An exhibit of 101 images with a 10,000-word essay that tracks the influence of the Book of Revelations' apocalyptic vision of history in shaping conceptions of America and its destiny for religious zealots and others from the colonial era to the present. With images primarily from published texts—covers, title pages, illustrations, and relevant pages of writing—the exhibit is divided into 14 chronological sections, each opening with a quote from Revelations and detailing its relevance in successive historical periods. The exhibit begins with the period of the English Reformation, when John Foxe's Book of Martyrs, exported to America, related contemporary political events to scripture and established a timeline that proved influential over the next 250 years. The site covers beliefs that American Indians were descendants of the lost tribes of Israel; Cotton Mather's sermons as the culmination of a century of speculation about America's place in the apocalyptic scheme; early nationalist ambitions as fulfilling prophecy; and the influence of Revelations on Thomas Jefferson. The site also looks at William Miller's numerologically-based predictions of the end of the world in 1843; millennial movements in the antebellum era; urban exposÎs that conceived of American cities as present-day incarnations of Babylon; and 20th-century anti-Semitic thought. Well organized, the exhibit provides a useful introduction to students of American religion and culture of the persistence of the power of the Book of Revelations, but exaggerates its importance with the odd claim that no other book has "produced a more profound vision of America's hopes, duties, dreams, and destiny."

San Francisco during World War II, Mississippi's Indian Mounds, and Cumberland, Maryland, are just three of the more than 50 cities, towns, and rivers across the U.S. to which this website provides virtual access. In Baltimore, Maryland, a clickable map allows users to wander from the USCGC Taney (the last surviving warship present at Pearl Harbor on December 7, 1941) docked at Baltimore's Inner Harbor, to the house where Edgar Allen Poe lived in the mid-1830s, to the Union Square-Hollins Market Historic District to learn about Baltimore's oldest public market still in operation, and on to 40 more sites around the city. Each landmark is introduced with photographs, brief essays providing historical context, and tourist information.

Some travel itineraries are grouped by theme. For example, Historic Places of the Civil Rights Movement presents information on Arkansas's Little Rock Central High School, Virginia's Robert Moton High School, and the Lorraine Hotel in Memphis where Dr. Martin Luther King, Jr. was assassinated on April 4, 1968. Many of these sites includes links to lesson plans in NPS's Teaching With Historic Places. Updated regularly, this website is useful for teachers, students, and tourists alike.

Writer-photographer William P. Gottlieb (1917–2006) documented the New York and Washington, D.C. jazz scene from 1938 to 1948 in more than 1,600 photographs. During the course of his career, Gottlieb took portraits of prominent jazz musicians—including Louis Armstrong, Duke Ellington, Charlie Parker, Billie Holiday, Dizzy Gillespie, Earl Hines, Thelonious Monk, Ella Fitzgerald, and Benny Carter—and legendary venues, such as 52nd Street, the Apollo Theatre, Cafe Society, the Starlight Roof, and Zanzibar. The site also features approximately 170 related articles by Gottlieb from Down Beat magazine; 16 photographs accompanied by Gottlieb's audio commentary on various assignments; a 4,300-word biography based on oral histories; and a 31-title bibliography. Extremely valuable for jazz fans, music historians, musicians, and those interested in urban popular culture.

This archive addresses Jim Crow, or racial segregation, laws from the late 1880s until the mid-20th century, focusing on the town of Charlottesville, VA. The theme is the connection of race with place by understanding the lives of African Americans in the segregated South. Political materials includes seven political broadsides and a timeline of African American political activity in Charlottesville and Virginia. Census data includes searchable databases containing information about individual African Americans taken from the 1870 and 1910 Charlottesville census records. City records includes information on individual African Americans and African American businesses. Oral histories includes audio files from over 37 interviews. Personal papers contains indexes to the Benjamin F. Yancey family papers and the letters of Catherine Flanagan Coles. Newspapers, still in progress, includes more than 1,000 transcribed articles from or about Charlottesville or Albemarle from two major African American newspapers—the Charlottesville Recorder and the Richmond Planet. Images has links to two extensive image collections, the Holsinger Studio Collection and the Jackson Davis Collection of African American Educational Photographs, and three smaller collections.

The long history of struggle for equal rights by various ethnic groups in Seattle, including Filipino, Chinese, Japanese, African, and Native Americans; Jews; and Latinos is documented on this website. Primary and secondary sources integrate labor rights movements with struggles for political rights, as is evident in the "special sections," that highlight the Chicano/a movement, the Black Panther Party, Filipino Cannery Unionism, the United Construction Workers Association, Communism, and the United Farm Workers. Each section brings together oral histories, documents, newspapers, and photographs that are accompanied by written and video commentary to provide historical context. The collection of more than 70 oral histories of activists is especially useful for understanding the lived experience of racism and its especially subtle workings in the Pacific Northwest. Together, these resources provide important national context for the civil rights struggle, too often understood as a solely southern phenomenon.

On March 25, 1911, a fire broke out at the Triangle Shirtwaist Factory in New York City causing the deaths of 148 garment workers—an event that came to be known as one of the hallmark tragedies of the industrial age. This website tells the story of the fire in six chapters: Introduction; Sweatshops and Strikes; Fire; Mourning and Protest; Relief Work; and Investigation, Trial, and Reform.

The text, targeted to a middle and high school audience, is accompanied by numerous primary sources that could be of use to more advanced researchers. These include close to 70 photographs, 18 newspaper articles, 17 testimonials, three oral histories, excerpts from investigative reports written in the years following the fire, several letters from witnesses, a lecture given by Secretary of Labor Frances Perkins in 1964, and a radio drama reenacting the event. Accompanying these primary sources is a list of victims and witnesses, a selected bibliography of works surrounding the fire, and tips for writing a paper.

This collection of documents—roughly 3,800 pages of court proceedings—concerns the Haymarket Affair. This watershed event in the history of American radicalism led to the first "Red Scare" in America. Materials include autobiographies of two of the eight anarchists tried for conspiracy in the murder of seven Chicago police officers. The officers died after a bomb exploded at an anarchist meeting in May 1886, the day after two workers died in a struggle between police and locked-out union members at the McCormick Reaper factory. Four defendants were executed, despite lack of evidence connecting them to the bombing. The site presents approximately 221 newspaper clippings, 55 photographs, 19 letters, nine broadsides, and images of more than 20 artifacts. A linked exhibition, "The Dramas of Haymarket," furnishes a historical narrative and contextual interpretation. This website is valuable for the study of late 19th-century American radicalism, law enforcement, and political climate.

Focusing on the experiences of Africans and African Americans in New York City, this collection presents nine galleries that explore various themes and time periods in the history of slavery. These include the Atlantic slave trade; slavery in Dutch New York; the growth of slavery in British Colonial New York; freedom for blacks during the Revolutionary War; the Gradual Emancipation Act of 1799; free blacks in public life; Emancipation Day (July 4, 1827), and the history of scholarship on slavery in New York City. Each gallery has three panels: a gallery overview, a main thematic presentation, and one focusing on people, places, and documents. Of special interest are two interactive maps with timelines in the Dutch New York gallery and the Revolutionary War gallery; a picture gallery on the portrayal of blacks in New York City's public life; and profiles of nine African Americans who lived in New York City during the early republic.