These Territorial Kansas collections convey the growing divisions in Kansas and the nation over the expansion of slavery, federalism, nationalism, industrialization, and changing political coalitions in Congress. Materials include government documents, diaries, letters, photographs, maps, newspapers, rare secondary sources, historical artifacts, and images of historic sites. The website is divided into five sections: Territorial Politics and Government; Border Warfare; Immigration and Early Settlement; Personalities; and National Debate about Kansas. Each is searchable by keyword, author, and county. Topical sections are subdivided into relevant themes and include an introductory essay. Visitors will find essays on territorial politics, the rights of women and African Americans, military organizations, and free state and pro-slavery organizations. "Personalities" lists 32 individuals, including John Calhoun, and the final section presents both anti-slavery and pro-slavery perspectives of the national debate about Kansas. The site also includes a timeline with links and an annotated bibliography.

The Detroit Publishing Company mass produced photographic images—especially color postcards, prints, and albums—for the American market from the late 1890s to 1924. This collection offers more than 25,000 glass negatives and transparencies and about 300 color photolithographs from this company. It also includes images taken prior to the company's formation by landscape photographer William Henry Jackson, who became the company's president in 1898. Jackson's work documenting western sites influenced the conservation movement. Although many images were taken in eastern locations, other areas of the U.S., the Americas, and Europe are represented. The collection specializes in views of buildings, streets, colleges, universities, natural landmarks, and resorts, as well as copies of paintings. Nearly 300 photographs were taken in Cuba during the Spanish-American War. About 900 Mammoth Plate Photographs include views of Hopi peoples and their crafts and landscapes along several railroad lines in the 1880s and 1890s.

This scanned and partially searchable version of the 15-volume Public Records of the Colony of Connecticut, from April 1636 to October 1776, was originally published between 1850 and 1890. Users can search documents by date, volume, and page number. Each of the 15 volumes, covering consecutive time periods, includes alphabetical, hyperlinked subject terms for browsing. The site also provides access by type of material: charters, documents, inventories, laws, letters, and court proceedings. Keyword searching may be available in the future, but even without this option, the site offers a wealth of accessible material on politics, legal matters, Indian affairs, military actions, social concerns, agriculture, religion, and other aspects of early Connecticut history.

A memorial to Roland Marchand, the late historian of popular culture and advertising, this website presents a slide library with more than 6,100 images, including more than 2,000 advertisements, drawn from Marchand's collection. The images are organized into more than 40 major categories and close to 200 subcategories.

The site also offers 48 lesson plans designed by Marchand, each with an introduction, an essay assignment, and 10 to 40 primary source documents. The lessons cover a diverse range of controversial topics, including the Antinomian Controversy, the reactions against Chinese immigrants, the Pullman Strike, the Women's Suffrage Movement, and Watergate. The site will be useful for researching popular culture and advertising, as well as numerous other topics in American history, such as women, wars, immigration, labor, and African Americans.

Presenting more than 250 computer marketing brochures from 1948 to 1988, this collection represents materials from more than 90 companies.

Visitors can explore the entire collection or browse by company. Categories include: calculators, mainframes, minicomputers, personal computers, supercomputers; applications for which the computer was intended; and decade.

Of particular interest are six early marketing brochures from Apple Computer, a brochure for the Commodore 64 computer, and two mid-1950s IBM brochures for "electronic data processing machines." Each group of brochures is accompanied by a brief introduction with historical information about the company, category, type of application, or decade. The full contents of each brochure are available for viewing or download in .pdf format and each brochure is accompanied by descriptive data.

This colorful exhibit showcases more than 900 Work Projects Administration (WPA) posters produced from 1936 to 1943 as part of the New Deal program to support the arts during the Depression.

Silkscreen, lithograph, and woodcut posters promoted New Deal and local programs dealing with public health, safety, education, travel and tourism, and community activities, as well as publicizing art exhibits, theater, and musical performances in 17 states and the District of Columbia.

Each poster is accompanied by a brief description. Three special presentations feature more than 40 posters, including highlights of the collection's breadth and depth as well as style and content; an audio recording with a silkscreen artist; and a Federal Art Project calendar. A bibliography of 10 related scholarly works also is included.

More than 55,000 photographs taken by staff photographers of the Chicago Daily News during the first decades of the 20th century are available on this website. Roughly 20 percent of the photos were published in the paper. The Chicago Daily News was an afternoon paper, sold at a cost of one cent for many years, with stories that tried to appeal to the city's large working-class audience.

The website provides subject access to the photographs, which include street scenes, buildings, prominent people, labor violence, political campaigns and conventions, criminals, ethnic groups, workers, children, actors, and disasters. Many photographs of athletes and political leaders are also featured. While most of the images were taken in Chicago and nearby areas, some were taken elsewhere, including at presidential inaugurations. The images provide a glimpse into varied aspects of urban life and document the use of photography by the press during early 20th century.

These 8,000 items document the immigrant experience of Chinese who settled in California during the 19th and early 20th centuries. Materials include photographs, letters, diaries, speeches, business records, legal documents, pamphlets, sheet music, cartoons, and artwork.

Access is provided through nine galleries, each containing an introductory essay and 70 to 575 items. Four galleries present materials on San Francisco's Chinatown, including architectural space, business and politics, community life, and appeal to outsiders. Additional galleries deal with Chinese involvement in U.S. expansion westward; communities outside San Francisco; agricultural, fishing and related industries; the anti-Chinese movement and Chinese exclusion; and sentiments concerning the Chinese. Visitors may search by keyword, name, subject, title, group, and theme. The site will be useful for studying ethnic history, labor history, and the history of the West as well as Chinese-American history.

During the New Deal and World War II, a period marked by the impulse to capture in writing, sounds, and images significant aspects of American life and traditions, government photographers with the Farm Security Administration (FSA) and the Office of War Information (OWI) took hundreds of thousands of pictures. This website features more than 150,000 photographs from this project. The photographs document the ravages of the Great Depression, scenes of everyday life in small towns and cities, and mobilization campaigns for World War II.

This site also includes approximately 1,600 color photographs and selections from two popular collections: "'Migrant Mother' Photographs" and "Photographs of Signs Enforcing Racial Discrimination." The site also provides a bibliography, a background essay, portrait samples of 18 FSA-OWI photographers, and links to five related sites. This is a great source for studying the documentary expression of the 1930s and 1940s.