Causation: The War of 1812 and the Star-Spangled Banner bhiggs Fri, 10/29/2010 - 12:23
Teaser

A great way for students to learn more about the War of 1812 and our nation's emblem: the Star-Spangled Banner.

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Description

In this lesson students explore the War of 1812 and learn about the historical background of the national anthem and the American flag.

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Noting that textbooks for grades 3 through 8 often exclude the War of 1812, the Smithsonian’s History Explorer website designed this lesson to teach students about the origins and outcomes of this pivotal event in American history. This lesson also provides students with historical context for understanding one of the most popular and enduring texts in American history: "The Star-Spangled Banner," written by Francis Scott Key.

The strength of this lesson is that it provides a succinct, yet informative, narrative of the causes, course, and consequences of the War of 1812. This overview, which examines the origins of the national anthem, could be used as a basis for a lecture or directly given to students as a handout.

The discussion questions at the end of the narrative focus on the American and British motives for going to war and the importance of Washington, DC in the war. While these questions summarize important content, we recommend that teachers use the information from this lesson to help students analyze "The Star-Spangled Banner" as an historical text. For that purpose, the lesson contains several links to both background information and resources pertaining to both the anthem and the flag. (Note that this interactive feature also helps students understand the nature of historic preservation.)

This lesson provides such rich contextual information about the War of 1812 and about Francis Scott Key that we recommend modifying it and using it to inquire about the origins of "The Star-Spangled Banner" as it relates to the War of 1812.

Topic
The War of 1812 and the Star-Spangled Banner
Time Estimate
3 to 5 class periods
flexibility_scale
3
Rubric_Content_Accurate_Scholarship

Yes

Rubric_Content_Historical_Background

Yes

The main resource is a background essay.
It is brief, informative, and lays the groundwork for sourcing and contextualizing "The Star-Spangled Banner."

Rubric_Content_Read_Write

Yes
Requires students to read. Writing activities could easily be developed to support this activity.

Rubric_Analytical_Construct_Interpretations

No
Not explicitly. But several of the extensions and recommended resources do require students to interpret sources. (For an example, see this link)

Rubric_Analytical_Close_Reading_Sourcing

No
No, given that the main text is an authorless overview. But the available information can help students analyze "The Star-Spangled Banner."

Rubric_Scaffolding_Appropriate

Yes

Rubric_Scaffolding_Supports_Historical_Thinking

No

Rubric_Structure_Assessment

Yes
Discussion questions at the end ask students to consider multiple perspectives. However, no specific assessment criteria are included.

Rubric_Structure_Realistic

Yes
The reading level and language is appropriate for young learners.

Rubric_Structure_Learning_Goals

No
Useful resources, but the lesson is mostly a narrative about the War of 1812.

The Barbary Pirates: Letter from Tripoli

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(Visuals listed in order of appearance)

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Video Three:

Video Four:

Video Overview

Christine Sears looks at two 1800 letters between James L. Cathcart, American consul to Tripoli, and the current Secretary of State. Together, the letters give a hint of the political and military tensions that would lead to the First Barbary War.

Video Clip Name
Sears1.mov
Sears2.mov
Sears3.mov
Sears4.mov
Video Clip Title
Primary Source: Exchange of Diplomatic Letters
Historical and Geographical Context
Helping Students Question the Text
What Happened Later?
Video Clip Duration
3:13
6:23
3:27
3:20
Transcript Text

So it's written by James Leander Cathcart, who was the U.S. Consul in Tripoli, to the Secretary of State in May 1800, and he's writing to explain that the Bashaw, or the leader of Tripoli, has become very unhappy with treaty arrangements. Americans were trying to trade in the Mediterranean, particularly with European countries, so they were trading with Europe, Bordeaux and Lisbon and ports like that, but the Barbary pirates would—basically they had a protection racket. So if you didn't pay them some sort of tribute or some sort of money, they would capture your ship, so it would make it very difficult for you to trade. And Americans really needed that type of trade to go on.

So Tripoli—Cathcart, rather, is in Tripoli trying to arrange those—smooth things over with the Tripolitan Bashaw. And the Bashaw has become aware that Algiers is getting paid more than he's getting paid, and this is making him unhappy. What he probably also knew is that Americans were three years behind in their payments to Algiers, so even though the treaty looks better on paper for Algiers, Americans weren't able to make those payments because they were just so short of cash. So the Bashaw had apparently informed Cathcart that unless he received presents in addition to whatever tribute payments had been arranged, he was going to declare war.

And Cathcart is communicating that information to the Secretary of State and indicating that they can—They have a few options. The President is supposed to respond. The Bashaw expects him to respond—not Congress, not Secretary of State, but the President, so as long as the President responds in a reasonable amount of time, they can take a little bit of time for that response to come. Cathcart also indicates that if they're going to make payments, if they're going to make a present to the Bashaw, that that will probably buy another year, and after that time the Bashaw will will probably once again become unhappy and demand some sort of payment or presents.

Cathcart is also of the opinion, in this letter, that if the Americans were able to send ships over, it would protect their commerce. So he, I think, in another letter, suggests a couple of ships would do. If they were able to send four ships, it would be enough to take care of the problem, and the force would overwhelm the need to send presents.

Cathcart also says or gives some of the details of other arrangements. For instance, the Danes and the Swedes are also making these protection payments, and what I found particularly interesting is he indicates how much those payments are—so he says they're paying 1500 dollars every three years which seems like quite a bit of money. It was quite a bit of money then.

And you can see the trouble that Americans are having. They don't have a lot of money in the federal government, even though they're at least operating under the Constitution instead of the Articles of Confederation. They can't pay Algiers, let alone Tripoli. They need desperately to trade in the Mediterranean, but they're not able to either protect their trade or make the payments that they need to make.

It is difficult for students, I think, to understand the language, and I find if you can have students read it out loud, that they can often make sense of it. And it is meant to be a public document, so it's being sent to the Secretary of State, but Cathcart is well aware that this is going to be a document that's going to circulate. It might be published in part in the newspaper, it might be something that's going to end up in collections for the government, it might be in Congress. So he's definitely writing in a way that he thinks will look good for other people to read, which can be difficult for us to interpret.

He's also using terms that may be unfamiliar, like the Imperials, the Danes. Ragusians, which was a very small trading state on the Dalmatian coast. And those powers that he's listing there are not very strong powers. So the British, the French, had very strong navies, but these people do not, and they're involved in the carrying trade, because they, like the Americans, are neutral states, and there's so much war on the continent at that time period that the neutral states are making a lot of money in the carrying trade—as long as they can pay off the Barbary pirates.

Well, there's actually humongous subtext, and if you're going to do further research, there are two ways I think that you could have students approach this. One is the issue of trade and how trade was carried out at that time period—and increase in violence, as well, between the 1780s and the early 1800s. There's an incredible increase in violence in trade in general. The French Navy, for instance, grows something like 40 or 60 percent, and that's fairly standard. A lot of European and Russian navies—the Algerian navy, for that matter, grows at this time period. There are European powers, including the Neapolitans, who are seizing American ships. One historian estimated that between about 1800 and about 1810, other powers seized about 1,600 American ships all told. And North Africans take 13 of those ships. So the North Africans are the least of our problems in many ways.

And I think Cathcart, that's the second way you could approach this, Cathcart himself is a really interesting case. He's very concerned about the issue in Tripoli, and he's concerned in a really personal way, because in 1785, as a young man in his early 20s, he was captured by Algerian pirates and he was enslaved in Algiers for 11 years. In 1796, he is finally redeemed, by the United States, with a bunch of other Americans, and returns home and is appointed then to be the Consul in Tripoli.

So he has a really unique insider viewpoint. He knows North African politics. Most Americans don't. You can tell that he's trying to pitch this idea to the Secretary of State, that you might have to make presents or force. And that's really clear, and it's been clear to Europeans since like the 12th century—you're either gong to make these payments or you're going to get a big enough navy to do something about it.

America is kind of in a bind. It doesn't have a lot of money to do either, and Cathcart is trying to convince them, I think, to use force. I think there are two things—one is that he says If we make this payment, it's only going to delay things for about a year. And the other place is where he talks about pretenses. That they're going to attack us no matter what, they're going to come up with excuses no matter what to attack us. So we might as well put a stop to it forever, and the only way to do that is force, and that's what I'm seeing between those lines, where he's talking about pretenses and delaying and it's only going to be a year and then we're going to have to do something else.

Well, I think, in fact, these Tripolitan pirates are privateers. Everybody else's privateers look like pirates to you. And privateers, what that means is that it's a government-arranged, government-sponsored program of piracy. And the Tripolitans were very clear about it. If you make arrangements with them, if you sign a treaty with them, they're not going to capture your ships. If you don't, they will capture your ships.

They know to capture your ships because you're carrying what's called a Mediterranean pass, so if you're trading legitimately, and you're trading legitimate American goods on an American ship, you're going to have one of these Mediterranean passes and Tripolitans are going to board your ship and they're going to check out your pass and see if things are in order, and if things are in order, they won't capture your ship. If things are not in order, if you don't have your pass, if you are not actually a legitimate American ship, you're just claiming to be an American ship, they're going to capture you and they're going to take your goods and they're going to sell your ship and possibly enslave the people that you have on the ship. Every ship that's not convoyed—so sometimes Americans were able to get French or British or Portuguese ships to convoy their ships, so if you don't have the force to keep them from stopping their ship, yes, they're going to stop your ships.

And in part they have that power because in 1785 the Spanish made a treaty with them—the Spanish then stopped keeping them out of going through the Straits of Gibraltar, so they could actually get out into the Atlantic after 1785. You didn't have to come into the Mediterranean, in other words. You could be trading on the coast of Portugal, and they could still stop your ships.

So this is very much an organized state endeavor. The pirates are organized by the state, they're supported by their state, it's part of the taxation system of the money that the state is bringing in, in Tripoli. And the government in Tripoli is telling the privateers which countries are appropriate for them to attack. They really are using terms that indicate they're seeing themselves as more of a navy, so that Morad Raiz that's mentioned, Raiz is their term for captain, so that just means he's a captain in the navy, and this is his job basically. He's told by the state, the Americans aren't paying us enough, we want them to pay us more, you should stop their ships. And if it looks like they have a lot of booty on board, then we need to capture them and make things difficult for the Americans so they will negotiate with us.

They'd sell the ships, they'd sell the goods, sometimes—the Tripolitans are less likely to do this but Algiers, in particular, would enslave the men. By the early 1800s, Tripolitans are less likely to do that. And to be fair, Europeans are doing this as well. I think it's 1790, there's something like 800 Muslims held in Malta, so privateering was going on on both sides, and both sides are calling the other people's navy pirates, and they're all privateers, they're licensed by the state.

Normally I'm a big fan of handing out primary sources and just seeing what they do with it, but, I think in this case, I would want to make sure that we had looked at a map together and seen where these places are, and seen what's on the Mediterranean, and seen maybe the ports, the European ports, so they they could a get sense of how close you have to get to North African ports and how far their ships would range. I think I might also want to talk with them about what people were trading over there, because that's one of the questions you're left with, why are Americans trading with Tripoli? They really aren't trading with Tripoli, but they're taking a whole bunch of flour and wheat over to the European continent, is really what they're trading.

So I might want to set up some of the context. Why are we going there? What's going on once we're getting there? Who are these Tripolitans? Where are they Iocated, so they could get a sense of what was going on. I would ask them to come up with a list of questions from the source, so that we could talk about what was confusing to them or talk about some of the things that they were interested in. And what I would hope would come out of that is that they would ask even more detailed questions about the relationship and how was the government involved, but also the relationship between the United States and Tripoli. Why Tripoli is taking the ships, I think that would be a really interesting question for them to ask.

The other thing I was struck with is that at the very end and at the very beginning of this letter, he talks about how long it takes letters to get back and forth. So I think that raises a lot of issues about doing government business, if it takes two and three months to get letters back. And of course Cathcart is probably sending multiple copies of the same letter by various ships, hoping that one of them will make it, because those ships are very likely to be captured by Algerians, by the French, by the English, and never make it home

And in fact, he's kicked out of Tripoli and Tripoli declares war on the United States, and the Americans don't know for another month or so after that war has been declared because he can't get the information back soon enough. So meanwhile, America does send a couple of ships over, and the ships are charged with either making arrangements or attacking. So they're sent with some money, and said if you can smooth things over, if you can make things work out alright, that's okay, but if you have to use force, use force. They get to Gibraltar and they find that war has been declared. And what happens after that is Americans have—I think it's five ships that are sent as part of that flotilla, and they blockade the Tripolitan port. Unfortunately, they blockade it ineffectively because they're only five ships. And what they find is that the Barbary States in general work together. So they're blockading Tripoli, but Algerian ships take Tripoli goods, Tripoli passengers, and they're able to get into the harbor of Tripoli because we're not officially at war with Algiers. Tunis does the same thing, so they load up goods on their ships and they're able to get into the harbor and America can't really do anything about that.

Incidentally, at the same time, one of the states that's often part of that Barbary States configuration, Morocco, looks like they're going to declare war, so some of those ships are sent down to Morocco to protect American shipping, basically, past Morocco, which is on the Atlantic and much more able to take American ships.

And basically, between 1800 and 1803, we try to blockade Tripoli, to no effect, because the Barbary States are all working together, because we don't have enough ships to blockade that port, and so there's sort of a standstill. There's a series of actions but nothing incredibly exciting until 1803, when the Philadelphia is chasing a Tripolitan ship into the harbor of Tripoli, and apparently, the captain and his navigator—David Porter is the navigator, Captain William Bambridge is the captain—apparently, they don't have a very good map of the Tripolitan harbor, and they run the ship aground on a reef that the Tripolitan ship would have had knowledge of.

It's the largest ship in the Navy at that time, and William Bambridge tries to save the ship by throwing everything he can find off the ship. So they're unloading cannon, they're throwing it into the water, he's trying to get the ship to lift, so it will free from the reef. But he's not able to free the ship. So the Tripolitans capture the ship, they capture the crew of about 307 men, they take them into the city of Tripoli and put them in a prison.

And then they use the American men to refit their own warship, because the next day, the Tripolitans are able to free that ship from the reef and bring the ship into their harbor. So that's a very difficult situation for the Americans. They have—the Tripolitans have managed to capture the largest ship in the Navy, they've got 307 hostages to work with. In 1805 we sign a treaty with Tripoli, and it's really through that treaty diplomatically that things are solved.

William Eaton, who is a consul, or an American diplomat, in Tunis, is extremely aggravated that we're paying money to pirates, so he pitches a plan to the President that we should take land forces into Tripoli—so we have the Navy working, we'll have Marines in Tripoli, and we'll be able to take the country. And William Eaton convinces the Bashaw's—the leader of Tripoli's—brother, Hamet, to work with us. Eaton and about 200 marines and several thousand Tripolitans, Berbers, all kinds of people who flock to the that banner of Hamet do in fact have this long dramatic march through Tripoli and are able to stake out the city of Derna. And they're holding that city, and William Eaton believes that they're holding it successfully, but there are thousands and thousands of Tripolitans surrounding them, and the Bashaw is just sending some of his professional soldiers down there, so it looks very bad for him.

Meanwhile, Tobias Lear has been sent over to make final negotiations, and he agrees to pay 60,000 dollars to free those American soldiers who have been captured, including William Bambridge, and signs a favored nation treaty with the Bashaw that includes, basically, presents, which are tribute payments, but they call them presents. So, from an American point of view, it looks like he's arranged a treaty that does not include tribute, but from the Bashaw's point of view, he expects those presents, and to him it's tribute.

Team Ships

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Team Ships (the Navy's Program Executive Office, Ships) was founded in late 2002 to manage construction and design of U.S. military vessels.

The site of Team Ships was obviously not designed for educators so much as for providing basic awareness of the office and its various vessel classes (likely intended primarily for military enthusiasts or marine hobbyists). However, there is one small section which may be of interest to you for your professional purposes.

Shipping, for transportation of goods and people, is crucial to American history. By extension, the shipbuilding trade was similarly imperative. However, few, if any, textbooks cover the process of shipbuilding. Team Ships' site's strength is that it offers a very basic overview of the general steps in creating a maritime vessel within the U.S. military system. (The individual steps are linked in the right hand navigation bar.) Many students are interested in World War Two land vehicles, ships, and planes. Why not offer them a hook by talking about shipbuilding in the Navy?

A Maritime Perspective on American Expansion, 1820-1890

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Focusing on 19th-century American maritime history and westward expansion, this collection of more than 160 documents from the Mystic Seaport Museum and Library provides diverse materials to explore themes such as the California Gold Rush, whaling, maritime business, migration and immigration, women's role in the West, and interactions between European migrants and native inhabitants. This Ameritech Award-winning site includes more than 25 photographs, more than 20 letters, logbooks from ships, published travel narratives, paintings, maps, and nautical charts. Provides four essays published previously in a Mystic Seaport publication, including an 1866 newspaper essay assessing Honolulu as a whaling port by youthful journalist Mark Twain.

The site is searchable by subject, name, title, and keyword, and includes an annotated bibliography of hundreds of documents in the Seaport's collections, and of 65 secondary sources. Valuable for those studying the American West, maritime history, business history, and the history of coastal and island localities.

Oneida Indian Nation: Culture and History

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The Oneida Indian Nation, called the "first ally and steadfast friend" of the fledgling American republic, presents documents and historical studies focusing on the Revolutionary War period and on recent efforts to pursue land claims dating from the earlier period. Includes texts of six treaties or agreements involving the Oneida and the U.S. between 1777 and 1794; statements by the U.S. Congress, Presidents, and New York State regarding the Oneida; and President Bill Clinton's 1994 memo on "Government-to-Government Relations with Native American Tribal Governments." In addition, the site offers six essays by Nation historians and others, ranging from 1,300 to 7,400 words in length, on topics such as the roles the Oneida played in the birth of the U.S. and the War of 1812, and the land claim crusade.

Includes excerpts from an oral history project in which 13 tribal elders discuss food, herbal cures, crafts, annuity cloth, language, and land claims; a timeline; 35 press releases; a cookbook; and essays on lacrosse, legends, and the tribal creation story. The site promises in the future to include significant treaties from other Indian nations. Valuable for those studying American Indian history and culture, the Revolutionary War period, and recent legal efforts by Indian nations to pursue land claims.

The Star-Spangled Banner

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This exhibit tells the story of "the flag that inspired the National Anthem" through more than 50 images and short texts (50–200 words) explaining their significance. Also presents images from Smithsonian collections to illustrate sections on expressing patriotism, fostering national memory, and how "common cultural symbols, such as the American flag, patriotic songs, presidential images, and monuments, serve to coalesce a common identity among Americans." Elucidates challenges the Smithsonian faces to preserve the flag that flew over Fort McHenry during the Battle of Baltimore in 1814 and inspired Francis Scott Key's poem.

Provides a teacher's manual in three sections for grades K–2, 3–5, and 6–8 and suggestions for using the site in the classroom. Includes a 10-title reading list, links to 14 related sites, and games designed to stimulate students to use primary sources to investigate "mysteries surrounding this famous flag." A well-conceived site, though modest in size, that will prove useful for K–8 classes.

Maryland Digital Cultural Heritage

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The cultural heritage of Maryland is readily accessible here through thousands of digitized documents, maps, and images arranged into more than 40 collections and two exhibits. Baltimore's native son and prominent early 20th-century journalist H.L. Mencken is featured through a collection of 19 portraits, artifacts, and letters. Edgar Allen Poe, who lived in Baltimore late in his life, can be glimpsed through 18 portraits, drafts, and letters. Another collection offers digital copies of primary sources from the War of 1812, including an original draft of the "The Star-Spangled Banner."

Other collections include photographs of African American life, a selection of sports-related items, photographs and watercolor paintings of old houses and churches in Queen Anne's County, vintage photographs of Baltimore streets and street cars, and a series of photographs awaiting identification from collection users. Ample historical context, including library donation information, is provided for all collections. The website's blog will be useful for those interested in library sciences, preservation, and digital archiving.

U.S. Navy

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The United States Navy, one of five national military branches, is responsible for the preparation and maintenance of maritime vessels and troops to be deployed in the defense of the United States and marine freedom.

Although an initial glance at the official Navy website does not suggest that the department offers educational materials, the site provides a wide variety of resources which could be put to good use in the history classroom. These include modern Navy photographs and both print and web advertisements for comparison to historical photographs, recruitment posters, and insignia within the Naval Heritage and History Command's Online Library. The library also presents Naval biographies and a selection of online reading, which includes Naval abbreviations and period regulations.

If you desire more information on 20th-century Naval life or action, a good starting point would be the archives of Naval Aviation News, with back issues from 1943 to present, or All Hands Magazine, with issues from 1922 to present day.

Other online resources include art exhibits, short essays related to Naval artifacts, and the Little Skippers page. The latter contains a lesson plan, latitude and longitude activity, and word search.

If you are looking for field trip opportunities, the Navy maintains the official National Museum of the United States Navy, which houses exhibits of U.S. Naval history, covering topics from polar exploration to military actions and navigation. The DC Naval Yard also holds the early history (1776-1919) and operational archives. Visitors unable to reach the Washington Naval Yard, may find the list of other official U.S. Naval museums useful.

Battle Lines: Letters from America's Wars

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This annotated collection of more than 30 letters addresses the personal and political costs of war. Letters cover conflicts from the Revolutionary War to the current war in Iraq and are divided thematically into five sections: "Enlisting," "Comforts of Home," "Love," "Combat," and "The End of the War." Letters come from well-known military figures, such as Douglas MacArthur and Robert E. Lee, as well as ordinary veterans, such as Peter Kiterage, one of the 5,000 African Americans who fought in the Revolutionary War. The thematic organization allows users to chart changes and continuities over 200 years of American history. Each letter is read aloud so students can listen as well as read. In addition, a "magic lens" feature provides transcriptions over the original handwriting to help students decode the letters.