9/11 and Commemoration: A Guide for Pre-Service Teachers

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What is it?

For students in high school today the events of September 11 belong to the past, but they may very likely encounter the yearly commemorations of those events on television or social media or they may have seen a physical memorial either in their area or while traveling. The past regularly enters our daily lives in this way and this is distinct from history. This guide explores commemorations, memorials, and monuments of the September 11 attacks to help students identify and recognize how they engage with the past how that process differs from history. 

Key points:

  • This activity will take one 90-minute period or two 45-minute periods. It is appropriate for a high school U.S. history classroom, but can be modified for a variety of learners.
  • Students will analyze, interpret, and evaluate primary sources. 
  • Students will learn more about the events of September 11 and also how those events exist in public memory. 
  • Guiding Question: What's the purpose of commemorations and memorials 

Introduction

History is the process by which we try to better understand the past, but history is not the only way human beings use the past or make meaning out of past events. This guide looks at another process of remembering the past through commemorations and memorials. Specifically it looks at the commemoration of and memorials to the September 11, 2001 attacks in the United States in order to help students identify the differences between commemorating past events and studying those events historically. While the events of 2001 seem quite recent for some of us, they are far enough in the past to begin to be considered as history — especially for students in high school today who are too young to have been alive when these attacks occurred. Analyzing how various commemorations and memorials engage with the past will help students recognize the difference between this engagement and history while also understanding better the place the events of September 11, 2001 in public memory. 

Hook/Bellringer

Write on the board: What is a commemoration? Can you think of examples? 

If students are struggling with this prompt, add related words that they might be more familiar with such as “memorials” or “monuments”. Explain that memorials and monuments are specific kinds of commemorations. Have students come up with 5-10 examples of their own and have them note what event is being commemorated by the memorial.

Show the following images to prime their memory. 

Washington Monument, Washington, D.C. | Library of Congress | www.loc.gov/item/2010641711

The Washington Monument, a tall white obelisk on the national mall

Aerial view of the Lincoln Memorial, Washington, D.C. | Library of Congress | www.loc.gov/item/2010630765

Aerial view of the Lincoln memorial. White rectangular granite building with stairs leading up to it and columns around the sides.

Memorial Day, Vietnam Memorial, Washington, D.C. | Library of Congress | www.loc.gov/item/2010630875

Close up photo of the Vietnam War Memorial in Washington, DC on Veterans day. There are soldier's boots, letters, photos, flowers, and other sentimental items placed in front of the memorial

Note: Teachers may also want to include memorials and monuments from their community or region. 

Background/Context

[This can be read to class, assigned for the class to read ahead of time, or you can substitute another resource such as the FAQ from the National 9/11 Memorial and Museum.] 

On the morning of September 11, 2001, a group of 19 men forcibly took control of four separate commercial jet airliners. The first two planes struck each of the World Trade Center's Twin Towers [office buildings with more than 100 floors each] in New York City and a third aircraft struck the Pentagon — the headquarters for the U.S. Department of Defense — in Arlington, Virginia. A fourth aircraft crashed into an open field in Somerset County, Pennsylvania after the passengers and crew, having learned about the earlier attacks via phone calls they were able to make to family and friends, attempted to take control of the aircraft away from the attackers. In all 2,996 people died in the attacks. It was later learned that the attackers were associated with an extremist group, al Qaeda, then based in Afghanistan. The response from the U.S. government led to an invasion of Afghanistan from which troops were only withdrawn in 2021. The attack was also used to justify the 2003 invasion of Iraq. The attacks resulted in changes within the U.S as well, including new laws such as the 2001 Patriot Act, changes to airline security procedures, and even changes to the structure of the federal government with the creation of a new cabinet department, the Department of Homeland Security. The full effects of these attacks are still being felt today both in the U.S. and around the world. 

[While you read the above background, you may want to display the images in the blog post below that show the lower Manhattan skyline before and after the attacks.] 

The World Trade Centers in an Evolving Skyline | Picture This | blogs.loc.gov/picturethis/2016/09/the-world-trade-centers-in-an-evolving-skyline/

Four photos of the New York skyline in different years. Those from before 9/11/2001 show the twin towers. Those after show monuments to the attack

 


 

Activity

Have your students examine the images below in the Primary Sources section. This can be done digitally with the links provided below or the sources can be printed out for students to examine physically. Each source is a photograph of a memorial to the September 11 attacks. The memorials come from different locations across the U.S. and were built at different times. Some are informal handmade memorials put in place immediately after the attacks. Others were planned monuments built several years later. Students should examine these sources closely and then work together to sort them into those memorials that were placed at the site of the attacks (either at the World Trade Center Towers in New York, the Pentagon in Arlington, Virginia, or the field near Shanksville, Pennsylvania). Students should then divide the photos into those that were placed in the immediate aftermath of the attacks (2001-2002) and those that were constructed later (after 2002). Students can make use of the information that accompanies the images on the Library of Congress page to make these determinations about time and location. 

This sorting can be done physically with printouts on four tables or desks or digitally with platforms such as Google slides or Padlet.

Once these have been sorted, prompt students to look for patterns by examining the photos closely. Provide the following questions for students to consider as they examine the images:

  • What if anything does the memorial communicate about the September 11 attacks?
  • What themes do they express or communicate? 
  • Do they look similar to any other memorials you have seen? Which ones and in what way?
  • How do the memorials and commemorations differ by time and location?

 

These questions could form the basis of a whole class discussion or students could discuss them in groups of 3-5 and report out. If the course is online students could post their responses in a discussion board in their LMS. 

Optional Short Essay Assignment for homework (1-2 paragraphs)

What purpose do you think memorials and commemorations serve? What’s their purpose? How might historians engage with the events of September 11? What sources would they use to understand the event and its impact?

 

Primary Sources

 The 9/11 Memorial in Overland Park, Kansas, a Kansas City suburb, includes informational signs about the four aircraft destroyed, and their passengers killed, in the terrorist attacks on the World Trade Center in New York, the Pentagon in Washington, and in a hijacking over rural Pennsylvania by terrorists on September 11, 2001 | Library of Congress | www.loc.gov/pictures/collection/highsm/item/2021756265/

Four informational panels commemorating the passengers on each of the flights during 9/11. The stories are engraved on tall metallic sheets.

 

Memorial to the brave souls of Flight 93 that crashed in Shanksville, Pennsylvania on September 11, 2001 after a terrorist attack. The plaque was donated by a private citizen named Hebert Erdmenger in 2002. | Library of Congress | www.loc.gov/pictures/collection/highsm/item/2011631500/

Memorial resembling a gravestone to honor the passengers on Flight 93. It is surrounded with flowers, small American flags and other items. The memorial appears to be near a wide open field and accompanies a larger museum.


Informal tributes posted at the first, temporary memorial site in Shanksville, Pennsylvania, to those who perished on United Flight 93, which crashed during an attempt by passengers to recapture the plane, which had been hijacked by terrorists on 9/11/01 | Library of Congress | www.loc.gov/pictures/collection/highsm/item/2011633153/

Handmade wooden angels painted with the American flag design. Each is labeled with the name of a passenger from flight 93 who did not survive. Some of the angels are accompanied with photos or sentimental items.

Steel beam and rubble from the Twin Towers, displayed at the Milwaukee County War Memorial Center in Milwaukee, Wisconsin | Library of Congress | www.loc.gov/item/2016631019/

A rusted section of steel beam sits on a display. The steel beam was recovered from the Twin Towers after they fell.

 

Citizen artwork at an informal memorial to the victims who died on United flight 93 when they attempted to overpower hijackers during the terrorist attacks of 9/11/2001 | Library of Congress | www.loc.gov/pictures/collection/highsm/item/2011634321/

Handmade wooden angels painted with the American flag design. Each is labeled with the name of a passenger from flight 93 who did not survive. Some of the angels are accompanied with photos or sentimental items.

 

South Bend, Indiana's, 9/11 Memorial, erected by South Bend fire department personnel in St. Patrick's Park | Library of Congress | www.loc.gov/item/2016631954/

Two rusted steel beams like those from the Twin Tower rubble rise and each branch off to create four total branches. In the center, a white flag flies that reads "9/11 Remember New York City Washington DC Pennsylvania" with the outline of the Pentagon in the background
 

A piece of steel from the World Trade Center, destroyed by a terrorist attack on Sept. 11, 2001 in New York City. It is displayed as a memorial at the Texas State Cemetery in Austin, Texas| Library of Congress | www.loc.gov/pictures/collection/highsm/item/2014632438/

A piece of mangled and rusted steel from the World Trade center stands and a wall of granite encircles it. Upon entering the small space with the beam, from left to right the granite wall gets increasingly taller. Informational panels and memorial notes are placed at the entrance and along the wall.

 

Memorial gate, where people from all over the world have left momentos to honor the victims of the September 11, 2001 terrorist hijacking of Flight 93. Shanksville, Pennsylvania| Library of Congress | www.loc.gov/pictures/collection/highsm/item/2011631553/

Chain link fence/gate that has been adorned with memorial material for Flight 93 and 9/11 generally. Small American flags line the top and larger flags are pinned up throughout alongside caps, firefighter jackets, clothing, photos, and other mementos.

 

Part of an informal memorial to the victims of United Flight 93, which crashed in a nearby field after passengers fought with hijackers who had taken the plane and directed it to Washington during the terrorist attacks of 9/11/2001 | Library of Congress | www.loc.gov/pictures/collection/highsm/item/2011633798/

Handmade wooden angels painted with the American flag design. Each is labeled with the name of a passenger from flight 93 who did not survive. Some of the angels are accompanied with photos or sentimental items.

 

Part of an informal memorial to the victims of United Flight 93, which crashed in a nearby field after passengers fought with hijackers who had taken the plane and directed it to Washington during the terrorist attacks of 9/11/2001 | Library of Congress | www.loc.gov/pictures/collection/highsm/item/2011633961/

A closer view of memorial gate in Shanksville that shows the firefighter jacket, a number of caps, several firefighter helmets, American flags, and more that have been placed on the fence.

 

Portland, Maine's, modest memorial to those lost in the terrorist attacks on the United States on 9/11/2001, at Fort Allen Park at the busy harbor on Casco Bay in Maine's largest city | Library of Congress | www.loc.gov/pictures/collection/highsm/item/2017882500/

Black stone memorial resembling a large headstone that reads "If but one life be saved and one soul be comforted... all gave some some gave all and some still give. In honor and memory of all those who lost their lives in the rescue efforts of September, 11, 2001." The stone is painted to look like an American flag is draped over the top.

 

A rusted steel beam recovered from New York City's fallen World Trade Center that fell during infamous terrorist attacks in 2001 stands at this "9/11" memorial in Gila Bend, Arizona. | Library of Congress | www.loc.gov/pictures/collection/highsm/item/2018663482/

A rusted section of steel beam sits on a display. The steel beam was recovered from the Twin Towers after they fell.

 

Calatrava's Oculus, a 335-foot-long, spiky-skylighted transportation hub attached to the One World Trade Center memorial in downtown Manhattan (borough) in New York City. The structure, designed by Spanish architect Santiago Calatrava, opened on the 16th anniversary of the terrorist attack that brought down the World Trade Center's "Twin Towers" on what has become known simply as "9/11" - September 11, 2001| Library of Congress | www.loc.gov/pictures/collection/highsm/item/2018699939/

Walls extend upwards and meet to make a pointed ceiling. Light filters through the skylights. The ceilings are very high and the whole building is white.

Interior view of the World Trade Center Memorial and Museum in downtown Manhattan (borough) in New York City, built on the site of the terrorist attack that brought down the World Trade Center's "Twin Towers" on what has become known simply as "9/11" - September 11, 2001 | Library of Congress | www.loc.gov/pictures/collection/highsm/item/2018699980/

View from inside the World Trade Center Memorial and Museum in New York City. Two rusted steel beams several stories tall stand by the window.

 

 

Interior view of the World Trade Center Memorial and Museum in downtown Manhattan (borough) in New York City, built on the site of the terrorist attack that brought down the World Trade Center's "Twin Towers" on what has become known simply as "9/11" - September 11, 2001 | Library of Congress | www.loc.gov/pictures/collection/highsm/item/2018699981/

Tall column spanning the height of the building. The column contains written text and photographs from the top to the bottom

Memorial photograph wall of people killed at the World Trade Center Memorial and Museum in downtown Manhattan (borough) in New York City, built on the site of the terrorist attack that brought down the World Trade Center's "Twin Towers" on what has become known simply as "9/11" - September 11, 2001 | Library of Congress | www.loc.gov/pictures/collection/highsm/item/2018700059/

Seven rows of head shots on a wall in a room. The photographs continue far down the wall out of the frame

Angel memorial near the Shanksville, Pa., crash site of United Airlines Flight 93, which was highjacked in the September 11th terrorist attacks | Library of Congress | www.loc.gov/pictures/collection/highsm/item/2002717287/

Ten angels erected on wooden posts in a field in Shanksville. Five angels in the back row and five in the front. The angels' dresses are made to look like the American flag.

Wreath memorial, Shanksville, Pa., decorated with photographs of the victims of United Airlines Flight 93, which was highjacked in the September 11th terrorist attacks | Library of Congress | www.loc.gov/pictures/collection/highsm/item/2002717288/

Wreath containing photographs, American flags, flowers, and crosses held up by a stand close to the ground. Shanksville, PA written across the bottom

Sculptor Sassona Norton's 9/11 Memorial outside the Montgomery County Courthouse in Norristown, Pennsylvania The memorial honors those who died in the events of September 11, 2001, when terrorists attacked New York's World Trade Center, the Pentagon in Washington, and an airliner flying over Pennsylvania The memorial is cast in bronze and features a set of hands that hold a 16-foot piece of twisted steel from the wreckage of the Trade Center| Library of Congress | www.loc.gov/pictures/collection/highsm/item/2019689991/

Sculpture of two hands holding another item

 

A "9/11" memorial at Indiana University of Pennsylvania in the town of the same name, to those killed in three locations in terrorist attacks on the United States on September 11, 2001 | Library of Congress | www.loc.gov/pictures/collection/highsm/item/2019691118/

Sculpture of two hands holding another item in a green field with brick buildings in the background

The 93-foot "Tower of Voices" at the Flight 93 National Memorial near Shanksville, Pennsylvania | Library of Congress | www.loc.gov/pictures/collection/highsm/item/2019690759/
 

Grey obelisk in a field with trees

9/11 Memorial at the Pentagon, Pentagon City, Virginia | Library of Congress | www.loc.gov/item/2010630812/

Grey and Green sculpture in Pentagon City

Memorial at the Pentagon - Poster | Library of Congress | www.loc.gov/item/afc911000188/

Cardboard sign on a stone wall reading America we Need to Stand Together.

Memorial at the Pentagon-Marine Flag | Library of Congress | Library of Congress | www.loc.gov/item/afc911000187/

Red flag with notes, flowers, and photographs resting on top. Flag reads United States Marine Corps

 

Memorial at the Pentagon - Flag 2 | Library of Congress | www.loc.gov/item/afc911000189/

Sign of an American flag reading God Bless America covered in signatures

 

Memorial to Matthew Diaz, a victim of the September 11th terrorist attack on the World Trade Center, New York, N.Y. | Library of Congress | www.loc.gov/item/2002717256/

Open Shoebox with text on the top containing the bible verse Mark 9:2 v 3

 

Memorial for the victims of the September 11th terrorist attack on the World Trade Center, New York City; with candles, flowers, mementos, and photo of the twin towers | Library of Congress | www.loc.gov/item/2002717255/

Candles, stuffed animals, photographs, and flowers gathered together to memorialize 9-11 victims

General Tips for Teaching Controversial Subjects

  • Center activities on primary sources. Primary sources are tangible evidence that allow students to engage directly with history. These primary sources in particular were preserved and digitized by the Library of Congress because they were deemed important to the history of the United States.
  • Discussion and analysis of these sources can be wide ranging, but within each class those discussions can always be turned back to the source itself.
  • The sources are also, by definition, only pieces of a puzzle. They bring us closer to understanding the past but there is always room for doubt and uncertainty.  
  • Questions, Observations, and Reflections should come from students. These are primarily student-directed learning activities. It is the instructor's role to create a space for inquiry and empower students to drive the inquiry.
  • It may help to remind students at the outset that it is normal for different individuals to come to different conclusions, even when we are looking at the same sources. Further, it would be strange if we all agreed completely on our interpretations. This can normalize the strong reactions that can come up and enables educators to discuss the goal of historical research, which is to hopefully go beyond the realm of individual  perspective to access a fuller understanding of the past that takes multiple perspectives into account.
  • Teaching historical topics that involve violence and other trauma can be traumatic for some students as well. Providing students with previews of what content will be covered and space to process their emotions can be helpful. The following video series from the University of Minnesota contains further tips for teaching potentially traumatic topics: https://extension.umn.edu/trauma-and-healing/historical-trauma-and-cultural-healing.


 

For Us the Living

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For Us the Living is a resource for teachers that engages high school students through online primary-source based learning modules. Produced for the National Cemetery Administration's Veterans Legacy Program, this site tells stories of men and women buried in Alexandria National Cemetery, and helps students connect these stories to larger themes in American history. Primary sources used include photographs, maps, legislation, diaries, letters, and video interviews with scholars.

The site offers five modules for teachers to choose from, the first of which serves as an introduction to the cemetery's history. The other four cover topics such as: African American soldiers and a Civil War era protest for equal rights, the manhunt for John Wilkes Booth after Lincoln’s assassination, commemoration of Confederates during Reconstruction, and recognition of women for their military service. Most of the modules focus on the cemetery’s early history (founded in 1862) although two modules reach into the post-war era. Each module is presented as a mystery to solve, a question to answer, or a puzzle to unravel. Students must use historical and critical thinking skills to  uncover each story. Each module ends with two optional digital activities, a historical inquiry assignment and a service-learning project, related to the module theme.

Teachers should first visit the “Teach” section which allows them to preview each module (including its primary sources, questions and activities), learn how to get started, and see how the site’s modules connect with curriculum standards. In order to access the modules for classroom use, teachers do have to create their own account, but the sign up process is fast, easy, and best of all, free! The account allows teachers to set up multiple classes, choose specific module(s) for each class, assign due dates, and view student submissions.

American Archive of Public Broadcasting

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In October 2015, the Library of Congress and the WGBH Educational Foundation launched the American Archive of Public Broadcasting (AAPB) Online Reading Room, providing streaming access to nearly 10,000 public television and radio programs from the past 60 years. The entire AAPB collection of more than 68,000 files – approximately 40,000 hours of programming – is available for viewing and listening on-site at the Library of Congress and WGBH.

The collection contains thousands of nationally-oriented programs. The vast majority of this initial content, however, consists of regional, state, and local programs selected by more than 100 stations and archives across the U.S. that document American communities during the last half of the 20th century and the first decade of the 21st. The collection includes news and public affairs programs, local history productions, and programs dealing with education, science, music, art, literature, dance, poetry, environmental issues, religion, and even filmmaking on a local level.

The site also provides three curated exhibits of broadcasts pertaining to the southern civil rights movement, climate change, and individual station histories.

On Telegrams and Telephone Calls

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1960 Bell Telephone ad
Question

Why did JFK and George Wallace exchange telegrams regarding events in Alabama in 1963 when they could have communicated by telephone?

Answer

Telephone calls are immediate, transparent, personal, private, and leave no written record of what is communicated. And obviously, the caller and the one called have to be physically present on either end of the telephone line at the same time. Telegrams were different. And when the goals of two people were not necessarily the same, but in some respects antagonistic, the different characteristics of the telephone and the telegraph could be used to the advantage of one person or the other. Which is to say that, concerning the confrontation over racially integrating the University of Alabama, Governor Wallace did not necessarily wish to keep John and Bobby Kennedy completely informed about what he was doing and intended to do. In the aftermath of the bombing of the Sixteenth Street Baptist Church, however, his relationship with the Kennedy brothers changed.

Communication Tactics

There was personal contact between the Kennedy administration and Governor Wallace during 1963. At the end of April, Bobby Kennedy, then the U.S. Attorney General, sent Wallace a telegram asking to see him, and then subsequently flew to Birmingham for an hour-long meeting with him. President Kennedy and Governor Wallace also had face-to-face and telephone conversations in the run-up to their confrontation over integrating the Alabama schools. The president’s press secretary filed memoranda of these conversations in the White House files. In May, the President traveled to Muscle Shoals, AL, for a ceremony marking the 30th anniversary of the TVA, and flew from there to Huntsville in a helicopter with Wallace. During the flight they discussed segregation and the volatile situation in Birmingham.

Nevertheless, both sides used telegrams to ensure that the back-and-forth between them would take the formal shape of a printed record, an important consideration given the legal issues at stake in the unfolding events. But more than being tangible legal evidence, telegrams, unlike phone conversations, were suited to defining positions and responses to the public as well as to the telegrams’ recipients. Historian Dan Carter notes that Wallace released to the press the texts of “surly and ill-tempered” telegrams he sent the president during the drawn-out confrontation over integrating Alabama’s schools. Using telegrams, therefore, could be the result of a tactical decision as the sides drifted apart and as events drifted toward confrontation rather than cooperation.

a tactical decision as the sides drifted apart and as events drifted toward confrontation

Resorting to communication only by telegram could deliberately stall and frustrate your opponent because it filtered the communication into discrete, intermittent statements, questions, and answers. The telegram was not a good medium in which two people could privately mull things over, compromise, or negotiate.

As the confrontation at the University of Alabama came to a head, the Kennedys sent in federal marshals to help African American students safely register for classes. They knew the governor and his state troopers would somehow oppose them, but they did not know exactly what Wallace would do. For his part, Wallace “refused to tell the Federal Government any more about his plans or to answer phone calls from the Attorney General,” according to the transcript of a news program on file at the Kennedy Presidential Library. During this period, he even evaded federal marshals who were seeking to serve him with a subpoena to appear in court.

On June 8, RFK called Wallace to see if he could find out what the governor intended to do—Would he step aside when the students attempted to register or would the president be forced to summon troops, and if so, what would the governor do then? When the call reached Wallace’s office, the governor had his aides intercept it and say that he was “not available,” although in truth he evesdropped on another line, and stayed on the line silently while his aides brushed aside Kennedy’s questions about what he intended to do when the students appeared a few days later, on June 11, to register.

On that day, in fact, Wallace and a contingent of state troopers briefly blocked Deputy Attorney General Nicholas Katzenbach from escorting two black students into the university building where they were to be registered. The Kennedys, thought Wallace, “would be willing to strike a deal in which a governor could make a show of resistance while, in reality, bowing to the inevitable.” And indeed, without coordinating it with Wallace, that is what the Kennedy brothers did. They federalized the Alabama National Guard and confronted him again at the entrance to the building that afternoon and the governor, after making a public statement, yielded, whereupon the students were escorted into the building and were registered for classes.

Firing Off Telegrams to Politicians

Although the telegram is now no longer an option for communication (Western Union ended its telegram service in 2006 due to the internet-induced drop in demand), even private citizens used to telegraph their opinions to politicians and officials such as President Kennedy and Governor Wallace, rather than writing them letters, in order to register succinctly and formally the urgency they felt. Rev. Martin Luther King, Jr., for example, sent a telegram to Attorney General Kennedy in June, 1963, protesting “the beastly conduct of law enforcement officers at Danville [VA]” after police and firemen had attacked a prayer vigil outside the city hall with fire hoses and billy clubs. Other public leaders, business leaders, and civil rights activists also used telegrams to government officials to record their support or opposition or to register their outrage or agreement.

Compared to letters, telegrams were bound to reach their intended recipients in a timely fashion. When events unfolded rapidly, they could communicate in time for their recipients to respond to those events. This was particularly important, for example, in the hours and days after the bombing of Birmingham’s Sixteenth Street Baptist Church in September, as city police, state troopers, National Guardsmen, federal marshals and FBI agents moved into the area.

After the bombing, the relationship between Governor Wallace and the Kennedys changed

From Atlanta, after news of the bombing had reached him, Dr. King sent a telegram to Governor Wallace, telling him, “The blood of our little children is on your hands,” and sent another telegram the next day, after Dr. King reached Birmingham, to President Kennedy, warning him of the “worst racial holocaust this nation has ever seen” unless the federal government intervened. After the bombing, the relationship between Governor Wallace and the Kennedys changed: Their interests in solving the crime and keeping the peace nearly coincided, so Wallace had no reason to avoid phone calls from them.

In many cases, telephone calls, were even speedier than telegrams, but for a variety of logistical reasons, they could not always be counted on to connect the two parties—partly because there were layers of people between politicians and officials whose job it was to insulate them from unimportant contacts, and partly because they were in nearly constant motion, from one place to another, and from one appointment to another. These two facts added to the difficulty in ensuring that a telephone communication would take place very quickly (especially if the intended recipient was deliberately avoiding contact). On the other hand, a telegram to the president, for example, would be received speedily, and, if deemed important by his staff, would be forwarded to his attention wherever he happened to be.

For more information

Robert Dallek, An Unfinished Life: John F. Kennedy, 1917-1963. Boston: Little, Brown, and Company, 2003.

Taylor Branch, Pillar of Fire: America in the King Years, 1963-65. New York: Simon and Schuster, 1999.

Diane McWhorter, Carry Me Home: Birmingham, Alabama—The Climactic Battle of the Civil Rights Revolution. New York: Simon and Schuster, 2001.

Nicholas Andrew Bryant, The Bystander: John F. Kennedy and the Struggle for Black Equality. New York: Basic Books, 2006.

Bibliography

Dan T. Carter, The Politics of Rage: George Wallace, the Origins of the New Conservatism, and the Transformation of American Politics. Baton Rouge: LSU Press, 2000.

“Crisis,” September 30, 1963. Papers of John F. Kennedy. Presidential Papers, White House Central Subject Files, Human Rights: 2: ST 1 (Alabama).

Stephan Lesher, George Wallace: American Populist. Reading, MA: Addison-Wesley, 1994.

Copyright: Finding Images to Tell the Story of History

Date Published
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Here it is! Jackrabbit Trading Post, Route 66, AZ, Carol M. Highsmith, LoC
Here it is! Jackrabbit Trading Post, Route 66, AZ, Carol M. Highsmith, LoC
Here it is! Jackrabbit Trading Post, Route 66, AZ, Carol M. Highsmith, LoC
Here it is! Jackrabbit Trading Post, Route 66, AZ, Carol M. Highsmith, LoC
Here it is! Jackrabbit Trading Post, Route 66, AZ, Carol M. Highsmith, LoC
Article Body

As you browse the Internet for sources, searching for photographs of this event or that monument, do you ever get frustrated by the ins and outs of copyright law? In most situations, it won't be an issue—images you choose to use won't go beyond your classroom and it's unlikely your students will question your adherence to the rules of fair use.

But what if you or your students are working on something that will travel beyond your classroom? Maybe your students are creating short digital documentaries, and you want to host the finished projects on a website—or even upload them to YouTube? Maybe you want students to create small websites themselves, or produce other types of presentations that will be shared with the public online?

Now you're talking distribution, and stakes go up a little. Before you get deep into the project, you may want to take the time to orient your students to copyright and public domain. Even if you doubt your students' work will draw a large audience or generate any rights challenges, consider this a teachable moment. In a world of easy downloading, it's possible your students have never thought about the complicated web of laws that surrounds every image they encounter every day.

A First Look at Copyright Law

A good place to start is Tales from the Public Domain: BOUND BY LAW?, a comic book created by Keith Aoki, James Boyle, and Jennifer Jenkins for the Duke Center for the Study of the Public Domain. In this good-natured tour of copyright law, the main character, Akiko, just wants to make a documentary about a day in the life of New York City. What challenges will she face, and does she have the right to use the images she captures? Remember that this comic came out in 2006, and copyright laws are constantly changing!

After this orientation to thinking about copyright, ask your students to consider places they might find images. Take a look around some of the major online public archives, like the Library of Congress Prints and Photographs Collection or the National Archives and Research Administration's ARC.

Photo, Washington Monument on armistice night, 1921, Nov. 25, 1921, Library of CongressHave students search for topics both historical and contemporary, and see what the entries for the images they turn up say about copyright. "No known restrictions on publication?" "Unrestricted?" Images created before 1923 should be in the public domain, free of copyright restrictions, as should images created by government organizations. More recent sources may note copyright restrictions, including specific caveats about how a source may be reproduced.

More Stops on a Copyright Tour

Compare the copyright notices on the Library of Congress and NARA's sites to those on sites that make copyright restriction on their images clear, such as the National Geographic Photo Collection or Getty Images. Are these sites archives in the same way the Library of Congress and NARA's collections are? What information do they provide about their images? What seems to be their purpose in providing the images?

Photo, Alamo IMG_0676, Jan. 20, 2006, OZinOH, FlickrAnother informative stop might be Yahoo's Flickr. Type any word in the search box and you'll come up with thousands of images taken by photographers worldwide, from amateurs to professionals. Looking for a modern-day image of a historic site to contrast with a historical image? A picture of a monument or memorial, a museum or a work of art? Chances are, you'll find it here. But the social nature of the site doesn't mean copyright doesn't apply to these images! Check out the license information in the right-hand column. Are all rights reserved? Or does the photo have a Creative Commons license? (Flickr's Advanced Search lets you search just for Creative Commons-licensed images.)

Contributing to History

After all of this, are you or your students still having a difficult time finding a usable image of something or somewhere? Maybe you need a picture of the casters on the back of the main statue on the FDR Memorial in Washington, DC, or a photo of the interior of the Old Stone House at the Manassas National Battlefield Park. Many people have worked to fill in gaps in the documentation of our history and the world around us, today and in the past. For instance, during the New Deal, photographers for the Farm Security Administration and Office of War Information took thousands of photographs of people and places all across the U.S.—government creations that were (and still are) largely in the public domain. Today, individuals like photographer Carol Highsmith donate their photographs to the public domain. Inspired by Frances Benjamin Johnston, an early female photographer who gave many of her photographs to the Library of Congress, Highwater plans to spend more than a decade travelling the U.S., taking photographs that she will give to the Library of Congress as public-domain donations.

Here it is! Jackrabbit Trading Post, Route 66, Joseph City, Arizona, Jul. 4, 2006, Carol M. Highsmith, Library of CongressNow that your students understand how tricky it may be to find sources that can be freely used to tell the story of history, they're in a position to help out, themselves! What historic sites or other traces of history exist in your local area? Are there Creative Commons-licensed images of these on, say, Flickr? If not, how about collecting some? Students can help fill in the gaps in our public record of place and time, and add to the resources available to students like themselves.

For more information

For more on copyright, check out Teachinghistory.org director Kelly Schrum's answer to an Ask a Digital Historian question on fair use.

Missouri Digital Heritage

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Painting, Portrait of a Musician, Thomas Hart Benton, 1949
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This massive mega-website presents thousands of documents and images related to Missouri's social, political, and economic history, linking to collections housed at universities, libraries, and heritage sites across the state. These resources are organized both into archival collections (by topic and source type) and virtual exhibits.

Archival collections include maps, municipal records, government and political records, newspapers, photographs and images, books and diaries, as well as topical collections on agriculture, medicine, women, business, exploration and settlement, art and popular culture, and family, rendering the website's resources as useful for genealogists as for those interested in history.

Exhibits encompass a diverse range of subjects, and include topics of relevance to Missouri history (Miss Carrie Watkins's cookbook from the mid-19th century, several exhibits on life at the University of Missouri and Washington University, Truman's Whistle Stop campaign), and topics outside of Missouri (the body in Medieval manuscripts, Roman imperial coins, propaganda posters from World War II, and drawings documenting dinosaur discovery before the mid-20th century).

Teachers will be especially interested in the large Education section, which includes curricular resources on topics such as African Americans in Missouri, Lewis and Clark's Expedition, Missouri State Fairs, and the history of dueling.

Florida State Archives Photographic Collection

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Image, Conch Town, WPA, C. Foster, 1939, Florida State Archives Photo Collection
Annotation

More than 137,000 photographs of Florida, many focusing on specific localities from the mid-19th century to the present, are available on this website. The collection, including 15 online exhibits, is searchable by subject, photographer, keyword, and date.

Materials include 35 collections on agriculture, the Seminole Indians, state political leaders, Jewish life, family life, postcards, and tourism among other things. Educational units address 17 topics, including the Seminoles, the Civil War in Florida, educator Mary McLeod Bethune, folklorist and writer Zora Neale Hurston, pioneer feminist Roxcy Bolton, the civil rights movement in Florida, and school busing during the 1970s.

"Writing Around Florida" includes ideas to foster appreciation of Florida's heritage. "Highlights of Florida History" presents 46 documents, images, and photographs from Florida's first Spanish period to the present. An interactive timeline presents materials—including audio and video files—on Florida at war, economics and agriculture, geography and the environment, government and politics, and state culture and history.

Emma Goldman Papers

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Image for Emma Goldman Papers
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Emma Goldman (1869–1940) was a major figure in the radical and feminist movements in the United States prior to her deportation in 1919. This collection of primary resources includes selections from four books by Goldman as well as 18 published essays and pamphlets, four speeches, 49 letters, and five newspaper accounts of Goldman's activities.

There are also nearly 40 photographs, illustrations, and facsimiles of documents. Additional items include two biographical exhibitions, selections from a published guide of documentary sources, and four sample documents from the book edition of her papers. A curriculum for students is designed to aid the study of freedom of expression, women's rights, anti-militarism, and social change. The site offers essays on the project's history and bibliographic references as well as links to other websites.