Freedom: A Documentary History of Emancipation, 1861-1867.

Opening this website, visitors are greeted with several pictures of Frederick Douglass throughout his lifespan, while a five-part historical overview of his life explains what the exhibit entails. Visitors can access more of the site's content through the three key feature links in the lower right corner of the home page: the "House Tour," "Lesson Plans," and "Portraits." The "House Tour" takes the user on a virtual room-by-room tour of Frederick Douglass's home, which is physically located in Washington, DC. This link may be useful for educators who would like their students to experience Douglass’s home but who cannot reach DC, offering a memorable classroom experience for any K–12 classroom studying the life of Frederick Douglass or of African Americans during the Antebellum and Reconstruction eras.

Additionally, educators could assign this website to students for research using primary source artifacts and documents. "Portraits" provides not only portraits with captions explaining their significance in Douglass's life, but of his children and close abolitionist friends, as well as personal items such as his Panama hat, eyeglasses, coffee pot and articles from his paper, the North Star. In total, the site offers more than 150 primary source documents and artifacts from the time period and Douglass's life. Clicking on the link for “All Image Galley” allows the viewer to step into Frederick Douglass’s world, viewing all of the primary sources in one exhibit gallery with nine subsections, including "Leisure Time" and "Presidential Appointments." This truly brings history to life!

One of the most useful links for educators is "Lesson Plans." This takes the user to a section of the National Park Service's website called Teaching with Museum Collections, where educators can download two lesson plans on Frederick Douglass, or download lesson plan templates to create their own artifact-based lessons. The lessons are clear and include state standards as well as differentiated instruction ideas. "Frederick Douglass's Hat" is appropriate for middle school students, but can be modified and integrated to the needs of all students. "Forced March," created by an 8th-grade middle school teacher, can also be modified or enhanced to meet the needs of a differentiated classroom.

Teachinghistory.org Teacher Representative Lynn Roach wrote this Website Review. Learn more about our Teacher Representatives.

This subsection of the NBC Learn website offers 132 streaming short videos related to the civil rights movement.

Videos include commentaries following major events (closely or years in retrospect), original testimonies, and video of events such as the signing of the Voting Rights Act of 1965. Topics include Emmett Till, bus boycotts, Brown v. Board of Education, the Freedom Riders, Little Rock, African American attendance at the University of Mississippi, Medgar Evers, the March on Washington, the Birmingham Church Bombing, Malcolm X, 1964 voter registration volunteer disappearances, and King's assassination.

The last section, Finishing the Dream, contains footage from four town hall events, which brought together activists, educators, religious leaders, and high school and college students for discussion of issues related to the civil rights movement.

The 132 videos are divided into subsections by year, beginning with 1954 and continuing through 1968. All videos include a transcript. Select the clip, and the word "transcript" will appear to the right of the video. Click it to bring up a scrollable transcript alongside the film.

You may also be interested in exploring further on the NBC Learn website. However, the majority of the content is subscription-based. You can sign up for a 30-day free trial, though, in order to test the waters.

In a well-organized and enjoyable format, this site introduces Thomas Wright (Fats) Waller, one of jazz music's most renowned pianists. This exhibit features recordings and photographs of Fats Waller at the pinnacle of his career. The introduction to this exhibit "Life and Time of Fats Waller" includes a 1,000-word essay about Waller's legendary piano style. Visitors will also want to read the 500-word essay about his recording legacy and a 1,200-word essay that describes the continued influence of Waller's music today. Many of the more than 50 photographs, displayed in a slide-show format, have appeared in other publications, but others are shown for the first time. They include pictures of theater marquees and billboards, scenes aboard a ship bound for Europe, and pictures of Waller backstage as well as on-stage in performance. Other kinds of documents in the collection include seven record covers, several handwritten drafts of music, and a letter penned by Waller. As users navigate the sections, recordings from some of Waller's most memorable compositions play, including "Spreading the Rhythm Around" and "Honeysuckle Rose." For those seeking to learn more about the life and musical achievements of Fats Waller, the site includes 20 references to relevant books and articles.

Part of the "Famous Trials" site created by Law Professor Douglas O. Linder, this collection provides documents, photographs, essays, and information about the controversial trials of nine African American youths for allegedly raping two white women on a train in the Depression South. Contemporary materials include 20 excerpts from the trials; 22 contemporary news articles; 10 appellate court decisions; eight letters; 28 photographs; 16 quotes from participants and others commenting on the trials; a political cartoon; and a postcard.

Also offers two essays by Linder of 6,000 and 18,000 words each; 20 biographies ranging from 100 to 1,000 words each on participants in the trials, political figures, and historians who have chronicled it; and a bibliography of 30 entries, including five links to related sites. Of value to those studying American race and gender history, the South, legal history, and Depression America.

This site contains biographical profiles of over 200 African American men and women who have contributed to the advancement of science and engineering. The site provides brief (roughly 250 word) biographies of scholars from fields such as biology, chemistry, physics, zoology, and veterinary medicine, as well as inventors. Among the scientists included in the site are prominent figures like George Washington Carver, scientist and inventor of numerous industrial applications for agricultural products, and astronomer and mathematician Benjamin Banneker.

Each entry also includes a bibliography of sources for further biographical information. The site is indexed by scientist name and profession, and there are special sections for the biographies of 20 women scientists and 14 of the first African Americans to receive PhDs in science. Though there are no primary documents on this site, it is a good place to find general information on prominent African American scientists throughout American history.

Unadorned and easy to navigate, this comprehensive website contains 46 first-person accounts of slavery and African life dating from 1682 to 1937. Each document is introduced with an illustrative sentence or short paragraph that describes the historical context.

There are both recognizable and unknown actors in this website. Former slaves such as Olaudah Equiano, Frederick Douglass, and Harriet Tubman, as well as white abolitionists such as John Brown express forceful, if familiar, condemnations of slavery.

In addition, there are unheralded historical voices that not only speak poignantly, but also reflect different (African-centered) perspectives. For example, a ship doctor's searing report of the Middle Passage; a slave husband's anguished letter to his wife after she was sold; and black social reformers' protests against the cruel punishments of slave owners.

When taken together, the assembled testimonies, including those by women, present slavery as a deeply entrenched institution that provoked a wide range of compelling commentary.

The art of Dox Thrash (1893-1965) is exhibited in more than 60 images—mostly reproductions of his prints, but also including drawings and photographs of the artist at work. Born in Griffin, GA, Thrash spent most of his life in Philadelphia, which he expressively documented in his artworks. The exhibit proceeds along a timeline from birth to death that allows visitors to read a biographical narrative placing his life in appropriate historical context and to view images relevant to each period. Texts and images also can be downloaded in PDF format. Thrash's prints illuminated aspects of African American community life in Philadelphia with scenes of street life, workers, domestic scenes, and leisure activities. Thrash also portrayed scenes drawn from his experience as a soldier in World War I, life on the road, and the lynching of blacks.

In addition to his artistic creations, Thrash invented a new and influential printmaking technique—the carborundum process—in the 1930s as he worked in the WPA Graphic Arts Workshop. The exhibit provides descriptions and images of nine techniques Thrash used, and also includes four audio files of the curator discussing the process of putting the exhibit together. Valuable for students of the history of art and for those interested in expressive depictions of African American life and culture in Philadelphia.

Nearly 1,400 documents address aspects of life in the South from the 18th, 19th, and early 20th centuries. The database features 10 major projects.

The First Century of the First State University presents materials on the beginnings of the University of North Carolina. Oral Histories of the American South offers 500 oral history interviews on the civil rights, environmental, industrial, and political history of the South. First-Person Narratives of the American South, 1860–1920 offers 140 diaries, autobiographies, memoirs, travel accounts, and ex-slave narratives. North American Slave Narratives furnishes about 250 texts.

The Library of Southern Literature makes available 51 titles in Southern literature. The Church in the Southern Black Community, Beginnings to 1920 traces the role of the church as a central institution in African American life in the South. The Southern Homefront, 1861–1865 documents non-military aspects of Southern life. The North Carolina Experience, Beginnings to 1940 provides close to 600 histories, descriptive accounts, institutional reports, works of fiction, images, oral histories, and songs.

North Carolinians and the Great War offers 170 documents on the effects of World War I and its legacy. Finally, True and Candid Compositions: The Lives and Writings of Antebellum Students at the University of North Carolina analyzes 121 documents written by students. All projects are accompanied by essays from the Encyclopedia of Southern Culture.