Lift Every Voice: Music in American Life

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An exhibit of music and documents that "commemorates and celebrates a variety of songs that were a part of everyday American life through the centuries." Includes 18 audio excerpts lasting approximately one minute each of representative ballads, hymns and spirituals, patriotic odes, minstrel tunes, songs from musicals, protest songs, and songs about the state of Virginia. Clips include performances by Woody Guthrie, Paul Robeson, Lead Belly, Kate and Anna McGarrigle, Bob Dylan, and the Beatles. Accompanied by a 10,500-word essay arranged by types of music and interspersed with more than 100 historical documents, including manuscripts, illustrations, photographs, hymn books, songsters, portraits, posters, sheet music covers, album covers, and record labels. A "Virginiana" section provides material from Thomas Jefferson's library to illustrate his interest in music. The site is a good introduction for those interested in understanding historical roles, functions, and uses of music by various American groups.

Music for the Nation: American Sheet Music, 1870-1885

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This American Memory site features more than 47,000 pieces of sheet music, drawn from the Music Division of the Library of Congress, registered for copyright from 1870 to 1885. The collection includes popular songs, piano music, sacred and secular choral music, solo instrumental music, method books, instructional materials, and band and orchestral music. Each featured work includes notes on the publisher, composer, publication, subjects, medium, and images of the music, from the cover through the score. Some selections also include transcripts of the lyrics.

Three special presentations feature selected portions of the collection. "A Decade of Music in America, 1870–79" offers a lengthy (5,000-word) essay on the most important themes, composers, musicians, and performers of that decade. It features more than 50 links to the works of key figures such as John Philip Sousa and Will S. Hays, and audio clips and lyrics of popular works like George Frederick Root's "Grandfather's Clock" and James M. Bland's "Carry Me Back to Old Virginny."

The presentation entitled In Performance—Choral Works from the Collection offers 12 audio files of music selected to represent the typical style of four-part writing for hymns and other choral pieces of that era. The audio files were recorded for the online collection in 1998 by the "Music for the Nation" Singers, a group of Library of Congress staff members. An image of the cover, a brief (150-word) description of the piece's theme and background, and information on the composer accompanies each of these selections.

Greatest Hits, 1870-1885: Variety Music Cavalcade is a listing of the most popular works for each year between 1870 and 1885, with information on the composer, date of composition and publication, and links to more information and audio clips when available. Annual lists, ranging from 5 to 12 entries, come from Julius Mattfield's "Variety Music Cavalcade" 1620–1969: A Chronology of Vocal and Instrumental Music Popular in the United States (1971).

The site also boasts an 18-work bibliography of scholarly works on music in this period. Though the time period covered in this online collection is rather narrow, the selection and variety of music represented is enormous; and the site provides an exhaustive introduction into the music of the period as well as a glimpse into the popular culture of the late 19th century.

Jazz: A Film by Ken Burns

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A companion for Jazz, the PBS documentary series, this site explores the origins and evolution of a distinctively American form of music.

The site is divided into three main sections. Places, Spaces, and Changing Faces offers information on some of the cities and clubs that contributed to the growth of jazz, from New York's Savoy Ballroom to New Orleans' Anderson's Annex. Jazz Lounge outlines basic musical features and characteristics of jazz rhythm and melody and describes seven major strains of jazz from New Orleans to Bebop. Jazz in Time features a generally chronological history of the changes in jazz from antebellum America through the Jim Crow period, the Depression, World War II, the sixties, and beyond and also provides a link to a history of women in jazz. Another link offers over 100 biographies of musicians.

Each entry includes a roughly 500-word essay that outlines the historical background, major figures in the shaping of jazz, and specific characteristics of the music in that section. The site contains close to 100 audio clips of music and interviews with historians and musicians who appeared in the documentary. About 20 of the interviews are also transcribed.

A virtual piano in the "Jazz Lounge" provides an interactive opportunity to learn about and practice basic jazz techniques. There is also a section about the making of the documentary that includes information on the show's producer, Ken Burns. This site is ideal for researching American cultural history and the history of American music.

The American Experience

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Visitors may browse these "website archives" to access the transcripts of 60 American Experience documentaries broadcast on PBS. In addition, the site offers transcribed interviews with the filmmakers, a timeline of events of each the of the film topic's era, and teaching guides.

Documentaries cover a wide range of topics including Harry Houdini, the Donner Party, the advent of television, and the Wright brothers. Primary source material includes pages from a colonial woman's diary, public documents from Truman's presidency, video clips of female pilots, and real audio files of three hobo songs. The site will be especially useful for teachers contemplating using films in the classroom.

The Primeline Midi Library

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A chemical manufacturer has put together this site containing 638 full-length audio files of ragtime music, tunes "highly influenced by the genre," and music "evocative of the times" in which ragtime was produced. Music may be downloaded at no cost. Also provides 26 classical pieces.

Includes notes for many of the ragtime pieces of up to 800 words each, and 19 biographies of 100–600 words each on composers and performers, including Scott Joplin, Charles Hunter, and Joseph Francis Lamb. The music is available through MIDI files. Of interest to those studying music history and popular culture.

Popular American Music

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This archive of American popular songs in their original form allows the user to explore the history of popular music in the U.S. from the 1850s to the present. It offers more than 400,000 pieces of sheet music, anthologies, and orchestra and band arrangements. Also available are 62,500 recordings.

The collection includes a wide variety of music genres, from music for theater, television, and motion pictures to rhythm and blues and rock. The collection can be browsed by name, title, cover art subject, or date. Or search the archive by keyword or combination of keyword, title, description, composer, or publisher. There are 12 links to other digital sheet music collections. Those researching American popular music should find this extensive collection very useful.

Center for the Study of the American South

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This well-designed site features the current version of the journal Southern Cultures, including images and audio not available in the print version. A table of contents is provided for all back issues and searchable full text is available for book reviews but not articles.

There are two exhibits: "Sounds of the South" offers a tour of southern music "from bluegrass to zydeco" with background information and audio clips; "Envelopes of the Great Rebellion" features over 100 images from Civil War stationary.

The site also offers an excellent gateway to over 100 links to resources for studying Southern History, from research centers and libraries to African Americana and general culture.

Louisiana State Museum Jazz Collection

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This small site, part a larger collection, offers a music archive dealing primarily with traditional New Orleans jazz. Composed of photographs, audio recordings, and audio interviews of musicians and bands that were primarily active in New Orleans, the collection is currently composed of more than 1,000 total items, including more than 380 audio recordings. Of particular interest are the 160 Louis Armstrong items. The collection can be searched by keyword. The site's authors plan to make additional items available as they are digitized and catalogued. A useful resource for those studying the history of jazz or jazz culture.

Harlem History

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This website offers a collection of oral history interviews, images, videos, and scholarship on various aspects of the history of Harlem. It is divided into three main sections. "Arts and Culture" has six exhibits that include two video interviews focusing on Harlem's artists, writers, and musicians; oral history interviews with A. Phillip Randolph on the Harlem Renaissance and Dorothy Height on Harlem's theatrical scene; and a multimedia presentation on the Harlem Renaissance. "The Neighborhood" provides seven exhibits that include an oral-history interview with the first African American patrolman in New York City, an essay and video on the architecture and development of Harlem, an e-seminar about classic New York ethnic neighborhoods, an essay on the decline of Jewish Harlem, Bayard Rustin's reflections on different ethnic groups with economic interests in Harlem, and civil rights leader Dorothy Height's description of changes in Harlem and her attachment to the neighborhood. "Politics" offers four exhibits: oral history interviews with A. Phillip Randolph on Marcus Garvey's movement in Harlem and Bayard Rustin on Harlem congressman Adam Clayton Powell, Jr., a video lecture on Harlem politicians, and a video interview with David Dinkens on 1950s Harlem. The site also offers a short (eight images) photo essay entitled "The Streets of Harlem" and a multimedia presentation on the 1945 Negro Freedom Rally. This site offers a useful and varied collection of material for those researching or teaching Harlem or 20th-century African American history.

Getting the Message Out! National Political Campaign Materials, 1840-1860

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After property qualifications for voting were eliminated in the 1830s, the American electorate expanded from 1.5 million to 2.4 million. As abolition, the extension of slavery, the Mexican War, and the Dred Scott decision dominated the national debate, songs, parades, and barbecues became increasingly important campaign tools to reach out to new voters. This type of political material culture is highlighted through this website, presenting 1,200 documents, more than 650 images, 100 songs, and interactive country-wide Presidential election maps for all six Presidential elections between 1840 and 1860. Detailed contextual information is available on a wide range of subjects, such as political campaigns, political parties, and major national events. Five short videos by well-known scholars address political culture, the second party system, politics as popular entertainment, and women's roles in antebellum politics. The detailed lesson plan in the "Teacher's Podium" challenges students to assess changing campaign strategies through song lyrics.