Since 1831, the Virginia Historical Society has been collecting materials documenting the lives of Virginians. This website provides information for researchers and the broader public interested in visiting the Society's headquarters in Richmond, including a collections catalog, finding guides to specific collections, and information about physical exhibitions. The website also includes significant digital holdings. While only five percent of the collection has been digitized, this represents more than 5,000 items, grouped into 14 digital collections. These collections include maps, drawings, paintings, postcards, prints and engravings, 19th century photography, as well as topical collections on African Americans, the Civil War, the Retreat Hospital in Richmond, Virginia's manufacturing of arms, the 1852 Virginia General Assembly Composite Portrait, the Reynolds Metal Company (forthcoming), the Garden Club of Virginia (forthcoming), and selections from the Society's ongoing exhibition, The Story of Virginia. The entire collections catalog is keyword searchable, and includes an option to limit the search to digitized materials.

This sound archive, maintained by radio enthusiast Kim Scarborough, features acclaimed radio drama adaptations, broadcast between July and December 1938, from Mercury Theater. Mercury Theater on the Air, a New York drama company founded by Orson Welles and John Houseman, is most famous for its "War of the Worlds" broadcast of October 30, 1938, when its fictional news account of an invasion from Mars caused a national panic. In December 1938, the program found a sponsor in Campbell Soup and was renamed the Campbell Playhouse. This collection includes all surviving Mercury Theater broadcasts, five episodes of Campbell Playhouse, and a seven-part radio series "Les Miserables" produced by Orson Welles and featuring Mercury Theater players. A brief history of the Mercury Theatre and complete show listings provide context for the broadcasts.

This site incorporates 679 excerpts from original sound recordings and more than 1200 photographs from the Library of Congress American Folklife Center's Coal River Folklife Project (1992-1999). These materials document traditional uses of mountains in southern West Virginia's Big Coal River Valley as common land for hunting, gardening, mining, and timbering. It includes interviews on native forest species, traditional harvesting, storytelling, river baptisms, and other special occasions celebrated in the valley's commons. Forty brief (approximately 500-word) interpretive texts outline the social, historical, economic, and cultural contexts of community life in the valley; eight maps and more than 150 photographs illustrate these community activities. Captions (roughly 25-word) describe the more than 1200 images contained on the site, which is keyword searchable and browsable by subject, geographic location, photograph title, and audio title. This site would be of interest to those researching rural American life and folkways.

Yet another fine production from the American Memory Collection at the Library of Congress, this site was created to celebrate the centennial of composer Aaron Copland's birth. The site offers a selection of over 1000 items and 5000 images drawn from over 400,000 items in the Copland Collection of the Library's Music Division. Items in the online exhibit include music sketches, correspondence, writings, and photographs spanning 1899-1981, but primarily drawn from the 1920s to 1950s. In addition to these items the site also includes a roughly 3000-word essay on Copland's life and works with 12 photographs of Copland and a timeline of the artist's life and accomplishments from his birth in 1900 to his death in 1990. Leonard Bernstein's 1000-word article on Copland from the 1970 High Fidelity/Musical America issue and five 300-word tributes to Copland on his 75th birthday, published in the 1975 Schwann-1 Record and Tape Guide are also included. Visitors may search the site by keyword or browse alphabetical listings of musical sketches, writings, correspondence, photographs, titles, and works. This is a useful site for students and teachers interested in the history of American music and the lives of American composers.

This subscription-only website presents an extensive archive of U.S. history documents, offering more than 36,000 items and 2.3 million pages on all aspects of 17th- and 18th-century American life. It is comprised of a range of publications helpful for researching social, cultural, intellectual, and religious history, as well as political and military history, including advertisements, almanacs, bibles, charters and by-laws, cookbooks, maps, narratives, novels, plays, poems, sermons, songs, textbooks, and travelogues. It is especially useful for the history of printing, as it contains an exhaustive list of printers, booksellers, and publishers active in this time period as well as images and the full-text of most of the books, pamphlets, and broadsides they helped create.

Users can browse the imprints by category: Genre, Subjects, Author, History of Printing, Place of Publication, and Language. Simple and advanced searches are available, enabling easy access into this large collection of documents. For those with access, this site provides an extensive resource for researching all aspects of 17th- and 18th-century North America.

This multimedia educational site from National Geographic offers a diverse set of materials that describe the Underground Railroad, the well-known network of men and women who helped transport African Americans to freedom before the abolition of slavery. Students can start by taking an interactive journey to the North and to freedom. Using visual materials (such as historical photographs of slaves and abolitionists) and audio selections (such as popular spirituals of the day), students make decisions about what to do in order to reach the North. The site is also comprised of a map of the Underground Railroad routes, including those specific to Harriet Tubman, and a section entitled "Faces of Freedom" that allows students to study 12 brief (25 words or less) biographies of individuals who helped enslaved African Americans reach the North.

A timeline provides some context to the history of slavery in the New World, beginning with the importation of slaves by Spaniards to Santo Domingo in 1501 and concluding in 1865 when slavery was abolished by the passage of the 13th Amendment. The site is rounded out by a number of educational resources for K-12 teachers.

Produced as a part of a series of articles on black history titled "Through Spokane's Eyes: Moments in Black History," this site is a civil rights oral history project organized around the memories of men and women from Spokane, WA. Visitors can listen to of eight oral history interviews. They include an account by Jerrelene Williamson who compares the civil rights movement in Spokane to events in Alabama. Like most of the interviews, Williamson's dialogue is approximately 10 minutes in length. Emelda and Manuel Brown discuss their experiences with racial prejudice within the context of raising a family in Spokane in the 1960s. Their interview (32 minutes) is the second longest within the collection. Like many others within the project, Clarence Freeman shares his remembrances of the assassination of Dr. Martin Luther King. Sam Minnix and Verda Lofton describe the local civil rights demonstrations, and Flip Schulke recounts his experiences as a photographer in the south during the 1960s. His interview includes a discussion of James Meredith's admission into the University of Mississippi and at 45 minutes, is the longest. Alvin Pitmon talks about the desegregation of Arkansas schools and Nancy Nelson sings two civil rights spirituals, "My Lord, What a Morning" and "Let Us Break Bread Together."

A search engine allows users to search interviews by keyword and across database topics. This site will be of great interest to those interested in the history of civil rights in the United States.

This is essentially a digital tribute to the Gershwin brothers, George and Ira. The site explores their musical and lyrical legacies as one of the most famous songwriting duos in American history. The site features playable audio files of 58 of the Gershwins' best-known songs, performed by artists such as Ella Fitzgerald, Tony Bennett, and Harry Connick, Jr. In the History section, visitors can view a timeline of the brother's lives, complete with photographs, or read detailed profiles (approximately 2,500 words) of both George and Ira, separately and together. An Anthology highlights 10 selected films and 10 shows, while References provides additional resources in print, music, and digital media.

This site is dedicated to the legacy of Leonard Bernstein, one of America's foremost conductors of classical music in the 20th century. The "Life's Works" section consists of the Red Book," a comprehensive listing of his many compositions, a 124-page discography that catalogs 826 of Bernstein's recordings, a 1,500 word biography, and a timeline. In "The Studio," the other main section, there are 13 black-and-white photographs of Bernstein, his family, friends, and colleagues and 24 excerpts of interviews, writings, and speeches of and by Bernstein. Users can also view lyrics of six songs from "A Wonderful Town" and handwritten and typed draft scripts from the "Young Peoples' Concerts."

Highlights of this site are ten personal letters dating from 1943, four telegrams, including one from Humphrey Bogart to Bernstein, and eight images of Bernstein's preliminary notes for various musical and educational projects including an original image of Bernstein's personal copy of Shakespeare's Romeo and Juliet with his annotations in the margin. Users may also view 14 video clips from films and television programs, including seven home videos filmed in the early 1940s and Bernstein's well-known "Norton Lectures" at Harvard. This site is rounded out with a collection of 20 audio clips from the conductor's many recordings. Those with a passion for American music will find that this site has a wealth of information. For the novice, however, its cluttered presentation is difficult to navigate.

These materials come from a museum with approximately 4,000 pieces of racist memorabilia donated from Pilgrim's personal collection. Envisioned as an educational resource for scholars and students, this site contains most of the images within the museum collection, including sheet music, ashtrays, children's book covers, salt and pepper shakers, postcards, dolls, and matchbooks. The exhibit is divided thematically into 11 sections, including racist cartoons; Jezebel stereotypes; the tragic mulatto; and caricatures of the brute, picanninny, nigger, tom, mammy, coon, and golliwog. Each section includes a scholarly essay that provides historical context for the anti-black caricatures. For those interested in further research, the summaries (most between 2,000 and 4,000 words) offer extensive footnotes with primary, secondary, and online sources.

Of the 30 images within "The Brute Caricatures," users will find the covers of Charles Carrolls' The Negro a Beast, published in 1900, and D.W. Griffith's The Birth of a Nation of interest. There are 142 picanninny images, including Buckwheat and the cover of the children's book "Little Sambo." There are images of 50 "Uncle Tom," 87 "Mammy," and 90 "Jezebel" caricatures, both cinematic and commercial. More than 100 pictures and objects bear the appellation "nigger," and 118 19th- and early-20th-century racist cartoons (2 Quicktime and 2 RealMedia) are available. The exhibit includes a radio interview with Dr. Pilgrim, along with links to 13 scholarly essays and relevant newspaper articles. The site will be of special interest to those researching the history of racist memorabilia.